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Archive for August, 2013

Lowepro introduces Photo Sport Shoulder bag in two sizes

14 Aug

logo_lowepro.jpg

Lowepro has announced the Photo Sport Shoulder bag, in two sizes for both DSLR and mirrorless ILC camera kits. The Photo Sport Shoulder 18L is designed to fit a ‘pro DSLR without grip’ and a standard zoom lens, with a second small lens and room for accessories, including a 10″ tablet computer. The smaller Photo Sport Shoulder 12L is designed for an interchangeable lens camera with two lenses, and similar capacity for accessories – including a 10″ tablet – as its bigger companion. Both bags are available now for $ 84.99 and $ 74.99 respectively.

News: Digital Photography Review (dpreview.com)

 
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Photographing Tweens and Teens

14 Aug

By Lori Peterson

Booking teens and tweens for photo shoots is always fun. They have so much energy and enthusiasm and it really shows once they step in front of the camera. For that time when they are in front of your camera they feel like they are celebrities. That can be good for fragile egos and low self-esteem, especially when their hair and makeup is done and they look absolutely gorgeous.

Teens and tweens of today have seen enough modelling shows that they know the drill for posing. Some of them even have that runway walk down too! It’s very easy as a photographer to get swept up in our posing and our images and we can forget how old (or young) our client really is.

Keeping yourself engaged with your client and talking about school, their friends, music they like (which you may have never even heard of!) can be easy ways to make them feel at ease and remind you of who is in front of your camera. Keep their posing simple, not too suggestive.

Tweens and Teens Photography 01

Wardrobe seems to be a fairly contentious subject when it comes to teens and tweens, but I have the rule that if the parents have seen the wardrobe and have no problem then it’s not for me to judge. You want them to look like themselves and you don’t want it to look too out of their norm or they won’t want to show the photos off to their friends.

Tweens and Teens Photography 02

You aren’t there to parent them or to lecture on them their choice of clothing; you are there to take portraits. This is why consults before the shoot are so important. Going over wardrobe is one component that you should incorporate into your shoots so that you can decide where best to pose them and what works best for each location. Going over wardrobe also includes shoes, jewellery, and even hair and makeup. Talking to the parents about their expectations for the shoot is also very important.

Go over your contract with both the client you are shooting and their parent and let them know what your own expectations are during the shoot. Let them know about whether you allow parents to take photos during the shoot with their cell phone or with another camera too. Let them know what your policies are regarding afterwards when the photos are posted to social media. A lot of photographers have issues with people re-editing their images or cropping out their watermark. If you outline your specific rules for your images verbally and in your contract then you have a smaller chance for clients violating those policies.

Tweens and Teens Photography 03

Working with teens and tweens can be a lot of fun for photographers. They might be a little uncomfortable in the beginning, but once you get them started with the shoot and talking, it will almost be second nature for them to be their natural selves and let their personalities shine through. A lot of parents prefer these types of photo shoots for their teens and tweens to the traditional school portraits because you can see their personalities and their uniqueness in the images.

Lori Peterson is an award winning photographer based out of the St. Louis Metro Area. Her dynamic work ranges from creative portraits to very unique fine art photography. Lori’s work can be seen at www.loripetersonphotography.com and also on her blog at www.loripetersonphotographyblog.com. You can follow her on Facebook at https://www.facebook.com/LoriPetersonPhotography.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Photographing Tweens and Teens


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PhotoFuture: 13 Innovative & Intelligent Digital Cameras

14 Aug

[ By Steph in Gadgets & Geekery & Technology. ]

Bizarre Digital Cameras Main

Digital photography innovations have led to cameras that can capture images at the speed of light, see the world from the compound eye of an insect or describe scenes via speech for the visually impaired. Some of these strange and amazing digital cameras will even remember your preferred settings using iris recognition software, spit out descriptive text with the help of virtual workers around the world, or activate only at the touch of strangers.

Touchy Camera for Social Anxiety

Amazing Cameras Touchy

The wearer of this odd-looking camera helmet is entirely in the dark – literally – until touched by another person. When continuous physical contact is maintained between the camera, ‘Touchy’, and an outside person, the eye-hole shutters are activated. This gives the wearer back his or her own vision, and captures images every ten seconds. The creators note that we’re all separated into social bubbles, avoiding connection with strangers. “However, technologies like internet social networking or the mobile phone loosens social boundaries, hence dehumanizing physical communication. to a certain extent, it generates social anxiety such as the one experienced in the ‘hikikomori’ and ‘otaku’ cultures in Japan. Touchy criticizes this phenomenon and suggests a solution by transforming the human being into a social device: a camera. the touchy project investigates how such a device improves social life, presupposing that a camera is a known tool for sharing memories, valuable moments, enjoyment, emotions, beauty and so forth’.

Iris Camera

Amazing Cameras Iris 1

Amazing Cameras Iris 2

Iris is an eye-tracking camera that you control by blinking and squinting. It uses biometric technology to recognize users’ faces through their unique iris signatures, automatically loading their preferred settings including aperture, ISO and screen display. Zoom in and out by widening your eyelids, and take a photo by holding your gaze before double-blinking.

Panoramic Camera Ball

Amazing Cameras Panoramic ball

This incredible throwable camera captures photos of scenes from thirty-six individual lenses to create a continuous spherical landscape. The modules are mounted in a 3D-printed enclosure resembling a soccer ball, which is padded with foam and contains an accelerometer that helps predict rise time to the highest point of a throw. At that point, the exposure is triggered. Once the ball is caught, pictures are downloaded automatically via USB and shown in a spherical panoramic viewer so you can explore the full representation of the scene.

Descriptive Camera

Amazing Cameras Descriptive

Imagine having an army of virtual slaves at your command who help you organize your photo collection by printing a description of what each picture contains. That’s essentially what the Descriptive Camera by Matt Richardson achieves, taking advantage of people who perform menial online tasks for a few pennies at a time via the Amazon Mechanical Turk API. You take a photo and a worker receives it instantly via IM, typing up a description that the camera will then print on a receipt. The whole process takes three to six minutes, and the quality of the description may vary. One example: “Looks like a cupboard which is ugly and old having name plates on it with a  sturdy lamp attached to it.”

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Photofuture 13 Innovative Intelligent Digital Cameras

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[ By Steph in Gadgets & Geekery & Technology. ]

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Panasonic Lumix DMC-GX7 Real-world Samples

14 Aug

Screen_Shot_2013-08-14_at_9.23.21_AM.png

We’ve just published a gallery of real-world samples shot using the Panasonic Lumix DMC-GX7. The GX7 is Panasonic’s latest Micro Four Thirds interchangeable lens camera, and one of the company’s most interesting models yet. It features a new 16MP sensor, tiltable EVF and LCD, and offers several enthusiast-friendly features including highlight and shadow tone adjustment, an electronic (entirely silent) shutter and in-body image stabilization – a first for Panasonic. Click through for a link to our gallery of real-world shots. 

News: Digital Photography Review (dpreview.com)

 
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14. August 2013

14 Aug

Ein Beitrag von: Marcel Pommer

© Marcel Pommer


kwerfeldein – Fotografie Magazin

 
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Did you miss it? Take a look at the Perseid meteor shower’s peak

14 Aug

perseid_1.jpg

While some of us were sleeping this weekend, photographers around the northern hemisphere were capturing the Perseid meteor shower as it peaked. The annual shower continues through August 24th, but it reached its highest activity levels on August 11th and 12th as debris from a passing comet produced as many as 100 meteors per hour. This year’s relatively dim waxing crescent moon meant more meteors were visible to eager stargazers. Businessinsider.com has put together an impressive gallery of shots. Click through to take a look. 

News: Digital Photography Review (dpreview.com)

 
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Photography Pricing: How much is your Art worth?

14 Aug

We all love the art of photography, and perhaps even the technical challenges of capturing the essence of a scene or an occasion. Behind passion and creativity, however, is the reality that every photographer – whether you are into advertising photography, or offer wedding photography services, or any specialization for that matter – must place proper value on his or Continue Reading

The post Photography Pricing: How much is your Art worth? appeared first on Photodoto.


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Zerstäubte Wirklichkeit: Filmkorn

14 Aug

Ich war schon beim ersten Mal verliebt. Sie sahen aus wie tausend kleine Nadelstiche. Bleistiftspitzen, die ratternd über das Papier fahren. Verdichtete Geschichten in schwarzweiß auf einer Vergrößerung aus dem Chemiebad. Was war ich angetan.

Ich meine das Filmkorn. Nicht dieses feine, um das sich immer alle scharen, sondern das raue, sich in dunklen Geschichten suhlende. – Ist ja gut, ich hör schon auf. Aber Du kannst Dich sicher an alte Filmklassiker erinnern. Nosferatu – eine Symphonie des Grauens – in Farbe und glatt gebügelt? Geht nicht, oder?

Na also.

Aline © Marit Beer

Meine absoluter Lieblingsfilm ist der Ilford Delta 3200. Also ein stark lichtempfindlicher Film. Ich mag seine Zerissenheit, wie eine Explosion feinster Silberpartikelchen wirken die Ergebnisse, die ich damit erziele.

Selbst das grau Zermatschte hat mich im Sturm erobert. Aber auch der Kodak Trix-400 kann einiges mit einer, zugebenermaßen, besseren Schattenzeichnung als der Delta.

Die Liebe zu Filmkorn ist sicher wie der Genuss von raubeinigem Whisky aus dem Hochland. Nicht jeder mag ihn, manche verabscheuen ihn und andere können nicht anders, als darin den höchstmöglichen Genuss zu sehen.

Knoydart © Marit Beer

Einer meiner Lieblinge unter den Fotografen, der mit damit spielt, ist Michael Ackerman. Unstet, verwirrend, grob und zurückhaltend sind nur die ersten Adjektive, die mir zu seinen Bildern einfallen.

Sie sind verwackelt, verwischt und manchmal unfassbar klar, obgleich des zerstaubten Hintergrunds. Er erzählt beklemmende Geschichten von der Straße und wenn man nach oben schaut, sieht man gerade noch eine Hand, die einen Vorhang loslässt. Augen dahinter, die Dich beobachten und Dein Herz pocht und Du versuchst, nicht über den grauen Asphalt zu rennen.

Solch beklemmende Gefühle lösen diese Bilder in mir aus.

Knoydart © Marit Beer

Ich habe oft und viel herumprobiert. Nach Jahren nun habe ich einfach das gefunden, was mich atemlos macht, was den Bildern im Kopf am nächsten kommt. Die Klarheit wird erst sichtbar, wenn das Bild berührt, wenn es mich stillstehen lässt. Dann tauche ich hinein, teile das graue Meer vor mir in zwei Bahnen, um tiefer zu dringen.

Es ist schon seltsam, wenn man seine eigene Entwicklung beobachtet und sich die Linie von klaren Strukturen zur Unklarheit bewegt, sich auf den Bildern immer weniger befindet, was das Gehirn nun selbst zusammenbauen muss.

Und ich frage mich, ob es einen Nullpunkt geben wird. Ob es immer weiter geht und sich auf dem Negativ irgendwann nur noch eine wilde Ansammlung von silbernen Partikelchen befinden wird, deren Zusammenhang niemand mehr begreift.

verwoben © Marit Beer

Es stellt sich ja immer wieder die eine Frage, warum macht man das, was man macht und wer ist oder wird man dabei. Mit jedem Schritt, ob nach vorn oder nach hinten, verändert sich Deine Handschrift und auch Deine Ansicht vom Leben und das, was Du abbildest.

So sehe ich meine Bilder immer wieder als Zeugnis meiner Selbst. Ich schreibe meine eigene kleine Biografie und irgendwie freue ich darauf, eines Tages, hoffentlich in weiter Zukunft, mit pergamentgrauen und zerschlissenen Händen über die Bilder zu fahren, die einst mein Leben waren.


kwerfeldein – Fotografie Magazin

 
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Prints vs. CDs: When Business Strategies Collide

14 Aug

By Lori Peterson

There seems to be a constant war waged between photographers who sell prints and the “shoot and burn” photographers that give their clients a disc with edited images. Photographers who sell prints think that photographers who sell (or ***gasp***) give away their images on a CD are devaluing photographers and photography as a whole. Photographers who provide discs (whether given or purchased) to their clients think they are just keeping up with technology and client demand.

So, who is right in this war pitting photographer against photographer? Sadly, no one. Not all business models are created the same and neither are photographers. Client demand is a huge factor when creating packages and figuring out what products to sell.

As a photographer, I think it is natural to want to see your prints displayed. However, if you are only selling 4×6 sizes of images, you are not really creating displays for your clients, you are creating pieces for their scrapbooks and photo albums. Seeing your work displayed gives a feeling of accomplishment and a sense of purpose. It also allows clients to see the work every day and remind themselves of how beautiful your work is and how they need to keep updating those wonderful pieces.

In this digital age now, people want to share everything online and save the images to their computer. They don’t necessarily want the hard copies of the images, but the ability to create them if they want. They upload them to their computers, their external hard drives, or even cloud storage. This doesn’t only apply to younger people, because even older people are learning to use the Internet to connect with their families. Grandma and Grandpa may even be on Facebook just to keep up with photos of their grandchildren and see what is happening on a day-to-day basis with their families. Grandparents love seeing all those new images and most of the time, they don’t even care about seeing the watermark from the photographer on them. They just want to see new photos.

Just because you are a part-time photographer or new photographer does not mean that you can only give images on a CD. New photographers think that is the only way for them to give their images to their clients and it’s just not so. There are so many options for photographers who solely provide discs because they don’t know how else to give their clients their images.

Most professional photographers use professional labs, such as White House Custom Color, Black River Imagining, Miller’s Lab, Bay Photo Labs or Mpix Pro. How do you know which lab is best for you? Most labs will offer to do test prints for you so that you can see how your particular images will look when transferred from your computer and screen to their paper. Setting up accounts with most labs is pretty easy as long as you have a Tax ID number.

Educating your client on the differences between a professional lab and a discount store lab is very important. The test prints you get from your lab can help your keep your monitor calibrated which helps to ensure that what is seen on the computer screen matches what is printed. This is not a guarantee, sometimes not even close enough to be passable, from a discount lab. There can be huge color shifts, variations in overall tones, and the photographer has lost all control of the quality of the output of their final images.

If you are giving your images on CD, you need to think about presentation and packaging. Just handing a burned CD with their name written in Sharpie doesn’t make for a professional presentation. You can create white CD labels with your logo or a photo simply and cheaply. You can even order blank CD/DVDs from labs that have your logo on them and then just burn the images onto the discs as you sell them. There are so many options out there that can help make your presentation of CDs beautiful and unique. For instance, you can use these simple brown kraft envelopes and place them inside the banana leaf sinamay envelopes. It’s relatively inexpensive and looks so much nicer than just handing over a CD.

Image 01

You can customize boxes or folders to present your CDs in when you give them to your client. You want it to represent your photography, your business, and your brand model as a whole. It doesn’t have to cost an arm and a leg, but it should come across as a representation of your business and what you provide.

Image 02

The final images can be placed inside the box on some beautiful fabric or you can purchase bags to separate them inside the presentation boxes. Again, this is very inexpensive to do, but makes the presentation so much more beautiful and shows the attention to detail you provide in every aspect of your business.

Image 03

They key component is not which is technically “right”, but which fits your business model. If you are pricing your sessions correctly and including the price for the CDs then you are doing what best fits your business. Giving the CDs away actually does very little to help clients value your business and the time and energy that was spent into creating, editing, and presenting your images. The same goes for providing prints so cheap that you are trying to compete with discount store pricing.

You need to value your business. You need to know your worth. Does the cost of whatever product you are providing help maintain your business or are you just throwing money away trying to get clients to walk in the door? If your business is not making money or at least breaking even, then you really need to figure out where you are losing your money. Is it from not selling prints or from including a CD with every order?

There are resources you can go to if you need help figuring out what to do and what your business can afford. The bottom line is that you have to do what makes your business successful, profitable, and provide a professional looking end product to your client. Photographers spend much of their time trying to figure out how to get clients and in the end your presentation of their products can be the difference in showing them if you are truly a professional or you are just a hobbyist making money on the side.

The presentation resources in this article are available from Le Box Boutique. Digital Photography School readers can use the code PHOTOGRAPHER10 for 10% of any purchase from Le Box Boutique.

Lori Peterson is an award winning photographer based out of the St. Louis Metro Area. Her dynamic work ranges from creative portraits to very unique fine art photography. Lori’s work can be seen at www.loripetersonphotography.com and also on her blog at www.loripetersonphotographyblog.com. You can follow her on Facebook at https://www.facebook.com/LoriPetersonPhotography.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Prints vs. CDs: When Business Strategies Collide


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Human Interest: Homeless Dogs Given Hope-Filled Balloons

14 Aug

[ By WebUrbanist in Global & Travel & Places. ]

homeless dog urban intervention

In a unique urban intervention, two college students took and attached a series of balloons marked with written phrases to stray canines Santiago, Chile. The messages encourage people to feed, pet and play with these ubiquitous animals, lost and in need of love. While one person carried the colorful balloon bouquet and attached the strings, the other of the pair filmed the fascinating results as pedestrians noticed and stopped.

As the video demonstrates, the dogs with balloon additions got the attention of others on the street quite quickly. Man’s neglected best friend became visible once again, with passers by stopping to hand over leftovers and spend time with these estranged animals.

homeless dogs human interest

The project is titled ESTOY AQUÍ (Intervención Urbana), which translates to a simple plea: I AM HERE. Written on the balloons are phrases like ‘feed me’, ‘pet me’, ‘hug me’ and ‘scratch me’.

homeless stray dog project

From young puppies to older pals, thousands of homeless dogs roam the streets of this city. Most of them are friendly and simply in search of scraps – in turn, they are normally humanely avoided but largely ignored as the daily bustle of urban life takes place around them.

homeless pet feed play

Aside from human interest, the dogs themselves sat up and took notice as well, in many cases playing with their own balloons and strings, or interacting with one another’s new colorful accessories.

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