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Weekly Photography Challenge – Fireworks

02 Jul

Previously I rounded up 21 images of fireworks to get you into a celebratory mood. Now it’s your turn!

By Norm Lanier

Weekly Photography Challenge – Fireworks

Your mission this week is to find a fireworks display and photograph it. If there isn’t one in your area perhaps start with a sparkler and get someone to hold it or wave it around for you so you can practice.

If you need some tips try these:

  • How to Photograph Fireworks
  • 15 Tips for Successful Fireworks Photography

By CL Photographs

By Sebastian

By Rob Watling

By Sue Ann Simon

By Courtney Carmody

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

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6 Great Reasons for Photographing New Destinations or Locations

02 Jul

It’s always good to go chasing that greener grass on the other side. Sure, you could stay home, but how much more fun it is to explore! There are obvious ways you can learn and grow by photographing locally, but equally, there are a lot of good reasons to throw off that comfort blanket and go for something new, new destinations.

To differing degrees we all have a drive and desire to see the unknown, below are the reasons this desire will enhance your photography. Take time to read this and factor them in when you plan your next trip away to photograph some new destinations.

6 Great Reasons for Photographing New Destinations or Locations

This photograph was taken at the Yeeping festival, this was the first time I’d visited this event. It was a real challenge shooting in low light.

#1 – Photographing new destinations provides a burst of creativity

Going somewhere new is a great way to kick-start your creativity, or perhaps build on an existing project that you’re already doing. That something new can inspire you into a new project, you could turn them into a set for a gallery. There are any number of themes you could try out from architecture, food, or people.

  • Try photographing the people in your new locale, a project like Humans of New York can be adapted to wherever you are now.
  • Combine existing image with a whole new set on a similar theme. Have you photographed churches in the UK? The style will be very different in other parts of Europe, and even more so if you find a church in Asia.
  • Get into some street photography by searching out a local market.
6 Great Reasons for Photographing New Destinations or Locations

This is a church on the Indonesian island of Sumatra. Prior to visiting this are I didn’t realize how many churches there would be. The design is very different to all other churches I have seen before.

#2 – It’s a test of your photography skills

Going somewhere new is a great test of your photography skills. How can you apply what you’ve learned at home to the new destination? If your eye has become sharpened through practicing at home, it will show when you travel somewhere new.

The point about a new location is it will seek out your weakness, you’re not familiar with the new place so you need to be familiar with your camera. Are you ready for the low light photos at a night festival that you will be photographing? You have one chance to get it right, are you ready for that?

Take the time to find out settings of similar photos to those you plan to take and practice in similar conditions before the event. Then when you arrive to photograph in a new destination you can test those skills, and gauge your level.

6 Great Reasons for Photographing New Destinations or Locations

Working with low light street scenes was a lot of fun, and different to the style of photos I usually take.

#3 – Getting the hero photo

There are places that you may travel to for specific photos that are unique and amazing. You simply can’t replicate the big city feel of Tokyo, Shanghai or Dubai when it comes to cityscapes. Equally, going to Angkor Wat in Cambodia or Bagan in Myanmar is light years ahead of visiting a small temple in your local town.

When you travel to these places, the aim is to get the big booming landscape, the photo you’ll hang on your wall or is the opening two-page spread to a magazine article. So what do you need to do to get those photos?

6 Great Reasons for Photographing New Destinations or Locations

  • Do your research. To photograph a new destination you need to google the place you’re visiting. Even better, visit photography sharing sites like 500px and Flickr to look at the best photos from the place you intend to visit.
  • Add you own unique spin. You may choose to use the same angle you’ve seen from other photographers, but if you can find your own unique style of photography it will stand out more.
  • Make sure it’s big! Detail photos won’t cut it, you need a wide-angle lens that captures the whole scene. This often means accessing a high vantage point to capture a big photo.
6 Great Reasons for Photographing New Destinations or Locations

I went to Dubai to photograph a new destination. There are plenty of hero photos to be found in this new mega city.

#4 – Escape the comfort blanket

Going somewhere new means you won’t have a nice comfortable fall-back photo to take, the one you know how to frame. This will force you to think about what you want to portray with your image, and in turn, it will help you grow as a photographer.

If you’re going from a busy city to the great outdoors or vice versa, then you will need to train your eye for that new environment to get the most out of it. Perhaps you don’t do street photography, but the night market is so vibrant you need to document it.

6 Great Reasons for Photographing New Destinations or Locations

This photo was taken on my first trip to India. India is certainly a country that doesn’t allow you to keep a comfort blanket!

#5 – The best location for your photography style

The chances are you know the style of photography you like best. You practice this style a lot in your home neighborhood. Unless you’re lucky, chances are there is a better location to take those photos. We are all looking to take photos that get a “wow” reaction, going to a wow location is a good way to achieve that.

Once again, decide which is your strongest photography style, and then visit the best place for that type of photo.

6 Great Reasons for Photographing New Destinations or Locations

  • Cityscapes. The bigger the better here so visiting cities like New York, Hong Kong, or London are your best bets. There are many new cities that are growing, Shenzhen near Hong Kong is said to have some amazing architecture.
  • Culture. Visiting places during their festival works well for this. The Yeeping lantern release in Thailand is a photographers dream. Many people aspire to visit India during Holi, or Venice during Carnival.
  • Nature. There are reasons that places like Iceland draw so many tourists, the nature is wild. If you enjoy photographing nature there isn’t a better place to go.

Now there are many places not mentioned in the above lists. The point is getting these photos means you need to travel there.

6 Great Reasons for Photographing New Destinations or Locations

On my first trip to Myanmar I tried photographing from a hot air balloon for the first time. This is one of the results.

#6 – Plan to be there when it’s unique!

Planning ahead is advised in all forms of photographic endeavor. The chances are you know when is the best time to photograph your local area. But to photograph a new destination at its best, research is needed.

Is this place best photographed in the morning or the evening? Which is the best season to visit? Are there flowers that bloom, or will there be snow on the mountain? The best photo opportunities can come during a festival, so when will that be? You can really improve the odds of getting great photos by being in a place at the right time.

6 Great Reasons for Photographing New Destinations or Locations

The Sydney opera house is one of the most well known buildings in the world. You sometimes need to go to places like this to get stand out photos.

You need to take a vacation!

Do you need an excuse to go on vacation? Of course, you do, and to photograph a new destination is as good an excuse as any!

We’d love to hear about your experiences of visiting somewhere new, so please share in the comments below. What type of photography do you enjoy, and where is your dream destination to practice that? Has a trip abroad ever kick started a project for you? How about going to a new place this weekend? It doesn’t have to be far from your area. Getting out with the camera and exploring is a great feeling, so let’s see your results!

6 Great Reasons for Photographing New Destinations or Locations

You’ll never find that pot of gold at the end of the rainbow, you might get a good photo of the rainbow though.

The post 6 Great Reasons for Photographing New Destinations or Locations by Simon Bond appeared first on Digital Photography School.


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How to do Night Photography With No Tripod – and a Little Photoshop Help

02 Jul

In this article I am going to show you how you can do amazing night photography with no tripod and not too much grain.

How to do Night Photography Without a Tripod

In this photo I was on the Academia Bridge in Venice, the place to be to catch the sunset. There were tons of photographers taking long exposure photos, so many that I couldn’t squeeze in to put my tripod down. So I put my camera at f/4, went to 1/10th of a second and shot at ISO 1250.

These settings froze the boat and the water is still nice and smooth. But the thing that I was really happy about was the light reflection in the water; it was not too strong. If I had done a long exposure the light reflection in the water would have made big blots of light which is very catchy to the eyes and creates a lot of contrast, which I don’t like.

Like on this photo below:

How to do Night Photography Without a Tripod

Extremes

Let me show you in this extreme case:

How to do Night Photography Without a Tripod

For the image above, I had a zoom lens on so the widest I could open up my aperture was f/5.6. My shutter speed was 1/25th of a second at 2500 ISO, and I set my camera on high speed burst mode, which allows the camera take several shots quickly. But unfortunately at 2500 ISO there is going to be a lot of noise. So to show how noisy this photo is, let me do my basic retouching.

How to do Night Photography Without a Tripod

How to do Night Photography Without a Tripod

As you can see it is very grainy/noisy.

How to do Night Photography Without a Tripod

Even if I try to use the noise reduction it doesn’t look that great:

How to do Night Photography Without a Tripod

The solution

So what you can do in this situation is to select all the photos you took in Continuous Shouting mode, I am selecting five here. Then click on sync, Check All, and select synchronize.

How to do Night Photography Without a Tripod

Once you have done that, right-click select Edit In > Open as Layers in Photoshop.

How to do Night Photography Without a Tripod

Now that we are in Photoshop, you can see that each photo has its own layer. Select them all, then go to Edit > Auto-Align Layers.

How to do Night Photography Without a Tripod

You can click on auto here. If you are shooting handheld it is important to have all the layers aligned. Here you can select all the layers again, right-click and select Convert to Smart Object.

How to do Night Photography Without a Tripod

Then you are going to select your layer and go to Layer > Smart Object > Stack Mode > Median.

How to do Night Photography Without a Tripod

What’s that is going to do is Photoshop will detect the common pixels from a photo to another and then remove the noise and any people that moved from frame to frame, which is pretty cool. You can see the before and after below.

How to do Night Photography Without a Tripod

After this technique has been applied, you can see that the water is nicer on the eyes and there is almost no noise in the image.

How to do Night Photography Without a Tripod

How to do Night Photography Without a Tripod

Before

How to do Night Photography Without a Tripod

After

Summary

So this is a good way to avoid noise in a low light situation where you don’t have a tripod. Let me review the important points for you:

  1. Set your camera on Continuous Shooting Mode (burst).
  2. Open your aperture as wide as you can to f/2.8 or f/4.
  3. Set your shutter speed to around 1/30th of a second and boost the ISO to between 2000 and 3000.
  4. Take at least five photos minimum.
  5. Take the first photo, retouch it and synch your edits to the others, using Lightroom.
  6. Open all the images as layers in Photoshop.
  7. Align the photos/layers.
  8. Select the layers and convert to Smart Objects.
  9. Got to Layer > Smart Object > Stack Mode > Median or see which setting works best.

And voila. See below for the video walk through of this technique as well.


photoshop for photographersIf you enjoyed this tutorial and want to learn more about how to use Photoshop, check out Serge’s course Photoshop for Photographers 2017. Use the special promotional code – DPS65 – to get 65% off as a dPS reader!

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Announcing…our mid year sale! Starting with ebooks and posing guides for $9

28 Jun

If you’ve been eying off one of our photography eBooks, courses or presets packs – this week you’re in luck because today we kick off our mid year sale where we’ll be offering you some amazing discounts on dPS products as well as some special offers from our partners.

If you’re subscribed to our newsletter you’ll get notified of each of the deals as they come out but while you’re reading this – let me tell you about todays deal.

DEAL 1: All dPS eBook are just $ 9 USD

To get our mid year sale started, we’re offering all our ebooks and posing guides at just $ 9 each.

That’s up to 80% off what yo’d normally pay!

There are 23 eBooks and posing guides to choose from on everything from understanding the basics of your camera to portrait lighting as well as how to use natural light and improving your post production of your landscapes and much more.

Here are 3 of our most popular ebook guides:

  • Going Pro. Normally $ 49, get it today for just $ 9 (USD)
  • Living Landscapes. Normally $ 19, today just $ 9 (USD)
  • Portraits: Making the Shot. Normally $ 19, today just $ 9 (USD)

But that’s just scratching the surface of what is on offer – be sure to checkout all 23 titles here to find the guide that will take your photography to the next level.

Whether you pick up just one of our titles or pick the whole library – this is a fantastic way to invest in your photographing learning – but don’t wait long – this deal only lasts another 30 hours so don’t delay.

The post Announcing…our mid year sale! Starting with ebooks and posing guides for $ 9 by Darren Rowse appeared first on Digital Photography School.


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4 Tips for Post-Processing Images on the Road

28 Jun

In this article I will share some of my tips for post-processing your images on the road or while traveling. That way you can share images and keep up on social media. Let’s see why that’s important.

Social media pressures

Much can be said about social media and its influence on photography. But the hard truth is that for many of us we live under a constant pressure to regularly release new content on various platforms, such as Instagram. Studies show that posting an average of one image per day is what will result in the highest engagement amongst current (and new) followers.

One can say that social media has become just as much about documenting as about presenting your finest work. But still, you do want to maintain a certain quality of your images.

Tips for Post-Processing Images on the Road

An image I processed from the back of our rented caravan on Iceland

In this article, I’ll share several tips on how you can keep up with the pressure of posting new content while being on the road and how you can make sure that the images you post during that period are still of a quality that reflects positively on your overall gallery.

Why Post on the Road

Before we get into the tips on how you can process your images on the road, let’s quickly look at why you want to keep posting new images when you’re traveling.

As I mentioned above, studies show that posting an average of one image per day is what will bring the highest engagement amongst current and new followers. If social media is a big part of your marketing strategy then you should attempt to maintain this average. Of course, there’s no big harm in missing a day or two every now and then but if you’re absent for a week, or even more, you quickly loose engagement with your followers.

Since most photographers follow a lot of people on social media (both friends and people who inspire them), it won’t take much to forget about you and your work, making it harder to regain their engagement on your images.

Tips for Post-Processing Images on the Road

I chose to quickly process this in Lightroom to share something on my Facebook page related to my current travels.

So, if you’re traveling for a week or longer, it’s a good idea to keep posting new content as often as you can in order not to lose too much engagement.

4 Tips for Post-Processing on the Road

The four tips I’ll be sharing will require that you have access to a laptop (or computer) with your preferred editing tool installed. Normally, when I travel I tend to always bring my laptop (except for shorter trips) so that I can quickly process some images on the road and document my current travels.

That being said, the images that I process on the road rarely become portfolio worthy shots and I will go back and reprocess them later on when I’m back at my desk and have access to the equipment I prefer working with.

#1 – Calibrate your Monitor

It’s most likely that your processing images on a laptop when you’re on the road. If you’re a serious photographer and you spend time fine tuning your images it’s also likely that at some point you’ve calibrated the monitor on which you’re working regularly. (If you haven’t calibrated your monitor before I strongly recommend investing in a tool such as Spyder 5 Elite and calibrating ASAP!)

Tips for Post-Processing Images on the Road

I use the Spyder 4 Elite to calibrate both my monitor and laptop (also my iPad when I had one).

However, it’s not only your main monitor that should be calibrated. If you spend time processing images on your laptop as well, it’s equally important that it is calibrated too. You don’t want to process an image and then later realize that the colors are all off, right?

#2 – Find the Time

Time is often limited when you’re on the road as most of the day is either spent traveling, exploring, scouting or photographing. Still, I recommend trying to find the time to process at least one image during the day. This could be while you’re having lunch at a cafeteria or even quickly before going to sleep.

When processing images on the road it’s not crucial to focus on the details. Instead, spend a few minutes in a software such as Adobe Lightroom and adjust the highlights, contrast, and white balance. Often, you don’t need to make big adjustments for an image to look okay.

Tips for Post-Processing Images on the Road

A quick edit done in Lightroom to show the amazing light we had that particular evening. I later reprocessed this image to better suit my style.

If you’re pressured to upload images on the road (this could even due to a client request) it’s better to have something to put out, and then reprocess it when you’re back home.

#3 – Find Balanced Light

If you’re like me and would rather spend a night in a tent or campervan than a hotel, finding a place to process your images isn’t always the easiest. Most places outside are challenging due to harsh light reflecting on your laptop, making it difficult to properly see how the adjustments are applying on the image.

Try looking for a shadowy area to work in, or if you can’t find one, make your own. This may sound (and look) stupid but using a jacket or something similar to cover yourself and the laptop will make it easier to view the screen and see how you’re processing the image.

#4 – Use Presets

To be quite honest, presets are something I very rarely use. In fact, I don’t think I’ve ever used them more than a handful of times. However, I do see the value of them when you need to quickly get content out and you have a certain style to your images.

Tips for Post-Processing Images on the Road

I used the dPS LR presets to process this image from Germany.

Presets are the quickest way to process your images and in many cases, they do a good job. Just make sure that the particular preset works well for the image you’re working on, and if needed, make some minor adjustments.

Last Words

As I’ve mentioned several times in this article, and I want to end with saying, that processing on the road should only be done in order to continuously upload new content on social media either to document, engage or to satisfy a client. The images you sell or include in your portfolio should be reprocessed, as you’ll most likely notice a few errors when you return back home and have more than a few minutes to process the image.

Love it or hate it but this is the world that we (or at least many of us) live in today! How do you work on the road? Do you have any other post-processing tips for when you’re away from home? Please share in the comments below.

The post 4 Tips for Post-Processing Images on the Road by Christian Hoiberg appeared first on Digital Photography School.


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10 Must-Have Photography Accessories

28 Jun

You finally have your new camera and after the first few weeks of taking it out, you begin to realize that there may be other things that you need. Sometimes it is hard to know what photography accessories are really necessary and which are more “nice to have” items. It’s certainly possible to spend a lot of money on extra photography gear so it pays to put a bit of thought into it.

Of course, what you need will depend on the kind of photography you will be doing. A landscape photographer will need lots more things than a city street photographer. A studio portrait shooter will have a whole shopping list of expensive lights and stands required (not to mention the studio space in which to put it all).

But let’s start at the beginning, what are the most basic and necessary photographic accessories.

1. Extra Camera Batteries

Having a spare camera battery is a lifesaver, especially if you have remembered to charge it in advance. There is nothing worse than running out of power for your camera when you are away from home. You can choose to buy the branded battery to suit your camera, but there are also more cost effective third party options. My preference is to stick with branded, I have found they perform better over the life of the battery.  Feel free to run your own experiments though.

For anyone shooting in very cold weather, it’s recommended that you have several batteries and some way of keeping them warm. Very cold weather chews through battery power, as do taking long exposures or lots of burst shooting.

Necessary Photography Accessories

2. Spare Memory Cards

Opinion is divided on whether you should have a few high capacity memory cards, or several smaller capacity ones. The theory is if a card gets corrupted, with a smaller capacity card you run the risk of losing less images. Check which memory cards are recommended or preferred for your camera as there are several brands available, but not all perform at the same level.

Check the speed of the card as well, if you are likely to do a lot of fast shooting. How well the card can process those bursts of images can have impact on the performance of your camera. If a card is too slow you will get buffer overuns as the card struggles to keep up saving all the frames.

Necessary Photography Accessories

Once you have several memory cards, it also makes sense to have some way of organizing and storing them. Some people have different systems to indicate when cards are full or empty. Come up with a plan so you know which cards are exposed and which are ready to go.

Necessary Photography Accessories

3. A Camera Bag

I am quite convinced that the perfect camera bag is like the Holy Grail – impossible to find. Everyone has different requirements which mean there is no one solution. Backpacks, roller bags, sling bags, waist packs, straps, clips, belts, and body harnesses are all available options.

Necessary Photography Accessories

My sling bag for walking around the city, or times I only want to take the very basics.

There are so many choices and it can be easy to get confused, here are a few things to keep in mind when shopping for a camera bag:

  • Look for good padding in the shoulder straps.
  • That the bag is the right length for your back (I am an average height woman and a lot of bags are too long for me).
  • It has enough pockets to keep useful stuff like filters and batteries and for them to be easily accessible
  • The bag is as light as possible.
  • How does it behave when you put it on the ground, does it tip over?
  • That it is waterproof (water resistant material, flaps over the zips and the best bags come with a built in rain cover).
  • There is enough room to store all your stuff safely with sufficient padding and dividers.
  • There are good cheststraps and waist belts on backpack style bags (they take up a surprising amount of the load off your shoulders if you use them).

Over time you will probably try several different styles of bag until you find an option that is the best compromise for what you want versus what you can find.

Necessary Photography Accessories

My main bag is a backpack, the F-stop Kashmir designed for women. This is the closed position.

Necessary Photography Accessories

Backpack in the open position. Different bags can be accessed in different ways.

4. Footwear

Pretty much everywhere you go with your camera will involve some form of walking for able bodied people. This means you need to have good supportive comfortable footwear which is suitable to your conditions. Don’t forget good quality socks as well (my preferred brand is Thorlo). When looking for shoes or boots take into consideration weight, fit, comfort, flexibility, waterproofness and of course the price.

Necessary Photography Accessories

These shoes are very light and breathable, however they are not very waterproof and the soles can be a bit slippery on wet rocks. But they are super comfortable to wear all day, which is the most important thing.

Heavy boots are really tiring to walk in for long periods but you might need them for really cold weather. Depending on the type of walking and situations you will encounter, you may even consider more than one set of footwear.

5. Jackets and Outer Layers

Modern technology has made outdoor clothing very light, and it is recommended that you build up layers to adjust to changing conditions. Being too hot and sweating in very cold conditions is uncomfortable but also may contribute to hypothermia, particularly if wind chill is a factor.

Necessary Photography Accessories

Hunters Element hunting jacket in green, and Kathmandu grey windproof jacket.

So build up a selection of light technical layers you can wear or carry easily in your bag or pocket. I have three jackets, the grey one is very light and warm and scrunches down into all the corners of my pack.  The green jacket is a heavier hunting jacket that has excellent wind protection, with huge pockets in the front. Not shown is a rain shell to layer over the grey jacket for added dryness protection.

6. Extra Protection

Hats and gloves are also a necessity to keep you warm and dry. Particularly if you are outside doing landscapes or nature photography and you are sitting still for long periods. Again, layering up is useful, pictured are my thin windproof but quite warm gloves, with some heavier gloves to put on over top. The heavier gloves make it difficult to use the camera, which is why two layers of protection help me to function and stay warm.

The bottom half also needs protection. These are rain trousers that are designed to pull on over top of your standard leg layers.

Necessary Photography Accessories

Your backpack and camera also deserve consideration for protection as well. Pictured below are my orange backpack rain cover and a rain cover for my camera that allows shooting in the rain.

Necessary Photography Accessories

7. Tripod

Unless you are a hardcore street photographer (needing to be light and mobile) then a tripod will likely be a requirement at some point. Necessary for sharp landscape images, long exposures, astrophotography, macro and all kinds of studio work.

A tripod requires two components to work – the legs and the head. Sometimes you can purchase them bundled together, or you may wish to purchase them separately to suit certain requirements. Here are some key things to look for in a tripod:

  • Are the legs tall enough for you? I was surprised to find many tripods too short for me at 5’6″ – having the right sized legs makes it easier on your neck and reduces the need to use the center pole.
  • Does the center pole adjust to horizontal mode? Very useful for doing still life and macro work.
  • Is it a clip or a twist-lock type of leg extension? People prefer different options – wildlife photographers often use twist-lock legs as they are quieter.
  • How heavy is it? Carbon fiber is the lightest option, but it is also very expensive and in comparison, not always that light. Plus a heavier tripod offers more stability when used outside.
  • Is there at least one leg wrapped? Carrying a bare metal pole on a cold frosty night is unpleasant.

Tripod head

Tripod heads come in many variations as well. Ball and socket are quite common but take two hands to utilize. A good quality head will be made out of solid material and be strong enough to hold your camera and its heaviest lens at a variety of angles. Do your research on weight tolerances and creep before purchasing.

Additional tripod accessories worth considering are L-plates for your camera body, and if you are into macro, nodal rails as well. Also learn how to take your tripod legs apart and clean, especially when used in water or in the ocean.  This will extend the life of your tripod and save you money.

Take time to invest in a good tripod/head combination and it will last you for many years.

Necessary Photography Accessories

Manfrotto legs with an Acratech head. My preference is for click adjustable legs.

8. Camera Manual

It’s small and light and easy to tuck into your camera bag and really handy to have when you need it. It may never get used, but it’s good to have on hand. Take your camera manual with you!

Necessary Photography Accessories

9. Card Reader

There are several different ways to transfer data from your camera to your computer. Some new camera bodies have wireless, or can be connected via a cable to the computer for data transfer. However, that tends to chew up battery power quite quickly on the camera.

My preference is to use a USB card reader. USB 3 or the newer USB-C provide fast data transfer for those in a hurry. Additionally having a small portable reader allows you to take it with you when traveling, allowing you to download on the road.

Card readers are cheap, light, easy to pack and come in really useful when traveling. Get one with lots of different ports to cover any requirements.

Necessary Photography Accessories

Necessary Photography Accessories

10. Other Useful Stuff

There are other non-photo things that are useful to have around as well such as; change for parking meters or entry fees, a compass, sunscreen (mine is on a carabiner clipped to the outside of my backpack for easy access), and a pen and paper is always useful.

Other items that may come in handy are; business cards, model release forms, snacks, your cell phone loaded with a variety of useful apps, and the list goes on.

Conclusion

What you need in terms of photography accessories will depend on the type of photography you do and where you do it. This list should cover the basics that any new photographer is likely to need, or at least might need to think about investing in at some point. Being aware of your options is important as good bags and tripods can be expensive, so you will need to budget for them.

Many people forget about their own personal comfort and think cheaper clothing options will be okay. For general purpose photography that may well be the case, but anyone heading into nature should be as prepared as they can be. Good quality outdoor clothing will last and be an investment. No one wants to miss a sunrise because they were cold and wet and in an unpleasant situation.

Remember to look after yourself as well as your camera gear.

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How To Shoot A Compelling Photo Essay

28 Jun

I frequently encourage people who attend my photography workshops to approach the day as though they have been assigned to shoot for a magazine editor and need to provide a strong series of images for a photo essay. One of the locations we visit is the local fresh market here in Chiang Mai, Thailand, so I’ll use images from this market to illustrate the point in this article.

How To Shoot A Compelling Photo Essay

The time it takes you to create a photo essay may be determined somewhat by your chosen subject. If you’re photographing your child’s birthday party, a social gathering at work, or a football match, you will have time constraints. With other subjects, you may have the luxury of being able to return many times over a period of days, weeks, or months to continue building your pictorial story. Whatever you choose as your subject you will be able to apply the points in this article to help you produce a strong series of photographs that a picture editor would welcome.

Approach to making photo essay

There are two main ways of approaching a photo essay – thematically or narratively.

How To Shoot A Compelling Photo Essay

I’ve chosen a series of images for my photo essay here with a thematic structure, showing the market as the overall theme. You may like to choose a narrative structure and tell a story with a beginning, middle, and end. To follow a narrative storyline at the markets I could choose to follow someone who arrives to do the buying for their restaurant, follow one of the porters who haul produce for shoppers or spend time with a vendor documenting their daily routine.

Whether you take a thematic or narrative approach, applying some basic guidelines to the way you shoot and how you make your final selection of photos will result in a strong series of images.

You want to look for three types of images; wide, medium, and close-up. By shooting these three image types you will build up a broader perspective on your subject.

Wide Shots

Photo essay tips 01

At a market, I’m always looking to capture a great wide shot showing the lively hustle and bustle and feel of the overall vibe of the market. This is difficult to capture because I have no control over what’s happening. It’s important in situations like this to take your time. Find a good location where the lighting and background are pleasing and you will not be obstructing anyone, and shoot a lot. Be observant.

Watch and see the flow of what’s happening and anticipate the best time to shoot. If your chosen subject is more static you might want to include a single prominent feature in some of your wide shots. For example, if you are making a photo essay of your local park, try including one of the park benches, a drinking fountain, or a flowerbed in your wide compositions rather than taking just a wide shot with no main focus.

Medium Shots

Medium shots are best composed with one main subject as the focus, and including relevant aspects of the location as well. These shots will show a more intimate view of your subject, draw the viewer deeper in, and help them connect with your story.

At the markets, I like to shoot environmental portraits, often of the people who work there. Including some of their surroundings supports the theme by developing the context of my story.

How To Shoot A Compelling Photo Essay

Showing the mango vendor with her cart, produce, scales, and umbrella helps build the essay more than if I was to crop in tight and to make a portrait of only her.

How To Shoot A Compelling Photo Essay

Including some action in these shots makes for interesting photos too, as with this photo (above) of the butcher sharpening his knife. Neither of these photos was posed, but sometimes it’s a good idea to take a little control of the situation and ask someone to pause so you can make a portrait.

How To Shoot A Compelling Photo Essay

I asked this fishmonger with the lovely smile tray of smoked mackerel to pose for me.

Close-Up Shots

Coming in close to capture the details will definitely add depth to your photo essay. Look for elements to include in your close-up compositions that others may overlook. Single colors, patterns, and textures all work well as close up shots.

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

The neatly stacked fish in the blue plastic tub, the basket of (live) frogs, the bundle of soup ingredients for 5 baht and the bunch of flowers made from pandan leaves all add variety and interest to my market photo essay.

If you’re photographing a birthday party your close-up shots may be of the detail on the cake, some of the wrapped or unwrapped gifts, or tightly cropped happy children’s faces. Look for detail shots which fit in with the overall feel of your photo essay.

Other Considerations

As you are shooting, consider how your images will fit in with your overall story. Think about the five “W” questions – who, what, where, when, and why. Answering them with your photos will build up a very good impression for someone viewing your photo essay or picture story.

How To Shoot A Compelling Photo Essay

How To Shoot A Compelling Photo Essay

Traditionally, this market is where the people of Chiang Mai have gotten food. The market is over 160 years old, so it has real character.

When you’re shooting your photo essay be aware of the overall tone and feeling of the situation you are photographing. Become a part of it, not an outsider with a camera, and you will produce more intimate, interesting photographs. If you have time on your side, even consider visiting the location where you’ll make your photo essay without a camera. Doing this will give you a different perspective and may help you connect with your subject more easily.

Choosing Your Photos

Once you’ve completed your shoot and have downloaded the photos to your computer, begin by discarding any that are technically inferior. You don’t want to include shots which are out of focus, poorly exposed, or your timing was off. Remember, you are aiming to please the photo editor of a magazine (just pretend this is the case, even if you are shooting just for yourself, it will help you to have this mindset) and they will reject any images not up to their technical standards.

Photo essay tips 13

Photo essay tips 14

Take your time to look over your photos. Grouping them into the three types, wide, medium and close-up will help your decision-making process. Compare your photos within these groups and look for the strongest pictures that support your overall story. Think about how they might be laid out on the pages of a magazine and what they will communicate to someone viewing them that is not familiar with the subject of your photo essay. Finally, you will want to choose one main shot to be the feature image. The one you are most happy with that best conveys your feeling for the story you are telling.

Conclusion

So even if you have no aspirations to shoot for a magazine, this is a good exercise to help you put together a better photo essay. Consider printing a book or your completed project for yourself or to share with friends or fellow travelers.

Please put your comments and questions in the space below, and share your photo essay images.

 

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How to Use the Star Walk 2 App for Milky Way Photography

28 Jun

Photographing the Milky Way is unlike any other kind of photography. The camera settings are completely different, as are the post-processing techniques, and there’s a lot more planning that goes into a successful outing than people (who haven’t done it before) realize.

How to Use the Star Walk 2 App for Milky Way Photography

The Milky Way over Half Dome in Yosemite NP, shot from Glacier Point.

The trick is how to find the Milky Way

You see, finding the location of the Milky Way in our sky is always changing. In the northern hemisphere the best time to photograph the Milky Way is in the late spring to early fall. It isn’t even visible during most of winter because it’s only above the horizon during the day when we can’t see the stars. And of course in the southern hemisphere, everything above is reversed.

How to Use the Star Walk 2 App for Milky Way Photography

The Milky Way over a group of oak trees in San Luis Obispo, California.

When the Milky Way is visible, it’s hard to know when it will be in peak position and in which direction (north, south, east, or west) it will be visible. Then there’s the question of whether or not it will be rising straight up from a certain direction or appear as an arc across the sky.

Plan your trip accordingly

All of the answers to these questions will, of course, determine what foreground subjects you can use at any given time of the year. For example, if you’re trying to shoot Half Dome in Yosemite National Park, you’ll need the Milky Way to be visible in the northeast sky. Plus, you need it there at a time of night when the moon is either beneath the horizon or during a moon phase where the light from the moon will be minimal. If it’s a full moon for example, the Milky Way and night sky will be considerably dimmer than say during a new or crescent moon.

How to Use the Star Walk 2 App for Milky Way Photography

The Milky Way over Delicate Arch in Arches National Park, Utah.

As you can see, there are a lot of variables. That’s where the app Star Walk 2 comes in.

I found this app years ago when it was in its first incarnation, and still use it today for most of my night sky photography planning. This app is beautifully designed and will let you know exactly when and where the Milky Way will be at any given time, along with every other star and constellation in the sky. It’s an incredible resource for photographers. I created a video showing how I use it.

Have a look below and let me know what you think.

Conclusion

I know there are other options and apps that do similar things available as well, so comment below and tell us what you use. I’m always open to trying new things and would love to hear them.

You can find the Star Walk 2 app in the Google Play Store for Android and on iTunes for Apple devices.

The post How to Use the Star Walk 2 App for Milky Way Photography by James Brandon appeared first on Digital Photography School.


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18 Friendly Photos of Buddies Just Hanging Out

28 Jun

What better thing to do that to just hang out with your buddy this summer. Better yet get a photo together!

Here are 18 photos that show what it is all about to be friends.

By Lenneke Veerbeek

By Stew Stryker

By PicselPerfect

By Philip Brookes

By Trent McBride

By Sam Cox

By Leo Hidalgo

By Jay Melnick

By Chris Ford

By Art G.

By bunnysuicides

By Stefan

By Jarle Refsnes

By wolfgangfoto

By Stephanie Wallace

By Holly Occhipinti

By Theophilos Papadopoulos

By Julien Belli

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Weekly Photography Challenge – Friends

27 Jun

Let’s start our day with a little friendship. It’s good for the heart and soul. Check out 18 friendly photos here.

By Felipe Bastos

By Tambako The Jaguar

Weekly Photography Challenge – Friends

Friendship comes in many forms and can be as varied as the friends themselves.

Your job for this weekly photography challenge is to create a photo of friends and show what that means to you. Friendships can cross borders and boundaries and are formed in the heart, not logically. How can you represent friends in a photo?

By bagsgroove

By Marciaaa.

By Ralf Steinberger

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

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