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Video: ‘Process’ shares the thoughtful, methodical work of analogue photography

01 Apr

Director Will Campbell has shared Process, a three-minute short film that dives into the passionate work of Scott Folsom, a photographer Campbell says possess ‘a deep well of wisdom and knowledge when it comes to large format, analog photography and development processes.’

Throughout the video, we get an abstracted behind-the-scenes look at how Folsom goes about capturing and processing his slow, methodical work. It’s worth noting that despite the emphasis on large format photography in both the description and title of the film, this particular video shows Folsom is using a 612 panorama back on the rear of a 4×5 view camera.

‘The modern digital camera allows us to easily shoot hundreds of frames, edit them, and upload our favorites to the internet within minutes,’ says Campbell in the video’s description. ‘This is a very different experience to that of the large format photographer. For them the process is arduous, analog and anything but instant.’

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2019: Zeiss interview – ‘Let’s do something new’

31 Mar
Elliot Shih, Senior Product Manager of Zeiss, holding the ZX1 at the CP+ 2019 show in Yokohama, Japan.

Zeiss is preparing to launch its first camera for more than a decade, in the form of the ZX1 – a high-end, Android-powered compact, with a full-frame 37MP sensor and premium lens. We caught up with Senior Product Manager Elliot Shih at CP+ recently to learn more.

The following interview has been edited for clarity and flow.


When did the concept for this camera come about?

We started about four years ago, but we have always been interested in thinking about where and when to return to the camera market, because the last time Zeiss made a camera was the Ikon film rangefinder, in around 2004. Ever since then we’ve been thinking about how and when is the tight time to return to the camera market.

Also a lot has happened in the industry – as background we’re seeing higher penetration of smartphones with more capable cameras, and people are adapting to use the cameras in their phones. On the other hand we saw there is a demand among photographers for more serious photography tools.

If we’re going to make a new kind of camera, it doesn’t make sense to copy something that’s already on the market

The rise of the smartphone has had an impact on the point and shoot market, but there are a lot of benefits and things we can learn from such a different world. So the thought that came into my mind was – well, if we’re going to make a new kind of camera, it doesn’t make sense to copy something that’s already on the market – let’s do something new.

The development of this camera wasn’t quite linear, compared to other consumer electronics products. In the beginning we went quite slowly, but now we’re at the materialization phase, and things are moving quite fast. Now every component we need is working, and we’re starting to see that this is becoming a camera that could work quite well.

The ZX1 isn’t the first Android-powered camera, but it is the first aimed at enthusiast and professional photographers with money to spend on a premium full-frame sensor and lens.

This is not the first time that someone has loaded a mobile operating system into a camera – what makes the ZX1 different?

With regard to earlier products, I think the mobile platform itself, as a technology enabler, is capable of also being the backbone for an imaging system.

The fundamental difference is that instead of trying to make a smartphone in the form of a camera, we’ve tried to make the ZX1 work as a camera, and be positioned as a camera, and as a tool for photography. So, for example, when you first turn it on you should see the live view, not the launcher screen with all its icons. It should be a camera from inside out. That’s why we took open-source android and used it as a technology enabler, but in terms of interaction and user experience, we completely wrote everything and developed everything from scratch by ourselves.

Read about what the Zeiss ZX1 is like to operate

The camera operates using what we call a ‘vertical logic’. You’ll see there’s a slight bend on the rear cover glass, which provides a natural separation between the live view area and the toolbar area, to the right. You can [vertically] swipe on the toolbar area to select different tools, while on the left you can swipe to switch between different modes, like image review, where you can use all the familiar gestures you’re used to from smartphones.

What are your goals for the camera, in the marketplace?

As you can see, the ZX1 is a different kind of product. We’re focused on addressing the target group, and offering something different to today’s digital photographers. So we’re aiming at photographers that need a fast workflow but at the same time superb image quality, which our sensor and lens can deliver.

This is our first attempt, and most of the focus is to build up our competence in terms of image processing. We’re still on the learning curve, for example when it comes to the autofocus system and the image processing pipeline. For a 37.4MP sensor its more than 70MB for each DNG file, so we have a lot of data to handle.

Have you partnered with any other companies on the ZX1 or is this an entirely in-house project?

The design and development are completely in-house. We’re using some external partners to support certain functions, for example the realization of the industrial design, and the design of the user experience.

The square panel on the upper left of the ZX1’s top plate is a plastic cover for the WiFi antenna – not a flash, as we originally thought when we picked the camera up.

Previous attempts at this kind of product failed for a lot of reasons – how have you addressed the weaknesses of those earlier cameras?

Well first let’s talk about optimization around Android. There’s a fundamental difference to how this system works compared to a proprietary system [that you might find in a smartphone]. There’s a different architecture and we made a lot of effort to take out some of the elements of Android that we didn’t need. Most of the algorithms are designed for smartphone usage and not all of those are capable of running inside a device with a larger camera sensor, and much more information to handle in the imaging pipeline. That’s the part that we’ve spent substantial effort on, to optimize in order to make the camera more responsive.

We also made a lot of effort also to maintain Wi-Fi performance. There is a lot of data to transfer with this camera, so if we want the feature to be really functional we have to make sure that the Wi-Fi performance doesn’t struggle. That’s why we have a plastic cover above the Wi-Fi antenna on the [metal] top plate.

We’re very conscious of battery consumption [and] a lot of photographers are very sensitive about battery usage

In terms of boot up time, the ZX1 works the same way as a smartphone. But we’re very conscious of battery consumption. A lot of photographers are very sensitive about battery usage so a lot of the time when they’re not shooting they simply turn the camera off.

The very first boot up sequence takes a while, but when the camera is up and running, a single push of the dial sleeps the camera, but doesn’t turn it off. So the sensor is not running, the screen is off, and very little power is being used. But when you want to take a picture you just nudge the switch again and it wakes up. You can also use the switch to toggle between stills and movie mode.

What kind of battery drain should people expect when the camera is in sleep mode?

I think in sleep mode, during a whole day you can expect something like 10% battery drain. We do have a large battery in the camera, it’s 3190mAh, which is very substantial. In this camera a fully charged battery should last about 250 shots.

Is that a CIPA figure?

No, but we’d expect that to be accurate by CIPA test standards.

Do you have an idea yet of how much the ZX1 will cost?

Pricing is not yet decided but I think given the performance of the lens and the sensor, plus the solid build of the body and the built-in 500GB SSD, I think it will occupy a more premium price band. It will be in the same range as [the Leica Q, Sony RX1R II].

What was the logic behind deciding to give the ZX1 aperture, shutter speed and ISO dials but no exposure compensation dial?

That’s one of the most frequent questions we’ve been getting. One thing we learned is that photographers are more and more conscious of stripping away features that they don’t need. So we wanted to keep the purity of the design, while still making sure this is a serious photography tool.

One of the things that characterizes serious cameras are dials which provide the opportunity to control exposure directly. So we decided OK, we’ll keep the three – shutter speed, aperture and ISO as the only hardware controls. Everything else is built into the digital interface. If a photographer is manually controlling shutter speed and aperture, then the only way they have of further affecting exposure is ISO. So they can use the ISO dial as exposure compensation, effectively.

Does this camera use a leaf shutter?

Yes, it’s mechanically controlled up to 1/1000, and electronic will let you go to higher shutter speeds, using the toolbar [on the rear screen].

Because it’s powered by a full mobile operating system, the ZX1 is a ‘one stop shop’ for the photographer. From image capture, review, rating, editing and uploading, everything can be done on the camera, if you wish.

You really seem to want photographers to do everything on the camera itself – shooting, reviewing, editing and uploading. Is that correct?

For this concept, yes. A photographer might still carry a more capable DSLR for an assignment, but when they are going out for a weekend trip, this is one camera that you can do everything with.

Maybe it doesn’t always make sense to connect the camera to your phone using a hotspot and try to synchronize let’s say 300 Raw files on the road, but let’s give people the choice. We’ve spoken to a lot of photojournalists and they told us that sometimes they just have to rely on what they have. Sometimes they only have a phone, and with this camera they can bring everything they need.

What’s the quickest way of getting images off the ZX1 to a computer or to a harddrive?

In terms of transfer speed, the fastest way is the USB-C connection. With a speed of 5GB/s you’ll be able to export pictures pretty fast. What’s a bit different is that because we’re using Android, the system works like a mini computer, so we can use both master and slave mode for the USB connection.

Whereas other cameras, when you connect over USB, the camera is seen as a drive: it’s in slave mode. But with the ZX1 if you plug in a USB C drive or a memory stick the camera recognizes the storage and you can select the images you want to transfer straight from the camera. The USB C connector is the only interface, so to connect to a TV, or plug in a microphone for example you’d need adapters.

Can users download their own apps or extensions to the ZX1?

At the moment, no. For security reasons its a closed system. We will only support selected applications that we’re working on with partners like Adobe.


Editors’ note: Barnaby Britton

Well; it’s real, and it works. The Zeiss ZX1 is a fascinating camera, and even from our brief time with a prototype model I’d be fairly confident in saying it’s the most convincing Android-powered camera we’ve seen yet. Of course it’s also likely to be the most expensive, by far. If Mr Shih’s estimate of a price comparable with full-frame compacts from Sony and Leica turns out to be true, you can expect the ZX1 to cost somewhere in the region of (at least) $ 4,000, which unlike Samsung’s Galaxy Cameras, will put it well outside of the impulse-buy range for most photographers.

But that’s the future. For now, the ZX1 looks really nice. We don’t know how well the sensor or lens will perform, but it’s a safe bet that image quality will far exceed the abilities of even the best smartphones and likely also popular sub full-frame compact cameras such as Fujifilm’s X100-Series and Ricoh’s GR line.

It will also work differently – very differently – to those cameras, thanks to its integrated Android operating system, which essentially makes the camera into a mini computer. Do you need half a terabyte of built-in storage? Probably not, most of the time, but assuming you can keep the battery charged, this kind of storage capacity could be appealing to photographers working remotely or on long assignments away from home. In some areas of the world, where cellphones provide the only reliable access to the Web, the ZX1 might end up being right in its element.

A shot of the ZX1’s unique ‘swooping’ rear display, and its large-capacity Li-Ion battery which – unlike the camera’s storage – is removable.

If you’re interested in the ZX1 solely as a camera, and you don’t need the ability to run processing apps, you’ll have a harder decision to make. The ZX1 definitely presents an unusual handling experience, but it’s not completely alien. The decision to omit an exposure compensation dial strikes us as a bit odd, but Mr Shih is correct to note that for manual exposure work, the ISO dial does just as well. For A / S-priority shooters things might be a bit confusing at first, but the ZX1 is likely to be perfectly usable, notwithstanding a moderate learning curve.

Speaking of curves (sorry) the swooping rear display is quite something. The ZX1 employs what Mr Shih calls a ‘vertical logic’ to separate access to features and controls from the live view display, and it seems to work. We didn’t get to try full-on image editing on the ZX1 that we saw in Japan, but I can envisage Lightroom Mobile running perfectly well, for those who need to edit ‘on the go’.

When the ZX1 was first announced, a lot of commenters dismissed it preemptively as ‘vaporware’ – a flashy distraction that would never make it to market. It seems that the naysayers were wrong (it’s nice when that happens, isn’t it?) but whether the ZX1 will be a success – or lead to more Zeiss camera development in future – remains to be seen.

In one sense, given how long it’s been since the company last made a camera, it could be said that Zeiss has nothing to lose. But in real terms, the ZX1 represents a substantial R&D investment, and one which Zeiss will be keen to recoup. For now, Mr Shih and his team deserve credit for doing something bold and unusual.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 60-600mm F4.5-6.3 Sport sample gallery

31 Mar

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The Sigma 60-600mm F4.5-6.3 Sport is quite the beast, and will likely appeal to those looking to photograph wildlife, airshows and all manner of distant subjects. We’ve discovered that it’s actually quite a handy lens for casual, everyday shooting – if you’d like your photographic pursuit to double as an upper body workout. Take a look at how we’ve been getting along with it.

See our Sigma 60-600mm F4.5-6.3 Sport
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Kim Jong-un allegedly fires personal photographer over ‘damage to Supreme Dignity’

30 Mar

North Korea’s Supreme Leader Kim Jong-un reportedly ‘purged’ his personal photographer, referred to only as ‘Ri,’ after he violated two rules related to photographing the dictator and briefly blocked a crowd’s view of him. In addition to being fired from his role as photographer, Ri was allegedly banned from the Workers’ Party of Korea.

News of the event first surfaced from Daily NK, a Seoul-based news website from Unification Media Group. The report claims Ri was punished for causing damage to Kim Jong-un’s ‘Supreme Dignity’ while photographing him on March 10 in the No. 10 election district.

In addition to blocking his neck from view with a camera flash, Ri allegedly violated two rules that barred photographers from capturing images and video directly in front of and within 2m / 6.5ft of Kim. The Korean Art Film Studio under which Ri had worked (and from which he was subsequently fired) edited the video to delete the scene featuring Ri and the ‘damages’ it caused to Kim’s ‘Supreme Dignity.’

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: ‘Wooden Niccolls’ with the Blackmagic Pocket Cinema Camera 4K

30 Mar

A ‘Wooden Niccolls’ is an episode in which Chris and Jordan bring together a film crew to recreate a scene from a Hollywood movie, all while testing a piece of gear. In the first Wooden Niccolls for DPReview TV, their team used the Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) to recreate a scene from Eternal Sunshine of the Spotless Mind.

But wait – there’s more! You’ll go behind the scenes to see how the scene was shot, meet members of the crew, and learn a bit about rigging the BMPCC 4K. Will Chris win the Oscar for his portrayal of Kate Winslet in a dramatic role? Will Jordan’s touching performance bring you to tears? We look forward to critics’ reviews.

If there’s a movie episode you’d like to see our dynamic duo recreate, tell us in the comments!

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Blackmagic Raw
  • Interview with camera owner Phil Bowen
  • Meet Director Chris Dowsett
  • Location
  • Costumes
  • Shooting for post-production
  • Editing in DaVinci Resolve
  • The overhead shot
  • Disclaimer
  • The scene
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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Instagram appears to be testing new video control feature

30 Mar

Nearly six years after launching video sharing on its platform, at appears Instagram is finally working on adding the ability to fast-forward through videos in your timeline.

Discovered by app researcher Jane Manchun Wong, the new feature makes it possible to skim through videos in your timeline. Until now, videos in your timeline timeline would simply play from beginning to end and repeat themselves. Now, it’s possible to effectively fast-forward through videos with a little swipe of your finger, as seen in Wong’s GIF below:

It’s perplexing it’s taken this long for Instagram to implement an otherwise common feature, but that seems to be the ongoing theme for Instagram.

Articles: Digital Photography Review (dpreview.com)

 
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Copytrack report claims 2.5 billion online images were stolen per day in 2018

30 Mar
Illustration showing copyright infringements by continent, used with permission

Image rights enforcement company Copytrack has released its new Global Infringement Report 2019 study detailing the current state of unauthorized image use around the world. According to the company, it performed a statistical analysis of more than 12,000 Copytrack user profiles as part of its new report, which details the number of ‘potential copyright violations’ the company dealt with from December 2017 to December 2018.

Based on its analysis, Copytrack estimates more than 2.5 billion images are stolen every day with potential daily damages estimated at up €532.5 billion / $ 598 billion. Due to the vast number of images used daily, the company found that most photographers and agencies were unaware of many instances of image infringement.

Illustration showing the top 20 most image infringing countries, used with permission

The study found that the majority of copyright infringement cases originated from North America at 33.90%, with Europe coming in second at 31.40% and Asia in third with 29.38%. The company isn’t able to answer why Asia had lower rates of infringement than NA and EU regions but speculated it may be due, in part, to the percentage of regular Internet users in each continent.

Looking at infringement numbers by country, Copytrack found the US had the highest percentage at 22.96%, followed by Panama at 6.76%, China at 6.57% and Germany at 6.32%. The percentage drop quickly from there, coming in at 3.75% for the UK all the way down to 1.25% for Switzerland, 1.16% for the Netherlands and 1.05% for Vietnam.

Below is the report in its entirety:

Of the infringing use, Copytrack found Full HD 1920 x 1080 resolution images were the most commonly used. Most unauthorized use involved images with 3:2, 2:3, and 1:1 format ratios, as well as 640 x 400 and 800 x 800 resolutions. Copytrack concludes its report, stating, ‘This problem will most likely continue at a similar rate until major search engines such as Google, Yahoo, and the like figure out a way to reliably identify the authors of images posted online.’

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T30, Sony a6400 added to studio test scene

29 Mar

Fujifilm’s X-T30 and Sony’s a6400 are both highly capable midrange cameras, with APS-C sensors, similar resolution, excellent autofocus systems and similar pricing. So how do they stack up in our standard studio test scene? Take a look for yourself while we continue working through our full reviews.

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Articles: Digital Photography Review (dpreview.com)

 
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Video: a teardown of OPPO’s periscope-style smartphone telephoto lens

29 Mar

Periscope-style tele lenses are the latest big thing in mobile photography as they allow to squeeze longer zoom factors than before into the thin bodies of high-end smartphones. Huawei just launched the P30 Pro with a 5x optical tele and OPPO’s Reno device with a similar setup is set to launch on April 10, 2019.

Despite still being more than a week away from the official launch date, a video has surfaced on the Chinese social media site Weibo, showing a teardown of the Reno’s rear camera, including the innovative tele lens, and it’s fascinating to see how much technology and optical engineering can fit into such a tiny module.

The periscope camera only measures 23.5 x 11.5 x 5.73mm, making it thin enough to fit into phones without the need for a big camera hump. It also doesn’t take up much space in the body overall and therefore does not get into the way of other components.

A close-up of the periscope-style camera array on the Huawei P30 Pro.

The module consists of the image sensor, lenses and the prism that diverts the incoming light into the lens and onto the sensor. Optical image stabilization is achieved through a magnetic coil that moved the prism. Optical image stabilization is also available on the camera’s primary wide-angle and image data captured by the two cameras can be combined to generate a 10x hybrid-zoom image.

We also already know that at least one version of the Reno will be powered by Qualcomm’s top-end chipset Snapdragon 855-powered and come with a 6.4-inch AMOLED display with 2340 x 1080 pixel resolution. So, overall the upcoming OPPO looks like it could be a real competitor to the P30 Pro.

Articles: Digital Photography Review (dpreview.com)

 
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Canon Asia pre-announces EOS R firmware update with better Eye-Detection AF, bug fixes

29 Mar

Canon Asia has shared a notice on its website informing EOS R owners that firmware version 1.2.0 for the full-frame mirrorless camera will be available sometime in the middle of April 2019.

According to the notice the update will include improved Eye-Detection AF that supports Servo AF when shooting still images and it will now be an available option when shooting video, regardless of the Movie Servo AF mode.

Canon has also addressed various fixes for the following issues:

?1. Under certain conditions the electronic level displayed in the electronic viewfinder did not display properly.
2. Under certain conditions information displayed in the electronic viewfinder was not properly rotated.
3. Under certain conditions updating the firmware for the wireless file transmitter WFT-E7 was not possible.

DPReview will keep an eye out for an announcement on the release and cover it when it’s live, but you can also keep tabs on the EOS R firmware page throughout April.

Articles: Digital Photography Review (dpreview.com)

 
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