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Archive for February, 2013

My Nikon D800 AKA: My New BFF

13 Feb

“It’s just a feeling thing, baby. Nothing else.”

If you’ve been following my blog for any length of time, you know by now that I am a devoted Nikon user. Often asked WHY am I so devoted to Nikon over Canon, it’s really a matter of the way the camera has always felt in my hands when I’m shooting. It’s felt more solid, I guess. Even when I’ve played around with Canon’s in the past, Canon has just felt more lightweight, a little flimsier. They’re equally great cameras, I can’t say that one is better than the other. It’s just a feeling thing, baby. Nothing else. Last February when Nikon announced their newest Pro DSLR, the Nikon D800, I was excited to get my hands on it. I pre-ordered the camera from B + H and then waited. And waited. shoots came and went and I even traveled to Europe to shoot and still, no D800. Finally I wrote B + H and told them that I had waited over 6 months for my camera. 2 days later, my new camera arrived!


The D800 features a brand new 36 Megapixel full-frame FX-format sensor, which makes it the highest resolution camera outside of the medium format world. Offering 36 megapixels, critics argue that too many pixels on a small sensor can introduce grain when shooting in low light or at higher ISO speeds. Wait, is that a problem? My main disappointment with the digital format has always been the loss of grain and grittiness that I used to love about film. So that was not a negative aspect of getting the Nikon D800. Depending on the quality of lenses, this “grain” can be quite lovely, actually. At least to someone like myself that likes to shoot in low light situations. And the D800 has a full frame sensor so that means it’s a match for for a 35mm film camera. With shortcut buttons on top of the camera, I can get to my ISO controls and WB modes instantly without having to go into the menu. There’s even a LV button which pops the camera’s mirror back to preview what I’m shooting when I’m shooting video. Fantastic!





Even though it’s lighter than other NIkon’s I’ve owned, it’s still retains the same durable, workhorse build that I’ve relied on with Nikon for over 25 years of shooting professionally. The last Nikon I shot with had over 1/2 million actualizations before I burned the shutter motor out. My Nikons take a beating, I’ve shot in freezing cold climates and in the rain and I’ve never had one fail on me. It’s usually me just shooting the hell out of them before they finally say, okay that’s enough. Time for a new one!

Must Have Nikkor Lenses:


Nikon AF-S Nikkor 50mm f/1.4G – Good normal lens for capturing straight shots


Nikon Telephoto AF Nikkor 85mm f/1.4D IF Autofocus – Best Lens in the World



If you’re using DX lenses, it does cut your pixels down to 15.4, which to me, is still high in pixels. This whole craze with photographers thinking that “more pixels, better camera” is kind of lost on me. I shot many a shoot on lower pixels and unless I had a job where I was going to shoot for a billboard, the pixels did just fine. Most of my work is editorial and print advertising. I don’t need 64 pixels for this type of work. But if you have the money and think that adding pixels to your images will make them better images, go right ahead and buy that expensive gear. For me, I would rather see you invest in better quality glass for your DSLR’s. I can’t tell you how many times I hear about someone scrimping on the glass but buying a very expensive camera. Just my two cents, feel free to argue away!


One of the biggest pluses on my new camera is the video feature. The Nikon D800 offers 1920 X 1080 pixels full HD video with an eloquent 30fps. I just came off a 2 day video shoot and I used my Nikon for the whole shoot while my collaborator, video director Dimitrios Papagiannis shot with a Lumix. After looking at my footage, Dimitrios was impressed with the quality of the footage I shot. I was too, although I’m not a pro yet at video. I was just impressed I could capture motion because I have been thinking in “still” mode my whole life. If I could be so humble to say that I think my strong suit as a photographer is my ability to capture a moment, or at least, that is what I strive for, in video you need to capture the MOMENTS! It’s a whole way of seeing/visualizing. Thank God I’ve had a camera plastered to my face for over 33 years. That kinda’ helps with the whole “seeing” part. : )

Still Outtake from the D800 Video



If you got the cash, I highly recommend this camera. Will it make you a better photographer. Quite plainly, no. You shooting all. the. time. will make you a better photographer. But the Nikon D800 will capture a beautiful image as you trudge the road to shooting all. the time.


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Digital Photography 1 on 1: Episode 45: Getting to know your DSLR

12 Feb

Holding a DSLR for the first time can be quite overwhelming and you may want to completely understand how your camera does what it does with the buttons and switches that it has. This week Mark will show you what these buttons do.
Video Rating: 4 / 5

 
 

Faux Facades: Fake Buildings Hide Trains, Power & More

12 Feb

[ By WebUrbanist in Architecture & Public & Institutional. ]

fake urban architecture

When is a building not a building? When it is only a facade, (aka) dummy! You might have passed right by train tunnels, communications towers or even entirely empty buildings and never realized you were being duped – until now.

Underground Train Passage & Ventilation in Rowhouse

fake architecture underground venting

Consider units 23 & 24, Leinster Gardens in Paddington, London. When underground rail was routed through the neighborhood in the 1860s, the residences at those addresses were razed … and replaced with a very convincing facade. Behind it: an empty void for the old engines to vent along their route, and metal bracing to help hold up adjacent structures. Hoaxes played on this place include everything from the pizza-delivery redirect to a prankster selling tickets to a charity ball at the address.

Subway Emergency Exit & Energy Converter in Townhouse

fake building over subway

One more urban ventilator before we move on: 58 Joralemon Street in Brooklyn, New York follows a similar pattern to its British brethren – blacked-out windows are the only up-close giveaway to an otherwise-complete illusion of occupation, while the railway runs below. This faux building has had multiple subway-related purposes beyond ventilation, though, including electrical conversion and emergency egress.

Power Substations in Houses, Offices, Factories & Castles

fake building power substations

Toronto has a century-long history of hiding its urban energy substations as all kinds of architecture, from small single-family homes to huge block-sized factory buildings, at addresses including 29 Nelson Street, 2833 Yonge Street & 640 Millwood Road. Some have caught fire in freak accidents – not something the neighbors like to worry about. Others have been decommissioned and converted to residential or commercial use, in a strange instance of life imitating the art of imitation.

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Faux Facades Fake Buildings Hide Trains Power More

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[ By WebUrbanist in Architecture & Public & Institutional. ]

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VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal

12 Feb

A few nice visual art images I found:

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

VSP Visual Street Performance 2007 @ Fabrica Braco de Prata, Lisbon, Portugal
visual art
Image by Graffiti Land

 
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Posted in Photographs

 

Different Shutter Times

12 Feb

Taken with a kodak easyshare DX7630 there is a shutter mode and i went from 1/1000, to 64″
Video Rating: 1 / 5

Guys this is a Dry Ice Bubble Blast in Slow motion (1000 fps) and this blast has occurred alot but barely any people filmed this blast in slow motion!! So yeh.. Enjoy ;D Slow motion is when the playback of a video clip appears to be slower than the natural speed of the events. This illusion can be done in several ways. Slo-mo use can be incredibly dramatic and add emphasis where needed in a story. Let’s take a look at what slow motion is and discuss some common uses for slow motion. Slow motion is when the playback of a video clip appears to be slower than the natural speed of the events. This illusion can be done in several ways. In the early days of filmmaking, the technique for doing slow motion effects was to overcrank the camera speed. This meant that the camera operator would increase the frame rate (frames per second or fps) by cranking faster to acquire more frames in the same amount of time. Then, the footage would be played back at the normal playback speed, producing the illusion that events are happening at a slower speed than what is natural. (We’ll explore this technique a little further in a second.) Later, along came digital video editing, which allowed an editor to slow the playback of a clip down with a click of the button, regardless of the frame rate. How amazing! Rather than acquire additional frames, you could simply tell your editing software what percent of the normal playback speed you’d like and voilà! – instant slow motion. The editing software
Video Rating: 5 / 5

 
 

Improve Your Photography By Learning to Edit

12 Feb

A Guest Post By: John Davenport

You might have read the title to this post and thought that I was going to talk about how editing your photographs can make you appear to be a better photographer, but no, I really do mean better – behind the camera.

Thin Ice

I came across this idea of improving my skill behind the camera, by focusing on my skill behind the computer, when I was going about launching my new YouTube series, “Let’s Edit”, which focuses on how to edit photos in Lightroom.

What Exactly Can Editing Teach Us?

As we start out on our photography journey we are learning everything there is to know about creating a photograph. From how our camera works to how different light effects our shots and this can be a bit overwhelming – especially when we’re out in the field taking photos.

Optional Caption: Learning to Crop Differently Can Teach Composition

Learning to Crop Differently Can Teach Composition

When I first started photographing landscapes I would get lost in the act of trying to fiddle with dials and buttons and forget about composition, or when I’d focus on composition I’d forget about my shutter speed or ISO settings. There is so much that goes into creating a photograph that sometimes it helps to just sit down and learn a different way. So I thought I’d try to learn to take better photographs by focusing on learning how to edit the ones I did take.

One area that editing our photos can teach us is the idea of composition. I know there will be people screaming at the screen as they read this, maybe even ripping their hair out, when I say that cropping photos is an excellent way to experiment with composition, but it really truly is.

You can take the same photograph and crop it countless different ways and by doing this you are training your eye to see scenes differently. Apply this knowledge of composition the next time you’re in the field and you’ll actually see those different compositions as you’re looking through the viewfinder making it possible for you to take more photographs while you’re out in the field.

One other area that comes to mind is learning to see things in the field that will look good once edited. Take this black and white photograph of the Boston skyline that I took while I was out photographing the city with my sister.

By Seeing the Edit in the Field You Can Set Shots Up Accordingly

By Seeing the Edit in the Field You Can Set Shots Up Accordingly

By having the black and white image in my head as a concept I was able to know that by under exposing the frame then and there it’d make my life so much easier when I go about creating the final image back in Lightroom.

Now, this is just two concepts where editing can be applied to what we do in the field, I’m curious, have you ever thought about this idea of applying what you do behind the computer in the field? Do you think you can come up with other areas of editing that will make sense when you’re behind your camera? Let us know in the comments below!

John Davenport is an avid amateur photographer looking to make a name for himself. He has recently started a new YouTube series called “Let’s Edit” as well as launched a community site to go along with it. You can also find John on Facebook and Twitter.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Improve Your Photography By Learning to Edit


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TMNT: Search Story

12 Feb

Yup
Video Rating: 5 / 5

just watch the video. this goes out to all defused bandmates!!! jr naig, alain garcia, jastin autor, jun mateo, jay mateo. apir to all of us guys!!!
Video Rating: 0 / 5

 
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Easy Blog Collages With MCP Action’s Lightroom Presets

12 Feb

Are you a fan of Lightroom presets?  There are so many Lighroom preset brands out there, but some of them stand above the rest.  MCP Actions is one of them, and recently they’ve released a fantastic set of presets with the purpose of giving photographers an simple way to create blog collages.

As you can see, without leaving Lightroom you’re able to organize and generate amazing blog collages using the new MCP Actions Lightroom presets.

Here is an example:

blog-collages-lightroom-presets

What do you think? Will you be picking up a copy?

Thanks for reading,
Scott

dslrBlog

 
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Posted in Photography

 

12. Februar 2013

12 Feb

Ein Beitrag von: Stephan Sachs


kwerfeldein – Fotografie Magazin

 
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Posted in Equipment

 

How To Directly Tether Your Camera To An iPad By Lee Morris

12 Feb

Lee Morris of rlmorris.com and fstoppers.com explains how to wirelessly send pictures from any camera to an iPad or iPhone using the Eye-Fi Pro X2 SD card, My Wi, and Shutter Snitch. Fstoppers will be giving away a free iPad to one of their random twitter followers in December of 2010. Visit Fstoppers.com/iPad to learn more details about this hack and the iPad giveaway. You can purchase the Eye-Fi Pro X2 card here: www.bhphotovideo.com
Video Rating: 4 / 5

Adorama Photography TV presents: This week is the second episode in a series about HDSLR. In this episode, Mark will go over a selection of lights. He even shows us some examples on how to use the lights in different scenarios. In the coming weeks, he will go over audio, basic editing techniques as well as compressing for the web- so stay tuned! To buy products used in this video, and for related articles and videos, go here: www.adorama.com Visit www.adorama.com for more photography videos! Send your questions to: AskMark@Adorama.com
Video Rating: 4 / 5