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Archive for December, 2012

Agniputhri 25-07-12

22 Dec

Agniputhri 25-07-12

From Somalia’s painful struggles, to Liberia’s apocalyptic civil war. In fact before he was killed Martin Adler recorded pretty much every war going. His blood-stained but very human dispatches helped define the way we saw foreign conflicts for over a decade. His quiet sensitivity while in the heart of darkness bought him awards and acclaim. For the first time his photographs and thousands of hours of video have been brought together to produce a riveting profile of an extraordinary man. “This bloke knows what he’s seen but he’s not talking!”, cries a US army troop embodying the gung ho attitude at the start of the Iraq war. Haunting scenes from Martin’s life flash before our eyes – women sweeping the ground in the middle of a bombed-out Chechnya; a Liberian warlord holding an AK 47 in one hand and a baby in the other; desecrated landscapes from Uganda to Algeria. Martin allowed the images to speak for themselves, fuelled by a fearless curiosity, which would eventually get him killed: “I want to go to the place where nobody else goes to and I want to listen to the people nobody else listens to”. It takes a particular kind of man to be a war reporter – living on your wits on an unsteady income, never knowing what the next day will bring. Yet as Martin’s friends remember: “he was not the kind of guy who could have done anything else”. Riding along with Martin as we watch his fifteen year long journey through forty different war-ravaged countries, is a terrifying experience

 

Jpeg vs. Raw Files – Digital Photography Tips by Berger Bros Camera

22 Dec

www.Berger-Bros.com One of the most frequently asked questions posed by students new to the world of digital photography is this “What is the difference between a jpeg file and a raw file?” Yvonne Berger, head photography instructor at Berger Bros Cameras in long Island, New York, explains the difference between jpeg and raw files and breaks it down in a simple and easy to understand explanation. A jpeg file is a basic file that every digital camera is capable of taking. So, whether you’re using a point and shoot or a digital slr, chances are the default setting is a jpeg file. The jpeg file gets processed within your camera. However, a raw file gets processed “post process” with an editing software program. Why shoot jpeg vs. a raw file? A jpeg file is easier to use and can be emailed, etc. A raw file needs editing software, like Adobe Photoshop Elements, Photoshop CS5, Lightroom…even Picasa…in order to be read. Benefits of jpeg 1) it’s quick 2) easy to use, and 3) ready to go Benefits of raw files 1) better quality than jpeg So, which one should you use? Well, if you’re using a lower end point and shoot camera then chances are you can’t use raw…so you’ll need to go with jpeg files. Some of the higher end point and shoot cameras can shoot raw by using the setting “jpeg plus raw”.
Video Rating: 4 / 5

Nikon D4, AF-S Nikkor 85mm f/1.8G lens, Wireless Transmitter WT-5 are now officially announced! Large close Up pics: www.kentyuphotography.com The New 16.2 Megapixel Nikon D4 Wields a Formidable Fusion of Swift Performance, Battle-Tested Technologies and Innovative New Features to Create High Caliber Photo and HD Multimedia Content 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color. Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field. Image Quality That Hits the Mark The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (36 x 23.9mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition.
Video Rating: 4 / 5

 
 

Cool Visual Art images

22 Dec

Some cool visual art images:


visual art
Image by Bahman.
Luminato at the Distillery
Luminato is an annual multi-genre celebration featuring theatre, classical and contemporary music, dance, visual arts, film, literature, and more. The festival will feature highly acclaimed World Premieres, innovative new work and unexpected collaborations that result in unforgettable creative moments.
www.luminato.com

 
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Posted in Photographs

 

21. Türchen: Epson

22 Dec

Wer analog fotografiert, kennt das Gefrickel und stundenlange Warten, wenn es ums Einscannen von Negativen geht. Heute verlosen wir den Scanner Epson Perfection V600 Photo von Epson, der sich damit rümt, besonders schnell zu sein.

Ein Kleinbild-Negativ scannt er ab 39 Sekunden, damit hat man einen ganzen Film schon in einer knappen halben Stunde fertig. Nach dem Einschalten ist er sofort betriebsbereit und braucht im Gegensatz zu anderen Modellen keine Aufwärmzeit dank LED-Technologie, die ihn auch stromsparend macht.

Mit der flexiblen Filmhalterung lassen sich neben Kleinbild-Filmstreifen auch Mittelformatfilme bis zu einem Panorama-Format von 6×22 cm und gerahmte Diapositive scannen. Und natürlich Fotos und Dokumente bis A4 wie gewohnt auf der Glasauflage.

Verblasste, staubige oder zerkratzte Fotos lassen sich mit Hilfe der DIGITAL-ICE™-Technologie und der beiliegenden Software Epson Easy Photo Fix ganz einfach und schnell nachbessern. Die maximale optische Auflösung beträgt 6.400 x 9.600 dpi, damit kitzelt man alle Details aus den Aufnahmen.

Die unverbindliche Preisempfehlung für den Epson Perfection V600 Photo liegt bei 370 €, inzwischen ist er im Handel auch schon um 250 € zu haben. Eine gute Überlegung also für alle, die gern und viel analog fotografieren und noch auf der Suche nach einem schnellen Gerät zur Digitalisierung sind.

Um den Epson Perfection V600 Photo zu gewinnen, schreibe einen Kommentar unter bürgerlichem Namen und gültiger E-Mail-Adresse bis heute um 24 Uhr. Danach verlosen wir ihn per Zufallsgenerator unter allen Kommentatoren. Die genauen Gewinnspielregeln findest Du hier. Viel Glück!


kwerfeldein – Fotografie Magazin

 
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Best Shot of 2012: Weekly Photography Challenge

22 Dec

2012 (light writing)As we approach the end of the year I thought it might be time to do a weekly challenge on the topic of ‘best shot in 2012′.

So dig through your shots from 2012 and share your best shot with us.

What ‘best’ means is up to you. It could be a shot that is technically best, makes you feel great or captures a best moment. Whatever you like.

Once you’ve selected your best shot of 2012 upload it to your favourite photo sharing site and either share a link to it or – embed it in the comments using the our new tool to do so.

If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSBEST2012 to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Also – don’t forget to check out some of the great shots posted in last weeks Environmental Portraits challenge where there were some beautiful shots submitted.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Best Shot of 2012: Weekly Photography Challenge


Digital Photography School

 
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Nikon D80 Camera TV Commercial. Great Ad!

22 Dec

Great photos being taken by Nikon D80 Camera while the children play on a beautiful autumn day. See the other version of this commercial which is beautiful – it reminds us that peace, joy and freedom are gifts.
Video Rating: 4 / 5

 
 

Why the Instagram Debacle Just Taught Every Tech Company to Take Your Photos More Seriously

22 Dec

Why the Instagram Debacle Just Taught Every Tech Company to Take Your Photos More Seriously

“Whatever kind of victory all those protests achieved, it wasn’t one for consumer rights — if anything, Instagram is the real winner here. The company just managed to score a round of positive press for retracting an unpopular change and give itself the ability to actually use photos in ads.” — Nilay Patel, The Verge

Over at the Verge Nilay Patel makes a case that the backlash earlier this week against Instagram’s unpopular TOS update was actually a loss for consumers not a gain. He argues that Instagram’s current TOS is broader than their more explicit proposed one and so consumers are worse off, not better off. Because Instagram technically still holds the rights to sell your photos under their current TOS, and even more broadly, the consumer backlash was misguided and really did more harm than good.

I disagree with Nilay and feel that actually this week’s backlash was one of the more significant movements yet for photo sharing on the web.

It’s not that Facebook (whose TOS is equally broad) and Instagram couldn’t legally sell your photos on the web under their broad TOS in the past or in the future, it’s more that *politically* it is now far more difficult for them to begin selling your photos out from under you on the web using their broader TOS.

Who cares what the TOS says, the message that Facebook got loud and clear this week is not to f*** with your photos. Your photos are important. You care about them. They are much more personal to you than Facebook may have previously considered. They have emotional importance and significance and collectively your users will rise up and bash you in the face if you try to exercise terms of your TOS that your lawyers have allowed you to screw around with photos. Whatever your future monetization strategies might be, they will not be based on a loss of control over OUR creative efforts — even our duckface creative efforts.

No, there is no question about it. Instagram lost this week and they lost big. This is in no way a positive for Instagram. People trust them less and they had to turn around and eat crow, they gained nothing.

Flickr won big at Instagram’s expense and Google+ won a little. Flickr won more because like Instagram their site is 100% about photography. They also just released a pretty awesome new iPhone app that is in fact even slickr than what Instagram currently offers.

Flickr also went out of their way last year to really drive home the ownership rights of your photos. This old forgotten post was revived with new life as a stark contrast to what it felt like Instagram was trying to pull. Kevin Systrom eventually even had to parrot back some of that “yes, we know your photos are your photos” stuff in his awkward non-apology apology.

Dan Lyons wrote a post that talked about Google+ winning some here too. Google+ smartly has a provision in their TOS that specifically limits their rights to your photos to basic operational use. Google+ is probably the most active community of photographers on the web today and are a natural beneficiary from what Lyons’ refers to as “Facebook Greedheads.”

The biggest winner or all though was you, the photographer. Whatever Instagram’s original intention was in being more specific in their TOS, it backfired on them. The idea that they could/would profit off your emotionally significant photos without your consent, authorization or most important, sharing the dough, hit a nerve with photographers and likely won’t be tried again by anyone in a long, long time.

The thing is, this didn’t have to be such a painful learning experience for Instagram. There was/is in fact a HUGE opportunity for some smart social media property make a ton of money off of your photos, Instagram just went about it wrong.

As much as Flickr’s deal with Getty sucks (photographers get a miserly 20% payout) photographers on Flickr still went bonkers for it when Flickr released it. The idea that you could actually get PAID to post your photos on a social network, paid ANYTHING, had most users on Flickr clamoring to get into the program, not out of the site.

Even though Flickr/Getty’s call for artists group is now closed (due to overwhelming demand) almost 90,000 photographers joined this group hoping to get selected by Getty for the right to sell their photos for the paltry 20% payout.

The difference with Flickr’s deal though was that 1. you CHOOSE to opt in and 2. at least you got paid something.

What if instead of Instagram saying, “hey, we might sell your photos without your consent and pay you NOTHING,” they said, “hey, do you want to sell your Instagram photos and if we sell them for you split the money 50/50″? Instead of losing accounts and becoming the scourge of the internet for three days, they would have had photographers rushing to sign up and begin marketing their images on their site.

Although there are sites out there like 500px and SmugMug that let you sell your photos now, Flickr is the only larger social network that has a selling program. Google+, Instagram, Facebook, even Twitter, all have a major opportunity to become the first large social network to allow us to license our images through their service and share in the revenue with them. This is a multi-BILLION dollar industry dominated at present by Getty who is not paying creatives enough for their work. What the internet does best is get rid of middlemen when they are being unreasonable, and an 80/20 split with photographers is unreasonable.

Instead of stealing our work and paying us zero, how about using your significant reach in reputation, marketing and search to partner with us and empower us to sell our work together. I guarantee you that whoever comes up with the best program first has some of the best photography on the web flooding your network. Even if 99% of us never sell a single photo, simply giving us the feeling that we have the opportunity to sell a photo would be a powerful incentive to get us active and humming on your network.


Thomas Hawk Digital Connection

 
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Photographer Estevan Oriol on Workplace Distractions

22 Dec

Workplace distractions cause problems for all of us. Estevan uses his powers of observation developed through photography to elucidate a problem we all face while trying to work and be creative.
Video Rating: 4 / 5

 

21. Dezember 2012

22 Dec

Ein Beitrag von: Matthias Leberle


kwerfeldein – Fotografie Magazin

 
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Just Posted: Enthusiast Zoom Compact Camera Roundup

22 Dec

Introimage2.jpg

The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we’ll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.

News: Digital Photography Review (dpreview.com)

 
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