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Polaroid launches Mint digital instant camera and mobile printer

31 Aug

Polaroid has launched the Mint 2-in-1 digital instant camera at the IFA trade show in Berlin. The Mint camera (not to be confused with the Instax-mini-compatible Mint InstantFlex TL70) comes with a 16MP image sensor, a microSD-slot for cards of up to 256GB capacity, a built-in selfie mirror, and a self-timer. A smartphone-like LED-flash is on board as well.

Polaroid says the camera “makes it easier than ever to capture and print instant photos that last a lifetime” and the built-in printer, which uses the inkless ZINK-technology can produce color, black-and-white or sepia prints in less than a minute. Before printing, users have the option of adding a frame to the image. The Polaroid Mint instant camera is available in black, white, red, blue and yellow and will set you back $ 99.99.

The Mint Instant Digital Pocket printer is Polaroid’s second new product at the trade show and meant to be used in conjunction with mobile devices. The pocket-sized printer uses the same ZINK technology as the Mint camera and lets you print any photo from your smartphone or tablet via the Polaroid Mint app and a bluetooth connection. The app features many common editing functions, including filters, frames and stickers.

The printer can be charged via a USB port and is the battery is good for 50 prints. The Polaroid Mint printer is available in black, white, red, blue and yellow and retails at $ 129.99. More information on the Mint camera and printer is available on the Polaroid website.

Articles: Digital Photography Review (dpreview.com)

 
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Updated firmware for Fujifilm X-T100 and X-A5 include two new filters, square capture mode

30 Aug

Fujifilm has new firmware updates for its X-A5 and X-T100 mirrorless cameras. The updates include new and updated features in addition to a number of bug fixes.

First up is the Fujifilm X-A5. Firmware version 1.20 adds two new Advance Filters called ‘Rich & Fine’ and ‘Monochrome [NIR].’ The ‘Rich & Fine’ filter is made for food and still life photography, with an emphasis on saturated colors and a slight vignette. As the name suggests, the ‘Monochrome [NIR]’ filter simulates the look of a near-infrared camera through selective toning of the scene.

Also included in the update is a new Square Mode, which enables 1:1 format capture and improved autofocus accuracy in AF-C mode when the shutter is half-pressed. A bug that caused the highlight warning not to show in the Info display has also been squashed, alongside a few others.

Onto the X-T100, firmware version 1.10 adds the same two new Advance Filters, Square capture mode, improved autofocus accuracy in AF-C mode present in the X-A5 firmware update. Fujifilm has also made the default ISO setting when switching between P, S, A, M, Adv modes ‘Auto.’

Fujifilm also fixed an issue with the autofocus frame shifting when zooming in on the focus position display. Other bug fixes, including the aforementioned highlight warning issue, have been included as well.

You can download firmware version 1.20 for the X-A5 and firmware version 1.10 for the X-T100 on Fujifilm’s website. Installation instructions are found on the bottom of the respective update pages.

Articles: Digital Photography Review (dpreview.com)

 
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Raw conversions added to Nikon Z7 pre-production gallery

30 Aug

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Ever since getting our hands on a pre-production model of the new Nikon Z7 mirrorless camera, we’ve been very eager to play with the Raw files. Now, our wishes (and maybe yours) have finally come true: click through for a large selection of Raw conversions made using a beta version of Adobe Camera Raw 11.

Articles: Digital Photography Review (dpreview.com)

 
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5 Things I Wish I’d Known Before Starting Nature Photography

30 Aug

5 Things I Wish I'd Known Before Starting Nature Photography - rose macro

How do you, as a beginning nature photographer, go about improving? How do you ensure that you gain useful skills as rapidly as possible so that you can start shooting professional quality nature photography?

5 Things I Wish I'd Known Before Starting Nature Photography - flower macro pink

In reality, it’s often difficult for the beginner to recognize how they should learn nature photography.

But I myself am a nature photographer, and looking back the answers to these questions are clear. So I thought I’d make a tutorial that discusses several things I wish I had known at the beginning of my nature photography journey.

Read on. The sooner you know these things, the sooner you’ll begin to take consistently stunning images.

1. Photograph every day

The first thing I wish I had known when starting nature photography is extremely simple,

Photograph every day!

I cannot emphasize this enough.

5 Things I Wish I'd Known Before Starting Nature Photography - flower close up

If you’re truly serious about improving as a nature photographer, you should try to take at least one photograph of nature, every single day. It doesn’t matter if you take it with your DSLR or your iPhone. Just get out and shoot.

You’ve likely heard that practice makes perfect, and this is part of that. But there’s more to it. By photographing every day, you’ll ensure that your artistic eye remains strong.

5 Things I Wish I'd Known Before Starting Nature Photography - yellow flower poppy

What do I mean by that? If you photograph every day, thinking about light, color, and composition will become second nature. You’ll start to see photographic opportunities everywhere.

This is exactly where you want to be as a nature photographer.

2. View the type of photography you want to create

extraordinary-photographs-ordinary-subjects

This is a huge one, as well. If you want to create great nature photography, you have to view great nature photography.

When you view amazing photography, you develop an eye for light, color, and composition without even realizing it.

nature-photography-flower-macro
nature-photography-flower-macro

This is an essential skill for a budding nature photographer. Plus, there’s an added bonus – it’s really fun!

Start by looking up the type of photographs that you’d like to create. You can use a well-organized site like 500PX. Or you can just use Google. The important thing is that you find photography to look at for inspiration.

For instance, if you’re an up-and-coming macro photographer, try viewing the portfolios of photographers such as Mike Moats and Kristel Schneider.

If you’re a beginning landscape photographer, look at the work of Ian Plant and Thomas Heaton.

If you’re a budding wildlife photographer, look to photographers such as Marsel Van Oosten and Matthew Studebaker.

5 Things I Wish I'd Known Before Starting Nature Photography - flower extreme close up

Then expand from there.

The purpose isn’t to memorize their images so that you can copy them in the field. Rather, the goal is to appreciate great imagery, while recognizing (if only subconsciously) what makes it great.

The goal is also to get inspired.

3. Light matters more than you think

I’ve emphasized the need to practice photography every day, and that truly is essential. However, when practicing, there’s something extremely important you need to consider. That is the light.

I’ll state it plainly. Photograph the two hours after sunrise, the two hours before sunset, and during midday only if it’s cloudy.

Otherwise, stay indoors.

extraordinary-photographs-ordinary-subjects
nature-photography-flower-macro

This generally takes some retraining of the brain. It’s easy to think to yourself, “It’s such a nice sunny afternoon; I should get out and photograph!”

But you need to resist this thought. Because photographing during a sunny afternoon will result in harsh, contrasty images that are almost never desirable in nature photography.

Start spending time observing the quality of the light. Notice how nicely illuminated your subject is when the sun is low in the sky. Notice how lovely and soft the light is on a cloudy afternoon. Notice how harsh the light is under the midday sun.

nature-photography-flower-macro
extraordinary-photographs-ordinary-subjects

As a beginning photographer, I often forgot about this rule. So my photographs paid the price. I have thousands upon thousands of photographs that are simply unusable because of the harsh sunlight.

Memorize the rule. You may not be able to see such a difference in your images at present. But in a few years, you’ll thank me!

4. Gear matters less than you think

While light is more important than you think, gear is also less important than you may imagine.

You might think that gear is essential. You may ask me, “Jaymes, if my gear really isn’t important, then why do you spend so much time reading gear reviews and upgrading your equipment?”

But my response is this: gear does matter. High-quality lenses will allow you to capture the detail on a singing bird or the movement of sparring polar bears.

5 Things I Wish I'd Known Before Starting Nature Photography - flower extreme close up - daisy

High-quality cameras will allow you to photograph a wolf under the cover of twilight or a hawk flying directly above.

Yet gear is nothing without the photographers that wield it. A good photographer can get stunning images with any equipment. Whereas a bad photographer cannot create stunning images, regardless of their gear.

extraordinary-photographs-ordinary-subjects
nature-photography-flower-macro

So focus less on making sure you have the right equipment. Instead, practice using the equipment you do have. Try to eke out as much as you can from it.

Eventually, if you work hard enough, you will get beautiful images, high-quality gear or not.

5. Most of the images you take will be terrible

Beginning nature photographers often have a dangerous misconception about nature photography. That is that the best photographers rarely take bad images.

This belief can lead to discouragement on the part of the budding photographer.

5 Things I Wish I'd Known Before Starting Nature Photography - flower extreme close up abstract

This type of abstract photograph comes amid a huge number of deleted images.

After looking through your memory card, to find that only you’ve managed to nail a single image (out of a hundred!), you may want to give up.

Don’t.

Why?

Because most of the early images you take will be terrible, and that’s okay. This is true for nature photographers of all levels. Of course, at the higher levels, the nature photographer’s standards are higher, but the tip still applies.

5 Things I Wish I'd Known Before Starting Nature Photography - flower extreme close up

This is true for me, as well.

I go on dozens of photo shoots each month and take around 600 images per shoot. Yet I’m happy if I get a single image with which I’m really pleased.

Because uncertainty, guesswork, and reaction are part of the game. This is the nature of nature photography.

So let me reiterate. Don’t get discouraged. Most of your shots will be terrible, but it’s the good ones that count.

5 Things I Wish I'd Known Before Starting Nature Photography - flower extreme close up tulip

In Conclusion

Starting nature photography can be daunting for a lot of people. It can be difficult to know how to improve. You want to take stunning images as soon as possible, but you just can’t figure out how.

5 Things I Wish I'd Known Before Starting Nature Photography - flower extreme close up

By understanding the lessons above, you’ll be well on your way to creating beautiful nature images.

Just remember:

  • Shoot every day.
  • View the type of photography you want to create.
  • Light matters more.
  • Gear matters less.
  • Finally, don’t be discouraged if most of your images are terrible.

nature-photography-flower-macro

Someday soon, you’ll be a great nature photographer.

What are some things you wish you had known when first starting out as a nature photographer? Let me know in the comments area below.

nature-photography-flower-macro

The post 5 Things I Wish I’d Known Before Starting Nature Photography appeared first on Digital Photography School.


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Nikon Z6 vs Sony a7 III, which is the better buy? Hint: it’s too close to call

30 Aug

Battle of the ‘budget’ full-frame mirrorless

The Nikon Z6 and Sony a7 III are two cameras with much in common including 24MP full-frame sensors. If you’re looking to sink your teeth into the world of full-frame mirrorless, these two represent the most-affordable current models on the market, with body-only MSRPs of around $ 2000.

But the Z6 is a first-generation product for Nikon, while the a7 III is Sony’s third go at a ‘budget’ full-frame offering. How much does this matter? Let’s dig in!

Note: Our impressions on the Z6 are largely based on limited experience of using (but not shooting with) a pre-production model, plus significant time spent shooting with pre-production samples of the higher-resolution but operationally very similar Z7.

Nikon Z6 vs Sony a7 III: Image quality

Both of these cameras make use of 24MP full-frame sensors. The Sony a7 III’s sensor offers excellent low-light image quality, excellent dynamic range and best-in-class JPEG noise reduction. Our full review also notes improvements to color – specifically skin tones – over past Sony full-frame cameras.

We’ve yet to test the Z6’s sensor, but if past Nikon 24MP full-frame sensors are any indication, we also expect excellent image quality. Generally speaking we prefer Nikon colors to Sony colors but the Sony may have an advantage when it comes to retaining detail while reducing noise at high ISOs. Still, it’s too soon to tell which camera will end up with the upper hand, so for now, it’s a toss up in the IQ department.

Nikon Z6 vs Sony a7 III: Video

Neither of these cameras is a slouch when it comes to video. In fact, the two have more in common than not, including: over-sampled 4K/24p video using full sensor readout, useful tools such as focus peaking, microphone and headphone jacks, in-body stabilization for hand-held shooting and a 1080/120p mode for slow motion work.

For more experienced filmmakers, there are some important differences though: The Z6 can output 10-bit log over HDMI, while the a7 III cannot. On the other hand the a7 III can record 8-bit HLG and S-Log2 in-camera, while the Z6 cannot.

Another area where the two cameras might vary is AF tracking in video. As noted in our a7 III review, the tap-to-track function uses Sony’s old Center Lock-on AF algorithm, which is somewhat unreliable and requires a combination of unintuitive button presses to engage. Conversely, based on our impressions shooting video with the Z7, Nikon’s tap-to-track is both easy to use and very reliable. Whether that proves true in use (bearing in mind that the Z6 features a slightly different AF system to the Z7) is something we’ll establish once we receive a reviewable camera.

Overall, both the a7 III and Z6 offer compelling video packages, but provisionally, we’re going to give the Nikon the nod for what’s likely to be more usable video AF.

Nikon Z6 vs Sony a7 III: AF

Both the Nikon and Sony offer impressive on-sensor autofocus point coverage. The Z6 has 273 PDAF points covering 81% of its sensor, the Sony has 693 PDAF points covering 93% of the frame. In terms of usability, both have AF joysticks making point selection painless. But the Nikon AF points are illuminated in red, making them substantially easier to see than that of the Sony’s (which only illuminate slightly when focus is confirmed).

Face detection modes are offered in both cameras, but only the Sony offers Eye AF which locks focus on a subject’s eye with incredible precision. For stills mode, we also prefer the Sony’s through-the-viewfinder subject tracking, which is easy to use and very reliable. The Z6 on the other hand does not inherit Nikon’s excellent 3D Tracking. Tracking through the EVF is clunkier than it is on Nikon DSLRs and requires pressing the OK button to reset and switch subjects – this is annoying and can cost you shots.

We’re calling it in favor of Sony when it comes to autofocus through the EVF. If Nikon manages to squeeze 3D Tracking into the Z6 via firmware, we’ll reconsider. Until then, the Sony’s seamless tracking, excellent Eye AF and more precise AF point spread give it the advantage.

Nikon Z6 vs Sony a7 III: Usability

We realize that a camera’s usability or lack thereof depends on the photographer operating it and their needs. But there are some notable UI differences between the Z6 and a7 III.

The a7 III has Sony’s latest menus, which have been cleaned up over previous versions, but we still find them a bit confusing and redundant. The camera offers a good level of customization, but requires a decent amount of time spent setting it up to really get the most out of it. The touchscreen is a disappointment: it has limited use when it comes to changing camera settings/navigating the menu and is overall, unresponsive.

The Z6 inherits its (also pretty complex and often confusing) menus from Nikon DSLRs and largely functions like a Nikon DSLR except for its AF modes, which are inherited from the Coolpix line. Like the a7 III, it also offers a good level of customization, but in our opinion it’s an easier camera to simply pick up and shoot with. The Z6 also offers a top plate info panel – the a7 III does not. And unlike the Sony, its touchscreen can be used to change camera settings and navigate the menus.

Overall, both cameras are very usable, but the Nikon’s better touch operation makes it the winner.

Nikon Z6 vs Sony a7 III: Body design

The Nikon Z6 and Sony a7 III are remarkably similar in terms of size and weight – the Sony is 25g lighter, 7mm narrower, 5mm shorter and 6mm thicker. And while both cameras are weather-sealed, the Sony lacks proper sealing on its bottom battery door (the Nikon battery door is well-sealed) which is something to consider if you shoot in wet conditions.

Grip preference is obviously very subjective, but as a staff, we prefer the Z-series grip to that of the a7 III. However, the Sony offers dual SD card slots, (only one is rated for faster UHS-II memory cards), while the Nikon offers a single XQD slot (but will support CFexpress media in a future firmware update). Does this matter? That depends on how and what you shoot. Judging by the comments on our Z7 launch content, for a lot of you it’s a deal-breaker.

Overall, we really like Sony’s dual slots, but appreciate the Nikon’s comfier grip, top plate info panel and more robust sealing. Still, we’re calling this one a toss up.

Nikon Z6 vs Sony a7 III: Lenses and mount

At launch, the Nikon Z6 will have three available native lenses, shown above.

Nikon’s new Z mount is larger than Sony’s E mount by a good margin (55mm vs 46.1mm) and has a shorter flange distance (16mm vs 18mm). So what does this actually mean? Well, in theory it means that Nikon will be able to put out faster glass because their lenses will be less constrained by the limitations that the E-mount’s comparatively narrow throat imposes. This also means the Nikon Z might become the most adaptable camera ever, since it has the shortest flange distance we’ve ever seen.

On the other hand, right now there are only three native Z lenses available for the Nikon Z6 whereas the a7 III can make use of 25+ native Sony lenses as well as an ever growing list of third party lenses. Then again, thanks to the $ 250 FTZ adapter ($ 150 for a limited time if bought with a Z camera) the Z6 will work with most F mount lenses, autofocus and all.

Again, though, this one is also a toss up. The Nikon clearly has the more versatile lens mount for those looking to invest in a system today – the Sony has more native glass to offer, sans adapter.

Nikon Z6 vs Sony a7 III: EVF & LCD

The Nikon Z6 has a a 3.68M dot electronic viewfinder with 0.8x magnification, compared to the Sony a7 III’s 2.36M dot EVF with 0.78x magnification. That difference in EVF resolution gives the Nikon a crisp and clear advantage. It’s also worth noting the Nikon doesn’t appear drop its EVF resolution when in shooting mode, while the Sony does.

And while both cameras have tilting LCDs, the Nikon has a larger, higher-res screen: 3.2″ and 2.1M dots compared to 3″ and 922k dots. Overall, Nikon is the winner when it comes to EVF and LCD.

Nikon Z6 vs Sony a7 III: Performance

In terms of speed, both cameras offer solid burst rates for anyone wishing to capture sports or action. The Sony a7 III can shoot up to 10 fps with AF compared to 12 fps on the the Nikon Z6. But the Sony has the Nikon beat when it comes to battery life, pumping out 710 shots per charge (CIPA rated) compared to a measly 330 shots per charge (CIPA rated) on the Nikon. We assume that like the Z7, the Z6 will be able to shoot for a great many more photos than that on a single charge for most people’s normal use, but so does the a7 III.

Due to the better battery life Sony gets the nod in the performance department.

Nikon Z6 vs Sony a7 III: Conclusion

It’s almost as if Nikon developed the Z6 intending to match the a7 III spec for spec. Of course, we know this isn’t true since the Z system has been in development for years. Still both cameras make a compelling case for your cash – such a compelling case, in fact, that picking a winner is far too difficult until we’ve fully tested the Z6. Until then, here’s a quick recap of how they stack up:

Both cameras should be capable of excellent image and video quality. But the Nikon Z6 has a better EVF, more responsive/high-res touchscreen, probably better video AF and a more versatile lens mount, including excellent near-native support for legacy F-mount lenses. On the other hand the Sony a7 III appears to offer a better autofocus experience for stills shooters, better battery life and obviously far more native lenses at launch.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z7 pre-order deliveries will be delayed for some buyers

30 Aug

Nikon Japan has issued an apology advising Nikon Z7 buyers that some pre-ordered deliveries will be delayed. The company plans to start delivering its newly announced full-frame mirrorless camera to early buyers in September, but Nikon says high demand for the model will result in some customers receiving their products at a later date.

The apology also warns that Nikon Z7 orders placed in the future may take some time to deliver, though Nikon didn’t offer specific timeframes; the 500mm F5.6 PF ED VR lens will also be impacted. A recent report published by Myzaker claims Nikon is producing 20,000 of its Z7 mirrorless cameras per month at a factory in Sendai, Japan.

We received the following comment from Nikon US:

“Interest in the Nikon Z series has been exceptional. We will work to fulfill customer demand as quickly as possible and will be shipping product as scheduled beginning September 27.”

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D3500 gets smaller and cheaper, battery life gets a boost

30 Aug

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Nikon has replaced its entry-level D3400 DSLR with the aptly named D3500. The main change is that the body is similar to that of the even-smaller D5600, minus the articulating touchscreen display. The D3500 is also cheaper than its predecessor, with a list price of just $ 499 with an AF-P 18-55mm F3.5-5.6 VR lens, compared to $ 649 for a D3400 kit.

Nikon has also managed to increase battery life by 30% to 1550 shots per charge, despite using the same processor and battery as the D3400.

The D3500 has the same 24MP DX-format CMOS sensor, 11-point AF system, easy-to-use Guide Mode, 1080/60p video and Bluetooth-only connectivity as the D3400.

As mentioned above, the D3500 will sell for $ 499 with an 18-55mm kit lens. A two-lens kit which includes the 18-55 as well as a non-VR AF-P 70-300 F4.5-6.3G ED lens will be priced at $ 849. Both kits will ship in September.

Press Release

THE NEW NIKON D3500: CAPTURE AND SHARE YOUR TREASURED MOMENTS WITH THE LIGHTEST, FRIENDLIEST NIKON DSLR YET

The Redesigned Nikon D3500 is the Most Portable Entry-Level Nikon DSLR Ever, and the Easiest Way to Capture the Moments that Matter Most

MELVILLE, NY (AUGUST 30, 2018 at 12:01 A.M. EDT) – Today, Nikon unveiled the new Nikon D3500, a compact, entry-level DSLR that makes capturing the world easier and more convenient than ever. The 24.2-megapixel D3500 features an updated CMOS image sensor and Nikon EXPEED image processor to capture sharp details and vivid colors, and is packed with easy-to-use features that help first-time DSLR users start capturing better photos and video right away.

With its ergonomic and lightweight body, approximately 1,550 shots on a single charge and convenient features like Nikon SnapBridge1 and helpful Guide Mode, the Nikon D3500 is a great option for parents, travelers and photo enthusiasts who are eager to take their photography to the next level.

“The Nikon D3500 is ideal for consumers who are looking to easily capture the kinds of images that their smartphone simply cannot match, and share them seamlessly with family and friends,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The D3500 reaffirms our commitment to releasing convenient DX-format DSLR options for those just discovering photography.”

Capture Stunning Images and Video with Ease

The Nikon D3500 is bursting with high-performance features that help first-time DSLR users capture amazing images in a variety of situations. The camera’s broad ISO range of 100-25,600 makes it easy to capture sharp, clear images in low-light shooting situations with very little noise, while the 11-point autofocus (AF) System locks onto subjects, even fast-moving pets or children to help ensure that fleeting moments aren’t missed. The D3500 also features built-in Effect Modes to help entry-level users discover and express their personal creative vision.

Additionally, the Nikon D3500 is capable of continuous shooting up to five frames-per-second (fps), helping to capture candid moments with ease. The Nikon D3500 is also equipped with Full HD 1080/60p video capability. Users can switch from shooting photos to video at the press of a button, allowing them to capture spur-of-the-moment memories that will last a lifetime with stunning sharpness and clarity.

To further expand creativity, the in-camera Guide Mode gives new DSLR users the tools they need to learn about their new camera’s capabilities and become better, more knowledgeable photographers.

All these amazing features have been incorporated into a new ergonomic and lightweight design featuring a more comfortable, deeper grip and the slim monocoque body design similar to the Nikon D5600. The new design also features a more beginner-friendly and intuitive control layout, with a larger playback button and the most frequently-used controls all relocated to the right side of the camera’s LCD where they are easiest to access.

The redesigned Nikon D3500 is ideal for a fast-paced on-the-go lifestyle, making it the perfect companion for any family event or travel adventure.

Always Connected for Easy Sharing

Sharing photos with the ones you love is easier than ever with the Nikon D3500 and Nikon SnapBridge app. The D3500 uses Bluetooth2 to create an always-on3 connection between the camera and a compatible smart device, making it possible to seamlessly share 2MP images to social media as they are captured. Additionally, D3500 users will now be able to trigger their camera remotely via Bluetooth using SnapBridge. Nikon SnapBridge users can also access Nikon Image Space4, a free online image sharing and storage service that preserves memories in the cloud.

Pricing and Availability

The Nikon D3500 will be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for a suggested retail price (SRP) of $ 849.95* in September 2018. A Nikon D3500 single-lens kit with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will also be available for (SRP) of $ 499.95* in September 2018. For more information on the new Nikon D3500, please visit www.nikonusa.com.

Nikon D3500 specifications

Price
MSRP Body w/AF-P 18-55mm VR lens ($ 499), body w/AF-P 18-55mm VR and 70-300 F4.5-6.3 non-VR lenses ($ 849)
Body type
Body type Compact SLR
Body material Composite
Sensor
Max resolution 6000 x 4000
Other resolutions 4496 x 3000, 2992 x 2000
Image ratio w:h 3:2
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Expeed 4
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600
White balance presets 12
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, Normal, Basic
File format
  • JPEG (Exif v2.3)
  • NEF (RAW, 12-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom No
Manual focus Yes
Number of focus points 11
Lens mount Nikon F
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 921,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentamirror)
Viewfinder coverage 95%
Viewfinder magnification 0.85× (0.57× 35mm equiv.)
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Scene modes
  • Auto
  • Auto [Flash Off]
  • Child
  • Close-up
  • Landscape
  • Night Portrait
  • Portrait
  • Sports
  • Special effects
Built-in flash Yes (Pop-up)
Flash range 7.00 m (at ISO 100)
External flash Yes (via hot shoe or wireless)
Flash modes Auto, Auto slow sync, Auto slow sync with red-eye reduction, Auto with red-eye reduction, Fill-flash, Off, Rear-curtain sync, Rear-curtain with slow sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync
Flash X sync speed 1/200 sec
Drive modes
  • Single-frame
  • Self-timer
  • Quiet shutter-release
  • Quick response remote
  • Delayed remote
  • Continuous
Continuous drive 5.0 fps
Self-timer Yes (2, 5, 10, 20 secs (1-9 exposures))
Metering modes
  • Multi
  • Center-weighted
  • Spot AF-area
Exposure compensation ±5 (at 1/3 EV steps)
WB Bracketing No
Videography features
Resolutions 1920 x 1080 (60, 50, 30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps)
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 30p, MOV, H.264, Linear PCM
Microphone Mono
Speaker Mono
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging No
HDMI Yes (mini-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes SnapBridge (Bluetooth only)
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description EN-EL14a lithium-ion battery and charger
Battery Life (CIPA) 1550
Weight (inc. batteries) 365 g (0.80 lb / 12.87 oz)
Dimensions 124 x 97 x 70 mm (4.88 x 3.82 x 2.76)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic releases first Pocket Cinema Camera 4K footage

30 Aug

Blackmagic Design has released three videos demonstrating the performance of its upcoming Pocket Cinema Camera 4K. It updates the Pocket Cinema Camera introduced in 2013, was revealed at NAB 2018 in April and is expected to launch next month.

Ahead of that launch, Blackmagic Design has published the videos “Nature” by Mark Wyatt, “Models Walking at Night” by John Brawley, and “Models Walking in Daylight” also by John Brawley, each showcasing the upcoming camera’s capabilities. This is the first time footage from the camera has been published.

Both Wyatt’s and Brawley’s experiences with the camera are provided in each video description. In describing his time with the Pocket Cinema Camera 4K, Wyatt said:

I had the Blackmagic Pocket Cinema Camera 4K for only a few days, but overall I was really impressed by it. The weight of the camera is very liberating, especially when you are used to using larger camera systems. The screen is big and bright enough to use in daylight, which I found great for judging focus and exposure. And, the colors too on the screen, were also nicely represented. In fact, I would argue it is Blackmagic’s best screen yet.

The Blackmagic Pocket Cinema Camera 4K features a full size Four Thirds HDR sensor offering a native 4096 x 2160 resolution and 13 stops of dynamic range. The upgraded model also features dual native ISO, a USB-C expansion port with direct support for external storage drives, a new multi-function grip design, and much more.

Via: Newsshooter

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Posing Large Families and Groups

30 Aug

Portrait sessions can vary in many ways, one being the size of the group you are photographing. Don’t be afraid, these tips for posing large families and groups will help you to create the perfect large group portrait no matter the location or the number of people.

Tips for Posing Large Families and Groups - family posed on the grass

What is considered a large group?

Large group portraits typically begin with six or more people. Large groups can include children or be made up of adults, it all depends on the type of session you are photographing.

It can also reach up to 20 people, especially if you are photographing a bridal party or a family with smaller family units all mixed together.

Tips for Posing Large Families and Groups - large family in front of trees

Posing rule for any type of grouping

The most useful posing rule for large groups is to use the triangle method.

This is where you pose people, either standing or sitting, or a mixture of both, and if you draw imaginary lines connecting their heads, they would create triangles. This method is the best so that you don’t pose people’s heads one on top of another (totem pole-like), creating an awkward photograph.

Tips for Posing Large Families and Groups - use triangles in posing

Use the triangle method to pose large groups.

This method works for any type of grouping with three or more people. However, for large groups of 10 or more, this posing rule is perfect so that everyone in the photo can be seen. It ensures nobody’s head is directly behind another person’s.

Large Families

Large families can range from nuclear families where there are more than five people or extended portraits where more than one nuclear family is going to be in the portrait.

Tips for Posing Large Families and Groups - family of 5 with young kids

The key is to pose the families in different combinations in the same spot so that you can offer your client more poses without having to move them too much.

Always pose the parents in the middle and then pose the rest of the family out from there. The parents are a great focal point in any portrait and from there, you can lead the eyes to the children or other families.

Tips for Posing Large Families and Groups - family in white and jeans

For example, for a portrait of a family of five, begin by placing the parents in the center of your photo first. Then, pose the taller children next to each parent. Smaller children can be put between the taller child and parent, creating the triangle.

Afterward, you can seat the family in the same order as when they were standing. If there are really small children, they can stand and hug another family member from behind. Be mindful of where their heads are positioned so that you create triangles and can see each family member in the portrait.

Tips for Posing Large Families and Groups - family standing and sitting

Pose the family sitting or standing.

In the same spot, you can then have the family stand up and separate a little. This gives them a little more space but still keeps them at arm’s length. Ask them to interact with each other in between posing for the camera.

Don’t forget the triangles in this pose as well! It can look a little off if you pose two family members who are the same height together. Try and move the family members from one side to the other to create more variety.

Tips for Posing Large Families and Groups - extended family standing

Give the family some space while posing them standing.

For larger families, walking is a good way to get more natural photos of everyone. Pose nuclear families together.

For example, if you have a family of 16 with grandparents, pose the grandparents in the center, then group the families on either side keeping the children with their parents.

Tips for Posing Large Families and Groups - extended family on the beach

Keep in mind that if it looks a little awkward, it probably will look that way in the photo as well. Taking more time and moving people around will ensure that you get the right posing even before taking the photograph.

Lastly, try posing some people away from the center to give the photo more depth. Facing everyone toward the center is a good starting point. However, with large groups, it’s best to try different poses so that you can offer your clients an assortment of different options.

Connect People

There is nothing more awkward than people standing together with their arms at their sides. With families, especially large groups, try and have your clients connect with each other.

You can do this by grouping the main people (the parents or grandparents) in the center facing each other hugging, and then group smaller families where each family member is touching another person. This shows connection within small family units in the large family photo and shows warmth.

Tips for Posing Large Families and Groups - family hugging b/w

Resting hands on shoulders, holding hands, hugging and tucking fingers behind, resting a hand on someone’s arm, or having someone lean on another’s shoulders are all good examples of connection.

Connecting people in a photo also gets rid of this most often heard question, “What do I do with my hands?”

Tips for Posing Large Families and Groups - family with 4 kids

For the people that you pose on the edges of the family portrait, be mindful that they look in toward the center so that they don’t seem out of place. If they are male and there are no children present, have them put one hand in their pocket. If they are female, make sure they aren’t standing too short or they will look out of place.

Chairs and Stools

If you are photographing at a venue, say a wedding reception, you may have the chance to use chairs or stools for posing.

In this case, try and place them throughout the photo so that they don’t line up perfectly. You’ll want to space them out according to the number of people in the portrait, always keeping in mind the triangle rule.

Tips for Posing Large Families and Groups - family photo

Chairs tend to work better than stools because the stool height can create really big valleys in your triangle posing if the person is too tall or too short in relation to those around them in the portrait.

Natural Posing

Once you have taken the best-posed portraits of the large group, have them loosen up a bit by asking them to do a group huddle or squeeze. This will get some laughs out of your clients and allow them to let their posed bodies rest for a bit.

Tips for Posing Large Families and Groups - family hugging

Asking the family to take a break can offer some great natural posing. This man had his whole family together after many years and was overcome by joy.

Ask your group to walk around, talk to each other, and just be. Look out for the children in particular, as they’ll usually act the most natural.

This collection of natural posing will often make for the most emotive portraits because they will portray the family just as they are. Even better if they are in a location that is fun or open where they can enjoy a walk or play games.

Photograph Family Units Separately

When you photograph families with grandparents or more than one family unit, make sure to photograph each family separately and together. Pose each family together in the larger portrait first, then, if you have time, mix them up a bit and have some fun.

Tips for Posing Large Families and Groups

Ask them to play, run, walk, do a group hug, or anything that will create authentic smiles and expressions from the oldest to the youngest.

Tips for Posing Large Families and Groups - individual portraits

Take time to get portraits of the adults as well. Either in couples or individually.

This also helps to break up a session with little children because they can get bored quickly.

Tips for Posing Large Families and Groups - individual photos of kids

Photograph children individually.

Try different combinations with the families, for example:

  • Grandparents with the grandchildren
  • Grandchildren together
  • All of the children of the parents together with and without the parents
  • Each couple in the family alone
  • Individuals portraits of each child
  • All the men together
  • All the women together
  • Generational photos
  • Cousins together
  • Brothers and sisters with and without in-laws
  • Each grandparent alone and together

Tips for Posing Large Families and Groups - different group posing options

Not all of those may apply to each large family portrait, but they can help you to add to the collection of poses that you’ll deliver to your clients.

Tips for Posing Large Families and Groups - family and kids photos

Take photos of the whole family together and then take photos of just the children.

Tips for Posing Large Families and Groups - 4 generations photo

Make sure to get generational photographs like this one of the 4 generations of men in the family.

Wrapping up

Before you wrap up the session, ask your clients if there is any portrait or pose that they specifically want. Some large families may bring a prop for everyone to use like shirts. There may also be a combination that you missed or didn’t think of that they would like to get.

Tips for Posing Large Families and Groups

Asking, “Is there anything else you’d like me to photograph before we leave?” can also be a great way to end the session once you feel you have gotten all of the best photos.

Giving your clients the chance to make sure they get all of the portraits they want is key for you to do a complete job with their photographs.

In conclusion

Posing large families can seem like a big challenge, however, using the triangle posing method can help tremendously in getting different combinations and poses. This will give your clients an assortment of poses and keep the whole experience fun and light which will make them want to get more portraits taken in the future!

The post Tips for Posing Large Families and Groups appeared first on Digital Photography School.


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Microsoft introduces AI-powered audio and video transcription for OneDrive

30 Aug

Managing media files, especially when sharing them across a group of people is not always an easy task. This is especially true for video files. Today Microsoft has launched a new AI-powered media search function for OneDrive that should help simplify things.

The new feature is capable of transcribing audio and video files and displaying timestamped quotes alongside the media viewer, which is compatible with 320 file types. The new feature is an addition to Microsoft’s already available AI-powered photo screening system that can detect location, objects and text in image files.

As an end result all media files become fully searchable. For example, you could search for a scanned receipt by typing one of the items listed on it, or use a piece of dialogue or voiceover to search in video or audio files.

The new feature is designed to facilitate collaboration across larger groups but could certainly also provide benefits for photographers and especially videographers with large archives. The automated transcription services will be natively available for video and audio files in OneDrive later this year.

Articles: Digital Photography Review (dpreview.com)

 
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