RSS
 

Archive for the ‘Uncategorized’ Category

Four RF-mount lenses kick off Canon’s new full-frame mirrorless system

08 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8760634600″,”galleryId”:”8760634600″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon’s first full-frame mount in more than 30 years is here, in the shape of the RF-mount. Featuring the same diameter as the venerable EF-mount but with a much shorter flange back distance, RF is designed from the ground up for mirrorless cameras. It’s still early days, but four lenses have been unveiled alongside the consumer-grade EOS R, providing a tantalizing glimpse into Canon’s future ambitions.

Today sees the unveiling of the Canon RF 28-70mm F2L USM, RF 50mm F1.2L USM (pictured below), RF 24-105mm F4L IS USM and RF 35mm F1.8 Macro IS STM. This quartet covers common focal lengths from 24mm to 105mm and includes an exceptionally fast aperture zoom lens, a macro and – in a throwback to the early days of the EF system in the late 1980s – a flagship fast 50mm (shown below on the EOS R).

Perhaps the most interesting of the four new lenses is the 28-70mm F2, which weighs in at a very substantial 1430g (3.15lbs) – a 77% weight increase compared to the wider but slower EF 24-70mm F2.8 II. Boasting 19 elements in 13 groups, the 28-70mm F2 is a large lens, with a determinedly non-standard front filter diameter of 95mm. The RF 24-105mm F4 appears somewhat more conventional, weighing in at a much more manageable 700g (1.5lb) and featuring a standard filter thread of 77mm. It’s no surprise that this is the lens that Canon is kitting with the EOS R at launch.

The RF 24-105 F4L IS USM has been designed to be video-friendly, with minimal focus breathing, a fast, silent ‘Nano USM’ focus motor and the ability to control its aperture in 1/8th EV steps.

The RF 50mm F1.2 looks to be a pretty substantial chunk of glass, featuring 15 elements in nine groups, and weighing 950g (2.1lb). Meanwhile the lightweight (305g, 0.7lb) RF 35mm F1.8 Macro covers both a useful focal length, and offers a handy 0.5X magnification macro capability. Considering its comparatively smaller size and lighter weight, the RF 35mm F1.8 looks like it could be a very attractive walk-around prime for the small and light EOS R.

The EF-RF adapters will allow the millions of existing EF lenses in circulation to be used “without compromise”

In addition to the four new lenses, Canon has also introduced three EF to RF adapters. The most basic is a simple mount converter, with an additional two adapters which add a customizable control ring (to match the clicking, customizable control rings on native RF lenses), and a tray for drop-in filters, respectively. The drop-in filter adapter makes it possible to add a Vari ND or circular polarizer to all lenses, including the traditionally awkward super-wides.

Canon promises that the EF-RF adapters will allow the millions of existing EF lenses in circulation to be used “without compromise” on the new EOS R and future RF-mount cameras.

The RF 28-70mm F2L USM will cost $ 2,999 and will be available in December. The RF 24-105mm F4L IS USM will also be available in December for $ 1099 ($ 3399 as a kit with the EOS R). The RF 50mm F1.2L USM will cost $ 2,299 and will start shipping next month, while the RF 35mm F1.8 Macro IS STM will cost $ 499 and will be available in December. All three of the ‘L’ lenses are weather-sealed.

Press Release

BEYOND THE REALM OF TRADITIONAL POSSIBILITIES:
CANON INTRODUCES FOUR RF MOUNT LENSES

Canon Also Introduces Three RF Mount Adapters, Providing EF & EF-S Lenses with Full Compatibility and Enhanced Functionality ?with the New EOS R Camera

MELVILLE, N.Y., September 5, 2018 – Helping to rewrite the rules of visual expression, Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a variety of new RF lenses and accessories to accompany the newly announced EOS R Full-Frame Mirrorless Camera System. The four new RF lenses are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. The new RF mount enables new possibilities in optical design and lens formulation, allowing for faster and lighter lenses with higher performing optics.

The four new lenses, the Canon RF 28-70mm F2 L USM, RF 50mm F1.2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM capitalize on the robust optic foundation of Canon’s new EOS R system. The design behind Canon’s new EOS R camera and RF lens system started with the concept of the optimal rear lens element diameter and shorter distance (back focus) for a Full-Frame image sensor.

With over 130 million EF lenses in circulation since Canon launched the mount in 1987*, the Company is enhancing the possibilities for its loyal customers who own and love their EF glass. Canon is introducing three RF Lens Mount Adapters that expand the capabilities of existing EF lenses when paired with the EOS R camera. The Canon Mount Adapter EF-EOS R allows photographers to utilize the full breadth of Canon’s EF, EF-S, TS-E, and MP-E lenses on the newly introduced EOS R camera system. The Control Ring Mount Adapter adds a customizable control ring via the adapter that provides photographers with added functionality to their fingertips. The Drop-in Filter Mount Adapter now easily places circular polarizing or variable neutral density filters behind the lens, opening up new options for lenses such as the EF 11-24mm where using optical filters were previously not an option.

“Knowing exceptional optics are a vital tool in shaping the image a photographer captures, Canon designed the EOS R camera system from the ground up with optics as the starting point,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Canon is very excited about the world-class optics we have developed to marry with the new RF mount. With our rich history and more than 130 million EF lenses being used across the globe, Canon optics will continue to be at the forefront of our digital imaging development now and into the future.”

New Canon RF Series Lenses

Three of the newly announced Canon RF lenses are counted among Canon’s top-of-the-line L-series optics; incorporating rugged, dust and water-resistant construction. All four new RF lenses feature a customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO.

The Canon RF 28-70mm F2 L USM lens, the world’s first standard zoom lens with an f/2 aperture is excellent for capturing landscapes, weddings and portraits with its large aperture for stunning bokeh. Initial testing within Canon has shown this new lens to produce better optical image quality and sharpness over similar focal length EF-series lenses, including the extremely popular and highly regarded EF 24-70mm f/2.8L II USM.

A portrait photographer’s must-have, the Canon RF 50mm F1.2 L USM lens sports an ultra large-diameter f/1.2 aperture and Canon’s Air Sphere Coating (ASC) technology to dramatically reduce flares and ghosting. This amazing new lens is capable of rendering subjects life-size on the full-frame sensor with its minimum focusing distance of only 0.59 inches.

Photographers seeking an all-around utility lens for the new EOS R camera system need to look no further than the Canon RF 24-105mm F4 L IS USM lens. Coming in nine percent shorter in length than the EF 24-105mm f/4L IS II USM, this compact lens employs a CIPA standard of 5 stops of IS and is equipped with NANO USM technology, the first L-series lens with the technology. This small chip-shaped ultrasonic motor is engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full-time manual focus (when using one-shot AF).

A fast, wide-angle single focus lens, the Canon RF 35mm F1.8 MACRO IS STM lens is an excellent option for photographers looking for an affordable compact lens. Featuring a maximum shooting magnification of 0.5x, the lens can easily shoot macro photography of subjects such as flowers, food and even insects. The lens also utilizes a CIPA standard of 5 stops of IS and is compatible with Hybrid IS, compensating for both angular and shift camera shake.

Enhanced Capabilities for Canon EF Lenses

Thanks to its large lens mount design, Canon’s new EOS R series camera system delivers new capabilities in both design and function, but for existing Canon lens owners it does something incredible. It enhances the capabilities of existing EF and EF-S lenses with full compatibility and in some cases, enhanced functionality when paired with one of three RF mount adapters.

Canon lenses are historically top-rated, and the Company is looking to help customers gain even more value in their investment with three new RF mount adapters.

The Canon Mount Adapter EF-EOS R is a standard adapter that provides full compatibility with EF lenses. Autofocus, metadata, and Optical Image Stabilization on EF lenses all continue to work seamlessly with the new EOS R camera through this adapter.
The Control Ring Mount Adapter EF-EOS R continues full EF lens compatibility with the addition of a customizable control ring. Functions that can be assigned and adjusted by the control ring include aperture, shutter speed, ISO speed and exposure compensation.
In addition to full EF lens compatibility, the Drop-In Filter Mount Adapter EF-EOS R allows for lens filters to be used behind any EF lens and help photographers conveniently utilize variable ND and circular polarizing filters with any EF lens.

New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include:

  • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
  • 24mm Wide-angle Coverage
  • Optical Wireless Flash Function (Sender and Receiver)
  • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous
  • Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
  • Mode Dial with AUTO Position

Availability and Pricing

The Canon RF 50mm F1.2 L USM will be available in October 2018 for an estimated retail price of $ 2299. The Canon RF 28-70mm F2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM will all be available for purchase in December 2018 for an estimated retail price of $ 2999, $ 1099 and $ 499.99 respectively.

The Canon Mount Adapter EF-EOS R and Control Ring Mount Adapter EF-EOS R will be available for purchase in October 2018 for an estimated retail price of $ 99.99 and $ 199.99 respectively. The Drop-in Filter Mount Adapter EF-EOS R will all be available for purchase in February 2019 for an estimated retail price of $ 399.99 with a variable ND filter or $ 299.99 with a circular polarizing filter.

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $ 199.99.

For more information on the new Canon RF lenses and accessories, please visit usa.canon.com/eosrsystem.

Canon RF 35mm F1.8 IS STM / RF 50mm F1.2L specifications

  Canon RF 35mm F1.8 IS STM Macro Canon RF 50mm F1.2L USM
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 35 mm 50 mm
Image stabilization Yes No
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F1.8 F1.2
Minimum aperture F22 F16
Aperture ring No
Number of diaphragm blades 9 10
Optics
Elements 11 15
Groups 9
Special elements / coatings 1 aspherical element, Super Spectra Coating Ground aspherical + aspherical _+ UD elements, Air Sphere and fluorine coatings
Focus
Minimum focus 0.17 m (6.69) 0.40 m (15.75)
Maximum magnification 0.5× 0.19×
Autofocus Yes
Motor type Stepper motor Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 305 g (0.67 lb) 950 g (2.09 lb)
Diameter 74 mm (2.91) 90 mm (3.54)
Length 63 mm (2.48) 108 mm (4.25)
Sealing No Yes
Colour Black
Filter thread 52 mm 77 mm

Canon RF 28-70mm F2L USM / RF 24-105mm F4L IS USM specifications

  Canon RF 28-70mm F2L USM Canon RF 24-105mm F4L IS USM
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–70 mm 24–105 mm
Image stabilization No Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F2 F4
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 19 18
Groups 13 14
Special elements / coatings UD + aspherical elements, Air Sphere, SWC and fluorine coatings Aspherical + UD elements, Air Sphere and fluorine coatings
Focus
Minimum focus 0.39 m (15.35) 0.45 m (17.72)
Maximum magnification 0.18× 0.24×
Autofocus Yes
Motor type Ring-type ultrasonic Nano ultrasonic
Full time manual Yes
Focus method Internal Rear
Distance scale No
DoF scale No
Physical
Weight 1430 g (3.15 lb) 700 g (1.54 lb)
Diameter 104 mm (4.09) 84 mm (3.31)
Length 140 mm (5.51) 107 mm (4.21)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 95 mm 77 mm

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Four RF-mount lenses kick off Canon’s new full-frame mirrorless system

Posted in Uncategorized

 

Pixelmator Pro update adds Light Leak effect and more

08 Sep

Pixelmator has announced an update to its Pixelmator Pro image editing software. Version 1.1.4 to brings new effects, a new AI-powered Auto Selective Color adjustment tool and more.

The Auto Selective Color feature uses machine learning to automatically apply selective color adjustments, improving specific colors in an images. A new Light Leak effect adds a vintage film look to your photos and the Bokeh effect simulates the shallow depth of field of a fast lens on a DSLR, similar to what we are seeing on many current smartphone cameras.

There is also a new Spin Blur effect which creates circular motion effects. The Noise effect is something we have seen before on other editing applications and simply lets you add grain to your images. Other new effects include Threshold, Mask to Alpha, Clouds, and more Tile and Distort effects.

Auto White Balance and Auto Lightness preserve skintones better and are 30 percent faster than in previous versions of the software

Pixelmator did not only add new features, however, but also improved some of the existing tools. The company says Auto White Balance and Auto Lightness preserve skintones better and are 30 percent faster than in previous versions of the software. The Color Adjustments and Effects sub-menus now come with Copy, Paste, Reset and Flatten Adjustment options. In addition you can now use a new keyboard shortcut (O) to show the original image while editing.

You can find a full list of improvements and modifications on Pixelmator’s What’s New page. Pixelmator Pro can currently be downloaded for $ 29.99 from the Mac App Store. That’s a $ 30 discount off the regular price.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Pixelmator Pro update adds Light Leak effect and more

Posted in Uncategorized

 

New 32mm F1.4 STM joins Canon’s EF-M lens collection

07 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3786029331″,”galleryId”:”3786029331″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Despite the launch of four RF and two EF-mount lenses, Canon is out to show that it’s still committed to the EF-M system. Today the company announced the EF-M 32mm F1.4 STM, which will cost $ 479.99 when it is available later this month, and offers an equivalent focal length of just over 50mm when attached to an M-series mirrorless body.

Press Release:

CANON INTRODUCES NEW LENS FEATURING THE LARGEST AND FASTEST APERTURE IN THE EF-M LENS FAMILY

New EF-M 32mm F/1.4 STM Expands Canon’s Robust Lineup of EF-M Lenses

Aimed at Entry and Enthusiast-Level Photographers

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a new EF-M wide angle fixed-focal-length lens, the EF-M 32mm f/1.4 STM. The EF-M lens is both compact and lightweight, serving as an ideal addition for any photographer shooting with an EOS-M series camera. Entry and enthusiast-level photographers who are passionately seeking to take their photography skills to the next-level will find this lens to be a great addition for portraiture, landscapes or
general travel photography.

“As Canon continues to expand the company’s EF-M lineup, it is very important that users are provided the tools they desire for a variety of shooting situations,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The new EF-M 32mm f/1.4 STM lens delivers great image quality in a compact and lightweight form factor, allowing photographers to capture the images they envision when they pick up their camera.”

The EF-M 32mm f/1.4 STM lens is the second EF-M lens to feature a large-aperture, delivering stunning bokeh with a soft blurred background that helps photographers isolate their subjects. In addition, the 32mm focal length converts to approximately 51m in 35mm format, providing an angle-of-view close to the field-of-view of the human eye.

Additional noteworthy features of the EF-M 32mm f/1.4 STM lens include:

  • 14 elements in eight groups, including a glass molded aspherical lens
  • Super Spectra Coating technology and optimized lens element placement helps minimize ghosting and flaring
  • Lead gear-type STM stepping motor to help provide smooth and quiet focus operation when taking photos, and near-silence when shooting video
  • Wide focusing ring with full-time manual focus capabilities
  • Compact and lightweight design: maximum diameter of 60.9mm, total length of
    50.5mm and approximate weight of 235g
  • Maximum magnification of 0.25x and minimum focusing distance of 0.23m

Availability and Pricing

The EF-M 32mm f/1.4 STM will be available for purchase in late September 2018 for an estimated retail price of $ 479.99*. Included accessories for the new lens are Canon lens cap E-43, lens hood ES-60 and lens case LP-1014. For additional information about the new lens or to learn more about the complete lineup of Canon EF-M lenses, please visit usa.canon.com.

Canon EF-M 32mm F1.4 STM specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Focal length 32 mm
Image stabilization No
Lens mount Canon EF-M
Aperture
Maximum aperture F1.4
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 8
Special elements / coatings Aspherical elements + Super Spectra Coating
Focus
Minimum focus 0.23 m (9.06)
Maximum magnification 0.25×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 235 g (0.52 lb)
Diameter 61 mm (2.4)
Length 57 mm (2.24)
Sealing No
Filter thread 43 mm

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on New 32mm F1.4 STM joins Canon’s EF-M lens collection

Posted in Uncategorized

 

Canon EOS R sample gallery updated with Raw conversions

07 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0450281051″,”galleryId”:”0450281051″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We’ve updated our Canon EOS R sample gallery with additional images from Maui, Hawaii. There you’ll also find several Raw conversions made using a beta build of ACR 11. We’ll continue to update this gallery as samples come in from our team on the island, so check back often.

See our Canon EOS R sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon EOS R sample gallery updated with Raw conversions

Posted in Uncategorized

 

Flickr announces major update to Galleries section

07 Sep

It’s been fairly quiet around Flickr since it was taken over by SmugMug but now the image sharing platform has announced a major update to its galleries section. The new Flickr galleries come with a redesigned user interface and a number of new tools to “facilitate your creativity.”

In a post on the Flickr Blog the company says that “Flickr’s galleries have long been one of the tools available to our community for visual storytelling, though they have gotten dusty over time as the rest of the site progresses.”

The new layout has been designed for larger screen sizes and resolutions than the previous version and the maximum number of photos in galleries has been increased from 50 to 500. To facilitate work with large numbers of photos you now batch add them to a gallery directly from your Favorites.

“By explicitly connecting Faves to gallery creation, we’re making your workflow simpler when you’re curating your favorite works from other Flickr members,” Flickr says.

On the galleries list page you’ll now find a triptych of photos for each gallery (the cover photo and the two most recent images), plus some metadata.

You can still select any image from the gallery to use it as the cover, edit title and description and reorder images. Galleries can also be shared “with an intuitive share sheet that will improve the presentation of your galleries on other social networks.”

If you are a Flickr user, head over to the Flickr galleries page to check out the redesign and new features.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Flickr announces major update to Galleries section

Posted in Uncategorized

 

Canon EOS R: first sample images posted

07 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0450281051″,”galleryId”:”0450281051″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon has formally rolled out its EOS R full-frame mirrorless system with a camera, four lenses and a trio of adapters. We’ll have plenty of opportunities to get to know the camera much better in the short and long term, but for now we’ve published our very first images with Canon’s brand new EOS R. We’ve included images shot with the RF 50mm F1.2L and 24-105mm F4L IS. We’ll be adding more images very soon.

Read more about the Canon EOS R

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon EOS R: first sample images posted

Posted in Uncategorized

 

Sample gallery: Fujifilm X-T3

07 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5370103067″,”galleryId”:”5370103067″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We were lucky to shoot around with the new Fujifilm X-T3 prior to launch – for our thoughts so far, read our X-T3 first impressions review. In short, this 26MP APS-C sensor camera has a lot to offer for both stills and video shooters. Click into our sample gallery for an initial look at image quality.

View our Fujifilm X-T3 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sample gallery: Fujifilm X-T3

Posted in Uncategorized

 

Fujifilm X-T3 makes waves with a 26MP X-Trans sensor and 4K/60p video

07 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3973259856″,”galleryId”:”3973259856″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Fujifilm isn’t being conservative with its new X-T3 enthusiast mirrorless camera. Rather, the company is swinging for the fences, producing a camera with a brand new 26MP BSI X-Trans CMOS 4 sensor that can shoot at up to 30 fps (in crop mode) and capture 4K/60p video. The T3’s X-Processor 4 is three times faster than the chip on current X-series models. The camera also has a native base ISO of 160, down from 200 on the X-T2. All of Fujifilm’s Film Simulation modes are here, including Acros, Classic Chrome and Eterna.

The autofocus system is a big improvement over previous X-series models

Design-wise, the X-T3 looks a whole lot like its immediate predecessor. You’ve got your weather-sealed body with analog dials, unique dual-axis articulating LCD and good-sized electronic viewfinder. Both the LCD and EVF have been enhanced, with the former becoming touch-enabled and the latter getting a resolution boost to 3.69 million dots. The EVF has a 100 fps refresh rate when the camera is in ‘boost mode,’ which no longer requires the optional battery grip for maximum performance. The EVF diopter is now lockable, and the camera’s various dials and buttons are larger and have a more pronounced ‘press feel’.

Perhaps the biggest surprise on the X-T3 is just how much effort Fujifilm has put into making the X-T3 a serious video camera

The autofocus system is a big improvement over previous X-series models, with 2.1 million phase detection pixels providing nearly 100% coverage. The system checks focus and metering 1.5x faster than the X-T2 and is capable of focusing in light levels as low as -3EV. Face and eye detection have been improved, with the latter now available in AF-C mode. Fujifilm has also added a ‘Digital Microprism’ focusing aid, simulating the view through an old-school film SLR finder.

At full resolution the camera can fire away at 20 fps with the electronic shutter or 11 fps with the mechanical shutter. Putting the camera into ‘Sports Finder’ boosts the top burst rate to 30 fps with a 1.25x crop. Bright lines in the viewfinder show the cropped-in area. An available pre-capture option continuously buffers images and saves the images taken immediately before and after you press the shutter release. The X-T3’s battery life is rated at 390 shots per charge, which is above average for a mirrorless camera. The optional battery grip allows the camera to use three NP-W126S packs, with seamless switching between them.

The X-T3 can record F-Log footage with HLG support coming later in 2018.

Perhaps the biggest surprise on the X-T3 is just how much effort Fujifilm has put into making the X-T3 a serious video camera. Not only can it capture 4K/60p video (DCI and UHD): it can also output 10-bit 4:2:2 to an external recorder or capture 10-bit 4:2:0 internally (using the H.265 codec). The readout rate of the sensor has been increased to reduce rolling shutter, and new noise reduction algorithms have been added.

The X-T3 can record F-Log footage (with a minimum ISO of 640), with HLG support coming later in 2018. The camera has mic and headphone sockets, along with HDMI and USB-C, and the door over all of those can be removed for when the camera is on a rig.

The X-T3 will be available starting September 20th in black and silver for $ 1,499.95 body-only, or as a kit with the XF 18-55mm for $ 1,899.95.

Read our Fujifilm X-T3 First Impressions Review

Press Release:

FUJIFILM ANNOUNCES THE NEW X-T3, A MIRRORLESS DIGITAL CAMERA EVOLVING X SERIES INTO FOURTH GENERATION

New X-T3 introduces all-new back-illuminated 26MP X-Trans CMOS 4 sensor and X-Processor 4 processor; World’s first APS-C mirrorless camera capable of 4K/60P 10bit recording

Valhalla, N.Y., September 6, 2018 – FUJIFILM North America Corporation today unveiled the new FUJIFILM X-T3, launching the X Series mirrorless digital cameras into its fourth generation. Introducing an all-new back-illuminated 26.1MP X-Trans CMOS 4 sensor and X-Processor 4 processor, the X-T3 delivers superb image quality, dramatically improved AF performance, exceptional tracking performance of fast-moving subjects and blackout-free burst shooting. The X-T3 is also the first APS-C mirrorless camera capable of 4K/60P 10bit recording to meet the needs of professional videographers.

“We are proud to introduce the new X-T3 to market as not only the latest addition to our X Series mirrorless lineup of digital cameras, but as an introduction to fourth generation technologies that feature substantial performance enhancements over previous models, delivering high AF performance, superb color reproduction and outstanding image quality to photographers and videographers alike,“ said Yuji Igarashi, General Manager of the Electronic Imaging Division and Optical Devices Division of FUJIFILM North America Corporation.

Fourth Generation X-Trans CMOS 4 and X-Processor 4 for Improved Resolving Performance, Color Reproducibility, and Faster Processing

Featuring the latest, fourth generation 26.1MP X-Trans CMOS 4 APS-C sensor with no optical low-pass filter, the FUJIFILM X-T3 boasts the highest performance in the history of X Series. Utilizing the unique color filter array of X-Trans CMOS sensors to control moiré and false colors, it is the first APS-C back-illuminated structure sensor with phase detection pixels distributed across the surface to improve image resolution without compromising signal to noise ratio. With the X-T3, ISO160 is now part of the standard ISO range, previously this was only available as extended ISO, perfect for use in bright scenes or when trying to shoot wide open with a fast, large-aperture lens.

The new X-T3 debuts the X-Processor 4 processor which features a Quad Core CPU to achieve a processing speed 3 times faster than current X Series models. Providing incredible AF accuracy and speed, the processor is also the first to deliver 4K/60P 10bit output, fulfilling the performance needs of professional videographers. It is also capable of implementing complex image processing tasks in an instant, such as the unique FUJIFILM Color Chrome Effect or Monochrome Adjustment function.

The new FUJIFILM X-T3 features the Color Chrome Effect, previously limited to the FUJIFILM GFX 50S medium format mirrorless digital camera, which produces enhanced color gradation in highly saturated colors such as vivid-colored flowers with shadows, a notoriously difficult subject to reproduce. With the high-speed processing power of the X-Processor 4, this effect can be applied not only to a single shot but also during continuous shooting.

Exceptional Autofocus and Viewfinder Performance

With the X-T3, AF performance receives a dramatic improvement from previous X Series products, increasing the phase detection AF area to the entire frame with 2.16M phase detection pixels providing fast and accurate phase detection AF. The low-light phase detection AF limit has been increased over the X-T2 by 2 stops, from -1EV to -3EV, making it possible for photographers to accurately focus in low light conditions, perfect for night photography.

Furthermore, the X-Processor 4’s high processing speed and excellent phase detection algorithm means the camera refocuses (AF) and meters (AE) 1.5 times more frequently than the X-T2, enabling accurate autofocus even when photographing subjects that change speed and move erratically across the frame, such as sports photography. The performance of Face Detection AF has also been improved. Eye Detection AF now supports the AF-C mode to maintain accurate focus tracking. Face and Eye Detection AF is also available during video recording to achieve smooth filming of subjects.

The X-T3 offers photographers incredible viewfinder performance, with the ability to now track a moving subject in the 3.69-million-dot high resolution EVF with a magnification ratio of 0.75x. Further the X-T3, allows continuous shooting of 11fps with the mechanical shutter without the optional vertical battery grip, enabling fast continuous shooting while maintaining a low weight.

Additional enhancements to the X-T3 include a display time lag of just 0.005 seconds and a EVF refresh rate of 100fps for smooth display of moving subject or when panning the camera. A new sports finder mode for enhanced capture of moving subjects is especially useful for sports and wildlife photography, and a new pre-shoot function, which allows photographers to start shooting as soon as the shutter button is half-pressed to ensure the moment is never missed.

Enhanced Video Performance to Meet the Needs of Professionals

The X-T3 is the first mirrorless digital camera capable of internal SD card 4K/60P 4:2:0 10bit recording and the first mirrorless digital camera with APS-C or larger sensor that is capable of 4K/60P 4:2:2 10bit HDMI output. Supported video formats include the widely-used H.264/MPEG-4 AVC as well as H.265/HEVC for greater data compression, which enables internal recording of 4K/60P 4:2:0 10bit at200Mbps bitrate as well as simultaneous HDMI output. The X-T3 sensor’s read speed has been increased from that of the X-T2, enabling17msec reading in 4K/60P video, reducing rolling shutter distortion for smooth recording of fast-moving subjects. 10bit color depth for video boosts the amount of color information 64 times compared to 8bit, and is combined with approximately. 12 stops dynamic range to enable capture of subjects with rich gradation of color.

Also introduced in the X-T3 is a new noise reduction algorithm and 4K inter-frame noise reduction, the minimum sensitivity for shooting F-Log footage has been lowered from ISO800 to ISO640, further enhancing the camera’s performance to meet the needs of videographers.

Designed for Ultimate Operability

Inheriting the popular design of the X-T2, dials are positioned on the top panel, and the camera features a central viewfinder and excellent grip design for stability and comfort. The X-T3 also incorporates enhancements to its design, including a lockable EVF diopter adjustment to prevent unintended adjustments while carrying the camera, and a touchscreen panel with higher contrast, wider viewing angles and better functionality for more intuitive operation. In addition, the X-T3 offers larger top-panel dials than the X-T2, and larger rear-panel buttons and a more pronounced press function of the front and rear command dials, as found on the X-H1.

X-T3 Vertical Battery Grip

The Vertical Battery Grip VG-XT3 is designed to be dust-resistant, weather-resistant and capable of operating at temperatures as low as -10°C/14° F, and holds two additional batteries to increase the maximum number of shots to 1,100 (in normal mode). The grip features a shutter release button, focus lever, AE-L button, AF-L button, front and rear command dials, Q button and Fn button to provide the same level of excellent operability with vertical shooting as with horizontal.

X-T3 Metal Hand Grip

The MHG-XT3 Metal Hand Grip makes it substantially more comfortable to hold the camera when it is mounted with a large-aperture lens, in order to reduce camera shake. The battery or SD cards can be replaced without having to remove the hand grip, and the base can be used as a quick release shoe when using a dovetail mount on a tripod.

FUJIFILM X-T3 Key Features:

  • 26.1MP X-Trans CMOS 4 Sensor with primary color filter
  • X-Processor 4 Image Processing Engine
    • Capable of 4K/60P and 10bit output
    • Features 4 CPU units
    • Startup time of 0.3 seconds
    • Shutter time lag of 0.045 seconds
  • High-precision, 0.5-inch, 3.69 million dot OLED color viewfinder
    • Viewfinder magnification of 0.75x
    • Wide viewing angle (diagonal 38º and horizontal 30º)
    • Display time lag of just 0.005 seconds, refresh rate of approx. 100fps
  • Robust magnesium alloy body
  • Continuous Shooting
    • 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG? 60 frames Lossless compression RAW? 35 frames Uncompressed RAW? 33 frames)
    • 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames)
    • 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames)
    • Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames)
  • Movie Recording (using a card with the UHS Speed Class 3 or higher)
    • File format
      • MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)
    • Movie compression
      • All Intra/Long-GOP, can be used with the following settings:
        • DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
        • Full HD?2048×1080?/Full HD?1920×1080?94p/50p/29.97p/25p/24p/23.98p?200Mbps
      • File size/ Frame Rate/ Recording Time
        • ?DCI 4K?4096×2160?? 94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
        • ?4K?3840×2160??94p/50p/29.97p/25p/24p/23.98p
        • 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
        • ?Full HD?2048 ×1080?? 94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
        • ?Full HD?1920×1080??94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
        • ?Full HD?1920×1080) High speed rec.] 120p?100p 200Mbps (recording) up to approx. 6min.
        • Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
        • DCI4K 59.94p/50p is not available when H.264 is selected.
          • For recording movies, use a SD memory card with UHS Speed Class 3 or higher. For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher
        • LCD Monitor
          • 0 inch, aspect ratio 3:2, approx. 1.04 million dots touch screen color LCD monitor (approx. 100% coverage)
        • 16 Film Simulation Modes
          • PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg. Hi, PRO Neg. Std, Black & White, Black & White +Ye Filter, Black & White +R Filter, Black & White +G Filter, Sepia, ACROS, ACROS +Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema), B & W Adjustment: -9~+9
        • Bluetooth® Ver. 4.2 low energy technology
        • 16 Film Simulation Modes
        • Accessories included:
          • Li-ion battery NP-W126S
          • Battery charger BC-W126S
          • Shoe-mount flash unit EF-X8
          • Shoulder strap
          • Body cap
          • Strap clip
          • Protective cover
          • Clip attaching tool
          • Hot shoe cover
          • Vertical battery grip connector cover
          • Connector cover (detachable)
          • Sync terminal cover
          • Cable protector
          • Owner’s manual

FUJIFILM X-T3 Accessories:

  • X-T3 Vertical Power Booster Grip VG-XT3
    • Weather-resistant design fits two additional batteries
  • X-T3 Metal Hand Grip MHG-XT3
    • Enhanced ergonomic design for horizontal shooting
  • X-T3 Bottom Leather Case BLC-XT3
    • Genuine premium leather
  • X-T3 Cover Kit CVR-XT3 includes:
    • Sync terminal cover
    • Hot shoe cover
    • Connector cover
    • Vertical battery grip connector cover, black
    • Vertical battery grip connector cover, silver
  • FUJIFILM Remote Release RR-100
  • Battery Charger BC-W126S

Fujifilm X-T3 specifications

Price
MSRP $ 1499 (body only), $ 1899 (w/18-55mm lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6240 x 4160
Other resolutions 4416 x 2944, 3120 x 2080
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 26 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type BSI-CMOS
Processor X-Processor 4
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 160-12800 (expands to 80-51200)
Boosted ISO (minimum) 80
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.75× (0.5× 35mm equiv.)
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous (L/H)
  • Bracketing
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264, H.265
Microphone Stereo
Speaker Mono
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2 LE
Remote control Yes (via smartphone or cable release)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & charger
Battery Life (CIPA) 390
Weight (inc. batteries) 539 g (1.19 lb / 19.01 oz)
Dimensions 133 x 93 x 59 mm (5.24 x 3.66 x 2.32)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm X-T3 makes waves with a 26MP X-Trans sensor and 4K/60p video

Posted in Uncategorized

 

Canon Speedlite EL-100 external flash is compact yet powerful

07 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5958602644″,”galleryId”:”5958602644″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Buried among its new full-frame mirrorless system and new lenses, Canon also snuck out a new external flash: the Speedlite EL-100. This compact flash, which weighs just 190g (6.7oz) has plenty of power, with a guide number of 26m (85ft) at ISO 100. The EL-100 runs on two AA batteries and has a minimum recycling time of 5.8 seconds.

The flash can be tilted both horizontally and vertically for bounce capability, and it also has a manual zoom head. In addition to a ‘set it and forget it’ Auto mode, stroboscopic and 2nd-curtain options are also available. Despite its $ 199 price tag, the EL-100 is able to serve as both an optical transmitter and receiver, supporting 3 groups and 4 channels.

As mentioned above, Canon’s latest Speedlite will cost $ 199 when it ships in October.

Press Release:

New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include:

  • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
  • 24mm Wide-angle Coverage
  • Optical Wireless Flash Function (Sender and Receiver)
  • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
  • Mode Dial with AUTO Position

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $ 199.99.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon Speedlite EL-100 external flash is compact yet powerful

Posted in Uncategorized

 

Fujifilm X-T3 First Impressions Review

06 Sep

When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1, most notably in terms of autofocus and video. While the new X-T3 hasn’t changed the overall design of the camera (which doesn’t really need it, in our opinion), this model is way more than an upgrade; rather, it’s a quantum leap.

The X-T3 brings with it a brand new sensor, a hybrid autofocus system that looks extremely promising and video features more in-line with a Panasonic GH5 than typical enthusiast mirrorless cameras. Based on our initial impressions, the X-T3 may be the mirrorless APS-C camera to beat.

Key Specifications

  • 26MP BSI ‘X-Trans CMOS 4’ sensor
  • 425-point hybrid AF system
  • Improved AF Tracking and Face/Eye Detection AF
  • 20 fps shooting with AF (11 fps with mechanical shutter)
  • 30 fps shooting in 1.25x crop ‘Sports Finder’ mode
  • 3.69M-dot electronic viewfinder
  • Two-axis tilting touchscreen
  • 10 bit 4:2:0 H.265 internal video capture (4:2:2 over HDMI)
  • UHD/DCI 4K/60p from 1.18x crop region
  • UHD/DCI 4K/30p using full width of sensor
  • Internal F-Log capture (HLG coming by end of 2018)
  • Dual UHS-II SD card slots
  • USB C-type connector can be used for charging battery
  • Headphone and Mic Sockets
Out of camera JPEG shot using the Provia/Standard profile.
ISO 640 | 1/ 160 sec | F2 | Shot using the Fujifilm XF 90mm F2 R LM WR
Photo by Wenmei Hill

The X-T3 will launch with an MSRP of $ 1499 (down $ 100 from the X-T2) but will still cost $ 1899 when sold as a kit with the XF 18-55mm R F2.8-4 OIS lens. It will be available in black or black and silver.


What’s new and how it compares

Autofocus, video and the user interface are just a small portion of what’s new on the X-T3 compared to its immediate predecessor.

Read more

Body and handling

The X-T3’s design is nearly identical to that of the X-T2, and that’s a good thing. The improvements are significant, though, with the addition of a higher-res EVF and a touchscreen LCD.

Read more

Operation and controls

The name of the game is customization, with nine buttons to choose from. There are also use-case-based AF controls available. Battery life is above average.

Read more

First impressions

Fujifilm has raised the bar for video on APS-C cameras, one example of why crop formats are not dead yet.

Read more

Sample gallery

View a variety of sample images from our final production X-T3.

Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm X-T3 First Impressions Review

Posted in Uncategorized