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Archive for May, 2014

Ecosystems 101: Who Are You and What do You Want?

13 May

Dan Swift, of Buffalo, NY sits in the Monteverde Cloud Forest in Costa Rica where he is studying biodiversity at the Monteverde Institute. (From an OA post, here.)
__________

I married photography at a very young age.

That's a pretty loaded statement, and one that carries with it many connotations. That's because we all intuitively understand the risks in getting married too young. But the analogy holds true for photography, or at least my path in it.

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Ecosystems 101: Photography as a Catalyst

13 May
Let's revisit that hammer analogy. Say you spent some time time learning how to hammer nails. After a couple of smashed thumbs you got pretty good at it. You bought a decent hammer, then decided that was not good enough for your nail-hammering prowess and bought a better one.

You even built a collection of all kinds of nails, to be ready to hammer nails into damn-near anything. Now you can proudly call yourself a nail hammerer. So you sit back and wait for the opportunities and experiences to roll in. Which they might, or might not. But worrying about all of that other stuff is not your problem. You're a nail hammerer, dammit.

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Canon USA brings white EOS Rebel SL1 to America

13 May

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After being introduced in Japan and Europe, the white Canon EOS Rebel SL1 (EOS 100D) has made it to American shores. To avoid color clash, Canon also includes a matching EF-S 18-55mm F3.5-5.6 STM lens along with this compact DSLR. The white EOS Rebel SL1 will be available in June for $ 749.

News: Digital Photography Review (dpreview.com)

 
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10 Portrait Tips to Take Your Photography to the Next Level

13 May

You have all the makings of a beautiful photograph: the perfect client, an overcast day for soft natural lighting and a gorgeous landscape as the backdrop. You’re taking photos but noticing that something’s not quite right. The photos look underwhelming. Believe me, I’ve been there. Here are 10 tips to take your portraits to the next level.

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Photographing Danielle LaPorte – author

Portrait of Danielle LaPorte - author

Portrait of Danielle LaPorte – author

Tip #1 – have your subject look up at you

It’s slimming and flattering (see images above). Bring a small step stool to stand on and photograph your subjects from slightly above their eye line. Watch double chins disappear. Keep a step stool in the trunk of your car so you don’t even have to think about adding it to the list of gear to bring when you prep the night before. It’s there, ready to go.

Tip #2 – capture the moments in between poses

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Personally this is a favorite of mine. If you’re noticing the images look too posed, or your subject is uncomfortable in front of the camera, shake things up. Ask them to do the most ridiculous pose or ask them to pretend to laugh really hard. Take that photo, but keep the camera up and wait. The moment after that photo happens you’ll find their guard will come down, they will laugh authentically or give you a moment that feels much more real.

Tip #3 – turn the subject’s body slightly

Have them turn their body slightly away from the camera and their face still looking straight at you. This is not only slimming, it also gives the photograph more depth.

Tip #4 – flattery

Always tell them how beautiful they look. It’s unnerving to have someone pointing a camera at you and not know what the photos look like. Tell them. It will help calm their nerves and you will notice a difference in the photos because they will feel more confident and attractive.

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Tip #5 – connection

This is the key to everything really. If there’s a connection between you and the person you are photographing, there’s a magic that happens that’s unexplainable. Sure, you can have the right lens, the right camera, and the right lighting, but an authentic connection between the two of you takes it up a notch. You can see it in their eyes. They connect with you, and it shows with a different authenticity that can’t be faked. Ask questions, become curious about who they are. Get to know them on a more personal level. Keep that conversation going throughout the photo session. Laugh with them.

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Tip #6 – tell your subject to flirt with the camera

Ok, that sounds weird but it can work. Ask them what celebrity crushes they have. That changes the look in their eyes and on their face. Have them pretend that the camera is that person. Seriously. It makes them laugh, which goes with tip #2, and helps them loosen up as well. If they are in a relationship, ask them when they met, how they met, or some other stories about their partner that lights them up. Watch the shift happen and take photos throughout the conversation. You’ll capture moments that are real and off guard.

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Tip #7 – have them bring a playlist of their favorite music

I bring a portable wireless speaker and play their music, which creates a mood they are comfortable with. You can also play your own music. It helps give them something else to pay attention to and can lighten the mood. Get playful with it and dance around with them. Let them express themself and just pay attention with your camera ready. You can take photos of those moments as well. You can try a longer shutter speed while they dance for some variety and movement. A little blur can add more of a story to the series of images.

Tip #8 – clothing selection is important

Have them pick out clothing from their wardrobe that makes them feel like a rock star. It must be clothing that they feel comfortable in and which allows them to move easily. No crazy patterns or bright colors. The emphasis is on their eyes and their expression not the bold neon stripes on their top.

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Tip #9 – lighting

If you’re outside, open shade is extremely flattering. This is best early in the morning, late afternoon and close to sunset, when shadows are being created from trees and buildings. Have your subject stand in the shade. A great place to explore this is in doorways. Try just inside an open garage door. Stairways inside parking garages can also provide a shade that’s not too dark, with the brightness outside reflecting on them perfectly. If you’re inside, you can still use natural lighting by turning off all the overhead lights and lamps and having your subject move close to the window. When it’s overcast it’s best because again, it will be even soft light on their face without any shadows or harsh light making them squint.

Tip #10 – break the rules

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Allow the flare from the sun to fill the lens. Use alternative cameras like a Polaroid SX-70 or your iPhone. Try out the iPhone apps. It helps you expand as a photographer when you stretch yourself in new unchartered ways. Only bring one lens to the photo shoot. Bring the one you know is the most flattering. My favorite portrait lens is the Nikon 85mm 1.4 lens. ( yep, I’m a Nikon girl ). Think of this as more than a portrait shoot but as a fine art project. Have your subject create a Pinterest board of their favorite portraits before the photo session and play with those ideas. Try unconventional poses. They can lead you to unexpected moments of greatness with your portraits.

Next steps

Allow yourself to go on a journey of exploration during the photo session. There are so many ways to go from ordinary to extraordinary. Paying attention to the basics of composition, lighting, posing can help. Incorporating your own authentic personality into the session will help your client be more relaxed and open to try new things. This will bring you better results in the end.

So, what is one tip you’ve learned along the way that has helped you create better portraits? Share it with us in the comments below.

The post 10 Portrait Tips to Take Your Photography to the Next Level by Catherine Just appeared first on Digital Photography School.


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Canon announces 16-35mm F4L and 10-18mm F4.5-5.6 lenses

13 May

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Canon has officially announced a pair of new lenses. The first is an EF 16-35mm F4L IS USM lens, which is a cheaper version of the existing F2.8L model. For cameras that support EF-S lenses, there’s also a new 10-18mm F4.5-5.6 IS STM model, which is equivalent to 16-29mm on APS-C bodies. The two lenses will be available next month for $ 1199 and $ 299, respectively.

News: Digital Photography Review (dpreview.com)

 
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Glücksmaschinen

13 May

Ein Beitrag von: Daniel Sebastian Schaub

Karusselle sind exponierte und exzentrische Körper. Sie implizieren Sensation und Wagnis, Geschwindigkeit und Wirbel, Eingebundenheit und Vergnügen. Kurzum: Sie sind affektbehaftet und auf das Spektakel fixiert.

Architekturen mit prinzipiell gleicher Funktion treten in einer Vielzahl an Formen und Oberflächen auf. Individuelle Profile stehen zueinander in Konkurrenz und generieren Aufmerksamkeit.

Das fotografische Bild ermöglicht es, die Karusselle an einem Ort zu versammeln und zueinander in Beziehung zu setzen. Die Trias aus Kapital (Kasse), Zirkulation (Drehscheibe) und Inklusion (Kulisse) stiftet den notwendigen Raum für das Spiel der Simulation.

Glücksmaschinen © Daniel Sebastian Schaub

Glücksmaschinen © Daniel Sebastian Schaub

Artifizielle Räume ziehen mich an. In diesen halte ich mich äußerst gern auf. Es sind Orte mit einer hohen Konzentration und Intensität. Zu ihnen vermag ich eine tiefe Bindung aufzubauen.

Das fotografische Bild ist eine Kooperation aus einem Autor, einem optischen System und einer Situation. Seine Struktur folgt dem dialogischen Prinzip. Dialoge stiften Raum. Sie sind konstitutiv, um eine Begegnung mit dem ganz Anderen zu ermöglichen.

Glücksmaschinen © Daniel Sebastian Schaub

Glücksmaschinen © Daniel Sebastian Schaub

Das Dargestellte im Bild markiert einen Bruch mit der realen Situation. Das fotografische Bild ist wie ein Riss, der die Flachheit und Eindeutigkeit einer Sache unterläuft. Die Kamera bringt so das optisch Unbewusste zum Ausdruck.

Das Medium Fotografie ist unserem gewohnten Sehen sehr nah. Seine Präzision und Konkretheit führt zu permanenten Verwechslungen zwischen realen Orten und fotografischen Bildern.

Glücksmaschinen © Daniel Sebastian Schaub

Glücksmaschinen © Daniel Sebastian Schaub

Fotografie ist Abstraktion und Konzentration – sie bildet ein Extrakt mit eigenen Ordnungsprinzipien. Folglich entstehen neue Objekte, unabhängig vom eigentlichen Ort. Das fotografische Resultat ist die Sichtbarwerdung und Vergegenständlichung der Beziehung von Autor und Ort.

Tod, Kapital, Transparenz und Simulation spiegeln sich in all meinen Arbeiten. Nur die digitale Fotografie löst in mir den Impuls aus, zu fotografieren. Es ist eine Form der Fotografie, die prospektive Bilder hervorzubringen vermag.

Glücksmaschinen © Daniel Sebastian Schaub

Glücksmaschinen © Daniel Sebastian Schaub

Die Frage nach dem realen Referenten einer Fotografie ist zweitrangig. Die Frage danach ist in Anbetracht des Digitalen geradezu belanglos geworden. Das digitale Medium strebt nach Optimierung und Idealisierung – es ist dem Geistigen wesentlich näher als jedes Medium zuvor, das macht seine Faszination und das Begehren nach ihm aus.

Ich würde nie über eines meiner Bilder sagen: Das ist authentisch; ich würde immer sagen: Das ist die Simulation. Jean Baudrillard schreibt in „Die fatalen Strategien“*:

Reales verschwindet nicht zugunsten des Imaginären, sondern zugunsten dessen, was realer als das Reale ist: Das ist das Hyperreale. Wahrer als das Wahre: Das ist die Simulation.

Die Übersetzung der Karussells zu fotografischen Bildern zeichnet sich durch Zurückhaltung und Nüchternheit aus. Die Simulationswelten der jeweiligen Karusselle können hierdurch stärker in ihrer Wesenhaftigkeit hervortreten.

Glücksmaschinen © Daniel Sebastian Schaub

Glücksmaschinen © Daniel Sebastian Schaub

Ich habe sie in gleichem Abstand frontal und sachlich mit hoher Tiefenschärfe fotografiert. Die Aufnahmen kamen bei diffusem Licht zustande. Das Objekt ist immer angeschnitten. Folglich geht die Einbettung in seine Umgebung verloren – es wird auf natürliche Weise vom übrigen Ort isoliert.

Der Zugriff erfolgte früh am Morgen, wenn die Maschinen stillstanden und das Publikum abwesend war. Über einen Zeitraum von zwei Jahren war ich hierfür auf großen deutschen Volksfesten unterwegs.

* Das ist ein Affiliate-Link zu Amazon. Wenn Ihr darüber etwas bestellt, erhält kwerfeldein eine kleine Provision, Ihr zahlt aber keinen Cent mehr.


kwerfeldein – Fotografie Magazin | Fotocommunity

 
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Ecosystems 101: Mind the Gaps

13 May

The large rock in the photo above is a very special rock. It is known as the Rosetta Stone, and it is the showcase exhibit in the British Museum in London. It's technically just a rock with some scratching on it, but it was responsible for our learning how to decode Ancient Egyptian hieroglyphs.

How? Because it was a decree issued in Egypt in 196 BC. Specifically, it was issued in three different languages (Ancient Greek, Demotic script and Egyptian hieroglyphs) and thus was the key to our being able to figure out the previously indecipherable language of Ancient Egypt. It was like capturing the other side's code book in WWII.

Which means this rock was literally a key to unlocking a heretofore opaque ancient language.

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Empty Spaces: Photo Book Documents Eerie Urban Ruins

13 May

[ By Steph in Abandoned Places & Architecture. ]

Johnny Joo Abandoned Places Photography 1

Crumbling cathedrals, decaying theaters and half-destroyed camping cabins: urban explorer Johnny Joo has seen it all, and he doesn’t just document these abandoned places, he does so with an eye for spine-tingling drama. The 23-year-old photographer is releasing his collection of stunning images in book form with ‘Empty Spaces,’ available for pre-order for just a couple more days.

Johnny Joo Abandoned Places Photography 2

Johnny Joo Abandoned Places Photography 5

The 116-page, hard-cover photo book ‘Empty Spaces’ includes the photographer’s favorites from years of urban exploration. Pre-orders come hand-signed with a free gift; the book is also available in E-book form. Order it at Architectural Afterlife. 

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Johnny Joo Abandoned Places Photography 4

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The photographs take us on a visual tour of the abandoned Rust Belt. Some structures are so covered in moss and ivy, their former use is a mystery. Others, like bowling alleys and theaters, seem frozen in time, as if they’re just waiting for patrons to start filing back in.

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Johnny Joo Abandoned Places Photography 8

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Why were these places vacated? And why are they left to sit, uncared for? The remains of a person’s bedroom, bed still intact, covered in a layer of mold and dust. Walls surrounding with cracked complexions and vivid, yet transparent voices telling a story of time. Living through the history of abandonments as you explore what once was an entirely different scene; now transformed into a desolate, yet incredible, stimulating image of complex patterns and great detail. Through this book, we will take a journey through the rust belt to see the unseen and find the forgotten.”

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[ By Steph in Abandoned Places & Architecture. ]

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Rumors hint at pair of new Canon lenses

13 May

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Rumors have been flying around the Internet in the last week about a pair of new Canon lenses. The first rumored lens is an EF 16-35mm F4L IS USM model, which could be a cheaper version of the existing F2.8 lens, or a replacement for the 17-40 F4L. The other speculated lens is an EF-S 10-18mm F4.5-5.6 IS STM which, according to the rumor mill, should be fairly inexpensive. The word on the street is that these lenses will be announced soon, so we’ll keep our fingers on the keyboard just in case.

News: Digital Photography Review (dpreview.com)

 
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Software update speeds up Samsung Galaxy S5 camera

13 May

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Samsung has released a software update for the international version of its Galaxy S5 flagship smartphone. The new software is promising speedier camera and gallery app startup, plus more responsive fingerprint recognition. Apart from the faster camera startup, the update also brings improved general performance and better RAM management. Learn more

News: Digital Photography Review (dpreview.com)

 
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