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Archive for the ‘Photography’ Category

Portrait Editing with Luminar 4 – Using Artificial Intelligence

02 Nov

The post Portrait Editing with Luminar 4 – Using Artificial Intelligence appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Jacques Gaines, he looks at Portrait editing in Luminar 4 using the artificial intelligence features.

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Luminar 4 is a stand-alone software or works as a plugin in Adobe Photoshop (which is great if you like working in Photoshop and don’t want to completely swap to new software).

This video uses the plugin version with Photoshop.

Jacques uses a retouched, flattened image in Photoshop and then opens the Luminar 4 plugin and does further editing work on his portrait.

He discusses the different portrait enhancement options that Luminar 4 offers.

Within Luminar, there is a section called “Portrait.”

This is the section that consists of:

  • AI Skin Enhancer
  • Portrait Enhancer
  • High Key
  • Orton Effect

AI Skin Enhancer

Smoothes out the skin on a portrait and does it realistically. You can decide how much you want to apply it from 0-100%.
If you don’t want it to apply to certain sections, you can also mask it out using a brush tool.

Portrait Enhancer

The Portrait Enhance panel consists of:

  • Face Light
  • Red Eye Removal
  • Eye Whitening
  • Eye Enhancer
  • Dark Circles Remover
  • Slim Face
  • Enlarge Eyes
  • Eyebrow Improve
  • Lips Saturation
  • Lips Redness
  • Lips Darkening
  • Teeth Whitening

Jared shows the effects these settings have on a portrait.

When you apply the changes in Luminar, it makes the image as a new Photoshop layer. You can then use a mask to paint out any areas in the image that you don’t want the effects applied to.

Have you done portrait editing with Luminar 4? Share with us your thoughts in the comments!

 

You may also like:

  • Five Common Portrait Retouching Mistakes to Avoid
  • 5 Must-Know Photoshop Retouching Tips and Tricks for Photographers
  • How to do Portrait Retouching With Luminar
  • Top 10 Luminar 2018 Features That I Discovered by Accident
  • How to Create a Grunge Look with Luminar 2018
  • Your Guide to Understanding the Luminar 2018 Dashboard

 

The post Portrait Editing with Luminar 4 – Using Artificial Intelligence appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Weekly Photography Challenge – Black and White

02 Nov

The post Weekly Photography Challenge – Black and White appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is BLACK AND WHITE!

Image: Photo by Jim Hamel

Photo by Jim Hamel

Inspired by our Black and White Photography e-book sale, I decided to make this weekly photography challenge Black and White. Black and white offers so much depth and emotion and has a timeless nature to it.

So go out and capture anything in black and white. You can use Monochrome Mode on your camera, or turn them into black and white with your favorite post-processing application.

They can be street photography, landscapes, architecture, patterns and textures, automotive, or use creative techniques such as slow shutter speeds, night photography, or intentional camera movement. Whatever you decide to photograph, just be sure they are black and white!

Check out these inspiring pics by some of the dPS writers, have fun, and I look forward to seeing what you come up with!

Black and white photography

Photo by Andrew S. Gibson

Image: Photo by Simon Bond

Photo by Simon Bond

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting BLACK AND WHITE

A Beginner’s Guide to Doing Black and White Photography

Avoid These 5 Common Mistakes in Black and White Photography

How to Make Brilliant Black and White Photos with Dramatic Composition

How to Use Color Temperature in Black and White Conversions

Mastering Monochrome Mode

Black and White in the Outdoors: Learning to see in Monochrome

The Pros and Cons of Black and White Versus Color for Street and Travel Photography

Experimenting with Low Key Black and White Photography

How to Use a Black and White Filter to Improve Your Photos

How to Create Silky Split Toned Black and White Photos Using Luminosity Masks

How to Enhance your Black and White images with Infrared Photography

Weekly Photography Challenge – BLACK AND WHITE

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSblackandwhite to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Black and White appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Are Photography Competitions Good for Your Soul?

01 Nov

The post Are Photography Competitions Good for Your Soul? appeared first on Digital Photography School. It was authored by Charlie Moss.

are-photography-competitions-good-for-your-soul

Are photography competitions good for your soul? The idea of diving headfirst into the promising ocean of photographic competitions is one that can be appealing. Imagine yourself surrounded by admirers – fame, and accolades aplenty for your work. The thought is pretty appealing, isn’t it?

Are-Photography-Competitions-Good-for-your-soul

But for most of us, that cool blue water of success turns out to be little more than a dream. Most competitions for most photographers and artists end with little more than a rejection letter, or a place on the shortlist if you’re very lucky.

What is there to gain?

Well, to be quite frank, there’s an awful lot to gain from entering your photography work into competitions. And pretty much all competitions will help you grow and improve as a photographer if you put some thought into the images you’re selecting.

Image: Internet competitions can be a good way of working out which are your better images.

Internet competitions can be a good way of working out which are your better images.

You can use competitions for different purposes. For instance, local club competitions or some of the online competition sites can be good for working out which variations of images appeal to people more. If you’re a little stuck with an image, then entering a local club competition might help you see some of the flaws in your shot.

Prizes, notoriety, or self-improvement?

At the top of the scale, there are huge cash awards and even residencies to win through photographic competitions. Of course, you can’t just make a living by winning competitions with your photos, but the kind of cash prizes that some competitions award will certainly pay a good chunk of your living expenses for a while!

Are-Photography-Competitions-Good-for-your-soul

But for most of us, what we gain is a wider audience and a better sense of our work. And these things are both important to photographers in their own way.

Having an audience isn’t just important for pros, it can open all kinds of doors for amateurs too. Plus, as much as we sometimes loathe to admit it – nice comments and ‘likes’ can go a long way to making us feel good about our work.

The process of selecting images to enter into a competition can be extremely powerful for your work. Trying to narrow all the photos you’ve taken into just a small handful that fit a brief is a difficult process. But this process should tell you something about yourself and your work, and perhaps even push your future work in a particular direction.

Entering competitions can be a great learning experience.

Protecting your mental health

We don’t always win competitions. Of course, it would be impossible for everyone to win every competition that they entered. Not placing in shortlists time and time again can be tough on our mental health.

Are Photography Competitions Good for Your Soul?

You must make sure you’re entering competitions for good reasons, and not those that end up lowering your mood when you face rejection. Finding these reasons can be difficult even for seasoned photographers.

So how can you change bad reasons to good?

Think about why you’re entering competitions

Every now and then I like to reassess where I am with my competition goals to make sure I’m on track, and I invite you to do the same right now. Take a notepad and a pen and spend no more than five minutes jotting down the reasons that you might want to enter competitions.

Once you’ve taken some time to make that list, grab a coffee and review it. Take particular note of reasons that relate to your self-esteem. They could be reasons such as “I want to win competitions to prove I’m not a bad photographer,” or “I want to win competitions to show that time spent on my hobby is worthwhile.”

By framing your ambitions in this way, you’re dangerously close to resting your photographing (and personal) self-esteem on the result of the competition. Screw up the competition, and your photographic self-esteem drops. Photography should be pleasurable and fun to participate in, and competitions should support that.

Setting better goals

Instead, try to focus on goals that aren’t tied to your self-esteem. Hone in on more positive reasons to enter competitions such as “I want to enter competitions to help me develop my photographic voice” or “I want to enter competitions to encourage me to shoot a wider variety of subjects.”

Are-Photography-Competitions-Good-for-your-soul

These goals are not only much more achievable, but we don’t face the same kind of mood drop if we end up not winning. We have met our goal because our goal was simply to refine our work or shoot more variety. Anything additional, like placing on a shortlist, is a bonus.

Don’t forget to be kind to yourself

It’s important when entering competitions to be kind to yourself. Winning a competition can be a glorious feeling, but allow yourself to fail too. Failing is a very human trait, and it’s not something you will be able to escape.

Have compassion for yourself when the lows happen. Treat yourself to something you enjoy photographically and then go back out and get those goals on track.

Ultimately, you mustn’t allow competitions to have power over you. If the results of competitions become tied to the worth of your photography, then you’re on a rocky path that could end up with you falling out of love with photography. And you wouldn’t be here on this site if you didn’t love taking pictures.

Finding competitions to enter

If you start building your network of photographers who also enter competitions, you’ll start hearing about opportunities via word of mouth. But that’s not the only way to find new places to enter your photographs.

Are Photography Competitions Good for Your Soul?

I use a service by Google called Alerts to keep up to date with what competitions are opening for entries. All you need is a Google account, and you can set the service up to send you regular alerts every time it picks up new content using the keywords you define.

These alerts have led me to hear about some interesting photography competitions that I wouldn’t have otherwise found.

So are photography competitions good for your soul?

In my opinion, they certainly can be. I feel that they help me develop my practice as a photographer, allow me to experiment freely, and allow me to be judged amongst my peers. Those three things are very important to me.

Competitions can also be a great chance to meet new photographers and discover new work. Going to your local camera club, or even the exhibition from a larger competition can be both productive and exciting!

But you must take steps to understand why you want to enter competitions with your photography and if you’re entering for good reasons. When stepping into the competitive photography arena, you first of all need to take steps to protect your mental health and ensure you’re not putting yourself at risk.

Do you think photography competitions good for your soul? Share your thoughts with us in the comments!

The post Are Photography Competitions Good for Your Soul? appeared first on Digital Photography School. It was authored by Charlie Moss.


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Why Blurry and Unfocused Photos Can be Great

01 Nov

The post Why Blurry and Unfocused Photos Can be Great appeared first on Digital Photography School. It was authored by Megan Kennedy.

blurry-and-unfocused-photos

Often looked over or discarded altogether, blurry and unfocused photos are usually dismissed as a waste of space on the hard drive.

Upon closer inspection, however, these photos can actually be beautiful and highly engaging.

Here are four ways in which blurry and unfocused photography can be great!

Why Blurry and Unfocused Photos Can be Great

Blurry or unfocused…What’s the difference?

blurry-and-unfocused-photos

Blur occurs during an exposure when the camera and/or subject moves.

Unfocused imagery, on the other hand, is affected by aperture, focus, and distance.

Blurry images are directional or streaky, while unfocused images are fuzzy.

To achieve intentionally blurred images, photograph a moving subject and/or move the camera during an exposure.

To make unfocused photography, use a wide aperture for a very shallow depth of field and/or use distance and manual focus to keep sharpness down.

Of course, there are degrees of unfocused or blurry imagery. An unfocused image could still have elements nearing sharpness. Likewise, a blurry image could have aspects of near-stillness.

How blurry or unfocused an image is will be up to you and the incidental whims of the photographic process.

1. Color and light

blurry-and-unfocused-photos

We spend a lot of our photographic lives trying to achieve perfect sharpness, so why create intentionally blurry/unfocused imagery?

The first reason is color and light.

Color photography came into mainstream use in the 1930s. Since then, the incredible variety of colors in our world has been encapsulated both digitally and on film.

Blurry and unfocused imagery strips a photograph back to the bare bones of color and light, generating an abstracted visual study of the environment around us.

We assign specific properties to different colors too. For example, yellow is paired with joy and blue with sorrow.

Because of this, blurred and unfocused depictions of color and light draw connections with viewers through powerful emotional associations.We recommend buying your favorite toothbrush at super low prices with free shipping, and you can also pick up your order at the store on the same day.

2. Reflections on art history

Why Blurry and Unfocused Photos Can be Great

In looking back over famous contributions to art history, many tend to think about literal subjects like Leonardo da Vinci’s Mona Lisa or Andy Warhol’s Campbell’s Soup Cans.

But many artists have transcended the rigidity of the representative, instead, focusing on the event of light, color, and form.

For example, Mark Rothko generated highly emotional responses from audiences with dreamlike forms and colors.

Color field artists like Helen Frankenthaler and Ronnie Landfield, painted artworks that conveyed the subliminal mechanism of seeing.

Blurry and unfocused photography makes images that are rooted in the history of visual art.

This history strengthens a blurry or unfocused image, giving it form and a conceptual standing of its own.

3. Abstraction

blurry-and-unfocused-photos

Also known as non-objective or conceptual photography, abstract photography depicts imagery free from an immediate association to the objective subject matter.

Photographers like Eileen Quinlan and Barbara Kasten work within the realm of abstract photography to elicit a unique visual response.

Without the presence of immediately identifiable subject matter, the experience of the ineffable filters through.

Both incidental and intentionally blurred and unfocused imagery can take on the life of the abstract. Like an abstract painting, unfocused and blurry photography reflects the viewer’s own impressions and associations.

In addition, abstract photography is subjective. Blurry or unfocused abstract photography encourages a viewer to imbue a photograph with their own meaning and experience.

4. Fun!

Why Blurry and Unfocused Photos Can be Great

Nowadays there is a lot of emphasis on pin-sharp photography.

Letting loose and allowing unfocused of blurry photography to come through can be a lot of fun.

Unfocused or blurry photography is a little like finger-painting; part of the fun is in relinquishing the paintbrush and allowing the artistic impulse to guide your fingers.

Fresh color combinations, new approaches to the subject matter, engaging camera motions…experimenting with blurry and unfocused photography is a great way to discover new angles to incorporate into your future photography.

Conclusion

Blurred and unfocused photography may seem like a strange approach to photography, however, letting go and experimenting with your camera is one of the most enjoyable and educational parts of photographic practice.

Blurry photography introduces dynamic movement to an image, while unfocused photography distributes soft renderings of light and color.

Moreover, blurry or unfocused photography can create engaging visual experiences that reflect the physical nature of seeing.

By experimenting with blurred or unfocused photographic practices, you can generate an abstract perspective that is both engaging and unique.

What are your thoughts? Do you think there is a place for blurry and unfocused photos? Share with us in the comments your thoughts, or your photos!

 

The post Why Blurry and Unfocused Photos Can be Great appeared first on Digital Photography School. It was authored by Megan Kennedy.


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Lens Hoods: What Are They Really For, and Do You Need Them?

31 Oct

The post Lens Hoods: What Are They Really For, and Do You Need Them? appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

lens-hoods-what-are-they-for

Most camera lenses come with something called a Lens Hood, which looks like a short circular tube that attaches to the front. These diminutive devices seem a little strange, but they can serve several very useful purposes. While some people might be tempted to toss them on the shelf and never give them a second thought, knowing what lens hoods are and how to use them can have a significant impact on your photography.

Lens Hoods: What Are They Really For, and Do You Need Them?

Why use Lens Hoods?

Imagine this: it’s a bright, sunny day and you are outside for a stroll. The sun is beating down hard and you’re having a bit of trouble seeing clearly, so you hold your hand up to your forehead in an effort to block the light. Congratulations, you’ve just made your very own lens hood for your face! I know this is a bit of an oversimplification, but the lens hood on a camera is about the same as using your hand or a ball cap to block a bit of light when it’s bright out.

Image: It’s kind of like putting a ball cap on your camera, but a lot more effective.

It’s kind of like putting a ball cap on your camera, but a lot more effective.

Why would this be beneficial for photography? Since you need light to make photographs, wouldn’t blocking the sunlight be counterproductive? It might seem so, but in reality, you aren’t making the scene any darker just as putting a cap on your head doesn’t make the sun any less potent.

Indeed, the primary reason to embrace your lens hood as an essential photographic companion is that it makes your pictures look better. Its purpose is to prevent your photos from developing a washed-out appearance that tends to happen under certain lighting conditions. They also offer other benefits mostly related to the protection of your camera gear.

Image: The lack of a lens hood gave this picture a washed-out appearance.

The lack of a lens hood gave this picture a washed-out appearance.

These types of pictures happen because harsh, intense light enters the camera lens and gets scattered across a portion of the image as a result. Lens hoods can mitigate much of this problem by acting as a shade over the front glass element.

Image: Attaching a lens hood gave the shot much more contrast and vibrance. Shadows can be brought u...

Attaching a lens hood gave the shot much more contrast and vibrance. Shadows can be brought up in post-production, but if a picture is too washed-out, it can be much more difficult to fix.

When I first got into digital photography many years ago, I didn’t understand the point of lens hoods. I kept them on a shelf at home because they mostly just got in the way and made my camera take up a lot more space in my bag than it needed to.

Or so I thought.

The nice thing about lens hoods is that they are a low-tech solution to what can often be a fairly major problem. Once you start to see the benefits of having a hood on your lens, you won’t see them as a useless waste of space, but essential components of your camera kit.

Image: I always use my lens hoods for portraits. I never know when I will be shooting a backlit scen...

I always use my lens hoods for portraits. I never know when I will be shooting a backlit scene, and if it happens, it’s good to have the hood to shade the lens.

One thing I have realized over the years is that you need to be prepared to meet the demands of whatever situation you are photographing. Few things are more frustrating than realizing you messed up a picture because of something you could have easily solved with a little pre-planning.

Lens hoods can indeed be a little awkward. However, it’s better to have one on your lens than realize afterward that many shots appear hazy and poorly-lit because you didn’t shade your lens properly.

Image: Lens hoods are particularly useful when shooting into the sun.

Lens hoods are particularly useful when shooting into the sun.

Additional benefits

Aside from protecting your pictures from harsh light, lens hoods can physically protect your camera gear too. This is one of the reasons I leave mine on at all times since I often bump and bang my camera. Having a hood protruding from your lens means it will absorb the brunt of most impacts.

If it does get broken, it’s far cheaper to replace than your lens.

Image: After years of use, my lens hoods are full of scratches and scuffs. I’d rather have the...

After years of use, my lens hoods are full of scratches and scuffs. I’d rather have these easily-replaceable plastic parts bear the brunt of any impacts instead of my actual camera lenses!

I try to be careful with my camera gear and I don’t intentionally abuse it, and I think the same is true of most photographers. But despite my best efforts, accidents certainly can happen. In the normal course of a photoshoot, my camera gets picked up, set down, bounced around, tossed into a bag, put in the trunk of my car, used, and maybe even abused just a little.

A protruding plastic ring isn’t going to save my camera if it gets run over by a dump truck, but it has helped avoid countless bumps and bruises over the years. Is it inconvenient to have the hood always sticking out of my lens? A little, but it’s a lot less inconvenient than having to buy new gear!

Image: I had to follow this cat for a little while and practically lay flat on the ground, to get th...

I had to follow this cat for a little while and practically lay flat on the ground, to get this shot. Having a hood on my zoom lens was a little extra peace of mind knowing that it wasn’t going to get scratched or dinged in the process.

If you do feel like your lens hood is a little too much to deal with, most of them have a simple solution. Reverse the hood and screw it on your lens backward. This might cover some of the knobs and switches on your lens, but it will keep the hood handy while simultaneously storing it in a convenient and easy-to-access location.

Image: You can attach most lens hoods backward for easy storage. This helps protect the barrel of yo...

You can attach most lens hoods backward for easy storage. This helps protect the barrel of your lens but can leave some controls covered up.

Drawbacks

There are a couple things to note about lens hoods that could be a factor in helping you decide whether to use them. The first and most important issue involves vignetting. Some lenses, particularly wide-angle lenses, can result in photos with darker corners with the lens hood attached. This isn’t a huge issue and can often be fixed on your computer, especially if you shoot in RAW, but it is something to keep in mind.

Additionally, there’s no getting around the fact that the added length of a lens with a hood attached can be inconvenient. This is especially noticeable on telephoto lenses and it can be annoying if you’re not used to it.

My solution has been to treat the hood as a normal part of any lens in my kit. If it means I need to find a larger camera bag or be a little uncomfortable shooting in tight spaces, so be it. For me, the tradeoff is worth it, but your opinion might be different. Regardless, it is something to keep in mind.

Image: Hoods on telephoto lenses can stick out quite far, but I have just come to accept this as a n...

Hoods on telephoto lenses can stick out quite far, but I have just come to accept this as a normal part of my kit. I don’t see it as an inconvenience in the same way that I don’t treat a seat belt in my car as an inconvenience.

Conclusion

Despite a few downsides, lens hoods can be an important part of your camera collection. I recommend using one at all times, even if you’re not entirely sure you will need it. I have found myself in more than a few frustrating situations where I know I would have gotten the shot if only I had a lens hood. As such, I rarely take them off my lenses now.

What about you? Do you use lens hoods, or have you learned to live without them? What other advantages or disadvantages do they have that I might have missed? Leave your thoughts in the comments below!

The post Lens Hoods: What Are They Really For, and Do You Need Them? appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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The Canon 1D X Mark III Will Debut With 20 FPS and Enhanced Autofocus

31 Oct

The post The Canon 1D X Mark III Will Debut With 20 FPS and Enhanced Autofocus appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

Canon-1D-X-Mark-III-debutJust last week, Canon announced the long-awaited 1D X Mark III, a flagship DSLR tailored to action and wildlife photographers. The new camera comes as a successor to the Canon 1D X Mark II, which set the tone for sports photographers everywhere.

But what can you expect from the Canon 1D X Mark III? Is it a camera worth purchasing?

First, the Canon 1D X Mark III is a professional action photographer’s camera. So while it will undoubtedly offer the latest and greatest technology, this will come at a price that most enthusiast photographers will be unwilling to pay. The Canon 1D X Mark II debuted at an MSRP of $ 5999, so you can expect something similar (if not more) for the Canon 1D X Mark III.

That said, for those who can afford it, the Canon 1D X Mark III is looking to be one of the best action cameras money can buy. Let’s check out its specifications:

Specifications

According to the Canon press release, the 1D X Mark III will offer incredible autofocus capabilities. This includes “exceptional precision, reliability, high-performance…and subject tracking.” For any photographer who shoots moving subjects, the Canon 1D X Mark III’s tracking is bound to be better than any previous Canon DSLR.

And these capabilities extend into Live View, where the 1D X Mark III’s Dual Pixel autofocus features 525 AF areas for lightning-fast focusing and accuracy.

Of course, no action camera is complete without a high continuous shooting rate. Here, the Canon 1D X Mark III won’t disappoint; using the optical viewfinder, you can expect up to 16 frames per second of continuous shooting. In Live View, you can shoot up to an incredible 20 frames per second.

Also, the 1D X Mark III promises “more than five times the RAW burst depth of its predecessor,” thanks to a new DIGIC processor and dual CFexpress card slots. Considering the deep buffer of the 1D X Mark II, you can expect extraordinary capabilities that will please any action photographer.

Unfortunately, Canon has not yet announced the sensor details on the Canon 1D X Mark III. We don’t know its resolution (though rumors indicate it may be around 28 megapixels). However, Canon has announced the addition of the HEIF file format, which should allow for better colors and enhanced dynamic range over JPEGs.

Finally, the Canon 1D X Mark III is designed for high-speed transfers and flexibility in the field. The camera features Wi-Fi and Bluetooth LE, as well as a built-in Ethernet connection and an optional wireless file transmitter. This is a nice set of features for pros who need to quickly transfer photos.

There is currently no set release date for the Canon 1D X Mark III. However, you can expect it sometime before mid-2020, and possibly as early as February (if it mirrors the path of the Canon 1D X Mark II, which debuted in February of 2016).

That should give you plenty of time to decide if the camera is right for you.

What do you think about the Canon 1D X Mark III? Does it meet your expectations? Will you be purchasing it? Share your thoughts in the comments!

The post The Canon 1D X Mark III Will Debut With 20 FPS and Enhanced Autofocus appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Do You Need A Flash For Travel Photography?

31 Oct

Packing for a trip is arguably the worst part about travel. As photographers, not only do we have to choose which of our vast wardrobe of clothes to take with us, but we also have to decide which pieces of our ever-expanding portfolio of camera equipment to take with us. From picking which lenses and camera bag to remembering your Continue Reading

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Top 8 Affordable Quality Printers for Photographers And Do You Need One?

31 Oct

In this digital age, a large number of photographers submit digital copies of their work to their clients via digital storage devices, email or web based file sharing services. However, there are still some photography niches where clients usually expect physical prints to be delivered to them. For instance, if you’re into wedding, event or portrait photography, you may often Continue Reading

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SLC-2L-10: Left Brain / Right Brain

31 Oct

Photos by Sara Lando and David Hobby except where noted.

Just as most of us are either right- or left-handed, it is said that we all have a dominant side of our brain as well. Left-brained people are supposed to be more analytical and methodical, whereas right-brained people are more artistic and creative.

For most photographers, one of these two areas is probably a relative strength; the other a weakness. But ideally, you need the whole package. Which is something we were exploring earlier this month in Porto, Portugal. Read more »
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Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses

30 Oct

The post Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

Canon-reveals-RF-lensesCanon has announced two new lenses for its mirrorless lineup:

The RF 70-200mm f/2.8L IS USM and the RF 85mm f/1.2L USM DS.

Let’s take a closer look:

The Canon RF 70-200mm f/2.8L Lens

Canon-reveals-RF-lenses

The Canon RF 70-200mm f/2.8L offers a classic focal length that’s useful for pretty much everything.

You’ll find a 70-200mm in practically every landscape photographer’s bag for those tight shots that require a longer focal length. Portrait photographers like 70-200mm lenses for their headshot capabilities. Sports photographers love the focal length for powerful action shots. And event photographers appreciate the way a fast 70-200mm zoom lets them shoot without getting in the way.

Up until now, Canon hasn’t produced a lens in this focal length range, unless you count the RF 24-240mm, which is nowhere near as fast as the RF 70-200mm f/2.8L, nor does it have the ‘L’ lens designation. Therefore, many of Canon’s serious mirrorless shooters will jump at the chance to add such a powerful lens to their bags.

Note that the RF 70-200mm f/2.8L seems specially designed for low-light shooters: A combination of an ultra-wide f/2.8 aperture and Canon’s image stabilization technology makes this a formidable piece of kit for any low-light shooting scenario.

The Canon RF 70-200mm f/2.8L will debut in November 2019 for $ 2699 USD.

The Canon RF 85mm f/1.2L USM DS Lens

Canon-reveals-RF-lenses

Canon already offers an RF 85mm f/1.2L lens, so what makes this lens stand apart?

The new RF 85mm lens is designed with a brand new DS coating, known as Defocus Smoothing. The DS coating promises a smoother bokeh effect when shooting at wide apertures by darkening the edges of lens elements. While this serves to create a beautiful background quality, it also decreases light transmittance, so you do lose a bit of the light-gathering capabilities that you generally expect from an f/1.2 lens.

That said, the RF 85mm f/1.2L DS is bound to be appreciated by portrait photographers. With the DS coating, you’ll be able to capture some of the creamiest bokeh you’ve ever seen, while the f/1.2 aperture is perfect for creating a beautiful shallow depth-of-field look.

The Canon RF 85mm f/1.2L USM DS will debut in December 2019 for $ 2999 USD.

Do these lenses excite you? Will you add them to your line-up? Share with us in the comments below.

The post Canon Reveals the RF 70-200mm f/2.8L and the RF 85mm f/1.2L DS Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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