Category: Uncategorized

  • Tamron 24mm F2.8 M1:2 sample gallery

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    The Tamron 24mm F2.8 Di III OSD M1:2 debuted late last year alongside 20mm and 35mm options. These full-frame E-mount primes offer 1:2 macro reproduction at an affordable $ 350 price point. Not to mention that they’re extremely lightweight: the 24mm F2.8 weighs 215.5g / 0.5lb. That’s an extremely attractive feature if you’re looking to, for example, hike up a mountain. Take a look at how it handles subjects near, far and somewhere in between.

    Articles: Digital Photography Review (dpreview.com)

  • Spot the differences: Comparing a $430 35mm F1.4 7Artisans lens to Leica’s $5,895 Summilux-M

    It’s well known that better optics ultimately yields better images, as higher-quality glass and components affect how the light hits the image sensor inside your camera. But just how much does cheaper glass differ from expensive glass? We’d like to think it differs quite a bit, but a recent comparison from Leica Rumors shows just how close a cheap lens can be to an incredibly expensive lens — one nearly 14X the cost.

    In the blind comparison, Leica Rumors put the Leica Summilux-M 35mm F1.4 ASPH lens ($ 5,895) up against the 7Artisans 35mm F1.4 lens ($ 430). All images were shot on a Fujifilm GFX 50R, using the exact same settings. We’ve embedded the images from Leica Rumor’s Flickr account down below, presenting them in the same order Leica Rumors has on its website. You can carefully view and even download the full-resolution images from Flickr to look at more carefully. Following the images, we’ll share what photos were shot on what lens, so don’t scroll down too soon if you want to spoil the surprise.

    1-A

    1-B

    2-A

    2-B

    3-A

    3-B

    4-A

    4-B

    Now that you’ve had some time to pore over the images, are you confident you know which shots are from which lens? Below are the answers:

    • Scenes 1–3 (Leica is A, 7Artisans is B)
    • Scene 4 (Leica is B, 7Artisans is A)

    While this is a rather extreme comparison that is by no means scientific nor representative of the build quality or manufacturing conditions of either lens, it goes to show just how far optics, even budget optics, have come over the years. Ultimately, the best choice is the one that fits your need.

    Articles: Digital Photography Review (dpreview.com)

  • Google Images will soon show more detailed licensing information on individual images

    Google has announced it will soon make it possible for website owners to display more detailed licensing information of photographs in images that appear in Google Image searches.

    Image License is currently in the beta stage, but the company plans to make it easier for those using Google Images to find out how to pay to use images that appear in searches, as well as allow photographers to have their conditions-of-use displayed. The idea is to encourage those using images to pay for them by making it clearer that they need to pay, as well as how to pay and who owns the picture. Although the feature isn’t currently in use, Google suggests photographers should begin preparing their websites for when the feature goes live.

    A diagram showing how license information may show up in Google Images once the feature goes live.

    Preparation involves attaching licensing information on your website and adding information to each image displayed on the site. Google has shared a guide on how to prepare your site and images in its Image License guide.

    How the licensing link will be shown in the Google Images display pane

    Google says it will be able to access and display information attached to images via structured data or by IPTC photo metadata to show searchers that an image is available to use. Google will also show a link to the license conditions page on your website if you’ve set one up.

    Structured data needs to be coded into the web page, but IPTC (International Press Telecommunications Council) metadata can also be attached to individual images in imaging software before they are loaded onto the Internet.

    These changes are set to go live this summer, so we should expect the feature to be activated very soon.

    Articles: Digital Photography Review (dpreview.com)

  • The Laowa 50mm F2.8 is the first 2x macro lens for MFT systems

    Chinese lens manufacturer Venus Optics has introduced a new Ultra Macro lens to its Laowa line-up with a 50mm F2.8 model that offers a 2x macro function. The Laowa 50mm F2.8 2X Ultra Macro APO is claimed to be the first-ever 2x macro lens for the MTF system, and has a minimum focus distance of 13.5cm (5.3in).

    Marked with the company’s ‘CA Dreamer’ slogan, the lens has apochromatic correction achieved with three extra-low dispersion elements in the 14-elements-in-10-group construction. The company says lateral and longitudinal chromatic aberrations are corrected and that out-of-focus highlights appear free of color fringes. As the lens provides the view you’d expect from a 100mm on a full-frame sensor Laowa says it also makes an excellent portrait lens.

    Jimmy Chan Paul Harcourt Davies
    Nicky Bay Paul Harcourt Davies

    The lens is chipped and allows body-controlled apertures as well as full EXIF data to be recorded in the image metadata. The lens has a 7-bladed iris, a 49mm filter thread and it weighs 240g (8.4oz), while the short flange distance has allowed the company make it just 79mm (3.1in) in length.

    The Laowa 50mm F2.8 2x Macro costs $ 400 before tax and is available to purchase now on the Laowa website.

    Press release:

    Venus Optics announced the world’s first 2x macro lens for MFT: Laowa 50mm f/2.8 2X Ultra Macro APO

    Venus Optics, the camera lens manufacturer endeavoring in unique ultra-macro lenses, announce the release of Laowa 50mm f/2.8 2X Ultra Macro APO Lens. The new 50mm lens is specially designed for Micro Four Thirds (MFT) cameras and it is the first- ever 2X macro lens designed for this sensor size. The lens also features an apochromatic (APO) design to minimize the chromatic aberrations across the frame. The ex-VAT retail price is USD 399/pc and pricing may vary in different countries.

    1) Focus from infinity to 2X macro magnification

    Unlike most of the MFT macro lenses in the market which can focus only up to 1X, the new Laowa 50mm macro lens offers a 2X maximum magnification ratio along with a minimum focusing distance of 5.3” (13.5cm). It has become the first lens ever designed with a greater- than-life-size (2:1) maximum magnification for MFT cameras, allowing photographing close subjects with finer details. The wider magnification range also makes itself flexible for shooting subjects at different sizes. The lens can focus to infinity and serve as an excellent portrait lens with its 100mm equivalent field of view on 35mm sensors.

    2) Equipped with a CPU chip and motor (Automatic aperture)

    The lens is equipped with a CPU chip and motor and the aperture can be controlled via the camera body. All the lens data is directly recorded on EXIF. Moreover, the focus magnifier would automatically triggered for easier focus control when the focus ring is rotated.

    3) Apochromatic optical (APO) design

    The new 50mm f/2.8 2X Ultra Macro has a optics design with 14 elements in 10 groups, three out of which are extra-low dispersion glasses to minimize chromatic aberrations across the frame.
    This lens has inherited the exceptional APO design from Laowa 65mm f/2.8 2x Ultra Macro APO, where both lateral chromatic aberration (LaCa) and longitudinal CA (LoCA or Bokeh Fringing) are eliminated.

    4) Lightweight & Compactness

    The 50mm lens is extremely compact and light in weight. It measures 3.1” (79mm) long and weighs only around 8.4oz (240g). Venus Optics take advantage of the short flange distance of mirrorless cameras and compress the size of the lens to the minimal. An internal focus design is also adopted so that the length of the lens can be maintained during focusing.

    5) Compatible with MFT

    With the previous success of the Laowa 65mm f/2.8 2x Ultra macro APO which was optimized for APS-C, the new 50mm lens is specially developed for MFT mirrorless camera users. It can be used on Panasonic, Olympus, BMPCC 4K, etc.

    6) Pricing & Availability

    The lens is currently available to order in authorized resellers and in Venus Optics official website (http://www.venuslens.net/). Shipping starts immediately. The ex-VAT retail price in the US is USD 399/pc. Pricing may vary in different countries.

    Specifications

    Format MFT
    Focal length 50mm
    Angle of View 24°
    Aperture f/2.8-22 (Automatic aperture)
    Optical Structure 14 elements in 10 groups
    Aperture Blade 7 blades
    Closest focusing distance 13.5cm
    Max. Magnification 2X
    Focus Manual
    Filter thread ø49mm
    Dimensions ø53.5mm x 79mm
    Weight 240g

    Articles: Digital Photography Review (dpreview.com)

  • Report: Air Force One nearly collided with a drone, investigation launched

    US Air Force C-32A (80001), captured by Kentaro Iemoto and used under CC BY-SA 2.0

    On Sunday night passengers aboard Air Force One (AF1) spotted a small object, resembling a drone, flying in close proximity to the right of the plane as it was making its final descent. President Trump, First Lady Melania, and their son Barron were all on board. The modified Boeing 757 landed without incident at Joint Base Andrews in Maryland but White House military officials have opened an investigation into the sighting.

    Described by witnesses as yellow and black, and shaped like a cross, the unmanned aerial vehicle nearly collided with AF1 as it was making its final descent. The Federal Aviation Administration (FAA), which receives thousands of reports, annually, regarding drones operating in restricted areas and close to manned aircraft, referred questions on this particular incident to the U.S. Air Force. It’s 89th Airlift Wing along with the White House Military Office stated they were ‘aware of the report’ and the ‘matter was under review,’ according to Bloomberg.

    Most civilian drones weigh only a few pounds and aren’t capable of taking down an airliner. However, government research reveals that a similarly-sized bird is could potentially destroy a jet airliner’s engine or shatter its windshield. The FAA does not permit flight above 400 feet unless a remote pilot has obtained their Part 107 certification (in the U.S., similar laws apply in most other countries) or has acquired a special waiver.

    As we reported back in December 2019, over 1.5 million drones have been registered in the U.S. and 8,700 incidents of unmanned aircraft flying too close to planes have been reported to the FAA. Of those reports, two collisions between a drone with a helicopter and a hot air balloon have been confirmed by the National Transportation Safety Board. Remote ID, the concept that all drones need a digital license plate, took comments from the public through March of this year.

    ‘Remote ID technologies will enhance safety and security by allowing the FAA, law enforcement, and federal security agencies to identify drones flying in their jurisdiction,’ said U.S. Transportation Secretary Elaine L. Chao. The rulemaking is currently in development and is expected to be finalized by the end of this year.


    Update (August 18, 2020 at 5 PM ET): The original version of this article incorrectly had the modified 747 as the header image when it was in fact the modified 757 plane that was involved in this incident.

    Articles: Digital Photography Review (dpreview.com)

  • ZTE to launch the first smartphone with under-display front camera on September 1st

    The front of modern smartphones is almost entirely occupied by the display which makes integrating the selfie camera an ever more difficult task for designers and engineers. We’ve seen solutions using camera notches, hole-punch cameras and pop-up mechanisms but none look as elegant and inconspicuous as a camera that is hidden under the display.

    Some under-display prototypes have already been making the rounds but now we’ll finally have a working production model to play with. Chinese manufacturer ZTE has just announced it will launch the world’s first smartphone with under-display front camera on September 1st. The company says the ZTE Axon 20 5G ‘will be the world’s first mass-produced 5G smartphone featuring under-display camera, marking another milestone in ZTE’s exploration of the true full display smartphone.’

    Xiaomi prototype with under-display camera next to a device with front camera notch

    Unfortunately no other specs or pricing information has been released at this point but XDA-Developers has discovered a recent database entry by Chinese regulator TENAA that lists the Axon 20 5G as a device with 32MP front camera and a quad-rear-camera setup with 64, 8 and a pair of 2MP modules. Other rumored specs include 6.92-inch HD OLED display and up to 12GB of RAM.

    Previously manufacturers Xiaomi and Oppo were the first to demonstrate technology allowing for the front camera to be placed under and capture images information through the display. Prototype devices made an appearance but in January 2020 Xiaomi VP Lu Weibing said there were still too many technological challenged to overcome and a production devices should not be expected any time soon, mainly because the high pixel-density of modern smartphone displays blocked too much of the incoming light from the camera lens and sensor.

    However, not too long after this statement was made OLED manufacturer Visionox announced it was ready to start mass production of displays with under-screen cameras. The company claimed it had been successful at increasing light transmission by using different organic and non-organic film materials that offer higher transparency. It also developed a new software for correcting brightness and color casts as well as viewing angle issues to work in conjunction with the new type of display.

    In addition the pixel density on the portion of the display covering the camera lens has been modified to allow for better light transmission by reducing the display resolution in the specific area where the camera is located.

    At this point it is unknown if the ZTE Axon 20 5G is using the VIsionox solution or a similar approach. However, we should know more and find out what kind of image quality the first under-display front camera can deliver on September 1st.

    Articles: Digital Photography Review (dpreview.com)

  • Exploring the Alvord Desert with Andy Maser and the DJI Mavic Air 2

    The DJI Mavic Air 2 offers 48MP stills and 4K/60p video recording in an ultra-compact, folding body. A significant update to the original Mavic Air, the Air 2 is DJI’s smartest drone to date, and includes HDR capture, scene recognition to optimize the look of footage depending on your subject, as well as a suite of safety features, including front, rear and underside object avoidance sensors.

    Join filmmaker Andy Maser and drone pilot Alex Emberlin as they use the new DJI Mavic Air 2 to explore the beautiful Alvord Desert in Oregon.


    This is sponsored content, created with the support of Amazon and DJI. What does this mean?

    Articles: Digital Photography Review (dpreview.com)

  • Adobe opens up free registration for its all-digital Adobe MAX 2020 conference

    Registration for the all-digital Adobe MAX 2020 event is now open and free for all.

    Back in May, Adobe announced both of its annual conferences, 99U and Adobe MAX, would be going all-digital amidst the ongoing COVID-19 pandemic. Now, Adobe has opened up registration for its Adobe MAX 2020 conference, making it free for all who want to join the virtual version of ‘The Creativity Conference.’

    The online event will feature more than 250 speakers and take place from October 19–21. Both the main keynote and the breakout sessions will be available for all registrants. The headlining speakers include photographer Annie Leibovitz; recording artist, producer and director Tyler, the Creator; writer, director and producer Ava DuVernay; and actor and director Keanu Reeves. Dozens of other artists across all disciplines will have keynotes and breakout sessions as well.

    You can register for Adobe MAX 2020 and look through the list of speakers on the Adobe MAX 2020 website.

    Articles: Digital Photography Review (dpreview.com)

  • Video: How to thoroughly clean and disinfect your camera

    Olympus Europe has partnered with photographer Fernando Marmolejo to share an in-depth guide on how to clean and disinfect both non-weather-sealed and weather-sealed camera systems. While this is clearly an advertisement of sorts for Olympus camera systems, it’s also an insightful guide on how you can keep your gear as clean as possible, especially during a global pandemic.

    The nearly eight-minute-long video is entirely in Spanish, so you’ll want to turn on translated subtitles if you don’t speak the language. Language barriers aside though, this is one of the most in-depth guides on cleaning cameras we’ve come across.

    The thought of using actual soap and water on a camera — even a weather-sealed camera — can be daunting, but Marmolejo’s guide breaks down how you can do just that without breaking your gear. And, as helpful and sincere as the guide is, there’s also a bit of humor splashed in throughout the guide.

    It’s worth noting that even when following this guide, there is a risk for damage and the possibility you’ll void your camera’s warranty, so proceed with extreme caution, regardless of how weather-sealed your camera is.

    Articles: Digital Photography Review (dpreview.com)

  • New York City map makes it easy to find historical images of NYC from 1939 to 1941

    A newly-launched online mapping system called 1940s NYC makes it simple for anyone to find historical images of the city captured from 1939 to 1941 by the New York City Tax Department in collaboration with the Works Progress Administration. The photography initiative involved capturing images of every home, shop and other buildings in all five boroughs, the result being an incredibly detailed time capsule of the city as it existed decades ago.

    These historical photographs were already available to the public, but getting them — particularly ones of specific buildings — was time-consuming. Things got a bit more simple in 2018 when the New York City Municipal Archives finished digitizing the full collection, a process that also involved tagging each image so that it could be more easily found online using the right details.

    Despite that improvement, the process of browsing these images was still limited. Users must go to the NYC.gov website’s city map tool and enter the exact address for the building of the photo they want. This makes it difficult to casually browse these historical images, something the new 1940s NYC mapping tool solves.

    The new and far more capable mapping tool comes from NYC-based software engineer Julian Boilen, who notes on the website that an automated process was used to place the images on the map and, therefore, there is the potential for some ‘imperfections.’

    The mapping tool is exceptionally simple to use. Every black dot on the map represents a photo of that location; users can zoom in on individual streets and neighborhoods, which appear to be overlaid with historic city zoning maps. Users can also enter an address to go right to a particular building. This is quite a bit more robust than the mapping tool offered by the city itself.

    Users located in New York City also have the option of clicking a location icon that will pull up their current location on the map, making it easy to see what their neighborhood looked like decades ago. As well, the map provides an ‘Outtakes’ section that is a large gallery of browseable photos. Many of these images feature black dots and NYC.gov watermarks.

    In addition to serving as a portal to the 1930s – 1940s NYC images, the mapping tool also includes a link to a similar map that features the same variety of imagery, but one captured in the 1980s.

    This dataset features 800,000 photos of buildings, according to the tool, as well as more than 100,000 ‘street segments.’ This mapping tool includes a ‘Stories’ feature that provides a series of images alongside the stories behind them.

    These stories include things like pointers on spying interesting elements in the photos, details about whether certain buildings still stand and if they were remodeled, notable events that took place at these locations and similar information.

    The website is not affiliated with the New York City Department of Records, which is the agency that owns the historical photos. Anyone can order the high-resolution digitized copies or prints of images they like from the city’s Municipal Archives, otherwise, the public is limited to the watermarked and low-resolution versions made accessible by the NYC Department of Records and Information Services.

    Including these images, the NYC Municipal Archives Digital Collections website offers the public access to more than 1.6 million digital items, including photos and videos.

    Articles: Digital Photography Review (dpreview.com)