RSS
 

Archive for the ‘Uncategorized’ Category

DPReview TV: Leica Monochrom M10 review

21 Feb

The M10 Monochrom is Leica’s newest dedicated black and white rangefinder camera. Is it a street photographer’s dream come true? Chris and Jordan take it to the mean streets of Calgary to find out.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Lenses
  • Sample images
  • Handling
  • Appearance
  • Low light image quality
  • Protecting highlights
  • Rear dial
  • M10 weaknesses
  • Color filters
  • Conclusion

Sample gallery from this episode

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8351692681″,”galleryId”:”8351692681″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Leica Monochrom M10 review

Posted in Uncategorized

 

NONS SL42 is the world’s first instant SLR with a M42 mount

21 Feb

A new Kickstarter campaign is seeking funds for NONS SL42, the first instant camera to feature an interchangeable M42 lens mount and support for Instax Mini instant film. The camera can be used with ‘hundreds of classic M42 lenses,’ according to the team behind the project, which explains that pairing an M42 lens with Instax film results in a round image frame.

NONS SL42 is an SLR camera that took more than a year to develop, according to the campaign. In addition to Instax instant film support, the SL42 features an adjustable aperture, manual focus, a hot shoe, shutter speed control and support for multiple exposures. The device is powered by two AA batteries.

The Kickstarter campaign is offering the NONS SL42 instant camera for pledges of at least $ 1,550 HK / $ 200 USD. Backers also have other pledge options, such as the camera bundled with film for around $ 219, bundled with a lens for around $ 232 and bundled with film and a lens for around $ 258. Shipping to backers is expected to start in August 2020, assuming the campaign is successful.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on NONS SL42 is the world’s first instant SLR with a M42 mount

Posted in Uncategorized

 

Omnivision launches high-end 1/1.7″ 64MP smartphone image sensor

21 Feb

OmniVision might not be the most well-known image sensor maker, but the company is among the sector’s big players and its imagers can be found in a wide range of smartphone cameras.

Now Omnivision has launched a new image sensor that is set to compete with some high-end models from Sony and Samsung. The OV64C is Omnivision’s first 1/1.7? 64MP sensor with a 0.8-micron pixel size and is built on the company’s PureCel Plus stacked die technology.

It features 4K video recording with electronic image stabilization as well as an on-chip 4-cell color filter array and hardware re-mosaic, which allows for full-resolution 64MP Bayer output. In low light, the sensor can use pixel binning methods to output 16MP images with lower noise levels and better dynamic range. It also offers a 2x digital zoom crop at 16MP resolution and fast mode switch.

Other features include type-2 2×2 microlens phase detection autofocus, 8K video at 30 fps and 3-exposure, staggered HDR timing for up to 16MP video modes. Omnivision says the OV64C is designed for use in smartphone main cameras. Samples are available to industry customers now, so we should be able to see what the new chip can do when implemented in a smartphone within the next few months.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Omnivision launches high-end 1/1.7″ 64MP smartphone image sensor

Posted in Uncategorized

 

Yongnuo, Mediaedge and Venus Optics join Micro Four Thirds System standard

20 Feb

Olympus and Panasonic have teamed up to announce that three more companies have joined the Micro Four Thirds (MFT) System standard. According to the joint press release, Yongnuo, Mediaedge and Venus Optics have joined the standard to make products for MFT camera systems.

For those not familiar with each of the brands, here’s a quick rundown of each. Yongnuo manufactures and sells various lenses, lighting gear and accessories; Mediaedge creates and promotes various video streaming and display systems; and Venus Optics is the parent company behind the Laowa brand, which makes price-conscious lenses and accessories for digital camera systems.

Both Yongnuo and Venus Optics have developed various MFT products in the past, including lenses and even a dedicated MFT smartphone camera add-on in the case of the Yongnuo YN43, so the two companies aren’t exactly new to the system. That said, this partnership will likely streamline the production of future MTF products now that the pair have the support of Olympus and Panasonic backing them.

Press release:

YONGNUO, MEDIAEDGE, and Venus Optics Join the Micro Four Thirds System Standard Group

Olympus Corporation and Panasonic Corporation jointly announced the Micro Four Thirds System standard in 2008 and have since been working together to promote the standard. We are pleased to announce that three more companies have recently declared their support for the Micro Four Thirds System standard and will be introducing products compliant with the standard.

The following companies are joining the Micro Four Thirds System standard group: YONGNUO which develops, produces and sells digital camera switching lenses, performance lighting, video lighting, etc., MEDIAEDGE Corporation, which has been an advocate of video streaming and display system concepts for over 17 years, aiming to produce products that inspire customers, and Venus Optics, the company behind the development and production of LAOWA brand, which produces incredibly practical, cost-effective, and unique products. The possibilities unique to a joint standard are sure to push the enjoyment of imaging ever further.

As the company responsible for initiating both the Four Thirds System and the Micro Four Thirds System standards, Olympus will continue to develop and enhance the product line-up to meet the diverse needs of our customers.

About YONGNUO

YONGNUO regards “reflecting the beauty of the world and writing into a happy life” as the mission of the company. In the field of image in the information society, YONGNUO is a company that integrates the strength of all employees to develop and produce excellent products and make contributions to the society.

YONGNUO Website: http://www.hkyongnuo.com/e-index.php

About MEDIAEDGE Corporation

MEDIAEDGE Corporation has been involved in developing imaging systems for over 17 years, with a track record of sales to various industries and business categories, the support of many loyal customers, and a long history in Japan and around the world. With collaborative development of both software and hardware, the company continues to produce imaging systems that customers can feel safe and sound using.

MEDIAEDGE Corporation Website: https://www.mediaedge.co.jp/

About Anhui ChangGeng Optics Technology Company Limited (Venus Optics)

Anhui ChangGeng Optics Technology Co., Ltd (Venus Optics) was established in 2013. With headquarters in China, we are a leading manufacturer of premium lenses, formed by a group of photography enthusiasts and industry experts. Our mission is to design and create our own portfolio of photographic lenses that are truly unique, practical and affordable.

Venus Optics Website: https://www.venuslens.net/

Micro Four Thirds standard

The outlines of the standard can be found on the following website. http://www.four-thirds.org/en/

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Yongnuo, Mediaedge and Venus Optics join Micro Four Thirds System standard

Posted in Uncategorized

 

Cosina announces upcoming Voigtlander Nokton 35mm F1.2 III lens for M-mount

20 Feb

Alongside the 60mm F0.95 it released, Cosina Japan has also announced the Voigtlander Nokton 35mm F1.2 Aspherical III VM lens for Leica M-mount camera systems.

Like the 60mm F0.95 lens, the Voigtlander Nokton 35mm F1.2 VM lens doesn’t yet have pricing or availability information available for regions outside of Japan, where it’s expected to be released in March 2020 for ¥135,000.

The lens is constructed of nine elements in seven groups, features an aperture range of F1.2 through F22 and has a 12-blade aperture diaphragm. The minimum focusing distance is 50cm (20in) and the front filter thread is 52mm.

Compared to its second-generation predecessor, the Voigtlander Nokton 35mm F1.2 Aspherical III VM has been reduced in size, coming in at 20-percent shorter and 30-percent lighter at 50.5mm (2in) and 332g (11.7oz), respectively. The lens will work with all M-mount Leica cameras and most Vessa cameras (not the Bessa L or R).

You can find out more information on Cosina’s website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Cosina announces upcoming Voigtlander Nokton 35mm F1.2 III lens for M-mount

Posted in Uncategorized

 

Video: Panasonic demonstrates viewfinder to correct color-blindness

20 Feb

Panasonic has developed a special electronic viewfinder that corrects color-blindness as part of a campaign to promote equality of vision. The viewfinder, built into a Lumix DC-G95, has adjusted color saturation and color-shifted pixels to enable color-blind people to see in the same way as those with regular vision.

The company, in partnership with Indian marketing company Dentsu Aegis Network, created the new viewfinder specifically to help Indian photographer Hizol Chodhury see colors accurately for the first time. Previously Chodhury had needed assistants to explain the hues he was looking at and to ensure colors were correct in his images, but the new viewfinder compensates for the chromatic defects in his vision so he can see color clearly – through the camera.

It isn’t clear exactly how this has been achieved, though we might assume his color vision was tested and the viewfinder designed to present more strongly the colors he has trouble seeing. The press release only mentions that they used a ‘Lumix camera fitted with a customized viewfinder that saturates and balances pixels to allow colorblind photographers to see colors just like everyone else.’

It is also unclear whether this technology will become more widely available in the future to help other color impaired people. Presumably, the degree of correction would vary person to person so the solution created for Chodhury probably wouldn’t suit everyone.

Press release:

This Republic Day, Panasonic Lumix and C Lab give #RightToColour by empowering Colourblind Photographers!

Celebrating India’s 71st Republic Day, Panasonic Lumix and C Lab, the entertainment and sports marketing arm of Dentsu Aegis Network India has empowered colourblind photographers with the #RightToColour through a specially designed viewfinder lens that helps to saturate and balance colour. Bringing the gift of colour, the digital campaign #RightToColour aims to promote equality by making everyone able to experience colours in the same way.

About 300 million people worldwide and around 8% of the country’s population suffers from some degree of colour blindness and this impacts their everyday life depending on the severity. While somebody with normal vision can identify 150 hues, a colour blind aspirant can distinguish only as many as 20 hues. However, in recent times, technology has created innovations that can transform the everyday experiences of the physically challenged. The #RightToColour campaign showcases the struggles of colour blind photographers while narrating true life experiences of an Assam-based photographer, Hizol Chodhury who wishes to see his photographs as the world sees them. The film highlights how Hizol has to rely on his team for colour correction and saturation of his work and the challenges he faces in the personal and professional life. Panasonic Lumix and C Lab makes his wish come true by giving him the right to colour through a Lumix camera fitted with a customized viewfinder that saturates and balances pixels to allow colourblind photographers to see colours just like everyone else. The film captures the sheer happiness and confidence that this innovation has given Hizol, as he feels connected to his work like never before.

Talking about the campaign, Shirish Agarwal, Head, Brand and Marketing Communications, Panasonic India said, “Nearly 8% of people in India suffer from some degree of colour-blindness, there only dream is to be able to see the world as we all see it. Through this campaign we wanted to bring alive the spirit of Republic Day by enabling those affected with the right to colours. Technology has always been at the core of our business and #RightToColour serves as a remarkable example of how innovative solutions can improve the lives of our customers.”

Haresh Nayak, Group MD, Posterscope – South Asia said, “At C Lab we believe in creating solutions that enhance a consumer’s experience and subsequently, their lives. This builds brand advocacy and loyalty. Every time we work on a project, we are enthralled to see how technology is bringing solutions that one could only dream of. Our effort to bring colour back into the lives of colourblind photographers is an example of what technology can do.”

Adding to this Gurbaksh Singh, Chief Creative Technologist, Dentsu Webchutney said, “We researched around the deficiency and found a simple solution to solve this problem – a special viewfinder for the camera. This allows a colourblind photographer to see the frame in rich vibrant colours before the shot is captured, subsequently boosting the confidence to capture the subject being photographed. There’s a huge community of colourblind photographers in India and this technology is a testament to their dedication and passion.”

Talking about the Lumix, Sandeep Sehgal, Business Chief, Imaging Business Group, Panasonic India & SAARC said, “Lumix as a brand celebrates photography as a medium to enable both the photographer and the subject to break away from any limitation and express themselves freely. Through this campaign, we are delighted to bring the gift of colour to colour-blind photographers. We are committed to making a difference by empowering people through our technologically advanced offerings and this is a testament to the same.”

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Video: Panasonic demonstrates viewfinder to correct color-blindness

Posted in Uncategorized

 

Birding with the Canon EOS-1D X Mark III

20 Feb

The lower Rio Grande Valley plays host to a colorful range of bird species in the late winter months, making it a desirable destination for bird photographers.

Take a look as seasoned wildlife and travel photographer Adam Jones travels to the region to try out the Canon EOS-1D X Mark III, putting the camera’s formidable high-speed burst capabilities to work with some challenging subjects.

Birding with the Canon EOS-1D X Mark III sample photos

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1699032305″,”galleryId”:”1699032305″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });


This is sponsored content, created with the support of Amazon and Canon. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Birding with the Canon EOS-1D X Mark III

Posted in Uncategorized

 

Sony World Photography Awards receives backlash over alleged censorship of Hong Kong protest images

20 Feb

Update (Wednesday, February 19th): it appears that the galleries are available to the public again. However, Chung Ming’s more sensitive images are not displayed.


The 2020 Sony World Photography Awards recently removed active links to images from three separate finalists due to their ‘sensitive nature.’ Ko Chung Ming’s Wounds of Hong Kong, David Butow’s Battleground Hong Kong and Adam Ferguson’s Hong Kong Protestors series are still in the running to win an award. However, links to their work have been deactivated on the World Photography Organization’s (WPO) website, a move that’s raised concerns about possible censorship.

‘We have temporarily taken down the images as part of a standard process which we have to put in place for these type of cases, until we are able to review everything in further detail,’ the WPO said.

Chung Ming first noticed the link to his series, which was nominated in the Documentary category, was broken on Friday. Initially he thought it was a site error. It was only when he tried to view Butow and Ferguson’s series, and received the same ‘404 Page not found’ message, that he realized the WPO was purposely concealing imagery that revealed the brutal reality of the Hong Kong protests.

“We have temporarily taken down the images as part of a standard process which we have to put in place for these type of cases, until we are able to review everything in further detail.”

‘I don’t know who’s complaining and what their concerns are. But why should any ‘concerns’ not be addressed by the judges at the judging phase?’ asked Chung Ming in a response to HKFP. ‘As long as the final result is up to the jury’s professional judgement, I wouldn’t say there’s censorship,’ he added.

As of Tuesday, the ‘404 page not found’ error was still popping up on Chung Ming’s series. On Wednesday, the link was redirected to a ‘Protected Page’ where login credentials were needed in order to view his work. A recent post on Chung-ming’s Facebook account elicited uniform comments of disappointment in the WPO.

‘Photos taken during a war right in the war zone has won numerous awards, but I’ve never seen any of those labeled “sensitive nature.” Anyway thanks so much for your effort and your truthful recording.’ said Sam Si. ‘Worse and much more “sensitive” stuff has been put on WPO before, and the fact that they’re on targeting Hong Kong related photography seriously calls into question the integrity of the organisation.’ adds Galax Chen.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony World Photography Awards receives backlash over alleged censorship of Hong Kong protest images

Posted in Uncategorized

 

Moment introduces 67mm filter mount that works with any phone

20 Feb

Moment, known for creating camera gear and accessories for creative professionals, today released a 67mm filter set and mount. The company states that users can now mount a filter to any phone, even without a case. The 67mm mount was designed so a filter could be placed over a triple-lens camera system like, for example, the iPhone 11 Pro offers.

Designers at Moment also took additional measures by machining a speaker grill into the mount. It will allow creators to use the audio from their phone’s rear-facing microphone during filming, something the company says isn’t available on competing mobile filter solutions. The mount also works on laptop cameras.

The 67mm Variable Neutral Density (ND) Filter is a 2–5 stop or 6–9 stop. They are made with Schott B270 Pro Cinema Glass and are designed to control exposure while eliminating color fringing and cross polarization.

67mm Variable ND Filters are $ 149.99 each. Purchasing both in a bundle costs $ 279.99, which saves the buyer $ 20. The 67mm Filter Mount is currently marked down to $ 23.99 from $ 29.99. The filters are available today while the mount is expected to ship between April 21st – 28th.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Moment introduces 67mm filter mount that works with any phone

Posted in Uncategorized

 

Lomography releases Simple Use Camera preloaded with LomoChrome Metropolis film

20 Feb

Lomography’s latest Simple Use Camera, the LomoChrome Metropolis, is now available to purchase from the company’s online store. The camera is loaded with Lomography’s LomoChrome Metropolis ISO 100-400 film, operates off a single AA battery and features a built-in flash. The Simple Use Camera is reloadable, as well.

According to Lomography, its Simple Use Camera loaded with LomoChrome Metropolis film can be used to capture ‘grungy shots with muted colors and distinctive shadows.’ The camera includes three Color Gel flash filters (yellow, magenta and cyan), a built-in frame counter, direct optical viewfinder, 31mm F9 lens and 1/120 shutter speed.

In addition to the LomoChrome Metropolis ISO 100 – 400 film, the Simple Use Camera is also available with Black & White ISO 400, LomoChrome Purple ISO 400 and Color Negative ISO 400 film. The camera is available from Lomography now for $ 22.90 each.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lomography releases Simple Use Camera preloaded with LomoChrome Metropolis film

Posted in Uncategorized