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Archive for the ‘Creativity’ Category

Mobile Remix: Cement Mixer Disco Ball Turns Streets into Night Clubs

16 Dec

[ By WebUrbanist in Art & Installation & Sound. ]

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Cladding a cement mixer in pixelated mirror squares, a French artist has created a giant glittering disco ball on wheels able to turn vacant lots and construction sites into instant party zones.

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Benedetto Bufalino often adds fun to the mix when working with interactive and installation pieces (unusual sports courts and strange phone booth conversions), for instance, but rarely in quite such a dramatic way.

Parked for a time next to a building site in Lyon and given its own spotlight, the artist’s remixed mixer spins up and casts light in all directions. The idea driving the project is simple: bring together locals and passing pedestrians to mix and meet in the resulting rays.

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Of course, it doesn’t hurt that the entire setup is mobile — for guerrilla party throwers, the mixer can set up shop then move if complaints mount or authorities arrive. Or it can simply cruise slowly down the street, making for a truly and permanently portable party.

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Meanwhile, when not at work hosting parties, the vehicle can carry and pour concrete as usual — like many urban residents, it is a worker by day but a partier by night.

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AnonyMouse: Tiny Rodent-Sized Shops Installed Along Swedish Sidewalks

15 Dec

[ By SA Rogers in Art & Installation & Sound. ]

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It would be easy to miss this incredibly tiny rodent-sized shop set into a wall in Malmö, Sweden, if not for the lights advertising its red-and-white-striped awning and the miniature foods in its window. Crouch down, peer beyond the glass and you’l see an enticing array of nuts displayed like bread and meat. Then, all of the other details start to register, and you realize just how complex this installation really is.

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The miniature intervention is the work of AnonyMouse, an anonymous art collective posting images of the scene on Instagram. It features the ‘Noix de Vie’ (Nuts of Life) bakery alongside an Italian bistro called ‘Il Topolino,’ with a cafe table, picnic blanket and planter set up outside.

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The walls outside the businesses are plastered with tiny posters that say things like “peace, love & polar bears” and advertise a movie called “Night of the Were-Rat.” The bakery and restaurant are both full of minuscule framed photos and a tiny menu is posted outside the door. A spray-painted Guy Fawkes face bears mouse ears in a twist on classic Anonymous imagery.

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The gritty details of the scene really drive home its realism, from the peeling paint and tiny weeds in the sidewalk cracks to the weathered, padlocked utility box. The installation is a hit with passersby, and the creators say people have been bringing their pet rodents to visit.

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“Without spoiling too much we can tell you that we’re working on a new scene, and in 2017 you’re going to be able to see plenty more!”

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Architecture for the People: 10 Subversive and Imaginative Designs for China

15 Dec

[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Putting architecture into the hands of the people in a country where home ownership is typically out of reach, this studio has some incredibly innovative ideas, from modular units that ‘plug in’ to the envelopes of historic buildings to unexpected uses for cheap and plentiful materials. These 10 projects by People’s Architecture Office explore the convenience of prefabrication, multipurpose objects and the brilliance of simplicity while still offering structures that are bright, fresh, airy and comfortable.

Courtyard House

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In Beijing, a whole lot of historic architecture has simply been cast aside in favor of newer, cleaner, more spacious suburban housing. Once-vibrant neighborhoods lacking in simple infrastructure like sewer systems are being left behind and neglected, growing more and more dilapidated. PAO has one solution: modern modular units that simply ‘plug in’ to the existing architecture to make it more livable. In the case of ‘Courtyard House,’ the original buildings are used like an envelope for newer structures that can be quickly, cheaply and easy assembled on-site.

Plugin House

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The firm carried the same concept over to ‘Plugin House,’ which slots onto a tiny, awkwardly shaped plot in a traditional ‘hutong’ alleyway. The prefabricated panels used to create these structures already have insulation, plumbing, windows, doors, wiring, interior and exterior finishes built in, and they snap and lock together with no more than a single hex wrench. People who no prior construction experience can put one of these houses together in 24 hours, and it costs less than $ 10,000.

Plugin Tower

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Plugin Tower is another PAO project that easily fits into existing urban environments, and gets around the difficulty of stable housing in China, where land is held exclusively by the government and building private homes is only affordable to the wealthy. This structure requires no foundation, so it doesn’t need planning approval, and it can be picked up and moved to a new location. The prefabricated steel frame comes in a kit of parts, and the modular living units just plug right in. You can rearrange it however you like and expand it when necessary.

Container Pavilion

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Shipping containers are cheap, easy to procure, highly stackable, customizable and a breeze to transport, so it’s no surprise that PAO has made use of them. This cantilevered pavilion consists of six yellow units overlapping six red units in a perpendicular arrangement, creating shaded areas on the ground and a series of rooftop recreation spaces. The ends of each unit are glazed for views of the city and sightless through the entire building.

Hutong Insert: Beijing Culture and Art Center

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PAO uses its skills in inserting modular units into historic structures in their proposal for the Beijing Culture and Art Center, set within a traditional hutong house. A competition to design the project called for a solution that would renovate the building while retaining as much of its original character as possible; PAO’s proposal makes it easy to add lots of interior space without disturbing much of the outer structure at all.

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Architecture For The People 10 Subversive And Imaginative Designs For China

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Remixing Architecture: Building Collages Capture Spirit of Cities & Countries

13 Dec

[ By WebUrbanist in Art & Drawing & Digital. ]

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Combining photographs or everyday vernacular designs, artist Anastasia Savinova aims to illustrate patterns in built environments across major European cities as well as rural countrysides. Her Genius Loci (a play on Genus Loci, or: spirit of place) series illuminates the distinctive details and materials of each place she visits and, set against a regional backdrop of landscapes and waterways.

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In some cases, it is colors that serve as unifying factors — in others: building materials and typologies. Each one manages to be at once a singular work of architecture and a montage of quintessential parts.

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In a way, her pieces serve act like scrapbooks or memories, combining fragmented portions of travels to countries including Sweden, Germany and Italy. They capture those ineffable qualities usually too hard to fit into a single picture frame.

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“In this project I am a flâneur, wandering around, inhaling the spirit of places and trying to visualize it,” she says of her work. “I travel, I observe and document. I take pictures, stare into the windows, watch everyday life – all this helps to build the feeling of the Place.

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“Architecture and landscape are visual components of the integral image of the Place, at the same time, this image is inseparably linked with a mentality and a way of life.”

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“A House on each collage is composed of many buildings, which are typical for a particular country or city, in their connection with the land and the spirit of the Place.”

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Urban Camouflage: Nude Body-Painted Models Blend Into Built Environments

13 Dec

[ By SA Rogers in Art & Photography & Video. ]

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Nude human bodies seem to melt into their surroundings, expertly hand-painted to match their environments in an artistic form of urban camouflage. Artist Trina Merry dodges traffic, police, pedestrians and inclement weather to capture photographs of her subjects against such backdrops as the Florence skyline, the Washington Monument, the Brooklyn Bridge and Westminster Abbey.

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Artist: Trina Merry - Model: Vitalia Abramova

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Typically working guerrilla-style without the permission of authorities in most cases, Merry selects locations that can make a big visual impact and then paints her models in place. Getting all those angles right is no small challenge – the human body is three-dimensional, after all, and nobody can stand perfectly still for very long. But somehow, it all comes together in the final images of Merry’s work.

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For her latest series, ‘Sweet Land of Liberty,’ Merry poses subjects in front of iconic patriotic landmarks like the White House and the Lincoln Memorial, asking her audience to think about what we have to be grateful for. Previous projects have been set in cities around the world, along with natural cliffs and meadows of Ireland and studio shoots. Many scenes are made even more complicated by the use of several models, contorted to create specific shapes. Some incorporate larger objects, like entire cars, as in a commission for Ford.

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“Body paint is an ancient art form and the use of ochre on the skin dates back 425,000 years and has a deeper part in all of our cultures than people tend to realize,” says Merry. “Painting on the body is a distinctly human experience; it creates a special connection to a person that other visual art forms have trouble accomplishing. This work has a heartbeat and a breath – it is dynamically alive. The ephemeral nature of body paint forces focus and reflects on the reality of existence, which is an incredible thought that I find myself reflecting on frequently while working.”

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Future Cities: 13 Fresh New Visions for Residential Towers

13 Dec

[ By SA Rogers in Architecture & Houses & Residential. ]

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The future of urban living (at least for the wealthy) is looking pretty lush, with residential towers finding new and creative ways to incorporate greenery, maximize views and give residents the feel of a spacious suburban backyard hundreds of feet in the air. As unrealistic as some of the renderings have looked, these towers are becoming a reality, with many set to be completed in 2017.

Fake Hills by MAD Architects, Beihai, China

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One of those renderings that looked too fantastical to be real, ‘Fake Hills’ by MAD Architects is almost fully complete in the coastal Chinese city of Beihai. The development is part of a planned, built-from-scratch city featuring dense housing in architecturally innovative form along with a lush green landscape. The continuous roof platform running along the top will eventually be planted with gardens, too, and feature tennis courts and swimming pools.

Grove at Grand Bay by BIG, Miami

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BIG’s recently completed ‘Grove at Grand Bay’ in Miami is true to its renderings, down to the undulating planted areas at the base. The pair of twisting towers is actually a luxury ‘low density’ project featuring 98 units topped with dual level penthouses and containing seven swimming pools, a spa and fitness center, and an on-site art gallery in what could be perceived as stacked mansions for a dense urban setting.

Gridded Residential Tower by C.F. Møller and Brut, Antwerp

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This ‘vertical community’ by C.F. Møller is a residential and mixed-use tower that was “developed from the inside out,” placing an emphasis on social qualities, aiming for a suburban quality of life. The 24-story complex contains 116 homes, retail outlets, offices and communal areas, including enclosed winter gardens at each end of the tower and a shared 5th floor facility with a landscaped roof terrace. The envelope of the structure contains balconies enclosed within glass, spacious enough for kids to play.

Farmanieh Residential Tower by ZAAD Studio and Marz Design, Tehran

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The form of this residential tower by ZAAD is pretty unusual, featuring a series of modular units wedged between stacked circular platforms to create a patchwork of indoor and outdoor areas. Also set to the scale of a suburban home, the units offer a comfortable living environment and highly varied views of the city intermixed with spacious terraces.

Vertical Forest Tower by Stefano Boeri, Lausanne

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Critics have questioned whether this ‘vertical forest tower’ by Stefano Boeri is an ‘Alice in Renderland’ kind of concept, especially considering that the trees pictured along the peripheral areas of the structure would need a much deeper root system and lots more soil than the design allows. The vision of such large-scale greenery seems pretty unrealistic, especially given the high demand for water and the inevitable strain on the supporting structures. But we’ve been surprised before, and the tower is under construction with a completion date set for 2017, so we’ll soon find out.

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Future Cities 313 Fresh New Visions For Residential Towers

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Time Machines: Langdon Clay’s Gritty Cars Of New York City

12 Dec

[ By Steve in Art & Photography & Video. ]

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Photographer Langdon Clay captured New York‘s bruised & battered road warriors at rest, evoking a dirtier and more dangerous era of the city that never sleeps.

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New York City in the 1970s was a city on the slippery slope to disaster; a major metropolis whose decline into bankruptcy, pervasive corruption and rampant crime portended a grim dystopian future fit for the likes of Snake Plissken. Armed with only his trusty Leica camera and rolls of Kodachrome film, Langdon Clay ventured into the Big Apple’s littered streetscapes, finding a fitting iconography for troubled times amongst the oft-filthy and snow-encrusted parked cars sheltering under the unforgiving glare of sodium-vapor streetlights.

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Langdon Clay, a native of NYC born in 1949, grew up in New Jersey and Vermont before moving back to the city of his birth in 1971. Like many photographers of the era, Clay cut his teeth on black and white composition but once immersed in New York’s unique urban milieu, inspiration struck. “I experienced a conversion of sorts in making a switch from the ‘decisive moment’ of black and white to the marvel of color,” relates Clay, “a world I was waking up to every day. At the time it seemed like an obvious and natural transition. What was less obvious was how to reflect my world of New York City in color… I discovered that night was its own color and I fell for it.”

Checkered Past

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From 1974 through 1976, often in winter and always after dark, Clay roamed the streets of New York and nearby Hoboken, New Jersey seeking out likely land-barge subjects. Most – though not all – of his photos depict used and abused Detroit iron of the Malaise Era with a few stubborn survivors of the Space Age tossed in for good measure. Of course, no expose of New York’s cars would be complete without a Checker or two: the pair above includes one once-ubiquitous New York cab and a rarer, privately-owned Checker Marathon.

Apple Spread

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We’re not sure why it took Clay forty-odd years to publish his collection of mid-seventies car photos… perhaps, like fine wine, a significant passage of time was required to imbue his subjects (and their surroundings) with the flavor of their long-passed era. In the event, “Cars – New York City 1974 – 1976”, published by Steidl, features 96 photographs spread over 132 pages.

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Time Machines Langdon Clays Gritty Cars Of New York City

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Threading Rainbows: Spectral String Art Looks Like Strands of Light

11 Dec

[ By WebUrbanist in Art & Sculpture & Craft. ]

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Using a simple material palette of thread, wood and nails, artist Gabriel Dawe‘s latest cascading color creation combines thousands of threads to make a remarkable interior rainbow.

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Plexus #35 is on display at the Toledo Museum of Art (images by Andrew Weber), a featured highlight in the center of the Great Gallery illuminated against dark red walls and framed oil paintings via a skylight above.

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The entire color spectrum is represented, meticulously organized strand by strand — a single twist between a pair of origin and termination lines ensures that the work appears different from every angle.

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Other works by Dawe feature similar themes in different hues and shades, often intricately woven to create overlaps. By comparison, this is one of his simplest pieces yet arguably one of his most powerful.

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“Originally from Mexico City, Gabriel Dawe creates site-specific installations that explore the connection between fashion and architecture, and how they relate to the human need for shelter in all its shapes and forms.”

“His work is centered in the exploration of textiles, aiming to examine the complicated construction of gender and identity in his native Mexico and attempting to subvert the notions of masculinity and machismo prevalent in the present day.”

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Art in the Shadows: Everyday Objects Cast Unexpected Shapes Onto Paper

10 Dec

[ By SA Rogers in Art & Drawing & Digital. ]

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Has doodling ever been more creative than this? While most people wouldn’t give a second’s thought to the shape an everyday object’s shadow casts upon adjacent surfaces, artist Vincent Bal looks at them and sees the beginnings of a character or scene. It might be a phone charger, a fallen leaf, a drinking glass or a Christmas ornament, but in its shadow, Bal sees far more than the object itself.

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Each of Bal’s quick and clever illustrations is a testament to the creativity of an artist’s brain. Calling his work ‘shadowology,’ Bal plays around with silhouettes and light sources to find inspiration for sketches most people would never dream up. It takes the game of finding shapes in the clouds and applies an artist’s hand to the process, embellishing the shapes into something more.

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Calling himself a ‘filmmaker and doodler and procrastinator from Belgium’, Bal shares his work on his popular Instagram account and sells prints on Etsy.

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Architecture of Surveillance: NSA Spy Outpost in Brutalist NYC Building

09 Dec

[ By WebUrbanist in Architecture & Offices & Commercial. ]

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Like some ancient megalith, an imposing windowless structure in Manhattan may be even more sinister than it appears. The AT&T Long Lines Building at 33 Thomas Street was built for machines, designed to house long-distance phone lines in the 1970s, but reports now suggest it has been used by the National Security Agency as a listening post in the heart of America’s financial capital. Welcome to the home of Project X, both a supposed name of the place (also known as Titanpointe) and title of a short film about it by Henrik Moltke and Laura Poitras.

Aside from its everyday functions, the 29-story, bunker-like building was constructed to house over 1,000 people in a nuclear attack (with its own food, water and generators) — what better place, really, to conceal government agents for indefinite periods of time? The building is located toward the southern tip of Manhattan, just a few blocks from the World Trade Center site. Its proximity to offices and meeting places of the United Nations, International Monetary Fund and World Bank also make it an ideal location from which to spy on such organizations.

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According to reports, NSA and FBI employees and contractors working in the building were given tips on how to avoid standing out when entering and exiting the structure. They were told what clothes to wear and cars to rent to remain inconspicuous.

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Edward Snowden was a major source for the associated links now bringing this all to light. Apparently, there is no direct evidence that government agencies used the actual AT&T equipment on site — it may have just been an ideal staging space for their own technologies and operations. There is, however, a major “gateway switch” on site (routing international calls) which has led some to suspect there may be more to the story. So far, of course, the NSA has declined to comment.

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“This is yet more proof that our communications service providers have become, whether willingly or unwillingly, an arm of the surveillance state,” says Elizabeth Goitein, co-director of the liberty and national security program at the Brennan Center for Justice. “The NSA is presumably operating under authorities that enable it to target foreigners, but the fact that it is so deeply embedded in our domestic communications infrastructure should tip people off that the effects of this kind of surveillance cannot be neatly limited to non-Americans.”

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