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Archive for April, 2013

Sunset on Coachella, Coachella 2013 — Indio, CA

16 Apr

Sunset on Coachella, Coachella 2013 -- Indio, CA

Check out all my Coachella 2013 Photos here.

Just finished up a fantastic weekend shooting the first weekend down here at the Coachella music festival. I got to photograph so many new and interesting bands. Mostly I spent the entire time shooting with my good pal Robert Scoble. Check out Scoble’s photos on his Google+ stream. Ron Sheridan has a Pixt wall up on Coachella as well here.

Thanks so much to Sam Levin and JBL Audio for getting us down here and for getting us media credentialed. Thanks to BorrowLenses for equipping us with some heavy duty gear. Scoble brought down a 600mm and a 400mm that we used to shoot the bands. Mostly I shot with a Canon 70-200 f/2.8, but those big guns came in handy a lot of time too. They were *tough* to lug around all weekend long, but worth it!

Thanks also to Seagate for the great storage for holding thousands of photo files for us. I’m testing out one of their new wireless hard drives (more on that later!).

I’ll write more about what shooting the weekend was like soon, but am going to work on getting a lot of photos processed first. I made some great new friends and got to hang out with some pretty cool people. Sam Levin, Chris Voss, Jen Friel, Daniel Brusilovsky, Ron Sheridan, you guys rock! Getting to hear Greg Kihn play Beatles and Stones songs for us in the RV on the way down was a definite highlight — man that guy can sing. Greg’s also got some of the best stories you’ve ever heard about rock and roll. Great getting to know you on the trip down Greg!

Check out all my Coachella 2013 Photos here.


Thomas Hawk Digital Connection

 
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Just Posted: Panasonic Lumix DMC-GH3 review

16 Apr

GH3.jpg

Just Posted: Our Panasonic Lumix DMC-GH3 review. The GH3 is the latest model in Panasonic’s range-topping series of Micro Four Thirds cameras that aims to offer a tool as suited to keen film makers as enthusiast photographers. The GH3 has added a host of video industry-requested features as well as promising the best-yet stills image quality from a GH camera. However, the last year or so has seen other camera makers take an interest in movie shooting, so has Panasonic done enough to stay ahead? Read our review to find out.

News: Digital Photography Review (dpreview.com)

 
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2013 Pulitzer Prize photography winners announced

16 Apr

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Columbia University has announced the 2013 Pulitzer Prize winners for photography. The prize for Breaking News Photography was awarded to jointly to Rodrigo Abd, Manu Brabo, Narciso Contreras, Khalil Hamra and Muhammed Muheisen of the Associated Press, for their coverage of the conflict in Syria. The winner in the Feature Photography category is Javier Manzano, a freelance photograher, for his ‘extraordinary picture’ of two Syrian rebel soldiers illuminated by beams of light streaming through bullet holes. The annual awards include a cash prize of US$ 10,000. Click here to see this year’s winning images.

News: Digital Photography Review (dpreview.com)

 
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Adobe launches Photoshop Lightroom 5 Public Beta

16 Apr

lr5logo.png

Adobe has released a public beta version of its Photoshop Lightroom 5 workflow and image editing software. Available immediately for free download from Adobe Labs, the beta introduces a more advanced healing/cloning tool, automatic image leveling and perspective correction, a new selective editing tool and the ability to edit files that are offline. We’ll have our hands-on preview online very shortly but you can click here to begin exploring this new release on your own.

News: Digital Photography Review (dpreview.com)

 
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Nikon’s patent suggests password-based security system for lenses

16 Apr

shared:NikonLogo.png

Nikon has filed a patent covering the idea of a password-based security system for lenses. The patent lists the high value of lenses as a reason for the innovation – the camera would refuse to shoot with a lens unless the correct password was entered. This is an attempt by the the company to prevent resale of stolen gear. (via Nikon Rumors)

News: Digital Photography Review (dpreview.com)

 
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So You Want to be a Stock Photographer, Part I

16 Apr
The photographer has spent a fair amount of time creating this image both in shooting the elements and model, and compositing in post production.  But as a stock image - what does it say?  How will the end user use the image for their messaging?  License cost was 3 credits or about $  2.58; photographer will receive about 52 cents.

The photographer has spent a fair amount of time creating this image both in shooting the elements and model, and compositing in post production. But as a stock image – what does it say? How will the end user use the image for their messaging? License cost was 3 credits or about $ 2.58; photographer will receive about 52 cents. How much is the photographers time worth?

A few weeks back there was an opinion piece posted on dPs that raised the ire of many, and garnered supporters from others.  The fact remains that while it was an interesting read from a single individual, there were several inaccuracies in that piece.

First,  iStock was not the first microstock agency to enter the marketplace; the most widely known perhaps, but it definitely was not the first.  That claim to fame can be laid on another Canadian upstart – Corel.  While I can’t recall the exact dates, in was around 1993-94 time frame when Corel started to purchase images outright for inclusion in CD bundles and incorporation in Corel Draw and Word Perfect. In those days it was pretty much called clip art.  Now it can be argued that Corel wasn’t a microstock agency. I would suggest they were as they purchased images from amateurs and professionals alike. The only difference between them and an iStock, for example, was that Corel purchased the rights and owned the image whereas the microstock agencies today simply work on a royalty basis with the contributor.

The other inaccuracy in the article was the implication that agencies only provide 20% royalty to the photographer.  In some cases this may be true; however, there are also agencies that provide 50% royalty to the contributor, and any percentage combination below that which you can think of.  Usually, the extreme low percentages are in microstock and traditional agencies marketing RF images.  However, in order to compete traditional rights managed agencies are also making package and bundle deals that can see rights managed license fees dramatically reduced to levels even below royalty free image fees.

But let’s not get hung up on the 20% royalty. Yes, the contract most likely states that the photographer will receive 20% royalty from “monies received.” Let’s put that in context.  Somewhere else in that contract you are most likely giving the agency the exclusive right to redistribute the image through their other supply networks.  What this means is that you will not get 20% of the purchase price, but 20% of your contracted agencies receipts.

Put in context it translates to this:  Photographer A makes an image available to his contracted agency – let’s call them Agency X.  Agency X then places that image in the redistribution circuit with Agency Y.  (Photographer A usually does not know who Agency Y is or what the financial arrangement between Agency X and Agency Y might be.)  Agency Y licenses the Royalty Free image to a client for $ 10.00 USD.  Agency Y then remits $ 5.00 to Agency X (assuming their split if 50%), and agency X then redistributes its 20% obligation amounting to $ 1.00USD to Photographer A.

This is a really nicely executed stock image. Are the two ladies friends, or lovers? Is this image about fashion, seasons, or simply looking toward the future? The image provides options for the copy writer, and the more options provided typically the better sales. However, this image has only been licensed twice in more than one year. The license for appearance here cost one credit or about 60 cents; the photographer will receive, unfortunately,  about 12 cents.

This is a really nicely executed stock image. Are the two ladies friends, or lovers? Is this image about fashion, seasons, or simply looking toward the future? The image provides options for the copy writer, and the more options provided typically the better sales. However, this image has only been licensed twice in more than one year. The license for appearance here cost one credit or about 60 cents; the photographer will receive, unfortunately, about 12 cents… it is most definately worth more just in production value alone.

So as you can see, if you are signed with a small agency who more than likely is clamouring to get their material with the large image machines that have far reaching marketing clout, you are more than likely only going to receive 10%, or less, of the initial license price.

Let’s put this financial translation into further context.  I am going to assume you are a Canon user, and you need a new popular lens; let’s say the 70-200mm F4L which retails for about $ 700.  You offer that you can warrant purchasing the lens because of your stock sales and over time you will recover the purchase price.  But wait, when you receive the $ 1.00 from that sale, that is not a deposit in your bank account.  How much time did you take to edit and prep the image by sizing and ensuring the right colour space? How much time did you spend ensuring the correct metadata and keywords were applied. How much is your time worth?  Now that you have received your royalty I suspect you have the usual income tax deductions that can range anywhere from 15-40% depending upon where you live. And on it goes – the list of expenses is endless. However, a general rule of thumb is to endeavour that you would like to retain 30% of your gross income as profit … although many stock photographers today are suggesting they are in a negative profit position and are getting out of the business.

Therefore, and assuming we are going to keep good business practises and retain 30% of the gross sale, we would have 30 cents from each sale from which to purchase that lens. (I don’t want to get into the minutiae of whether or not your capital reserve is included in your business plan.)  Quick translation realizes that we would have to make 2,333 sales in order to purchase that lens!  I can tell you that in more than 20 years as a full time stock photographer I have not had one image be licensed for even half that many times.

So the point of this primer on the financial benefit of the microstock industry and part-time photographer is this: There probably isn’t any financial benefit and in all likelihood it will cost you money.

So yes, if you want to continue shooting for pizza and beer go for it; but at the same time you should calculate all your costs, including time, to see if you would be further ahead by spending that time and money with family.

In the next installment we’ll take a look at cost per image versus return per image.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

So You Want to be a Stock Photographer, Part I


Digital Photography School

 
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Capturing timelapse videos: Smartphone apps make it simple

15 Apr

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Timelapse photography can be mesmerizing with the right subject. We chose the new lighting system brightening San Francisco’s Bay Bridge for our timelapse app experiments using an iPhone 5. The bridge is lit by 25,000 LEDs to create eye-catching displays controlled by several Mac Minis mounted inside the structure. As mobile phone cameras grow in quality and the storage capacity of these devices increase, it’s possible to make a decent sequence with just what’s in your pocket, plus a small tripod. Learn which apps we liked best at connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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7 Top-Secret Architectural Wonders of the World

15 Apr

[ By Steph in 7 Wonders Series & Global. ]

Secret Architecture Main

Bunkers under luxury hotels, wartime factories hidden beneath fake neighborhoods and vast systems of intricately decorated tunnels just beyond humble houses are among the many incredible architectural wonders just out of sight. Often built for top-secret purposes like manufacturing weapons or housing important officials during attacks, these complex and fascinating facilities went undiscovered for decades.

America’s Top-Secret Atomic Cities

Secret Architecture Oak Ridge 1

Secret Architecture Oak Ridge 2

Secret Architecture Oak Ridge 3

“What you see here, what you do here, what you hear here, when you leave here, let it stay here.” So say posters and billboards that were once posted all over Oak Ridge, Tennessee, one of the United States Government’s three secret cities that toiled away on The Manhattan Project: atomic bombs that would soon devastate two cities in Japan. 75,000 employees lived and worked in Oak Ridge with absolutely no idea what they were actually party to. Their town wasn’t even on the map, and visitors were restricted. They didn’t find out the exact nature of their work until the infamous atomic bombings of Hiroshima and Nagasaki, in the final stages of World War II in 1945.

Oak Ridge joined Los Alamos, New Mexico and Richland, Washington as a major research and development site producing fissionable materials for nuclear weapons. Employees brought in from other areas of the country were screened with lie detector tests. There were so many of them in this small town with a former population of just 3,000, the government had to house them in temporary huts. Hundreds of photos of life inside Oak Ridge were captured by Ed Westcott, the only government-authorized photographer during the Manhattan Project. The American Museum of Science and Energy has published them on Tumblr.

Britain’s Secret Underground City of Burlington

Secret Architecture Burlington 1

Secret Architecture Burlington 2

You’d never guess that below a charming historic market in Wiltshire, England is an entire underground city inside a system of limestone caves. And it’s not dank and primitive. Built in the 1950s to house 4,000 central Government employees during a nuclear strike, the mile-long facility with sixty miles of roadways has kitchens, laundry facilities, its own pub and even a communications hub from which the Prime Minister would have addressed the nation in the event of a real attack.

The Burlington Bunker can withstand bombs, radiation and poison gas, and was designed to sustain its inhabitants for a three-month stretch. In fact, it boasted an underground lake (now drained) to provide fresh water, and a secret rail line from London for the English Royal Family.

No one knew about the existence of Burlington until 2004, when it was decommissioned. See photos, videos and maps at BurlingtonBunker.co.uk.

The Fake Washington City Hiding Boeing’s Wartime Plant

Secret Architecture Boeing Plant 2

Secret Architecture Boeing Plant 2-2

Anticipating the possibility of a direct attack on its most important facilities during World War II, Boeing didn’t want to take its chances with vast factory roofs that would be clear from the air. So at the Seattle facility known as Boeing Plant 2, the company created a surprisingly convincing form of camouflage in the form of a fake neighborhood. Blending in fairly well with its surroundings, the plant was covered in streets, trees and plywood shells of houses. A Hollywood set designer was brought in to make sure the housing development looked as realistic as possible. Boeing Plant 2 helped turn Seattle into a boomtown for technology, and the bombers built there helped win the war.

Luckily, the ploy was never tested. After the camouflage was removed, the factory sat empty and abandoned for decades before it was demolished in late 2010.

Secret Society in the Catacombs of Paris

Secret Architecture Paris Catacombs

The Catacombs of Paris are mysterious enough on their own, an underground ossuary holding the remains of about six million people connecting to a larger system of tunnels throughout the city. But in 2004, they became even more intriguing as police discovered that they were in use as a hidden lair complete with an underground cinema. Using pirated electricity, the 3,000-square-foot space even had a security system mostly made up of recorded barks of guard dogs. What the cops first thought was a bomb later turned out to be a couscous maker. Once their hideout was discovered, those responsible for it came back in the night to claim their equipment, wiring and booze. Parisians wondered what secret society could possibly have ben using the space, with news outlets theorizing “extreme right-wing” connections.

The truth is not quite so dramatic, though no less interesting. An anonymous group of Parisian underground explorers calling themselves LMDP built the cinema and other areas nearby over a period of 18 months starting in 1999, and screened Urbex movies for audiences of twenty to thirty people. The main point was escaping the realities above the surface, holding free events for those in the know. Read the whole story at Gizmodo.

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7 Secret Architectural Wonders Of The World

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[ By Steph in 7 Wonders Series & Global. ]

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VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal

15 Apr

A few nice visual art images I found:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
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15. April 2013

15 Apr

Ein Beitrag von: donchris

unbenannt_©_donchris


kwerfeldein – Fotografie Magazin

 
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Posted in Equipment