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Archive for February, 2014

Nokia Lumia Icon brings 20 megapixel PureView to Verizon

13 Feb

lumia.png

The Nokia Lumia Icon, introduced today, offers 20 megapixel PureView image technology to customers on the Verizon network for the first time. The Icon offers an F2.4 Zeiss lens, 1080p HD video recording, and like its PureView peers runs Windows Phone 8. Read more on connect.dpreview.com

News: Digital Photography Review (dpreview.com)

 
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Nikon D5300 review: Approachable, yet serious

13 Feb

d5300.jpg

The Nikon D5300 presents an entry-level photographer with some serious specifications, starting with a 24 megapixel APS-C sensor. It shapes up to be quite the formidable DX-format camera with 1080/60p HD video recording, built-in Wi-Fi/GPS, a 39-point AF system and a flip-out LCD. It’s not short on features, but do its handling and image quality match the tall specs list? Read our full review

News: Digital Photography Review (dpreview.com)

 
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Olympus developing 7-14mm F2.8 and 300mm F4 ‘Pro’ lenses

12 Feb

7-14.png

When Olympus announced the high-end OM-D E-M1, it promised that it would be making a wideangle zoom and super-telephoto prime in its matching ‘PRO’ line of lenses. Now it’s given a few more details for those products. The M.Zuiko Digital ED 7-14mm 1:2.8 PRO shares many design features with the current 12-40mm 1:2.8 PRO, while the M.Zuiko Digital ED 300mm 1:4 PRO offers a 600mm equivalent angle of view. Both lenses are dust- and splash-proof, and will be available next year. Click through for more details and pictures of the lenses

News: Digital Photography Review (dpreview.com)

 
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12. Februar 2014

12 Feb

Ein Beitrag von: Nemoxdelight

© Nemoxdelight


kwerfeldein – Fotografie Magazin

 
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Why Lazy Photographers Should Use Lightroom Smart Collections

12 Feb

I never bother to keyword or tag my images. I often neglect putting my photos into organized collections. It takes too much time away from my workflow to bother with any of that – so how the heck do I find any of my images?

Lightroom Smart Collections

It’s easy to keep track of your images without painstakingly organizing them shot-by-shot. Lightroom Smart Collections allow you to filter and organize your images based on metadata contained within the images. Often times this metadata can be unique enough to sort your images based on subject, location, and genre.

smart-collections

Smart Collections allow you to define very specific criteria, and you can require many different criteria to be met before an image will be included in the collection. Common settings like ISO, shutter speed and aperture are available, but the options are endless. You can filter based on whether a flash was used, based on GPS data, file type, lens, focal length, capture date, the list goes on.

Below are a few examples where Smart Collections can define a specific type of image with only metadata:

Example 1: pan blurs

Some images can easily get lost amongst others, and pan-blur shots are one of them. I usually photograph these on a whim while shooting other subjects, but they all have something in common. I use a zoom lens with a very small aperture, in addition to a few other factors:

pan-blur-requirements

Slower shutter speeds are usually used, and typically only with one of my cameras. I built the above list of criteria or requirements which gives me a pretty good list of all the pan-blur abstract images I’ve ever taken:

pan-blur-library

There is always a chance that an unrelated shot might meet the same criteria and appear in the collection, so try to be as specific as possible and use as many defining conditions as you can.

Example 2: GPS data

If you have a GPS unit for your camera (or have a GPS built-in), the extra metadata provided by your location can be invaluable to sorting your images. For example, I can easily specify that I want to create a collection of all images I’ve photographed in the Yukon Territory of Canada:

yukon-requirements

You could also further to showcase only the wildlife shots. Because I know that I would only have been using focal lengths longer than 200mm for wildlife, I can add that requirement to find only my wildlife images. A few other shots may sneak in, but it’s a great way to narrow things down:

yukon-library

Entire vacations or trips can be defined this way, and even specific client location shoots can be identified by this location metadata.

Example 3: snowflakes

I shoot a TON of snowflake images each winter, and by looking at the common metadata for each image you can create a “fingerprint” that a Smart Collection can identify. The following Smart Collection will only show snowflake photographs:

snowflakes-requirements

I can also create a collection of just my final print-ready files. As these images need to be edited in Photoshop as part of the required workflow, the final images would then all be TIF files. That requirement can be added to show only my completed images:

snowflakes-library

Conclusion:

Not every subject will have a “fingerprint” that can be defined by Lightroom Smart Collections, but with a bit of clever thinking you should be able to define a good number of your own. As new images are added to your Lightroom catalog that meet the criteria for inclusion in your new Smart Collections, they will automatically appear. The lazy efficient photographer’s dream come true!

The post Why Lazy Photographers Should Use Lightroom Smart Collections by Don Komarechka appeared first on Digital Photography School.


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Canon announces entry-level Rebel T5 (EOS 1200D) and macro ring light

12 Feb

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There’s a new entry-level camera in Canon’s DSLRs lineup, and it’s the Rebel T5 (EOS 1200D). This model replaces the Rebel T3 (EOS 1100D) and features the company’s familiar 18 megapixel CMOS sensor, DIGIC 4 processor, and 9-point AF system. The T5 also has a 3″ LCD, 3 fps continuous shooting, and 1080p video recording. Canon also announced the MR-14EX II Macro Ring Light, which can be controlled wirelessly using the radio-based ‘RT’ system. Both the camera and ring light are priced at $ 549, with the former including an 18-55mm lens.

News: Digital Photography Review (dpreview.com)

 
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Sequence Photography Tutorial to Take Your Sports Photography to a Whole, Nother Level

12 Feb

Sequence photography is a great tool to use when you need to have a more interesting shot to use, but it’s not always easy to do – to take a flawless sequence shot you’ll need to do as much work on the day as you will in Photoshop. What you’ll need is: A tripod to steady the camera Photoshop (or Continue Reading

The post Sequence Photography Tutorial to Take Your Sports Photography to a Whole, Nother Level appeared first on Photodoto.


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Juxtapositions: Luxury Skyscrapers in Seas of Blue Shanties

12 Feb

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

skyscraper next to squatters

In some cities the slums run vertical while the rich build mansions on the precious ground, but in Mumbai, India, high-rise housing is considered premium real estate while the poor cobble together shelters below.

scryscraper slum backdrop mumbai

Alicja Dobrucka is the Polish photographer behind this photo series titled Life on a New High. Many of the photos were shot from a sufficiently high elevation to capture tall buildings on the backdrop of the surrounding urban landscape.

skyscraper foreground shelter view

The residential towers stand in stark contrast to the sprawling ad hoc homes below, topped with a kind of (unfortunately) iconic patchwork of blue tarps.

skyscraper urban luxury tower

Thousands of mid-rise-and-higher structures have been or are being built in Mumbai, often without regard for any overarching city plan. Some (like the famous one above) house single families on multiple floors, often with space for dozens of servants (in this case, reportedly, as many as 200).

skyscraper no urban planning

skyscraper new construction india

skyscraper being built mumbai

Dobrucka also calls attention to the marketing slogans used to promote these structures. These catchy phrases are as seemingly out of touch with a their surroundings as the European-style architectural follies they are attached to: “You don’t just invite friends over, you invite awe”, ”Ask yourself, how much envy can you endure? Neither wealth nor influence will bring them back again”, ”If your tastes match with the President of France, we have just the right home for you”, ”Other homes have works of art. Yours is one” and “Rooftop pool. Rooftop Jacuzzi. Rooftop lawn. As for the moon consider it complimentary”

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[ By WebUrbanist in Architecture & Cities & Urbanism. ]

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Sony a6000 promises world’s fastest AF and 11 fps subject tracking

12 Feb

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Sony has released its new a6000 mirrorless camera, which is the replacement to the NEX-6. This midrange mirrorless features a 24MP CMOS sensor, Sony’s latest Bionz X processor, and a refined Hybrid AF system that covers 92% of the frame with phase-detect points. The new AF system allows for continuous shooting at 11 fps with subject tracking, and also promises the ‘world’s fastest autofocus’, according to Sony. Video enthusiasts will be pleased to see that the a6000 offers a zebra pattern and clean HDMI output, though it lacks headphone or mic ports. Read more.

News: Digital Photography Review (dpreview.com)

 
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Fotogenes Deutschland – Gertelbach

12 Feb

Ein Beitrag von: Tim Boy

Als ich vor einigen Jahren das erste Mal mit der Kamera im Schwarzwald unterwegs war, zog mich diese zauberhafte Landschaft in ihren Bann. Ganz besonders die wildromantischen Täler mit ihren Wasserfällen haben es mir angetan, deshalb möchte ich Euch heute die Gertelbach-Wasserfälle im Bühler Tal vorstellen.

Unter ständigem Rauschen des Gertelbachs laufe ich einen gut ausgebauten Weg bis zum Beginn der Schlucht. Durch die Vorfreude und die vielen schönen Eindrücke vergeht die Zeit wie im Flug.

Kaum angekommen, stehe ich schon mit meinen Füßen im Gertelbach, baue die Kamera auf und beginne mit dem Fotografieren. Schon beim ersten Blick durch den Sucher schalte ich völlig ab und lasse die Alltagssorgen hinter mir.

Besonders fotogen sind die zahlreichen Fallstufen und Gesteinsformationen, die sich im Laufe der Jahre dort gebildet haben. Samt Stativ und Kamera klettere ich an schwer zugängliche Stellen, um eine möglichst spannende und selten gesehene Perspektive zu bekommen. Aber auch die Gertelbachhütte und die kleinen Brücken, die zur Überquerung des Baches dienen, lassen sich gut in den Bildaufbau integrieren.

Oben angekommen, mache ich eine kleine Pause und blicke voller Ehrfurcht auf den Hauptwasserfall des Gertelbachs.

Im Herbst, wenn sich das Laub an den Bäumen färbt, die Blätter fallen und sich der Nebel im Bühlertal ausbreitet, ist für mich die beste Zeit für einen Besuch bei den Gertelbach-Wasserfällen. Mit etwas Glück kann man dann ganz besondere Lichtstimmungen einfangen.

Aber auch im Frühling, wenn es regnet und der Gertelbach durch das Schmelzwasser regelrecht überläuft, lohnt sich ein Besuch. Mittels Polfilter lassen sich die Reflexionen eliminieren und die Landschaft erstrahlt in saftigem Grün. Ein weiterer Vorteil an Regentagen ist, dass ich meist allein unterwegs bin und mich so ungestört auf die Natur einlassen kann.

© Tim Boy

© Tim Boy© Tim Boy

© Tim Boy

© Tim Boy© Tim Boy

Bei jedem Besuch des Gertelbachs verzaubert mich die Landschaft im Bühler Tal immer wieder aufs Neue und jedes Mal bringe ich andere Fotos mit nach Hause. Schon auf der Heimfahrt freue mich auf den nächsten Besuch.


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