RSS
 

Archive for the ‘Photography’ Category

How to do Pixel Stretching in Photoshop

21 Oct

As photographers, we’re all too aware of the abundance of ways to edit a photograph in post-production. And as technology progresses, so will the potential for image making. Pixel stretching is one way to investigate the construction of a digital image through creative means.

How to do Pixel Stretching in Photoshop

Compared to other glitch-style editing techniques, pixel stretching is pretty straight-forward. The process involves selecting a single row or column of pixels and stretching them out over an image to create a warped, surrealistic visual effect. The results highlight the nuances of a digital image and explore the action of altering photographs through non-traditional means.

Getting started

First, open an image in Photoshop. It doesn’t have to be anything special, just an image with a few varying tones or colors. I’m using this photograph of blossoms because its colorful and I’m excited that it’s finally spring, here in Australia.

How to do Pixel Stretching in Photoshop

Duplicate your original image, which will be labeled as Background in the Layers panel. Right-click on the Background layer and select Duplicate Layer. It’s important that you don’t apply the pixel stretching technique directly to the original image in case you need to revert back to earlier stages of the project.

To preserve layers, photographers use Adjustment Layers to apply adjustments to an image without altering it directly. This process is called non-destructive editing. Pixel stretching, however, is by nature a destructive technique. The process applies an effect directly to the layer you have selected. This means that if your history is so stretched that you can’t return to a certain spot during editing, there’s no going back.

How to do Pixel Stretching in Photoshop

The process

On the Photoshop tools pallet, select the Single Marquee Tool. You may have to click and hold down the mouse over the Rectangular or Elliptical Marquee Tool until it reveals a small menu.

The Marquee Tool panel will reveal a choice between the Single Row Marquee Tool and the Single Column Marquee Tool. I’m going to use the Single Row Marquee Tool, but you can easily come back and experiment further once you get the hang of the technique.

How to do Pixel Stretching in Photoshop

With the Single Row Marquee Tool selected, click on an area in your image that you think is interesting. A dotted line stretching across your image will appear. This outlines the row of selected pixels that line up with the point you clicked on.

How to do Pixel Stretching in Photoshop

Once you have your pixels selected, click on Edit in the menu bar and select Free Transform. You can also select Free Transform by right-clicking on the dotted line of the Marquee Tool.

How to do Pixel Stretching in Photoshop

After you click on the Free Transform option, the cursor will appear as two opposing arrows when you hover over the Marquee Tool line. Click on the line where the opposing arrows appear and slowly drag the cursor down over the image.

You’ll see that whole row of pixels will stretch as far as you drag the mouse. When you’ve finished stretching the selection, press enter and there you go. Looks kind of neat, right?

How to do Pixel Stretching in Photoshop

How to do Pixel Stretching in Photoshop

How to do Pixel Stretching in Photoshop

Shaping the area of pixels to stretch

The next step is to fit our stretched pixels into the landscape of the image. This time, open a photograph featuring straight, hard lines. Bridges and streets are good subjects to start with.

Select the Single Column or Single Row Marquee Tool and align the Single Marquee Tool with a hard line in your image. Again, I’m using the Single Row Marquee Tool but feel free to experiment with the Single Column Marquee Tool instead.

How to do Pixel Stretching in Photoshop

Once you have your Single Marquee Tool lined up, select the Rectangular Marquee Tool from the Photoshop toolbar. You’ll need to depress the cursor over the Marquee Tool icon to reveal the Rectangular Marquee Tool.

How to do Pixel Stretching in Photoshop

With the Rectangular Marquee Tool selected, click on the Subtract option just below the menu bar (big red arrow below). The Subtract mode of the Rectangle Marquee Tool means that any portion of the selected line of pixels within the perimeter of the rectangle will be deleted. Drag the Rectangle Marquee Tool over an area of the Single Marquee Tool line and release the mouse.

How to do Pixel Stretching in Photoshop

Rectangular marquee in subtract mode on the left of the image.

You’ll notice that a section of the Single Marquee Tool line will be deleted. This means that only the remaining Single Marquee Tool line will be available for stretching pixels later. For the image below, I deleted the lines that intruded outside the perimeter of the staircase. It’s hard to see, but the remaining dotted line is still aligned with the top of the green staircase.

How to do Pixel Stretching in Photoshop

Now that you have a smaller portion of pixels selected, right click on the remaining dotted line and select Free Transform. This time when you drag the selected line of pixels up or down the image, only the remaining pixels selected by the Single Marquee Tool line will be stretched.

How to do Pixel Stretching in Photoshop

Pixels stretched up but only within the staircase area.

Conclusion

Now that you know the basics of pixel stretching, it’s time to experiment. This simple process has some distinctive painterly characteristics that alter the perspective of an image. The nature of digital photography often yields predictable, formulaic results…But be careful, you never know exactly how a pixel stretched image will turn out – which makes it quite addictive!

I would love to see your creations in the comments below. Happy pixel stretching!

How to do Pixel Stretching in Photoshop

How to do Pixel Stretching in Photoshop

The post How to do Pixel Stretching in Photoshop by Megan Kennedy appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on How to do Pixel Stretching in Photoshop

Posted in Photography

 

Video Tutorial – Tips for Making Dramatic Black and White Landscape Photos

21 Oct

Shooting for black and white requires you to see a scene and think a little differently. You’re looking for a contrast of tones, not color, and it can be hard to “see” in black and white if you’re new to shooting in monochrome.

Here is a short video with some practical tips you can apply to create more dramatic black and white landscape photos.

If you want more help with your black and white here are a few more dPS articles on the topic:

  • How to Enhance your Black and White images with Infrared Photography
  • 3 Simple Steps to Craft Better Black and White Photos
  • 6 Tips to Help You Make Better Black and White Landscape Photos
  • Avoid These 5 Common Mistakes in Black and White Photography
  • A Guide to Black and White Conversion in Photoshop

The post Video Tutorial – Tips for Making Dramatic Black and White Landscape Photos by Darlene Hildebrandt appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Video Tutorial – Tips for Making Dramatic Black and White Landscape Photos

Posted in Photography

 

Weekly Photography Challenge – Black and White Landscape

21 Oct

Landscape photography is a popular genre, but it can be hard to do it really well.

If you want to take your landscape images to the next level – try shooting some in black and white! There is some help here if you need it: Video Tutorial – Tips for Making Dramatic Black and White Landscape Photos. 

Photo by Yuriy Garnaev on Unsplash

Weekly Photography Challenge – Black and White Landscape

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Black and White Landscape by Darlene Hildebrandt appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Weekly Photography Challenge – Black and White Landscape

Posted in Photography

 

Great Gifts for Filmmakers

20 Oct

Since DSLRs are used today for both photography and videography, the lines are becoming  more and more blurred.  Filmmakers may not be the easiest to shop for, especially if you are not a techie and cant tell 1080i from 1080p.  Here we try to make your choice easier by giving you a wide range of gift ideas for your favorite Continue Reading

The post Great Gifts for Filmmakers appeared first on Photodoto.


Photodoto

 
Comments Off on Great Gifts for Filmmakers

Posted in Photography

 

Upcoming Strobist Events: Buenos Aires, Dublin and Havana

20 Oct

Just a quick heads-up on upcoming Strobist events. If you are local to Buenos Aires or Dublin—or have ever wanted to spend a photo-centric week in Havana—check out the details below.

Buenos Aires, Argentina: November 17-19

I’ll be doing a seminar and two workshops in Buenos Aires in November. In the half-day seminar on the 17th, we’ll move beyond F/stops and shutter speeds and take a step back to look at photography from a broader perspective. How can you approach your photography in a way that also incorporates your other skills and expertises? How can you turn this approach into sustainable business models and ecosystems?

Whether your goal is to make money or just to become more aware of and focused on who you are as a photographer, this talk is designed to prompt deeper thought. And because of the Contrastes Magazine’s sponsorship, the talk is *free*. Well, at least for subscribers of the magazine. (Which means that if you are not yet a subscriber, the half-day seminar will only set you back the cost of a magazine subscription.)

On the 18th and 19th, I’ll be teaching small-class workshops on lighting. These are shooting workshops, and are appropriate for anyone who wants to learn (or learn more) about small-flash lighting. Because of the sponsorshop, they are also economically priced.

More details are here: Buenos Aires Workshops

Dublin, December 3-5

I’ll be both speaking and teaching for the Irish Professional Photographers Association in Dublin in December. More important: Italian photographer Sara Lando will also be teaching here during this time.

Sara and I will both be speaking on Sunday the 3rd. Sara will talk in the morning about the thousand things you wouldn’t think about that go into a successful conceptual portrait session. I’ll be talking in the afternoon about how to incorporate your photographic expertise into a wide range of external possibilities—and how to build digital and economic ecosystems around that.

On Monday and Tuesday the 4th and 5th, I’ll be running a two-day, small-flash speedlight bootcamp. This is a small class, and we’ll be shooting the whole time. But between us, where you really want to be is in either or both of Sara’s two classes. Her unique approach to creative portraiture will cause you to completely re-examine your own approach. Honestly, the less creative you feel you are, the more you can benefit from spending a couple of days with her.

More details here, with early bird prices in effect until October 31: Dublin Workshops

X-Pedition Havana, January 12-19

Our inaugual Strobist X-Pedition is set for Havana, Cuba, from January 12-19. This is not a photo junket. This is an intensive week in perhaps the most photographically (and culturally, economically, etc.) interesting city in the western hemisphere.

The US government makes it a total pain in the butt to get to Cuba, and it is becoming far more so under the tightening restrictions. But having been there, I can tell you it is well worth the trouble. Go while you still can.

Our week is designed around learning and photography in a tight, small-group environment. When the light is crap, we’ll be indoors learning how to think and see more like a photojournalist. When the light is right, we’ll be out shooting. We have several location shoots lined up, and you’ll get plenty of time to explore on your own as well. Throughout the week, we’ll also be learning to bridge the perception-reality gap for lesser-traveled destinations.

Our goal by the end of the week is threefold: to make you a more observant and focused traveling photographer, to learn to shoot efficiently while retaining time for yourself and/or family while on the road, and to have the knowledge and experience to grab your camera and confidently head to nearly any place in the world.

This trip is nearly full. As of this writing, we have only two spots left in our Havana X-Pedition.

More details: X-Pedition Havana
__________

I’m stoked about each of these, and very much hope to see you there.

-DH
Strobist

 
Comments Off on Upcoming Strobist Events: Buenos Aires, Dublin and Havana

Posted in Photography

 

3 Times it’s Okay to Consider Offering Free Sessions

20 Oct

If you’ve made the transition from a hobbyist photographer to a part-time or full-time professional photographer, chances are that you’ve spent a lot of time thinking about your pricing. You’ve likely looked over your cost of doing business and the cost of goods sold. You’ve probably had to have some difficult conversations with friends and family members establishing that you can’t work for free.

These are all really important parts of starting (and maintaining) a photography business. However, it’s also just as important to sit down and identify some instances in which you would consider donating your services. In this article, we’ll talk about three times you might consider offering free sessions or options at a reduced rate.

3 Times it's Okay to Consider Offering Free Sessions

1. New Technique or Gear

If you’ve always wanted to try newborn photography, it might make sense to offer reduced rate or free sessions. This will help you build your portfolio while perfecting your technique at the same time. Let’s be clear–offering free sessions shouldn’t replace classes and workshops designed to teach you proper technique and safety. Instead, you should consider offering free or discounted sessions after taking a class or workshop in order to implement the new techniques you’ve learned.

Learning Newborn Photography - 3 Times it's Okay to Consider Offering Free Sessions

Similarly, if you want to break into wedding photography, it might make sense to offer to assist a local wedding photographer for free. You’ll learn a lot by watching the primary photographer manage the flow of the day and seeing how they interact with the bride, groom, and guests. Additionally, depending on your contract, you may even end up with images that you can use as part of your own portfolio.

3 Times it's Okay to Consider Offering Free Sessions

Likewise, if you’ve just upgraded from a crop sensor to a full frame camera, you’ll probably want to take that equipment for a test drive before using it with a paying client. It may very well be that you can get your bearings photographing your kids in your own backyard. However, depending on the genre of photography you specialize in, it might make more sense to put out a model call on social media and offer a mini session that will allow you to put your new gear to the test in a low stakes environment.

Learning Newborn Photography - 3 Times it's Okay to Consider Offering Free Sessions

2. For a Creative Photography Project

I spend most of my time photographing newborns, children, and families. As a young mom myself, I really love that genre of photography and feel passionate about helping families preserve their memories.

That said, because I spend so much time photographing people, I make a concerted effort to take on a creative photography project that doesn’t involve people at least once a year. Sometimes, that may mean begging a winery to let me come photograph their grapes after hours in exchange for allowing them to use the images on social media.

3 Times it's Okay to Consider Offering Free Sessions

Other times, it has meant asking a local photographer for half an hour to pick his brain about astrophotography in exchange for snapping a photo of his family for their annual Christmas card. For me, the point isn’t to actually become an astrophotographer. Lord knows this image isn’t winning any astrophotography awards anytime soon, and it feels really uncomfortable to share something publicly that isn’t perfect.

But the point isn’t to be perfect with a creative project. The point is to stretch yourself in ways that you normally don’t, realizing that sometimes the journey is more important than the final destination.

3 Times it's Okay to Consider Offering Free Sessions

Ideas for your project

Perhaps you are already an award-winning astrophotographer, and you’d really like to stretch yourself by doing some child or family photography. Consider asking a friend if they’ll meet you at a park to try photographing them and their children. Try snapping a few images at your nephew’s next soccer game. Ask a friend that loves to bake if you could photograph the next cheesecake he or she makes. The point is that you’ll never grow as a photographer if you don’t take risks. Similarly, it can feel easier to take risks and do something new if you’re not being paid–there’s really nothing to lose.

The point is that you’ll never grow as a photographer if you don’t take risks. Similarly, it can feel easier to take risks and do something new if you’re not being paid–there’s really nothing to lose.

3 Times it's Okay to Consider Offering Free Sessions

3. Partner With a Non-profit You Care About

You’ve probably already been asked to donate a photo session to a non-profit’s fundraiser or auction. This is a great way to give back to the community, and it’s not my intention to discourage you from doing so. However, more and more frequently I’m finding that donating my services directly to the non-profits that I care about is an even more rewarding way to stretch my creative ability and become involved in my community at the same time. Perhaps, instead of donating a session gift certificate, offer to come photograph the office staff, an event the non-profit is holding, or the population that the non-profit serves.

Perhaps, instead of donating a session gift certificate, offer to come photograph the office staff, an event the non-profit is holding, or the population that the organization serves.

3 Times it's Okay to Consider Offering Free Sessions

In doing so, you will likely learn more about the organization itself, their mission, and the community as a whole. Your local humane society would probably love images of the animals in their care. A nearby NICU may be completely blown away by the offer to come photograph the families and babies they serve. Your child’s school may love abstract photography of kids that they could hang on their walls or use as reminder postcards. If you’re religious, your church would probably love photos of their upcoming baptisms or other special religious ceremonies.

Serve your community

This sort of partnership isn’t about parlaying the non-profit organizations into future clients. Rather, it is about using your time and talent to bless others in your community. There are opportunities to use your gifts and talents to make the world better–use them.

Sometimes the things that a non-profit may ask for may be completely outside of your normal wheelhouse. You may have to tell them that you don’t think you’d be the best person for the job they have in mind. Other times, you may feel comfortable telling them that though their idea is outside your normal wheelhouse, you’d be happy to give it a try. Both responses are absolutely okay, but I’ve never regretted trying an unusual request that a non-profit has given me!

3 Times it's Okay to Consider Offering Free Sessions

Conclusion

Have you identified instances in which you will consider offering reduced rate or free sessions? Do you partner with any local non-profits in order to give back? Chime in below and tell us about your experiences.

The post 3 Times it’s Okay to Consider Offering Free Sessions by Meredith Clark appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 3 Times it’s Okay to Consider Offering Free Sessions

Posted in Photography

 

How to Use Soft Light Blend Mode in Photoshop to Improve Exposure and Contrast

19 Oct

Do you have an overexposed sunny side and an underexposed shadow on the other side of your image? Or maybe a well-exposed photo that needs more vibrancy? There’s a tool so versatile that can help you fix any of these problems and more: the Soft Light Blend Mode.

What are Layers?

Imagine your photo as a printed one. Then you take a sheet of acetate and draw on it. Then you take another sheet and you put it on top of the others and obscure a part of it; and so on, and so forward. Each acetate sheet is a layer and you can make as many alterations as you want on top of your original this way.

To create layers in Photoshop you need to go to Menu > Layers > New. A pop-up window will appear where you can name your layer, choose the color, the blending mode and the opacity. When you click OK the new layer will appear on the Layers panel window on top of the background, which is the original image.

Layers - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

What is the Blend Mode?

The default setting of a new layer is normal blending mode. This covers the background or the layer underneath. However, Photoshop gives you the option of choosing a different Blend Mode, which changes the way your edit affects the pixels. You can change it in the pop-up window of the new layer.

Blending Modes - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

In the case of the Soft Light blending mode it is similar to using the dodge or burn tool. In other words, every color that is lighter than 50% grey will get even lighter, like it would if you shine a soft spotlight to it. In the same way, every color darker than 50% grey will get even darker. However it will never reach pure black.

So, why not use dodge and burn instead?

First of all, when you work in layers you don’t lose any information. You can always discard the layer and start over because there is no damage to the original image.

With layers, you can change the opacity or transparency of each one, which allows you to control how evident your edit is in the final image. You will find the opacity tool on the Layers panel with a slider that goes from 0 to 100 %.

Note that there is another slider next to it called Fill. There are 8 blending modes in which these two sliders make a difference, however, Soft Light is not part of these “special 8” so the Fill opacity and Standard opacity have the same result when using this Blend Mode.

Opacity - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Another advantage is that you can change the blending mode of each of the layers. In this article, we are exploring the use of Soft Blend, however, each mode offers different possibilities. One blending mode can have different uses, here are three of them.

3 ways to use Soft Light Blending Mode

1. Add punch to your image

Increase the contrast and saturation to have more vivid colors and give a punch to your image. You can do this by duplicating the background layer: Menu > Layer > Duplicate Layer and changing the blending mode from normal to Soft Light. Finally adjust the opacity until you are happy with the result.

Duplicate Layer - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

BeforeSoftLight - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

AfterSoftLight - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

2. Gradient tool to balance the lighting

If you have an image that is underexposed on one side and overexposed in the other you can easily even it out with a Soft Light blend layer. First go to Menu > Layer > New Layer. Pick the Gradient tool and draw a line from the brightest side to the darkest one. The gradient will look like this:

Gradient How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Then change the layer blending mode to Soft Light and lower the opacity to find the best results.

Before Gradient - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Before gradient

After Gradient - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

After gradient

3. Dodging and burning with a Soft Light layer

The past workflows altered the entire image, however, if you need to do a more precise job you can also do that using Soft Light. First, add a new layer with Soft Light blending mode like you did in the previous procedure. Only this time instead of the gradient tool, you are going to use the brush tool. When you select it you can choose the size of the brush on the top menu and the color on the bottom.

Brush How to Use Soft Light Blend Mode to Improve Exposure and Contrast

If you paint with black you will darken the image:

Darken - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Painting with white will lighten certain areas, and with different shades of grey, you can also control tones of your image.

Painting - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Keep going until you are happy with the contrast and exposure of your image.

Before Painting - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

After Painting - How to Use Soft Light Blend Mode to Improve Exposure and Contrast

Conclusion

Now you know that blending modes have a lot of potential, so keep exploring. How do you use Soft Light Blend Mode? Please share your ideas and tips in the comments below.

The post How to Use Soft Light Blend Mode in Photoshop to Improve Exposure and Contrast by Ana Mireles appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on How to Use Soft Light Blend Mode in Photoshop to Improve Exposure and Contrast

Posted in Photography

 

5 Amazing Free e-books To Inspire Every Street Photographer

19 Oct

The concept of street photography is something that by definition, has no objective definition. My only rule is that it must be candid. There are no rules about gear or lighting. Famous US photographer Chase Jarvis says “the best camera is the one you have with you” which suggests anyone with a smartphone has the potential to do street photography. Continue Reading

The post 5 Amazing Free e-books To Inspire Every Street Photographer appeared first on Photodoto.


Photodoto

 
Comments Off on 5 Amazing Free e-books To Inspire Every Street Photographer

Posted in Photography

 

Where to Place a Horizon in Your Paddling Pictures?

19 Oct

7 examples with a commentary from paddling and shooting around a lake …
paddling with a camera

 
Comments Off on Where to Place a Horizon in Your Paddling Pictures?

Posted in Photography

 

7 Photography Myths Exposed

19 Oct

Photographers, of all people, should know that the world is not black and white. There are many shades of grey between black and white, between good and bad, and between right and wrong. It’s all a matter of perspective and circumstance. Yet photography is full of blanket statements about what you should and shouldn’t do. In this article, I expose (pun intended!) a few of the most common photography myths every photographer should know.

North Algodones Sand Dunes, California - 7 Photography Myths Exposed

1. Full frame cameras are better

A full frame camera has a larger sensor than a crop sensor camera. That means you might get more megapixels or you might get larger megapixels or even both. But there are many more important factors to consider when choosing a camera than megapixels.

First, crop sensor cameras are generally smaller, lighter and much less expensive. Second, if you like to shoot wildlife, you’ll get extra reach with your telephoto lens on a crop sensor camera. A 400mm lens on a full frame camera is equivalent to over 600mm on a crop sensor camera. Also, if you like to photograph wildlife, a more important factor to consider above megapixels is frames per second.

A few years ago I went to Africa to photograph wildlife and took two cameras: a full frame Canon 6D and a crop sensor Canon 7D. I learned that the 7D was much better for my purposes because of the frames per second rate it was capable of shooting. The 6D (at the time) did 4.5 fps and the 7D did 8. That was a huge difference in the field.

Lion and cub at Ngorongoro Crater, Tanzania - 7 Photography Myths Exposed

2. Always use a tripod

A tripod is an essential piece of gear for any photographer and usually, you will notice a huge improvement in image quality when you start using one. However, “always” is one of those blanket statements that doesn’t always make sense (see what I did there?). I often notice photographers arrive on a scene, set up their tripod, and then try to find a composition they like. That tends to limit their possibilities since they are already stuck on the tripod.

A better approach is to go free hand until you find your composition. Then, when you find it, try to make your tripod fit in the exact position necessary. Sometimes you’ll find it won’t fit. Either the angle is lower than your tripod will allow you to go, or the tripod is not tall enough, or the position isn’t stable. When that is the case, ditch the tripod in favor of getting the composition.

Plateau lizard by Anne McKinnell - 7 Photography Myths Exposed

3. To make better photos, you need better gear

Undoubtedly, you will reach a point in time when you need better gear to carry out your vision for what you are trying to achieve with your photography. But the most important thing is to have that vision. Before getting new gear, make sure you exhaust your current gear. Use every single function and feature it has and know exactly what it is you need that your current gear doesn’t have before you move on. Blaming crappy gear is just a crutch. A really good photographer can make great images with pretty much any camera.

4. Never put your subject in the middle

Ah, the rule of thirds. The golden ratio. The fibonacci spiral. All good tools when it comes to learning composition. But don’t forget about the beauty to be found in simple symmetry.

When you think about a person’s face, the most beautiful face is the most symmetrical face. It’s all about balance, equality of proportion, and harmony. The key to making a compelling symmetrical composition is in the perfection of the symmetry. A composition that is almost symmetrical will seem off, but one that is perfect will seem awe inspiring.

Baobab tree in Tarangire National Park, Tanzania - 7 Photography Myths Exposed

5. Manual is the best shooting mode

It’s beneficial to all aspiring photographers to learn to shoot in manual mode so you have independent control over every factor in making your exposure including aperture, shutter speed and ISO. It’s no doubt that it’s one of the best ways to learn how your camera works. However, once you’ve learned how to use manual mode, why not let your camera do what it’s good at? Cameras these days are smart and the fewer things you have to do manually, the quicker you will be at responding to a changing scene.

When you are on a scene, decide which factors are important to you before you select your shooting mode. For example, if you are trying to intentionally blur a subject, shutter speed is important. You can use shutter priority mode and let the camera choose the aperture and ISO. That way when you want to shorten or lengthen the shutter speed, you only have one thing to change and the camera will figure out the rest. Similarly you might decide that depth of field is most important, and if you’re using a tripod, shutter speed might not matter at all. In that case, aperture priority mode is most convenient.

Summer flower in Butchart Gardens, Victoria, British Columbia - 7 Photography Myths Exposed

6. RAW format is better than JPEG

This refers to the image quality you select in your camera’s settings. You can choose to have your images saved as either RAW files, JPEGs, or both.

RAW is better than JPEG only if you are planning on post-processing your photos, which most people do. A RAW file contains more data and therefore you have more leeway in your post-processing. However, if you are just starting out and you haven’t gotten to the point where you’re processing your photos yet, it’s probably better to shoot JPEGs.

In JPEG mode, your camera will make some decisions for you when it comes to color and contrast and your photos will look better straight out of the camera. Ultimately you’ll likely come to the point where you want to make those decisions yourself. That’s when it is time to make the switch to RAW.

7. Good photography requires good light

All light is good light. The trick is to know what kind of images to make under the lighting conditions that are available. Do you have harsh (hard) light? Look for interesting shadows or photograph in the shade. Soft light? Perfect for macro shots. Looking into the sun? Find subjects with interesting shapes for silhouettes.

Saguaro in silhouette at Tucson Mountain State Park, Arizona by Anne McKinnell

Conclusion

Remember, as an artist, you are free to go about making your art any way you like. You can use your tools any way you see fit. The most important thing is to have a vision and then use your tools and techniques to help you achieve it.

Do you know of any other photography myths you want to expose here? Please share in the comments below.

The post 7 Photography Myths Exposed by Anne McKinnell appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 7 Photography Myths Exposed

Posted in Photography