Category: Uncategorized

  • Pixelmator Pro update adds Light Leak effect and more

    Pixelmator has announced an update to its Pixelmator Pro image editing software. Version 1.1.4 to brings new effects, a new AI-powered Auto Selective Color adjustment tool and more.

    The Auto Selective Color feature uses machine learning to automatically apply selective color adjustments, improving specific colors in an images. A new Light Leak effect adds a vintage film look to your photos and the Bokeh effect simulates the shallow depth of field of a fast lens on a DSLR, similar to what we are seeing on many current smartphone cameras.

    There is also a new Spin Blur effect which creates circular motion effects. The Noise effect is something we have seen before on other editing applications and simply lets you add grain to your images. Other new effects include Threshold, Mask to Alpha, Clouds, and more Tile and Distort effects.

    Auto White Balance and Auto Lightness preserve skintones better and are 30 percent faster than in previous versions of the software

    Pixelmator did not only add new features, however, but also improved some of the existing tools. The company says Auto White Balance and Auto Lightness preserve skintones better and are 30 percent faster than in previous versions of the software. The Color Adjustments and Effects sub-menus now come with Copy, Paste, Reset and Flatten Adjustment options. In addition you can now use a new keyboard shortcut (O) to show the original image while editing.

    You can find a full list of improvements and modifications on Pixelmator’s What’s New page. Pixelmator Pro can currently be downloaded for $ 29.99 from the Mac App Store. That’s a $ 30 discount off the regular price.

    Articles: Digital Photography Review (dpreview.com)

  • New 32mm F1.4 STM joins Canon’s EF-M lens collection

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    Despite the launch of four RF and two EF-mount lenses, Canon is out to show that it’s still committed to the EF-M system. Today the company announced the EF-M 32mm F1.4 STM, which will cost $ 479.99 when it is available later this month, and offers an equivalent focal length of just over 50mm when attached to an M-series mirrorless body.

    Press Release:

    CANON INTRODUCES NEW LENS FEATURING THE LARGEST AND FASTEST APERTURE IN THE EF-M LENS FAMILY

    New EF-M 32mm F/1.4 STM Expands Canon’s Robust Lineup of EF-M Lenses

    Aimed at Entry and Enthusiast-Level Photographers

    MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a new EF-M wide angle fixed-focal-length lens, the EF-M 32mm f/1.4 STM. The EF-M lens is both compact and lightweight, serving as an ideal addition for any photographer shooting with an EOS-M series camera. Entry and enthusiast-level photographers who are passionately seeking to take their photography skills to the next-level will find this lens to be a great addition for portraiture, landscapes or
    general travel photography.

    “As Canon continues to expand the company’s EF-M lineup, it is very important that users are provided the tools they desire for a variety of shooting situations,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The new EF-M 32mm f/1.4 STM lens delivers great image quality in a compact and lightweight form factor, allowing photographers to capture the images they envision when they pick up their camera.”

    The EF-M 32mm f/1.4 STM lens is the second EF-M lens to feature a large-aperture, delivering stunning bokeh with a soft blurred background that helps photographers isolate their subjects. In addition, the 32mm focal length converts to approximately 51m in 35mm format, providing an angle-of-view close to the field-of-view of the human eye.

    Additional noteworthy features of the EF-M 32mm f/1.4 STM lens include:

    • 14 elements in eight groups, including a glass molded aspherical lens
    • Super Spectra Coating technology and optimized lens element placement helps minimize ghosting and flaring
    • Lead gear-type STM stepping motor to help provide smooth and quiet focus operation when taking photos, and near-silence when shooting video
    • Wide focusing ring with full-time manual focus capabilities
    • Compact and lightweight design: maximum diameter of 60.9mm, total length of
      50.5mm and approximate weight of 235g
    • Maximum magnification of 0.25x and minimum focusing distance of 0.23m

    Availability and Pricing

    The EF-M 32mm f/1.4 STM will be available for purchase in late September 2018 for an estimated retail price of $ 479.99*. Included accessories for the new lens are Canon lens cap E-43, lens hood ES-60 and lens case LP-1014. For additional information about the new lens or to learn more about the complete lineup of Canon EF-M lenses, please visit usa.canon.com.

    Canon EF-M 32mm F1.4 STM specifications

    Principal specifications
    Lens type Prime lens
    Max Format size APS-C / DX
    Focal length 32 mm
    Image stabilization No
    Lens mount Canon EF-M
    Aperture
    Maximum aperture F1.4
    Minimum aperture F16
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 14
    Groups 8
    Special elements / coatings Aspherical elements + Super Spectra Coating
    Focus
    Minimum focus 0.23 m (9.06)
    Maximum magnification 0.25×
    Autofocus Yes
    Motor type Stepper motor
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 235 g (0.52 lb)
    Diameter 61 mm (2.4)
    Length 57 mm (2.24)
    Sealing No
    Filter thread 43 mm

    Articles: Digital Photography Review (dpreview.com)

  • Canon EOS R sample gallery updated with Raw conversions

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    We’ve updated our Canon EOS R sample gallery with additional images from Maui, Hawaii. There you’ll also find several Raw conversions made using a beta build of ACR 11. We’ll continue to update this gallery as samples come in from our team on the island, so check back often.

    See our Canon EOS R sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • Flickr announces major update to Galleries section

    It’s been fairly quiet around Flickr since it was taken over by SmugMug but now the image sharing platform has announced a major update to its galleries section. The new Flickr galleries come with a redesigned user interface and a number of new tools to “facilitate your creativity.”

    In a post on the Flickr Blog the company says that “Flickr’s galleries have long been one of the tools available to our community for visual storytelling, though they have gotten dusty over time as the rest of the site progresses.”

    The new layout has been designed for larger screen sizes and resolutions than the previous version and the maximum number of photos in galleries has been increased from 50 to 500. To facilitate work with large numbers of photos you now batch add them to a gallery directly from your Favorites.

    “By explicitly connecting Faves to gallery creation, we’re making your workflow simpler when you’re curating your favorite works from other Flickr members,” Flickr says.

    On the galleries list page you’ll now find a triptych of photos for each gallery (the cover photo and the two most recent images), plus some metadata.

    You can still select any image from the gallery to use it as the cover, edit title and description and reorder images. Galleries can also be shared “with an intuitive share sheet that will improve the presentation of your galleries on other social networks.”

    If you are a Flickr user, head over to the Flickr galleries page to check out the redesign and new features.

    Articles: Digital Photography Review (dpreview.com)

  • Canon EOS R: first sample images posted

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    Canon has formally rolled out its EOS R full-frame mirrorless system with a camera, four lenses and a trio of adapters. We’ll have plenty of opportunities to get to know the camera much better in the short and long term, but for now we’ve published our very first images with Canon’s brand new EOS R. We’ve included images shot with the RF 50mm F1.2L and 24-105mm F4L IS. We’ll be adding more images very soon.

    Read more about the Canon EOS R

    Articles: Digital Photography Review (dpreview.com)

  • Sample gallery: Fujifilm X-T3

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    We were lucky to shoot around with the new Fujifilm X-T3 prior to launch – for our thoughts so far, read our X-T3 first impressions review. In short, this 26MP APS-C sensor camera has a lot to offer for both stills and video shooters. Click into our sample gallery for an initial look at image quality.

    View our Fujifilm X-T3 sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm X-T3 makes waves with a 26MP X-Trans sensor and 4K/60p video

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    Fujifilm isn’t being conservative with its new X-T3 enthusiast mirrorless camera. Rather, the company is swinging for the fences, producing a camera with a brand new 26MP BSI X-Trans CMOS 4 sensor that can shoot at up to 30 fps (in crop mode) and capture 4K/60p video. The T3’s X-Processor 4 is three times faster than the chip on current X-series models. The camera also has a native base ISO of 160, down from 200 on the X-T2. All of Fujifilm’s Film Simulation modes are here, including Acros, Classic Chrome and Eterna.

    The autofocus system is a big improvement over previous X-series models

    Design-wise, the X-T3 looks a whole lot like its immediate predecessor. You’ve got your weather-sealed body with analog dials, unique dual-axis articulating LCD and good-sized electronic viewfinder. Both the LCD and EVF have been enhanced, with the former becoming touch-enabled and the latter getting a resolution boost to 3.69 million dots. The EVF has a 100 fps refresh rate when the camera is in ‘boost mode,’ which no longer requires the optional battery grip for maximum performance. The EVF diopter is now lockable, and the camera’s various dials and buttons are larger and have a more pronounced ‘press feel’.

    Perhaps the biggest surprise on the X-T3 is just how much effort Fujifilm has put into making the X-T3 a serious video camera

    The autofocus system is a big improvement over previous X-series models, with 2.1 million phase detection pixels providing nearly 100% coverage. The system checks focus and metering 1.5x faster than the X-T2 and is capable of focusing in light levels as low as -3EV. Face and eye detection have been improved, with the latter now available in AF-C mode. Fujifilm has also added a ‘Digital Microprism’ focusing aid, simulating the view through an old-school film SLR finder.

    At full resolution the camera can fire away at 20 fps with the electronic shutter or 11 fps with the mechanical shutter. Putting the camera into ‘Sports Finder’ boosts the top burst rate to 30 fps with a 1.25x crop. Bright lines in the viewfinder show the cropped-in area. An available pre-capture option continuously buffers images and saves the images taken immediately before and after you press the shutter release. The X-T3’s battery life is rated at 390 shots per charge, which is above average for a mirrorless camera. The optional battery grip allows the camera to use three NP-W126S packs, with seamless switching between them.

    The X-T3 can record F-Log footage with HLG support coming later in 2018.

    Perhaps the biggest surprise on the X-T3 is just how much effort Fujifilm has put into making the X-T3 a serious video camera. Not only can it capture 4K/60p video (DCI and UHD): it can also output 10-bit 4:2:2 to an external recorder or capture 10-bit 4:2:0 internally (using the H.265 codec). The readout rate of the sensor has been increased to reduce rolling shutter, and new noise reduction algorithms have been added.

    The X-T3 can record F-Log footage (with a minimum ISO of 640), with HLG support coming later in 2018. The camera has mic and headphone sockets, along with HDMI and USB-C, and the door over all of those can be removed for when the camera is on a rig.

    The X-T3 will be available starting September 20th in black and silver for $ 1,499.95 body-only, or as a kit with the XF 18-55mm for $ 1,899.95.

    Read our Fujifilm X-T3 First Impressions Review

    Press Release:

    FUJIFILM ANNOUNCES THE NEW X-T3, A MIRRORLESS DIGITAL CAMERA EVOLVING X SERIES INTO FOURTH GENERATION

    New X-T3 introduces all-new back-illuminated 26MP X-Trans CMOS 4 sensor and X-Processor 4 processor; World’s first APS-C mirrorless camera capable of 4K/60P 10bit recording

    Valhalla, N.Y., September 6, 2018 – FUJIFILM North America Corporation today unveiled the new FUJIFILM X-T3, launching the X Series mirrorless digital cameras into its fourth generation. Introducing an all-new back-illuminated 26.1MP X-Trans CMOS 4 sensor and X-Processor 4 processor, the X-T3 delivers superb image quality, dramatically improved AF performance, exceptional tracking performance of fast-moving subjects and blackout-free burst shooting. The X-T3 is also the first APS-C mirrorless camera capable of 4K/60P 10bit recording to meet the needs of professional videographers.

    “We are proud to introduce the new X-T3 to market as not only the latest addition to our X Series mirrorless lineup of digital cameras, but as an introduction to fourth generation technologies that feature substantial performance enhancements over previous models, delivering high AF performance, superb color reproduction and outstanding image quality to photographers and videographers alike,“ said Yuji Igarashi, General Manager of the Electronic Imaging Division and Optical Devices Division of FUJIFILM North America Corporation.

    Fourth Generation X-Trans CMOS 4 and X-Processor 4 for Improved Resolving Performance, Color Reproducibility, and Faster Processing

    Featuring the latest, fourth generation 26.1MP X-Trans CMOS 4 APS-C sensor with no optical low-pass filter, the FUJIFILM X-T3 boasts the highest performance in the history of X Series. Utilizing the unique color filter array of X-Trans CMOS sensors to control moiré and false colors, it is the first APS-C back-illuminated structure sensor with phase detection pixels distributed across the surface to improve image resolution without compromising signal to noise ratio. With the X-T3, ISO160 is now part of the standard ISO range, previously this was only available as extended ISO, perfect for use in bright scenes or when trying to shoot wide open with a fast, large-aperture lens.

    The new X-T3 debuts the X-Processor 4 processor which features a Quad Core CPU to achieve a processing speed 3 times faster than current X Series models. Providing incredible AF accuracy and speed, the processor is also the first to deliver 4K/60P 10bit output, fulfilling the performance needs of professional videographers. It is also capable of implementing complex image processing tasks in an instant, such as the unique FUJIFILM Color Chrome Effect or Monochrome Adjustment function.

    The new FUJIFILM X-T3 features the Color Chrome Effect, previously limited to the FUJIFILM GFX 50S medium format mirrorless digital camera, which produces enhanced color gradation in highly saturated colors such as vivid-colored flowers with shadows, a notoriously difficult subject to reproduce. With the high-speed processing power of the X-Processor 4, this effect can be applied not only to a single shot but also during continuous shooting.

    Exceptional Autofocus and Viewfinder Performance

    With the X-T3, AF performance receives a dramatic improvement from previous X Series products, increasing the phase detection AF area to the entire frame with 2.16M phase detection pixels providing fast and accurate phase detection AF. The low-light phase detection AF limit has been increased over the X-T2 by 2 stops, from -1EV to -3EV, making it possible for photographers to accurately focus in low light conditions, perfect for night photography.

    Furthermore, the X-Processor 4’s high processing speed and excellent phase detection algorithm means the camera refocuses (AF) and meters (AE) 1.5 times more frequently than the X-T2, enabling accurate autofocus even when photographing subjects that change speed and move erratically across the frame, such as sports photography. The performance of Face Detection AF has also been improved. Eye Detection AF now supports the AF-C mode to maintain accurate focus tracking. Face and Eye Detection AF is also available during video recording to achieve smooth filming of subjects.

    The X-T3 offers photographers incredible viewfinder performance, with the ability to now track a moving subject in the 3.69-million-dot high resolution EVF with a magnification ratio of 0.75x. Further the X-T3, allows continuous shooting of 11fps with the mechanical shutter without the optional vertical battery grip, enabling fast continuous shooting while maintaining a low weight.

    Additional enhancements to the X-T3 include a display time lag of just 0.005 seconds and a EVF refresh rate of 100fps for smooth display of moving subject or when panning the camera. A new sports finder mode for enhanced capture of moving subjects is especially useful for sports and wildlife photography, and a new pre-shoot function, which allows photographers to start shooting as soon as the shutter button is half-pressed to ensure the moment is never missed.

    Enhanced Video Performance to Meet the Needs of Professionals

    The X-T3 is the first mirrorless digital camera capable of internal SD card 4K/60P 4:2:0 10bit recording and the first mirrorless digital camera with APS-C or larger sensor that is capable of 4K/60P 4:2:2 10bit HDMI output. Supported video formats include the widely-used H.264/MPEG-4 AVC as well as H.265/HEVC for greater data compression, which enables internal recording of 4K/60P 4:2:0 10bit at200Mbps bitrate as well as simultaneous HDMI output. The X-T3 sensor’s read speed has been increased from that of the X-T2, enabling17msec reading in 4K/60P video, reducing rolling shutter distortion for smooth recording of fast-moving subjects. 10bit color depth for video boosts the amount of color information 64 times compared to 8bit, and is combined with approximately. 12 stops dynamic range to enable capture of subjects with rich gradation of color.

    Also introduced in the X-T3 is a new noise reduction algorithm and 4K inter-frame noise reduction, the minimum sensitivity for shooting F-Log footage has been lowered from ISO800 to ISO640, further enhancing the camera’s performance to meet the needs of videographers.

    Designed for Ultimate Operability

    Inheriting the popular design of the X-T2, dials are positioned on the top panel, and the camera features a central viewfinder and excellent grip design for stability and comfort. The X-T3 also incorporates enhancements to its design, including a lockable EVF diopter adjustment to prevent unintended adjustments while carrying the camera, and a touchscreen panel with higher contrast, wider viewing angles and better functionality for more intuitive operation. In addition, the X-T3 offers larger top-panel dials than the X-T2, and larger rear-panel buttons and a more pronounced press function of the front and rear command dials, as found on the X-H1.

    X-T3 Vertical Battery Grip

    The Vertical Battery Grip VG-XT3 is designed to be dust-resistant, weather-resistant and capable of operating at temperatures as low as -10°C/14° F, and holds two additional batteries to increase the maximum number of shots to 1,100 (in normal mode). The grip features a shutter release button, focus lever, AE-L button, AF-L button, front and rear command dials, Q button and Fn button to provide the same level of excellent operability with vertical shooting as with horizontal.

    X-T3 Metal Hand Grip

    The MHG-XT3 Metal Hand Grip makes it substantially more comfortable to hold the camera when it is mounted with a large-aperture lens, in order to reduce camera shake. The battery or SD cards can be replaced without having to remove the hand grip, and the base can be used as a quick release shoe when using a dovetail mount on a tripod.

    FUJIFILM X-T3 Key Features:

    • 26.1MP X-Trans CMOS 4 Sensor with primary color filter
    • X-Processor 4 Image Processing Engine
      • Capable of 4K/60P and 10bit output
      • Features 4 CPU units
      • Startup time of 0.3 seconds
      • Shutter time lag of 0.045 seconds
    • High-precision, 0.5-inch, 3.69 million dot OLED color viewfinder
      • Viewfinder magnification of 0.75x
      • Wide viewing angle (diagonal 38º and horizontal 30º)
      • Display time lag of just 0.005 seconds, refresh rate of approx. 100fps
    • Robust magnesium alloy body
    • Continuous Shooting
      • 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG? 60 frames Lossless compression RAW? 35 frames Uncompressed RAW? 33 frames)
      • 11fps (JPEG: 145 frames Lossless compression RAW: 42 frames Uncompressed RAW: 36 frames)
      • 5.7fps (JPEG: endless Lossless Compression RAW: 62 frames Uncompressed RAW: 43 frames)
      • Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames)
    • Movie Recording (using a card with the UHS Speed Class 3 or higher)
      • File format
        • MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)
      • Movie compression
        • All Intra/Long-GOP, can be used with the following settings:
          • DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
          • Full HD?2048×1080?/Full HD?1920×1080?94p/50p/29.97p/25p/24p/23.98p?200Mbps
        • File size/ Frame Rate/ Recording Time
          • ?DCI 4K?4096×2160?? 94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
          • ?4K?3840×2160??94p/50p/29.97p/25p/24p/23.98p
          • 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min
          • ?Full HD?2048 ×1080?? 94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
          • ?Full HD?1920×1080??94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min.
          • ?Full HD?1920×1080) High speed rec.] 120p?100p 200Mbps (recording) up to approx. 6min.
          • Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
          • DCI4K 59.94p/50p is not available when H.264 is selected.
            • For recording movies, use a SD memory card with UHS Speed Class 3 or higher. For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher
          • LCD Monitor
            • 0 inch, aspect ratio 3:2, approx. 1.04 million dots touch screen color LCD monitor (approx. 100% coverage)
          • 16 Film Simulation Modes
            • PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg. Hi, PRO Neg. Std, Black & White, Black & White +Ye Filter, Black & White +R Filter, Black & White +G Filter, Sepia, ACROS, ACROS +Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema), B & W Adjustment: -9~+9
          • Bluetooth® Ver. 4.2 low energy technology
          • 16 Film Simulation Modes
          • Accessories included:
            • Li-ion battery NP-W126S
            • Battery charger BC-W126S
            • Shoe-mount flash unit EF-X8
            • Shoulder strap
            • Body cap
            • Strap clip
            • Protective cover
            • Clip attaching tool
            • Hot shoe cover
            • Vertical battery grip connector cover
            • Connector cover (detachable)
            • Sync terminal cover
            • Cable protector
            • Owner’s manual

    FUJIFILM X-T3 Accessories:

    • X-T3 Vertical Power Booster Grip VG-XT3
      • Weather-resistant design fits two additional batteries
    • X-T3 Metal Hand Grip MHG-XT3
      • Enhanced ergonomic design for horizontal shooting
    • X-T3 Bottom Leather Case BLC-XT3
      • Genuine premium leather
    • X-T3 Cover Kit CVR-XT3 includes:
      • Sync terminal cover
      • Hot shoe cover
      • Connector cover
      • Vertical battery grip connector cover, black
      • Vertical battery grip connector cover, silver
    • FUJIFILM Remote Release RR-100
    • Battery Charger BC-W126S

    Fujifilm X-T3 specifications

    Price
    MSRP $ 1499 (body only), $ 1899 (w/18-55mm lens)
    Body type
    Body type SLR-style mirrorless
    Body material Magnesium alloy
    Sensor
    Max resolution 6240 x 4160
    Other resolutions 4416 x 2944, 3120 x 2080
    Image ratio w:h 1:1, 3:2, 16:9
    Effective pixels 26 megapixels
    Sensor size APS-C (23.5 x 15.6 mm)
    Sensor type BSI-CMOS
    Processor X-Processor 4
    Color space sRGB, Adobe RGB
    Color filter array X-Trans
    Image
    ISO Auto, 160-12800 (expands to 80-51200)
    Boosted ISO (minimum) 80
    Boosted ISO (maximum) 51200
    White balance presets 7
    Custom white balance Yes (3 slots)
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, normal
    File format
    • JPEG (Exif v2.3)
    • Raw (14-bit RAF)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 425
    Lens mount Fujifilm X
    Focal length multiplier 1.5×
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3
    Screen dots 1,040,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Electronic
    Viewfinder coverage 100%
    Viewfinder magnification 0.75× (0.5× 35mm equiv.)
    Viewfinder resolution 3,690,000
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/8000 sec
    Maximum shutter speed (electronic) 1/32000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Built-in flash No
    External flash Yes (via hot shoe or flash sync port)
    Flash X sync speed 1/250 sec
    Drive modes
    • Single
    • Continuous (L/H)
    • Bracketing
    Continuous drive 20.0 fps
    Self-timer Yes
    Metering modes
    • Multi
    • Center-weighted
    • Average
    • Spot
    Exposure compensation ±5 (at 1/3 EV steps)
    AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps)
    WB Bracketing Yes
    Videography features
    Format MPEG-4, H.264, H.265
    Microphone Stereo
    Speaker Mono
    Connectivity
    USB USB 3.1 Gen 1 (5 GBit/sec)
    USB charging Yes
    HDMI Yes (micro-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes 802.11b/g/n + Bluetooth 4.2 LE
    Remote control Yes (via smartphone or cable release)
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description NP-W126S lithium-ion battery & charger
    Battery Life (CIPA) 390
    Weight (inc. batteries) 539 g (1.19 lb / 19.01 oz)
    Dimensions 133 x 93 x 59 mm (5.24 x 3.66 x 2.32)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Canon Speedlite EL-100 external flash is compact yet powerful

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    Buried among its new full-frame mirrorless system and new lenses, Canon also snuck out a new external flash: the Speedlite EL-100. This compact flash, which weighs just 190g (6.7oz) has plenty of power, with a guide number of 26m (85ft) at ISO 100. The EL-100 runs on two AA batteries and has a minimum recycling time of 5.8 seconds.

    The flash can be tilted both horizontally and vertically for bounce capability, and it also has a manual zoom head. In addition to a ‘set it and forget it’ Auto mode, stroboscopic and 2nd-curtain options are also available. Despite its $ 199 price tag, the EL-100 is able to serve as both an optical transmitter and receiver, supporting 3 groups and 4 channels.

    As mentioned above, Canon’s latest Speedlite will cost $ 199 when it ships in October.

    Press Release:

    New Speedlite Series

    Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

    Additional Features of the Canon Speedlite EL-100 include:

    • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
    • 24mm Wide-angle Coverage
    • Optical Wireless Flash Function (Sender and Receiver)
    • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
    • Mode Dial with AUTO Position

    The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $ 199.99.

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm X-T3 First Impressions Review

    When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1, most notably in terms of autofocus and video. While the new X-T3 hasn’t changed the overall design of the camera (which doesn’t really need it, in our opinion), this model is way more than an upgrade; rather, it’s a quantum leap.

    The X-T3 brings with it a brand new sensor, a hybrid autofocus system that looks extremely promising and video features more in-line with a Panasonic GH5 than typical enthusiast mirrorless cameras. Based on our initial impressions, the X-T3 may be the mirrorless APS-C camera to beat.

    Key Specifications

    • 26MP BSI ‘X-Trans CMOS 4’ sensor
    • 425-point hybrid AF system
    • Improved AF Tracking and Face/Eye Detection AF
    • 20 fps shooting with AF (11 fps with mechanical shutter)
    • 30 fps shooting in 1.25x crop ‘Sports Finder’ mode
    • 3.69M-dot electronic viewfinder
    • Two-axis tilting touchscreen
    • 10 bit 4:2:0 H.265 internal video capture (4:2:2 over HDMI)
    • UHD/DCI 4K/60p from 1.18x crop region
    • UHD/DCI 4K/30p using full width of sensor
    • Internal F-Log capture (HLG coming by end of 2018)
    • Dual UHS-II SD card slots
    • USB C-type connector can be used for charging battery
    • Headphone and Mic Sockets
    Out of camera JPEG shot using the Provia/Standard profile.
    ISO 640 | 1/ 160 sec | F2 | Shot using the Fujifilm XF 90mm F2 R LM WR
    Photo by Wenmei Hill

    The X-T3 will launch with an MSRP of $ 1499 (down $ 100 from the X-T2) but will still cost $ 1899 when sold as a kit with the XF 18-55mm R F2.8-4 OIS lens. It will be available in black or black and silver.


    What’s new and how it compares

    Autofocus, video and the user interface are just a small portion of what’s new on the X-T3 compared to its immediate predecessor.

    Read more

    Body and handling

    The X-T3’s design is nearly identical to that of the X-T2, and that’s a good thing. The improvements are significant, though, with the addition of a higher-res EVF and a touchscreen LCD.

    Read more

    Operation and controls

    The name of the game is customization, with nine buttons to choose from. There are also use-case-based AF controls available. Battery life is above average.

    Read more

    First impressions

    Fujifilm has raised the bar for video on APS-C cameras, one example of why crop formats are not dead yet.

    Read more

    Sample gallery

    View a variety of sample images from our final production X-T3.

    Read more

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Fujifilm X-T3 vs Panasonic GH5 video comparison

    Now that the Fujifilm X-T3 has launched, DPReview TV’s Jordan Drake puts it up against the venerable Panasonic DC-GH5 to see how their video features and quality compare. If you don’t mind the large download, a low compression version of the above video can be found here.

    And if you haven’t seen them, don’t miss Chris and Jordan’s first look at the X-T3, as well as our own First Impressions Review.

    Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

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    Articles: Digital Photography Review (dpreview.com)