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Canon EOS RP review

03 Apr

Intro

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Silver Award

83%
Overall score

The Canon EOS RP is among the smallest and lightest full-frame cameras on the market, and is the least expensive full-frame camera at launch, ever. And though its specifications aren’t going to set the world on fire, the RP is a likable little camera with solid JPEG image quality that will be a fine photographic companion for casual users and those already within the Canon ecosystem looking for a compact second body.

Key specifications:

  • 26.2MP Dual Pixel CMOS sensor
  • 4K/24p (from 1.7x crop region)
  • 4 fps continuous shooting with continuous AF (5 without)
  • Pupil detection AF in continous/Servo AF mode
  • AF rated to -5EV (with an F1.2 lens)
  • Digic 8 processor
  • 2.36M dot OLED viewfinder
  • Fully-articulated 1.04M dot touchscreen
  • Twin command dials
  • CIPA rated to 250 shots per charge

Accounting for inflation, the EOS RP (body-only) is priced within $ 75 of the original 6MP Canon Digital Rebel / EOS 300D that was released back in 2003 – a camera that really helped bring large-sensor digital photography to the masses. And like the Digital Rebel, the EOS RP promises to offer a bit of a stripped-down shooting experience in exchange for its large full-frame image sensor at a reasonable cost. It’s worth noting, however, that the earlier Rebel debuted with a range of relatively low-cost lenses designed for it – not so much the case today.

While other manufacturers are moving ever further up-market with more expensive and capable devices, the EOS RP stands alone in providing more novice or budget-constrained users with access to the shallower depth-of-field that full frame cameras offer over those with APS-C or smaller sensors. There are caveats, though, in that the RP is a poor choice for those looking to shoot video, and the native lens selection is lacking at this time.

The EOS RP is available now at a price of $ 1299 body-only, $ 1999 with the EF adapter and a 24-105mm F3.5-5.6 lens, and $ 2399 with the native RF 24-105mm F4L lens.


What’s new and how it compares

The EOS RP has a lot of ingredients we’ve seen in other Canon cameras before, but certainly not at this price point.

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Body, handling and controls

The EOS RP’s diminutive size and light weight don’t get in the way of some well thought-out controls.

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Image quality

Take a look at how the RP stacks up in our standard studio test scene.

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Shooting experience

Get a sense for how Richard Butler got along with the EOS RP, and how sometimes, likability may trump capability.

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Is the EOS RP right for you?

We take a look at some common photographic use-cases and see how well the EOS RP is suited for them.

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Autofocus and performance

We take a look at tracking performance, pupil detection and more on the EOS RP.

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Video

The EOS RP shoots both 4K and 1080p footage, but the quality of its video capture is somewhat lacking.

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Conclusion and sample gallery

Want the full list of specifications for the EOS RP? We have you covered.

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Specifications

Want the full list of specifications for the EOS RP? We have you covered.

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Articles: Digital Photography Review (dpreview.com)

 
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This online tool calculates the “exposure” you should demand when being asked to work for free

03 Apr

Many photographers (and other creatives) know the situation very well: you’re offered a freelance job but once the conversation turns to remuneration it becomes clear that there won’t be any hard cash but instead you’re expected to accept ‘exposure’ in some vague shape or form as payment.

Problem is, it’s very hard to put a value on exposure. The people behind Photography Domination have now come up with a way of quantifying how many ‘exposures’ your photography is worth.

The Exposure Calculator is an easy-to-use online calculator that lets you input some information about your work, for example your level of experience, the photographic genres you work in, your equipment, the number of followers of your Instagram account etc. When you hit the “Calculate” button you get the number of “exposures” you should asking for as a result.

In a very helpful way the calculator also provides conversion rates to US dollars, leads and exposure to social media followers.

Just in case it wasn’t entirely clear that the calculator shouldn’t be taken too seriously, there are notes saying ‘This calculator is obviously created with parody intentions’ and ‘Of course, if you’re serious about becoming a photographer you should almost never work for “exposure” alone.’

Maarten Mellemans, the creator of the calculator, has also authored a blog post in which he gives advice to photographers receiving ‘work-for-exposure’ offers.

Articles: Digital Photography Review (dpreview.com)

 
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Getty Images sued over ‘deceptive’ licensing public domain images

03 Apr

CixxFive Concepts, a digital marketing company based in Dallas, Texas, has filed a class action lawsuit against Getty Images over its alleged licensing of public domain images. The complaint, which was first reported by TechDirt, accuses Getty of violating RICO and the Washington Consumer Protection Act, among ‘other claims.’

The lawsuit, embedded below, alleges Getty Images has been…

…fraudulently claiming ownership of copyrights in public domain images (which no one owns) and selling fictitious copyright licenses for public domain images (which no one can legally sell), including operating an enterprise of third-party contributors to perpetrate this egregious scheme.

Though CixxFive acknowledges that it is not illegal to sell public domain images, the company alleges that Getty’s ‘conduct goes much further than this,’ claiming it has utilized ‘a number of different deceptive techniques’ in order to ‘mislead’ its customers — and potential future customers — into thinking the company owns the copyrights of all images it sells.

The alleged actions, the lawsuit claims, ‘purport to restrict the use of the public domain images to a limited time, place, and/or purpose, and purport to guarantee exclusivity in the use of public domain images.’ The lawsuit also claims Getty has created ‘a hostile environment for lawful users of public domain images’ by allegedly sending them letters, via its License Compliance Services (LCS) subsidiary, accusing them of copyright infringement.

In listing examples of Getty’s allegedly deceptive actions, the lawsuit states:

One aspect of the deceptive nature of Getty’s and/or Getty US’s licensing scheme is that Getty and/or Getty US claims copyright on all of the content on its website. For example, the bottom of each page of its website states: “All contents © copyright 1999-2019 Getty Images. All rights reserved.”

Also, specific public domain images are overlaid on Getty and/or Getty US’s website with the © symbol followed by an entity or contributor name, indicating that the image is protected by copyright. The same © symbol and information is also provided next to the public domain image.

CixxFive claims it has licensed public domain images from Getty, pointing to two images specifically that are available for free from the Library of Congress and NASA. The lawsuit claims that Getty’s licensing of public domain images has ‘injured CixxFive and the public, and will continue to do so unless brought to a halt by this court.’

It’s doubtful CixxFive will prevail in its lawsuit against Getty, as it’s legally allowed to sell public domain images, as unethical as it may be. Getty has previously won two past lawsuits related to image licensing: one from photographer Carol Highsmith filed in July 2016 and another from press agency and wire service Zuma in August 2016.

Articles: Digital Photography Review (dpreview.com)

 
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Canon launches four new 4K / 30p professional camcorders in XA range

03 Apr
Canon XA55

Canon has added four new models to its XA range of professional camcorders updating the series to include its first models capable of 4K / 30p recording: the XA55, XA50, XA45 and XA40.

All four of the cameras are aimed at professional news, broadcast and corporate videographers. They providing 5-axis OIS support for their wide ranging zoom lenses and feature dual XLR sockets built-in to the handle for linear PCM audio recording.

The XA55 and XA50 are essentially the same camera just with the addition of an HD-SDI (3G-SDI in Europe) terminal in the XA55. Both use 1″-type sensors and use Canon’s Dual Pixel AF system. They have a 15x zoom that covers the angle of view we’d expect from a 25.5-382.5mm lens on a full frame system, and both offer a Wide Dynamic Range Gamma mode that Canon says increases the DR by 800% to improve detail in highlight areas and to produce more accurate color.

The XA45 and XA40 use smaller 1/2.84-inch sensors and have 20x zoom lenses (29.3-601mm). As well as offering 4K / 30p recording each of the new models provides an over-sampled HD footage mode.

A fifth model launched at the same time has many of the features of the XA55 according to Canon, but is aimed at the budget/student market and doesn’t feature an overhead handle. The Canon VIXIA/LEGRIA HF G60 4K UHD uses a 1″-type sensor, has Dual Pixel AF and a 15x zoom with a variable maximum aperture.

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Some existing Canon camcorders will also benefit from new firmware:

  • XF705: Firmware Version 1.0.1.1 now features improved zoom response when using the zoom ring or zoom rocker, improved focus following speed during zooming, and improved image quality of interlaced recording.
  • XF405/XF400: Firmware Version 1.0.3.0 now features IP streaming, the ability to set custom white balance, support for the reset function that resets the clip number when the reel number is set and improved image quality of interlaced recording.
  • XF405 only: Firmware Version 1.0.3.0 now features 3G-SDI mapping at level A and level B.
  • VIXIA GX10: Firmware Version 1.0.3.0 now features the ability to set custom white balance.

The new XA55 and XA50 models are due to ship in June this year and will cost $ 2699 and $ 2199. The budget VIXIA/LEGRIA HF G60 will arrive at the same time and will cost $ 1699. Those interested in the XA45 and XA40 should see their cameras later this month, at a cost of $ 2199 and $ 1699.

For more information see the Canon website.

Press release:

Four New Canon XA Professional Camcorders Feature 4K 30p High-Quality Recording
XA55, XA50, XA45 and XA40 Camcorders Deliver Crisp 4K Imagery in Compact Bodies at Affordable Price Points

Meeting videographer needs for a variety of applications, Canon U.S.A. Inc., a leader in digital imaging solutions, today announced four new additions to the lineup of XA Series professional camcorders, the XA55, XA50, XA45 and XA40. These four camcorders are the first in the series to feature 4K 30p recording. They also include a detachable XLR handle and the XA55 and XA45 each feature an HD-SDI terminal. In addition, the company has announced the Canon VIXIA HF G60 4K UHD camcorder, a budget-friendly, compact-and-lightweight camcorder.

“Often spending their days and nights working in fast-paced environments, videographers need a camcorder that is affordable, reliable, and delivers great images,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “These new camcorders meet the needs of a variety of users, including those capturing news, shooting influential documentaries, educating young filmmakers or developing content for their companies.”

All of the camcorders feature Canon’s five-axis Intelligent Optical Image Stabilization system, providing users with powerful image stabilization via a Dynamic mode, which helps reduce image distortion, even when shooting while moving. The ergonomically designed and highly portable camcorders have a three-inch LCD touch panel screen and user-friendly, tilting, high-resolution Electronic View Finder (EVF).

The XA55 and XA45 are excellent options for news reporting and documentary shooting, while the XA50 and XA40 are geared more towards broadcasting schools, government agencies and corporate-video production companies. The affordable VIXIA HF G60 caters to advanced amateur videographers who need a 4K UHD camcorder to shoot a wedding or a student film project.

The XA55 and XA50 camcorders both feature a 1.0-inch sensor, nine-bladed circular aperture and Dual-Pixel CMOS AF with a 15x (25.5-382.5mm) genuine wide-angle Canon optical zoom lens. For natural and realistic life-like imagery the XA55 and XA50 camcorders feature a Wide Dynamic Range (DR) Gamma mode. This lowers the barrier for focusing, especially when shooting in 4K, which requires strict focus accuracy. By suppressing overexposure in high- brightness areas of the composition, this mode helps achieve a wide dynamic range of 800 percent to help produce seamless tone gradations, resulting in smooth detail, accurate color and virtually no blown-out highlights. The camera’s Dual Pixel Focus Guide takes advantage of Dual Pixel CMOS AF data to display focus-assist information on the screen. The camcorders also record 4K UHD/30p (4:2:0 8 bit) and 1080p Full HD (4:2:2 10 bit) via SDI/HDMI Output in XF-AVC and MP4 format to dual-card SD card slots with dual and relay recording.

The XA45 and XA40 camcorders both feature an eight-bladed circular aperture with the ability to record 4K UHD/30p (4:2:0 8 bit) and 1080p Full HD (4:2:2 10 bit) via SDI/HDMI Output) in MP4 or XF-AVC format to dual-card SD card slots with dual and relay recording. To help provide enhanced image quality over its predecessor, over sample HD processing can be utilized with information obtained from the 4K 1/2.84-inch sensor and the DIGIC DV 6 image processor. Both camcorders boast a 20x (29.3-601mm) genuine wide-angle Canon optical zoom lens.

The Canon VIXIA HF G60 4K UHD camcorder is packed with many of the same great features found in the XA55 and XA50, like a nine-bladed circular aperture, Dual Pixel Focus Guide and Wide DR, but with the budget- conscious user in mind. The affordable camcorder is an ideal tool for young videographers taking their first steps in the craft and will be sure to please due to its compact-and-lightweight form factor in addition to ease of use.

Additionally, Canon today announced firmware updates for the XF705, XF405/XF400 and VIXIA GX10 camcorders. New features by model include:

  • XF705: Firmware Version 1.0.1.1 now features improved zoom response when using the zoom ring or zoom rocker, improved focus following speed during zooming, and improved image quality of interlaced recording.
  • XF405/XF400: Firmware Version 1.0.3.0 now features IP streaming, the ability to set custom white balance, support for the reset function that resets the clip number when the reel number is set and improved image quality of interlaced recording.
  • XF405 only: Firmware Version 1.0.3.0 now features 3G-SDI mapping at level A and level B.
  • VIXIA GX10: Firmware Version 1.0.3.0 now features the ability to set custom white balance.

Pricing and Availability
The Canon XA55, XA50 and VIXIA HF G60 are scheduled to be available in June 2019 for estimated retail prices of $ 2699.00, $ 2199.00 and $ 1699.00, respectively. The XA45 and XA40 4K UHD video camcorders are all scheduled to be available in April 2019 for estimated retails prices of $ 2199.00 and $ 1699.00, respectively*. For more information, please visit, usa.canon.com.

Articles: Digital Photography Review (dpreview.com)

 
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Tiffen launches Steadicam Steadimate-S vest adapter for single handled gimbals

02 Apr

Tiffen has introduced a device aimed at owners of single handled gimbals like the DJI Ronin-S that allows them to connect their device to a Steadicam vest and arm to add extra stability. The Steadicam Steadimate-S is said to make holding single handle gimbals much easier too, so operators will be able to use them for longer without tiring.

Tiffen already markets the Steadicam Steadimate, which is designed for dual handled gimbals such as the DJI Ronin, and this new model works on the same principles but for single handled devices. The Steadimate-S consists of a bracket and a pair of counter weights. The bracket attaches the gimbal to the arm of the Steadicam vest and the weights ensure the gimbal remains upright. The gimbal then becomes part of the vest and benefits from the z-axis stabilization of the Steadicam arm as well as the x/y-axis stabilization of the gimbal’s own gyro head. The company says this arrangement helps to eliminate the ‘bounce’ often seen in footage shot with single handed gimbals in walking shots.

Users have a choice of two kits to suit the weight of their set-up. The Steadicam Steadimate-S 15 System comes with the A-15 Steadicam Arm and Scout Vest and can be used with up to 6.8kg / 15lbs of kit, while those with camera/gimbal combinations that weigh up to 13.6kg / 30lbs will need the Steadimate-S 30 System that uses the A-30 Arm and Zephyr Vest. The Steadimate-S will also be available on its own for those who already have a vest and arm.

No prices have been released yet, but the existing Steadicam Steadimate for twin handled gimbals costs from just under $ 1700 with a vest and arm, or $ 500 on its own. For more information see the Tiffen website.

Press release:

THE TIFFEN COMPANY DEMONSTRATES NEW STEADICAM STEADIMATE-S AT NAB 2019

Newest Camera Stabilizer Designed for Seamless Use with the DJI Ronin-S®

The Tiffen Company, the leading manufacturer of imaging accessories for the consumer/professional imaging and the motion picture and broadcast television industries, announces today the addition of the Steadimate-S to its Steadicam line of camera stabilizers.

Presented for the first time at NAB 2019, the Steadicam Steadimate-S offers camera operators increased freedom, endurance, and creative opportunity when working with single-handed motorized stabilizers like the DJI Ronin-S®. By pairing a single-handed stabilizer with a body- worn stabilizer the DJI Ronin-S can be operated for hours with minimal physical fatigue while maintaining a wide range of vertical movement and adding full panning ability and “low-mode” operation.

Users can minimize or completely eliminate the bouncing image effect that often occurs when using single-handled stabilizers as the Steadimate-S provides x-axis and y-axis stabilization while the Steadicam arm provides z-axis stabilization. The addition of the Steadimate-S easily and affordably transforms single-handed motorized gimbals into professional video stabilization systems.

“The Steadicam Steadimate-S is a new, elegant solution designed to add stability, operational comfort, and panning ability to single-handed stabilizers that are popular with camera operators,” said Andrew Tiffen, SVP of Marketing, The Tiffen Company. “We look forward to debuting and demonstrating this latest camera stabilizer in our booth at the NAB Show next month.”

The Steadimate-S comes standard with a post block and balance pin that fits arms with 1/2″ posts. The weight capacity varies depending on the single-handed stabilizer, arm, and vest being used. The Steadimate-S adapter can be purchased on its own for use with existing arms and vests, or as a complete kit available in two weight classes. The Steadimate-S 15 System comes with the A-15 Arm & Scout Vest and offers a 15 lbs./6.8 kg weight capacity, while the Steadimate-S 30 System comes with the A-30 Arm & Zephyr Vest and boasts a 30 lbs./13.6 kg capacity.

Articles: Digital Photography Review (dpreview.com)

 
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Minolta DiMAGE V hands-on review

02 Apr

Introduction

In the DiMAGE V, Minolta combines point-and-shoot simplicity, modular lens design, thoughtful touches such as (literally) flexible storage media and the convenience of AA battery power to create a truly compelling photographic package for photographers of all types. From landscapes to family gatherings, the DiMAGE V is up to the task to help you capture the most of your moments in stunning 0.33MP detail. Younger photographers in particular will appreciate that the lens can swivel back towards you, making selfies just as easy as they are with your smartphone.

Key specifications:

  • 1/3 inch, 0.33MP CCD sensor
  • 34-92mm (35mm film-format equivalent) F5-5.6 manually zoomed detachable lens
  • Smart Media 5v storage (approx. 32 ‘Fine’ images per 4MB card)
  • Zero autofocus points (manual macro engagement)
  • ISO range of 160 to 160
  • 1.8″ 71.8k-dot rear screen
  • Powered by four AA batteries, with a battery life rating of ‘not good’

Body, handling and controls

The DiMAGE V sits comfortably in the hand, thanks to a ridge on the front of the camera and an indent for your thumb on the rear. The rotating lens does, of course, encourage two-handed operation, and the smooth action of the manual zoom lever is a joy. A small door on the bottom of the camera prevents accidental operation of the ‘Format,’ ‘Date’ and ‘Self-Timer’ options, because we all know that accidentally enabling the self-timer results in many a photographer hurling their camera into the nearest body of water in frustration.

The rear screen does an excellent job of giving you a general idea of what your photo may look like, without giving you enough detail to ruin the ‘moment of discovery’ when you load it up on (preferably) an old Trinitron CRT.

The ‘+’ and ‘-‘ buttons not only control exposure compensation, but also navigating images in ‘Play’ mode. This door prevents accidental operation, and will never, ever break, just like all of these little types of doors on ’90s electronics.

Operation of the camera is as straightforward as can be. The shutter button is in a nice spot, and the plus and minus buttons on the top give you control over exposure compensation and let you scroll through your images in playback mode. The built-in flash will be especially handy for when the light starts to drop, and the camera’s 1/30 maximum shutter speed won’t quite cut it. And to keep you focused on the actual process of taking pictures, there is no provision for manually selecting exposure settings.

So, does anyone out there have a Smart Media reader compatible with older 5v cards? Asking for a friend.

Lastly, the DiMAGE V runs on easy-to-find AA batteries, a blessing as you’ll be going through quite a few of them. It uses Smart Media storage, and will only accept cards up to 4MB – this thoughtful touch keeps you from over-shooting and having far too many images to go through on your OG Pentium-powered machine.


Performance and autofocus

In terms of performance, the DiMAGE V start-up time helpfully gives you plenty of time to think about the shot you’re going to take, and whether you really do want to take it. Likewise for shot-to-shot times. This careful slowing-down of the photographic process does, of course, encourage comparisons with Leica’s lineup of digital rangefinders, though we think the DiMAGE is the more practical option for most people.

This brings us to autofocus. There isn’t any. (Also like a Leica rangefinder!)


Image quality and usability

Ah, the moment I know you’ve all been waiting for. Unfortunately, this is just a hands-on review. We weren’t able to retrieve files from our DiMAGE V, owing to the scant availability of compatible card readers, but we’ve done the next best thing – we’ve photographed the rear of the camera so you can get an idea of how effective its screen is. Once we source a card reader, we’ll update the story so you can have your own ‘moment of discovery’ and see the full, glorious 0.33MP files that you crave.

Studio scene

As you can see, the DiMAGE looks like it’s exposing the daylight scene fairly well without having to use exposure compensation. Colors look a bit cool, but we can’t say for sure whether it’s the screen or not – and certainly, there is no provision for custom white balance, to keep things simpler for the user.

Switch over to low light, and… well, perhaps it’s best to just not to shoot in low light.

Zoom range, selfies

The DiMAGE’s zoom range is fairly flexible, ranging from 34-92mm equivalent. Though the start of its zoom range isn’t all that wide, fans of Fujifilm’s X100 series – with its fixed 35mm lens – will likely see no problem with this.

And thanks to the unusual design of the lens, you can even use the optical zoom while taking selfies. This is going to be great for those looking to spice up their Instagram feed with some more avant-garde compositions.

Finally, we are big fans of the exposure compensation option on the DiMAGE. It really does give you wide latitude to adjust your exposure to your liking, particularly if you’re looking for a more silhouetted look. Though it’s difficult to see on the rear screen, it did help to bring back the Seattle wheel through the windows for this shot.

The detachable lens

It does detach, and you can even then use the camera itself as an off camera flash. This is something I was really looking forward to testing, but unfortunately, connector cables from the lens to the camera are harder to find than 5v Smart Media readers.


Conclusion

So, who is the Minolta DiMAGE V for? Well, while it’s tempting to say it’s great for anyone with fifty bucks and an eBay account, you may actually spend more money on and have a harder time finding the requisite memory card reader. But that said, we have to say we find the concept to be a bit of fresh air, even in 2019. There’s no denying that cameras these days are ludicrously more capable and more responsive, but designs are nowhere near as neat as some cameras seen in the early days of digital imaging. Today, the DiMAGE remains a fun-to-use novelty thanks to the detachable / swiveling lens design.

And later in the week, we promise we’ll get back to some reviews of, well, modern cameras.

Happy April Fool’s day, and H/T to our newest developer for generously loaning me his first ever digital camera.


Editor’s note – an earlier version of this article claimed incorrectly that the DiMAGE V has 3.3MP of resolution. It actually has 0.33MP – we regret the error.

Articles: Digital Photography Review (dpreview.com)

 
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Prism Lens FX launches three lens filters with built-in prism and flare effects

02 Apr

Prism Lens FX has launched a new line of lens filters that have built-in prism effects. The Variable Prism Filters are being sold as a three-filter bundle and individually with three different filter options: Prism, Chromatic Flare, and Split Glass. Each product is offered as a 77mm rotating filter alongside an optional 82mm to 77mm step down ring.

The Variable Prism Filters offer unique effects without the need to hold items in front of the lens. All three products are recommended for use with 50mm or greater telephoto lenses and a 1.4 / 2 / 2.8 aperture. The Prism filter is designed to add bokeh and flares to images, while the Chromatic Flare filter adds streak / anamorphic flares and the Split filter adds fractal / light leak effects. Below is a gallery of sample images captured with the filters:

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Preorders are now available with each filter priced at $ 75 and the three-filter bundle at $ 195. Shipments are expected to start in mid to late April.

Articles: Digital Photography Review (dpreview.com)

 
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Video: This $100 projector lens has beautiful bokeh and is perfect for portraits

02 Apr

Photographer and YouTuber Mathieu Stern is no stranger to finding and adapting unusual lenses, but his latest find might just be the best projector lens he’s ever come across.

The Isco MC 65mm F2 lens, which can be found for around $ 100 on eBay, is an old projector lens that was used for 35m cinema projectors. As with most previous projector lenses Stern has adapted, there was no official way to adapt it to a modern lens mount. So, Stern got creative and used a little bit of rubber from a bike inner tube along with the barrel of an Helios 44 lens to create a worthwhile body for the adapted lens. From there, Stern used a proper adapter to give the lens infinity focus and it was ready to roll.

Surprisingly, the lens produces impressive results in both photos and video, despite its limitation of being permanently stuck at F2 due to the lack of an aperture diaphragm. In the center, it appears to be sharp, but it does get soft quickly towards the edges. Colors render beautifully and the bokeh looks both distinct and pleasing.

Sure, it might not have the best resolution, but it certainly has a distinct look and considering it only costs $ 100, a few spare parts and a little elbow grease, it’s relatively cheap. To see more unusual lenses from Stern’s collection, head over to his Weird Lenses Museum.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh says it will repair GR III cameras affected by a wobbly control dial, scroll wheel

02 Apr

Ricoh Korea and Japan have issued a statement regarding an issue with select Ricoh GR III cameras that caused the control dial of the camera jiggles more than it should, as seen in the above video shared by Photo Rumors. Following an investigation of the issue, Ricoh says it will fix affected devices free of charge and notes that the movement of the controls does not interfere with the functionality of the camera.

The translated statement says ‘The basic specification is to set a slight rotation allowance width, but as a result of investigation, it has been found that some products with the following target serial numbers have combinations with large display inclinations.’

In more clear terms (you made a valiant effort Google Translate), Ricoh anticipated a slight bit of movement, but the affected cameras show far more movement than should be happening and as a result the affected cameras will be fixed. Below are the serial number ranges Ricoh references:

  • 0010046 – 0022290
  • 2010043 – 2012044
  • 3010045 – 3010544
  • 4010041 – 4010230

The statement says Ricoh will start processing repairs for affected devices on April 8, 2019. DPReview was informed by a Ricoh spokesperson that Ricoh USA and UK will be issuing a statement tomorrow regarding the issue and the subsequent steps needed to repair affected cameras. We will update the article with that statement when we receive it.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm Camera Remote app for iOS gets new UI, additional camera support and more

01 Apr

Fujifilm has released version 4.0 of its Fujifilm Camera Remote iOS app and announced the Android version will be available May 2019.

The update, which was originally announced back in February, features a new interface as well as a number of new features that makes it easier to control settings and capture images remotely with wireless-equipped Fujifilm cameras.

Fujifilm has changed the interface of the app to better use the additional screen real estate of newer iOS devices and has changed the icons and buttons throughout the app to create a more streamlined look. The pairing process is now easier with the updated app and Fujifilm has added an ‘Album’ function that makes it easy to browse through photos and videos that have been imported from the camera. Overall stability of the app and wireless connection has been improved with this update and additional camera support has been added as well.

Fujifilm lists the following features in the app’s description:

  1. Transferring images and movies to a Smartphone
  2. Browsing the Camera from a Smartphone
  3. Downloading Location Data from a Smartphone
  4. Shooting Images by Remote Control(*)
  5. Easily transfer pictures from the cameras that offers Bluetooth capability.
  6. Synchronizing “date and time” and/or “location information” with the cameras that offers Bluetooth capability
  7. Firmware update via a Smartphone to the cameras that offers Bluetooth capability.
  8. Bluetooth wireless remote control camera shutter release is now supported for cameras that offers Bluetooth capability.
    *How to change the setting depends on your camera.

Fujifilm’s X-T30, GFX 50R, X-T3, XF10, X-H1 and X-E3 cameras support all of the above features while the FinePix XP140 supports all but number seven. The X-T100, X-A5 and FinePix XP130 support features one through six and the GFX 50S, X-T20, X100F, X-A10, X-A3, X-T2, X-Pro2, X-E2S, X70, X-T10, X-T1, X30, X100T, X-E2, FinePix XP120, FinePix XP90, FinePix XP80, FinePix S9900W and FinePix S9950W support features one through four. Wrapping up, the X-E2, XQ2, XQ1, X-A2, X-A1, X-M1 and FinePix Z1100EXR support features one through three while the FinePix Z1000EXR only supports the transfer of images and movies.

Fujifilm Camera Remote version 4.0 works with iPhone, iPad and iPod Touch devices running iOS 10 or later. Geotagging functionality only works with iOS devices equipped with LTE connectivity.

You can download the app for free in the iOS App Store. For more information on the app and update, head over to Fujifilm’s documentation page.

Articles: Digital Photography Review (dpreview.com)

 
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