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Archive for December, 2012

12 Myths About Photography And Photographers

16 Dec

Myth #1 “I’m not going out to shoot today because the light is bad.”

There is no such thing as bad light. As long as there is light, there is opportunity to make amazing images. There is also no reason to limit yourself to the golden hours on each end of the day. The most adverse weather conditions are perfect for making the most beautiful pictures. So get out there!

Myth #2 “I need to bring several lenses with me on my photo walk, just in case…”

Well, that’s fine if you don’t mind carrying around heavy equipment all day “just in case.”  Depending on what you shoot, if you limit yourself to just one lens for the day you can improve your skills, especially if you decide on a fixed focal length lens such as a 50mm. This simple decision will slow you down which will help you see better and allow you to compose more carefully. Plus you won’t miss the shot while you’re busy switching lenses.

Myth #3 “I shoot 1,000 frames in a day so that I increase my chances of having a lot of keepers!”

The ‘spray and pray’ approach sounds like a good idea, but it is no guarantee that you’ll have more keepers at the end of the day. Instead, pretend you are shooting film and limit yourself to a 24 or 36 exposure that day. You will quickly discover the creative power of limitation.  Shoot with intent, make every single frame count, and you will have plenty of keepers at the end of the day with the added benefit of not having so many images to process.

There is no bad light. Foggy days are my favorite days to shoot landscapes.

Myth #4 “I can’t shoot, I forgot my tripod.”

The tripod is a useful tool, but can also become a bit of a crutch. Unless you are on a paid job assignment that requires a tripod, liberate yourself and shoot hand held. There are other ways to stabilize your camera if necessary, you can use a wall or a boulder for example. Tripods are definitely useful, but the problem is that photographers tend to set them once and rely on them to shoot everything from the same level.  Be creative and shoot your subject from different perspectives. Unless you are shooting long or multiple exposures or macro, liberate yourself from that tripod once in a while and try new perspectives.

Myth #5 “I‘m in a creative rut, I need to go to an exotic location to get out of it.”

Everyone gets into a rut. One solution is to learn to see the extraordinary in the ordinary, see the new in the familiar. Go out into your own backyard and see it with fresh eyes.  Give yourself an assignment such as a photo-a-day project for a month or a year.  Create a theme for your photo walk and it becomes a treasure hunt. Shoot with fellow photographers. Give a camera to a child and see the world “fresh” through their eyes. Once you get out there and use your imagination, you’ll be free from that rut!

Myth #6 “I would take better pictures if only I had a better camera.”

Okay, I’m not going to give you a lecture here. It’s true that more expensive equipment, when used skillfully, will yield better images than a point and shoot camera. The mistake, however, is upgrading before using your current gear to its full potential. Believe me, gear lust is easy to catch, yet most of us never outgrow our equipment. Invest into education, attend a photo workshop or go on a vacation instead of spending thousands on the latest and greatest gear. If you can do both, that’s terrific, but it’s not always necessary. Also, there is a lot of bad photography made with very expensive gear and some stunning images shot with iPhones… Food for thoughts!

Myth #7 “I’m too old to learn how to use a digital camera.”

If you have the strength to hold a camera and press the shutter, you can learn to use a digital camera.  Photography is a life long passion. It’s never too early or too late to start!

Myth #8 “I’m making money with my photography. I learned everything there was to learn about the craft.”

Nothing could be further from the truth! Once you think you know it all, you will stop growing. The world of photography is so exciting and is changing at the fastest pace ever. All you have to do is to keep current with the latest technology and embrace it.

Myth #9 “I need hundreds of pictures in my portfolio before I can show my work to clients.”

This is just not true. What is true, and important, is to be discerning about your selection, show only your best work. Quality over quantity is your guideline here.

Myth #10 “Being a photographer is a glamorous job.”

Maybe in the movies, but not in real life.  Most photographers don’t realize at first how much nitty gritty work is required once you turn your passion into a profession. For most of us, it’s 80% business and 20% shooting. This is true for just about any artist, so you need to be realistic.

Myth #11 “All you need to be successful as a pro is talent.”

Wouldn’t that be nice? Ever heard of the expression “starving artist?”  Talent is definitely an important ingredient, but solid business skills are also important. Business and marketing are a vital part of being a successful working photographer, but if that’s not your forte, be sure to get help or hire someone for that.

Myth #12 “Pro photographers are better than amateurs.”

Just because some photographers make money with their pictures doesn’t make them better shooters. A successful pro will be able to offer quality and consistency. I see the work of so-called amateur photographers every day that far exceeds the work of many pros. Actually, pro photographers run the risk of losing the passion for their craft if the work becomes a routine and this can adversely affect the quality of their work. It is very important for pro photographers to make time for personal projects in order to keep their passion alive.

The list could go on! Feel free to add a myth or two in the comment section.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

12 Myths About Photography And Photographers


Digital Photography School

 
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Impact PowerSync Wireless Receiver & Transmitter | Overview/Review

16 Dec

Hello, Today I am going to be reviewing/looking at the Impact PowerSync 2.4GHz Wireless Receiver & Transmitter. These allow almost any DSLR/SLR with a hot-shoe adaptor to fire either, strobes, and or wireless flashes. These are very useful little things, and the cool thing is that they are very expandable. I really like them! Yes.. they are expensive but way worth it! I would definitely recommend them if your looking to do anything with off-camera flashes. Thanks, chargerfun34
Video Rating: 4 / 5

 
 

Cowboystudio, DSLR LCD Foldable Viewfinder with 3.0x Magnification

16 Dec

Cowboystudio.com, shows you our new 3.0 Magnification DSLR LCD viewfinder. It comes with Two Framing modes: Magnification and stand, Compatible model: Nikon D700/ D300S/ D300/ D90/ D7000/ D3100/ D30003. CANON 7D/ 1D MARK IV/ 5D MARK II/ T2i/ T1i/ S904. Panasonic DMC-GF15. Pentax K-7 www.cowboystudio.com
Video Rating: 3 / 5

Chadwikks of Loudpakks first single ‘New Money’ Beat By Einstein of ‘Wake N’ Bake’ Beats Recording Engineer: Ricky ‘Double R’ Rush Mixing and Mastering by: Andrew ‘Pops’ Robinson (DJ Phetish P) Directed/Shot/Edited by Mike Greenberg konspiracystudios.com Shot on a Nikon D300s w/ 10.5mm Fisheye 17-35mm 50mm 2011 Chadwikk/ Loudpakk/ Konspiracy Studios Twitter: @BangLPKBang and @theLOUDpackkk www.facebook.com For Booking Contact: Larry_Lynn@live.com

 
 

Watsky- Wounded Healer (Deer Tick Sample)

16 Dec

www.georgewatsky.com SUMMER TOUR TICKETS gwatsky.bandcamp.com FREE NEW MIXTAPE DOWNLOAD www.facebook.com www.twitter.com guitar sample: Baltimore Blues no.1 by Deer Tick www.facebook.com PLEASE SUPPORT THEM Co-director/ director of photography/ color correction- Jess Dunlap Assistant Camera- Mike Dempsey Co-director/ editor- George Watsky Audio engineering, mixing and mastering- Nils Montan Electric bass- Kush Mody Verse 1 His footprints are fading away from the beach We’re not a family to pray or to preach But daddy’s best friend took a handful of pills and now he’s at a podium making a speech Yesterday night after dark He carefully wrote his remarks but everyone said what he put on his page so he threw it way and went straight from the heart Chorus I thought this was a party But all my friends are leaving And I still want to play You wrecked me when you stepped out cause you’re the wounded healer And you’re supposed to stay Verse 2 A year’s bottle in a bucket of trash It’ll tip over the more that it stacks Didn’t notice it till now but dad’s been moving slower every time we play go play catch I’m scared of the day when he’ll carry a cane I carry his dream I carry his name And when papa is gone he will never be gone because the sound of our sneeze is the same God bless I hear your voice in mine And I want to stop time Like a carnival ride I don’t know what I’m saying but I mean it (repeat) Chorus
Video Rating: 4 / 5

 

Chinese New Year celebrations in Helsinki 2009.01.25

16 Dec

Helsinki, together with Beijing, organized event to celebrate chinese new year on Lasipalatsi Square. Shot hand-held so sorry about the shake. Video is from Sony SR-12, some of the stills from Nikon D300.
Video Rating: 5 / 5

 
 

Free seamless graphic pattern for Friday, 24 July 2009

16 Dec

Some cool visual art images:

Free seamless graphic pattern for Friday, 24 July 2009
visual art
Image by bonojerry
A grey and white motif, visual jazz improvisation…

Gwen Lux, American sculptor and designer, 1908-1986, in her studio
visual art
Image by Smithsonian Institution
Description: Gwen Lux was a sculptor, designer, lecturer, writer and teacher. Her sculptures combined abstraction and realism, and were usually constructed from polyester resin concrete and metals. She taught sculpture at the Arts & Crafts Society of Detroit.

Creator/Photographer: Peter A. Juley & Son

Medium: Black and white photographic print

Dimensions: 8 in x 10 in

Culture: American

Persistent URL: http://photography.si.edu/SearchImage.aspx?id=5832

Repository: Smithsonian American Art Museum, Photograph Archives

Collection: Peter A. Juley & Son Collection – The Peter A. Juley & Son Collection is comprised of 127,000 black-and-white photographic negatives documenting the works of more than 11,000 American artists. Throughout its long history, from 1896 to 1975, the Juley firm served as the largest and most respected fine arts photography firm in New York. The Juley Collection, acquired by the Smithsonian American Art Museum in 1975, constitutes a unique visual record of American art sometimes providing the only photographic documentation of altered, damaged, or lost works. Included in the collection are over 4,700 photographic portraits of artists.

Accession number: J0001886

Starting a pour
visual art
Image by bettlebrox
Mass Art’s Spring 2009 Iron Pour.

www.eworksfestival.com/index.php?page=events/4_10
The Iron Pour has a strong history at Massachusetts College of Art, beginning as a fundraiser for the Metals Department, it has grown into a celebration of art, music, and performance. Recently, the Iron Corps., the group that organizes the event, has been working in conjunction with Eventworks, who will be kicking off their annual Art Festival. This spring, we will be invoking themes of outer space and the explosive demise of stars and planets . Aside from the spectacular sculptural performances by the Iron Corps. , activities will include face painting, fire dancing, visual shows, and four musical acts throughout the course of the night.

 
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Jay P. Morgan on Feathering Grids

16 Dec

Using a KESSLER slider and a TAMRON lens and a DYNALITE flash and some NIK software, human Nascar* Jay P. Morgan will now give you some pretty darn good advice on grid spots.

But the real gem here is the feathering, which will almost always make your light more interesting.
__________

* I kid, Jay. Props to you. And also to LENS PRO TO GO. And GLIDECAM. And PHOTOFLEX. And VANGUARD. And AAZDEN. And ROSCO. And TRIPLE SCOOP MUSIC. And PHOTOGRAPHY TALK.

(Seriously, someone make this guy a jacket. This needs to happen.)

-30-


Strobist

 
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Nikon D3200 Product Tour

16 Dec

Nikon D3200 Product Tour
Video Rating: 4 / 5

 
 

15. Dezember 2012

16 Dec

Ein Beitrag von: Matthias Leberle

Foto ohne Titel zeigt ein herausstehendes Bein


kwerfeldein – Fotografie Magazin

 
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Decode the Scene GAME – Mike Myers Heather Graham Clint Howard MOVIE CLIPS

16 Dec

Mike Myers Heather Graham Clint Howard MOVIE CLIPS click to subscribe j.mp Fat Bastard (Mike Myers) makes a surprisingly heartfelt admission. TM & © Warner Bros. (2012) Cast: Mike Myers, Heather Graham Director: Jay Roach MOVIECLIPS YouTube Channel: j.mp Join our Facebook page: j.mp Follow us on Twitter: j.mp Buy Movie: j.mp Producer: Emma Chasin, Michael De Luca, Donna Langley, John S. Lyons, Eric McLeod, Demi Moore, Mike Myers, Erwin Stoff, Jennifer Todd, Suzanne Todd Screenwriter: Mike Myers, Michael McCullers Film Description: Austin Powers — fashion photographer, denizen of Swingin’ London, international espionage agent, and bane of dental hygienists everywhere — returns in his second screen adventure. Powers (once again played by Mike Myers), a 1960s superspy stranded in the 1990s, discovers that his nemesis, criminal genius Dr. Evil (also Mike Myers), has somehow stolen his “mojo” (the secret to his otherwise inexplicable sex appeal) and traveled back in time to the 1960s as part of his latest fiendish scheme. Powers must also travel back in time to retrieve it, but if Austin doesn’t quite fit into 1998, he’s been there just long enough not to fit in in 1968 anymore, either. Powers also discovers that Dr. Evil has new allies this time: Mini-Me (Verne Troyer), a clone of Dr. Evil one-eighth his size but just as nasty; Fat Bastard (Myers yet again), whose name describes him just fine; and vixenish assassin Robin Swallows (Gia Carides). Powers’ lack of mojo also

[720p HD] Final Guardian boss.
Video Rating: 5 / 5