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Canon brings its Digital Photo Professional Raw processing program to iOS

10 Oct

Canon has ported a large chunk of its Digital Photo Professional (DPP) Raw processing software’s feature set to mobile and launched the DPP Express app for Apple’s iPad.

The new app works in conjunction with Canon’s Camera Connect app and offers a wide range of processing functions for Canon .CR3 Raw files and JPEG images. Files can be viewed, adjusted and saved to the cloud, a computer or your camera – all wirelessly.

The Camera Connect app, which also allows you to control the camera remotely, is used to wirelessly download images from your Canon camera to the iPad. Once on the tablet, images can then be processed and edited in DPP Express. The user interface has been designed with simplicity in mind and adjustment options include tone curves, picture settings, gamma levels and lens correction. All changes are applied in real time.

DPP Express also offers Multiple Editing Histories, allowing for several edited versions of the same image. Up to four editing histories let you compare effects and editing options on the same image and can be copied and pasted between files to apply the same workflow to more than one image.

The app is compatible with newer iPads and iPad Pro models running iOS 11. For more information on compatibility and features have a look at the Canon website. You can download DPP Express from the iOS App Store.

Articles: Digital Photography Review (dpreview.com)

 
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Pixel 3 and Pixel 3 XL feature enhanced computational features, dual front-facing cameras

10 Oct

Google has announced the Pixel 3 and Pixel 3 XL almost exactly a year after their predecessors debuted. The 5.5″ Pixel 3 and 6.3″ XL feature larger displays than the previous generation (5″ and 6″ respectively) but keep roughly the same size and weight.

In a world of dual and triple-camera arrays, Google is staying the course with a single rear-facing camera on each device: the same 12.2MP sensor with dual pixel autofocus and 28mm equiv. F1.8 aperture that appeared in the Pixel 2 and 2 XL. However, two front-facing cameras are now offered: a 19mm equiv. 8MP F2.2 with fixed focus designed for group selfies, and a 28mm equiv. 8MP F1.8 with phase detection autofocus.

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The real story, as it tends to be lately, is the software. Working with just one main camera, Google has doubled down on computational solutions to physical limitations. But there’s a silver lining to this approach: any techniques that make a single camera better will eventually make multiple cameras that much better once that approach is (arguably inevitably) adopted.

The Pixel 2 shot and aligned up to 9 frames for every image taken to maximize detail and reduce noise, and the Pixel 3 is now capable of shooting, buffering, and aligning up to 15 frames per shot. All still with zero shutter lag – you get the shot that represents the instant you hit the shutter button.

A new ‘Night Sight’ feature that combines multiple frames with long shutter speeds for extremely low light shots

There’s a catch, for now though. These extra frames are only used when zooming your image 1.2x or more, or when the environment is so dark as to require longer shutter speeds. That latter feature is called ‘Night Sight’ and it combines multiple frames with long shutter speeds for extremely low light shots. It does this using Google’s ‘robust merge’, which is able to effectively deal with subject movement without blur or ghosting.

Another computational feature called ‘synthetic fill flash’ understands human subjects and raises their exposure with a fill-flash effect. The result is often a nice warm glow on faces, particularly in backlit situations where they might otherwise be rendered dark.

Google uses super-resolution techniques to tackle the problem of poor image quality with digital zoom. By capturing multiple frames with sub-pixel resolution, the Pixel 3 can record detail finer than traditional approaches, which means that digitally zoomed shots, which crop and enlarge smaller portions of the frame, can – we’re told – compete with optical zoom approaches.

Particularly innovative about this approach is the removal of the need to demosaic: with pixel-level image alignment the Pixel 3 can combine images that have been off-set by one pixel shifts, which means that every color has been sampled at each pixel position in the final frame. No demosaicing means sharper images with less noise.

Official Google Pixel 3 sample images

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A new Top Shot feature is available when taking motion photos – the device constantly buffers images and captures alternates, using AI to suggest the best photo of the bunch, even if it was captured before the shutter was pressed.

Improvements have also been made to Portrait Mode. Google says its depth mapping is better, with a new learning-based approach that is better at judging background and foreground objects. The result is fewer depth map errors, more uniform blur across the frame, and more natural transitions from in focus to out-of-focus areas. The level of blur and point of focus can be changed after the fact. Continuous subject tracking is now available as well – tap a subject and the camera will track and maintain focus on it, in stills or video.

Google says its depth mapping is better, with a new learning-based approach that is better at judging background and foreground objects

In non-photographic improvements, the Pixel 3 and 3 XL boast more robust waterproofing with an IP68 rating. And this year neither display appears to have the viewing angle and hue shift issues of last year’s Pixel 2 XL. In our use so far, the displays appear to be right up there with the best we’ve seen.

Both the Pixel 3 and Pixel 3 XL will be offered in Just Black, Clearly White and Not Pink color variations, in either 64 or 128GB. The Pixel 3 starts at $ 799 and the 3 XL starts at $ 899.

Google Pixel 3. Make every day more extraordinary.

Today we’re introducing Pixel 3 and Pixel 3XL, the new smartphones from Google. Pixel brings you the best of Google in a phone, powered by AI to deliver more helpful, thoughtful, and enjoyable experiences. That means a phone that answers for you when a telemarketer calls, a camera that uses AI to make sure you never miss the shot, and a more helpful visual and audio experience while charging, powered by the Google Assistant.

Brilliant photos every time and super-charged selfies
We’re taking more photos on our phones than ever before, but we still often miss the perfect moment. Pixel 3 helps you get that perfect shot on the first try.

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Here’s how the best camera gets even better with Pixel 3:

  • Capture smiles, not blinks: A feature we call Top Shot uses AI to help you capture the perfect photo every time. When you take a motion photo, it captures alternate shots in HDR+, then recommends the best one—even if it’s not exactly when you hit the shutter, looking for those where everyone is smiling, with eyes open, and facing the camera. Top Shot automatically captures alternate shots in HDR+. If your timing wasn’t perfect, the camera will suggest a better one and give you the option to save it.
  • Get better zoom: When you zoom in on a phone camera, the image looks grainy. Super Res Zoom is a computational photography technique, traditionally used for astronomy and scientific imaging, that produces sharp details when you zoom.
  • No light; no problem: Pixel 3 lets you take natural-looking photos in dark surroundings, all without a flash. With Night Sight, coming soon to Pixel 3, you can take bright, detailed, colorful shots around the campfire, in a moonlit forest, or a selfie after you close out the bar.
  • No selfie stick required: Get everyone in the picture with Group Selfie, which gives you 184% more room in your photo for friends and scenery.
  • Look … no hands! Photobooth mode uses AI to recognize that when you’re smiling or making a funny expression, you’re ready for a selfie. It snaps the photo on its own so that you don’t need to reach for the shutter button—a good option for candids.
  • Even more stunning portraits, front and back: When you take photos in Portrait Mode, you can change the blurriness of the background, or change the part of the picture in focus, after the fact. Google Photos can also make the subject of your photo pop by leaving them in color, while changing the background to black and white.
  • Create and play: In Playground, you can make photos, selfies, and videos come to life by adding your favorite superheroes, animated stickers, and fun captions. In celebration of Marvel Studios’ 10 Year Anniversary, you’ll enjoy seeing the characters from the Marvel Cinematic Universe (exclusively on Pixel) react to each other and to you.
  • Super smooth video: When you want to capture something that won’t stop moving—think an adorable toddler or your new puppy—Motion Auto Focus will make sure your Pixel 3 camera stays in sharp focus automatically, as you record. And if you happen to be taking a selfie video while walking or moving around, Pixel 3 brings you front-facing video stabilization.

Unlimited storage for all of your photos and videos
With Pixel 3, you can save all your favorite moments with free, unlimited photo and video storage in original resolution. It’s hassle-free, you don’t have to think about back-ups. Come back to Google Photos later and search for the beach photos you took on your Pixel 3, and they’ll pop right up.

Your AI-powered sidekick
The AI in Pixel 3 enables new features that make your day-to-day actions simpler and easier.

If you want to know more about something you’re looking at, use Google Lens, built right into the Pixel 3 camera. To scan and translate text, find similar styles of clothing, or identify popular plants and animals, you can now long press in the Pixel 3 camera to easily open Lens. When you point your camera at information you want to remember or don’t feel like typing in—like a URL or QR code on a flyer or an email address on a business card—Google Lens suggests what to do next, like creating a new contact.

You can count on even more help across other apps too, including Gmail’s Smart Compose, now available for mobile on Pixel 3. Smart Compose suggests phrases in your emails so that you can draft them faster, on the go. Gboard, the keyboard built into your Pixel 3, will recommend GIFs, stickers, and more, to make your conversations fun and engaging. Available first in English.

The Google Assistant is also baked into Pixel 3 to help you find answers and control your phone and compatible smart home devices—all with a simple squeeze or just by using your voice. This year we have two new Assistant features coming to Pixel:

First, Pixel 3’s on-device AI helps you screen phone calls and avoid spam calls. Imagine you’re at dinner with family or in a meeting at work and a call from an unknown caller comes in. Just tap on “Screen call” to find out who’s calling and why, as well as other information (as prompted by you). You’ll immediately see a transcript of the caller’s responses so that you can then decide whether to pick up, respond by tapping a quick reply (e.g. “I’ll call you back later”), or mark the call as spam and dismiss. Processing the call details on-device means these experiences are fast, private to you, and use up less battery.

Second, Pixel users also get help with making calls. Later this year, Pixel users will be the first to get access to an experimental new Google Assistant feature, powered by Duplex technology, which helps you complete real-world tasks over the phone, like calling a restaurant to book a table. This feature will initially be available in New York, Atlanta, Phoenix and San Francisco to help people book restaurant reservations and will roll out to other cities in the future.

As we develop new calling technologies, we believe it’s critical that we help users understand the context of the conversation. We’ll disclose to businesses receiving the call that they’re speaking to an automated system, and we have developed controls to protect against spam and abuse, as well as the ability for a business to opt-out of receiving calls. For Call Screen, we will also let the caller know that a screening service is being used.

Digital Wellbeing
Our phones, while probably the most important tech in our lives, shouldn’t control our lives. So Digital Wellbeing, a suite of tools to help you find your own balance with technology, is built into Pixel 3. It includes a dashboard to help you understand how you spend time on your phone, the ability to set time limits on specific apps, and a new Wind Down mode to help you get to sleep at night by gently transitioning your display to a grayscale screen. When you don’t want to be bothered by rings or notifications, just flip to Shhh— an easy gesture that turns on Do Not Disturb and minimizes distractions.

Fast and wireless charging
Pixel 3 comes with an 18 Watt fast charger in the box, which can give you 7 hours of use in 15 minutes of charging. With our AI-powered Adaptive Battery technique, Pixel 3 prioritizes battery power for your most important apps to make your phone last all day.

Alongside Pixel 3, we’re also introducing Pixel Stand, our new, Qi compliant wireless charger (sold separately). While charging in the Pixel Stand, your phone turns into a smart visual and audio experience powered by the Google Assistant, similar to Google Home Hub. It answers your questions, plays music, helps you control smart home devices, transitions into a photo frame when idle, and much more. If you set an alarm, your screen will gently brighten over 15 minutes before your alarm goes off, mimicking the sunrise and helping you wake up naturally.

Pixel 3 is IP68 water and dust resistant and has a security chip custom-designed by Google called Titan M, making it the most secure phone we’ve built yet. Titan M enhances mobile security by protecting your unlock credentials, disk encryption, app data, and the integrity of the operating system code itself. Powered by Android 9 Pie, Pixel 3 comes with the latest Android operating system.

You can choose from two sizes – the 5.5” Pixel 3 and the 6.3” Pixel 3 XL – and three colors – Just Black, Clearly White, and Not Pink. Both have the exact same feature set and include a high quality Pixel USB-C earbuds and a USB-C Digital to 3.5 mm headphone adapter in the box. Pixel 3 comes with dual front-firing speakers tuned by a GRAMMY award-winning music producer to turn your phone into a powerful speaker. Customers who activate a Pixel 3 or Pixel 3 XL by December 31, 2018 can get 6-months of free YouTube Music Premium.

Articles: Digital Photography Review (dpreview.com)

 
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How to Sync Your Develop Presets to Lightroom Mobile

10 Oct

Better. Faster. More efficient.

That’s what we photographers demand from our gear as we keep pushing them to perform at levels that were unheard of a few years ago. Even the means to post-process our digital images has been ramped up to the point where we can do it on our mobile device within minutes (if not seconds) of making the exposure.

For the past couple of years Adobe has done its best to keep pace with the need for mobile-friendly editing with Lightroom Mobile – the mobile device counterpart of the Lightroom CC flavor of our beloved Lightroom Classic. But in June 2018 Adobe upped the ante by fully integrating develop presets into the Lightroom Mobile application. This means we can take ALL of our develop presets (purchased and self-made) with us on our mobile devices, which is a huge deal for those of us who use presets for the bulk of our photo editing.

So how do we get the presets from our computers to our Lightroom Mobile app? Until recently we could do it only by using some unofficial workarounds. But with Adobe’s newly minted cross-platform support for develop presets, you can carry your  presets with you wherever you go simply by clicking a button.

Let me show you how to sync your beloved develop presets from Lightroom Classic to your Lightroom Mobile app.

What You’ll Need

To sync your develop presets from your computer-based Lightroom Classic you currently need to be a member of the Adobe Creative Cloud Photography plan. If you have a standalone (non-cloud) version of Lightroom you won’t be able to sync your presets with your mobile device.

Every Adobe Creative Cloud Photography plan includes both Lightroom Classic CC and Lightroom CC. I realise these names can get a little muddled up, but bear with me.

Lightroom Classic CC is the tried and true version of Lightroom most of us remember. Adobe calls it the “desktop-focused” version of Lightroom, and what many of us moved from when we switched to the Adobe Creative Cloud Photography plan.

Lightroom CC is the new cloud-based version of the Lightroom we knew previously. While it’s a boiled down, more streamlined incarnation of the classic Lightroom, it still has all the tools we know and love. And it’s the software we’ll use to sync with our Lightroom Mobile app.

So you need to have Lightroom CC installed on your computer to sync your develop presets with your mobile version of Lightroom. You also need to have the Lightroom Mobile (Lightroom CC) app installed on your mobile device.

How to Sync

Getting your develop presets from Lightroom Classic CC to Lightroom Mobile is incredibly easy once you understand a few simple steps. In fact, the process is almost automatic once your install Lightroom CC alongside Lightroom Classic CC.

Once you installed and open Lightroom CC, your develop presets and profiles will sync automatically through your Adobe Cloud account. Keep in mind that while you can sync catalogs from your Lightroom Classic CC software, your develop presets won’t sync to Lightroom Mobile until they’re synced to your Lightroom CC software.

Once you have your presets in Lightroom CC, sync your devices by clicking the cloud icon at the top right.

When your develop presets appear in Lightroom CC, it’s time to open your Lightroom Mobile app.

Open an image, and scroll to the develop presets icon.

You should now see your newly synced develop presets from Lightroom CC (and thus Classic CC) available for use on your Lightroom Mobile app.

Final Thoughts on Syncing Develop Presets to Lightroom Mobile

Whether you love it, hate it, or just want to get on with your processing, the fact we photographers can now work more readily on the go can’t be ignored. We no longer need to get back home, or even back to a waiting laptop, to begin processing our images. Whether or not it’s a good thing is entirely up to you.

Being able to use our develop presets across all of the Adobe Creative Cloud Photography plan platforms will make our photographic lives even easier. If you use Lightroom Mobile regularly, be sure to share your thoughts about this newfound mobility in the comments below.

The post How to Sync Your Develop Presets to Lightroom Mobile appeared first on Digital Photography School.


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Lenovo teases Z5 Pro smartphone with quad-camera module

10 Oct

You thought smartphone manufacturers would stop at three cameras in a device? Think again. Lenovo has been teasing its upcoming Z5 Pro high-end device with a quad-camera and just confirmed that one of the four cameras will have a 2x telephoto lens.

Four sample images from the telephoto module have been posted on the Chinese social media platform Weibo. Image size has been reduced, so it’s difficult to judge image detail and noise. That said, the samples look pretty promising in terms of dynamic range and color.

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What we don’t know at this point is what specification the remaining three cameras will come with. It’s fair to assume one of them will be a regular wide angle. The other two could be a super-wide-angle, monochrome camera, a simple depth-sensor for a simulated bokeh effect or even a longer telephoto than 2x.

Looking at the teaser image above the lenses will be arranged in a square with a flash LED at the center. Non-camera specs are firmly located in high-end territory, with a large 6.5-inch QHD+ screen, Qualcomm Snapdragon 845 chipset, 6/8GB of RAM, 64-256GB of internal storage and a 4,000mAh battery.

The Lenovo Z5 Pro launch date is set for October 16, so we should know everything about the new quad-camera around this time next week.

Articles: Digital Photography Review (dpreview.com)

 
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PSA: This is what happens when a drone hits the wing of an airplane

10 Oct

The University of Dayton Research Institute (UDRI) has published a video showing the damage caused by a consumer drone when it strikes the wing of a fixed-wing aircraft. The test simulated life-like conditions, the end result mimicking the collision of a quadcopter with the wing of an aircraft at 238MPH / 383kph.

Despite weighing only 952g / 2.1lbs, the drone tore a large hole in the wing, ultimately causing damage to its main spar. UDRI’s group leader for impact physics Kevin Poormon said in a university release that the drone caused “significant damage” to the structure. Both the video and test results were recently presented at the Unmanned Systems Academic Summit.

The test follows decades of bird-strike research involving aircraft, the data necessary in a world where consumer drone numbers have skyrocketed. Talking about the topic, Poormon explained:

Drones are similar in weight to some birds, and so we’ve watched with growing concern as reports of near collisions have increased, and even more so after the collision last year between an Army Blackhawk helicopter and a hobby drone that the operator flew beyond his line of site.

Earlier this year, a video surfaced of a drone pilot operating their UAV directly above a passenger jet as it left McCarran International Airport in Las Vegas. Similar reports of reckless activity have surfaced in recent months, such as an investigation into a possibly drone-related helicopter crash earlier this year and a drone-plane collision in Canada late last year.

Articles: Digital Photography Review (dpreview.com)

 
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Review: Evecase Canvas DSLR Backpack

10 Oct

Awesome highlights of this wild career: taking photographs, hanging out with cool clients, and producing stunning imagery.

The not-so-fun part: transporting all the cameras, lenses and bits and bobs we need from point A to point B.

If you’re like me, you know that being able to carry all of our must-haves comfortably can make or break the work day. I’m always looking for better ways to lug my gear. So when I came across the Evecase Canvas DSLR Backpack I had to try it out.

The Evecase Canvas DSLR Backpack

 

Before we get into my opinion of this strappy carrying device, let’s take a moment to discuss what this backpack is about. According to Evecase it “features a customizable interior which can hold camera bod and 2-5 lenses, a laptop compartment that holds a 14-inch laptop, Chromebook or tablet, plenty of pockets, pouches and spaces for jackets, books, a tripod and other accessories. Rain or shine, wet or dry, the removable rain cover will give your backpack the best protection. Fashionable canvas design with discreet look that won’t stand out as camera backpack.

According to Evecase, the highlights include an easy-to-access camera compartment, discreet instant laptop access, and extended top storage. There are a slew of accessory pockets, tripod holder straps, stowaway side pockets and ergonomic shoulder straps.

Appearance

I won’t lie. The appearance of this canvas backpack is what piqued my interest in the first place. I always gravitate towards cases that don’t scream “Expensive camera equipment stored in here”, and this backpack is certainly inconspicuous enough.

This product is 15 x 12.5 x 7 inches , with the camera compartment being 9.6 x 11 x 4 inches.

The canvas fabric material has a subtle texture to it and is a rather pretty grey. The material is waterproof and weatherproof. (Well, generally. But it also comes with a waterproof case.) It looks like something you’d take on a camping trip or backpacking across Europe. The details are all black, and the color scheme can easily match whatever your style is. Much of my carrying devices and storage units are grey. (I like having all of my products match one another.)

The front of the backpack features a multitude of pockets and flaps, with bottle or beverage pockets that can be stowed away discreetly when not in use. The inside is lined with a light, slate grey that has a bit of a blue tint to it.

The backpack has a bit of weight when empty, but not enough to concern me.

Build Quality

The build quality is where other people’s reviews on this product get a little shifty. I’ve read many claims of it ripping at the seams or being rather fragile. But having used this Evecase product rigorously for more than a month, I haven’t experienced it myself.

The photography I do involves a lot of wear and tear on whatever I have with me. I photograph canine sports, exotic animals and live concerts. My daily dose of damage can include anything from animals biting my bags to a rowdy crowd unintentionally tearing at my stuff. After being put through the wringer for more than 30 days, this bag has managed to survive with almost no visible damage.

Even when it’s fully packed, I haven’t experience any ripping, tearing, or deformity of the compartments due to the weight. I even took it for a spin at the beach (being from California and all), and neither sand nor salty water caused much of an issue. Based on my experiences alone, I’d consider the build quality on this backpack to be great.

That being said, as with any product you own a bit of TLC goes a very long way in ensuring its longevity. I have weekly cleaning where I perform cleaning and basic maintenance on of my work gear. And backpacks, cases and other carrying devices are no exception.

Comfort

The main criteria for whether or not a backpack, sling, or any carrying device stays is comfort. After dueling against several alternatives, the Evecase Canvas DSLR Backpack is definitely staying.

I’ve worn this backpack fully stocked with supplies for around six hours, and suffered no significant discomfort or additional pain normally associated with carrying weight for such a long time. This being said, I feel the size of this backpack and where it suits my height (5’ 5”) brilliantly. Taller people may have an issue simply there’s no real way to adjust where this backpack sits. It would also be nice to have have more padding on the shoulder straps. I think I’ll  eventually mod the straps and add more padding, but if it came with some initially it would be even more rad. 

As for ease of access, I like the solid build of the camera compartment. I can easily balance the backpack on my knee as a table to help switch lenses or attach something to my rig. There’s a wonderful side pocket I can pull my laptop out of if I don’t feel like opening the top and reaching the computer from there. All of the small bits and bobs I might need are also easily accessible due to the various pockets on the front of the backpack, and the beverage pockets are also within a comfortable reach.

Storage

This backpack features plenty of storage for everything I could possibly need. Of my kit, at maximum, I can fit:

  • either:
    • three lenses (Canon 16-35mm F/2.8L USM II, Canon 50mm f/1.2L USM, and Canon 24-70mm F/2.8L USM II) and a camera body (Canon EOS 5D Mark IV)
    • two camera bodies (Canon EOS 5D Mark IV and Canon EOS 5D Mark II) and two lenses (Canon 50mm f/1.2L USM and Canon 24-70mm F/2.8L USM II)
  • my 13.5” laptop with its case on and a laptop charger
  • two variable ND filters
  • camera batteries
  • chargers
  • cards
  • lens cleaning kit
  • roll of tape
  • scissors
  • notebook
  • pens
  • contract / liability waivers / model release forms / non-disclosure documents
  • card reader
  • metal case of business cards
  • tripod
  • cellophane gel kit
  • my personal belongings (cell phone, portable cell battery, wallet, car keys, jacket, deodorant, makeup)
  • two water bottles
  • snacks.

That being said, a couple of the pockets in the front are a bit odd in the sense that I would have gone for something different. The size of the two small pockets in front of the camera compartment are a bit strange. The dividers inside them are a bit too large for some of the smaller electronics I’d put there, but too small for anything larger. I’d prefer them to mimic the one long pocket at the top of the backpack, as I currently have to dig deep into the dividers to pull out the small components I need to use. A couple of the flaps could make excellent pockets for paperwork or business cards, but instead they sit there as decorative elements.

Padding

The backpack features an acceptable amount of padding in both the camera and laptop sections. The camera section had significantly more padding than the laptop slot, and so I often store my laptop in its compartment with a secondary case already on it. Fortunately a secondary case fits just fine. The camera compartment includes your run-of-the-mill customizable dividers, so you can arrange that area to suit your needs.

Pros

  • Aesthetic and style
  • Not bulky
  • Comfortable straps
  • Plenty of storage space
  • Easy camera and laptop access
  • Waterproof case is a nice touch

Cons

  • Lack of confident padding in the laptop compartment
  • Some of the outer pockets are odd
  • Needs a better way of hiding tripod straps when not in use
  • Needs more buttons to the main compartment to customize size better
  • Forget about putting in a DSLR with the grip attached
  • Needs more padding on shoulder straps if you pack heavy

In conclusion, for between $ 40 and $ 60 on Amazon.com this backpack gives you a decent bang for your buck. I quite like it, and still get tremendous use out of it.

The post Review: Evecase Canvas DSLR Backpack appeared first on Digital Photography School.


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Panasonic Lumix LX100 II sample gallery

09 Oct

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The Panasonic LX100 II offers a higher-resolution sensor over its predecessor, but it’s the addition of a touchscreen that makes the Mark II so gosh-darn enjoyable to shoot with. We’re working through a full review of the camera, but in the meantime, here’s our initial sample gallery.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces Alpha Female program offering $25,000 grants and mentorships

09 Oct

Sony has announced a new “Alpha Female” program, a creator-in-residence opportunity that will award six-month grants to five female filmmakers and photographers. The program, which is no longer accepting submissions, aims to “elevate diversity in thought and creation,” according to Sony. The first class of recipients will be announced some time early this month.

The awarded grants include $ 25,000 in funds, as well as $ 5,000 in product loans and another $ 5,000 in product allowances. The program is a mentorship that involves being paired with Sony Artisans of Imagery, and there’s also guaranteed presentations at LA and New York exhibits for all five participants. The program is open to US and Canadian applicants only.

Sony has also vowed to fund projects by women in its Alpha Imaging Collective and Artisans of Imagery, as well as photography and filmmaking events that are focused on and backed by women.

Articles: Digital Photography Review (dpreview.com)

 
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Halide update brings Smart RAW, Apple watch update and more

09 Oct

Popular iOS camera app Halide has received its latest update. Halide version 1.10 comes with a new Smart HDR feature, an improved watch app for the Apple Watch Series 4 , and more.

Smart RAW is a feature specifically designed for the new iPhone XS, XS Max and XR models. In a recent blog post Halide founder Sebastiaan de With detailed how the new iPhones tend to use higher ISO values and more aggressive noise reduction than previous iterations, presumably to enable Apple’s new SmartHDR feature and/or reduce motion blur on moving subjects.

Smart RAW uses an exposure logic that is different from the default iPhone camera and uses lower ISOs for lower levels of noise and better image detail in Raw files. The feature is unnecessary on the iPhone X or 8 as those older models use smaller sensors and are by default programmed to use the lowest possible ISO setting.

The update also brings a feature that lets you easily compare JPG image output to its Raw counterpart, allowing you to decide which format is best for a particular job. The Halide watch component has been optimized for the larger screen on Apple’s new Watch Series 4.

The developers say they have also done some cleaning up of the code and have shrunk the app down to half the size of the previous version. You can download Halide version 1.10 now from the Apple App Store for $ 5.99.

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto launches a trio of new center ball heads

09 Oct

Italian tripod maker Manfrotto has updated its line of ball tripod heads. The new 490 center ball head is an affordable model designed with simplicity in mind. The entire head is controlled via single knob, making sure the new model is easy to use. It comes with Manfrotto’s RC2 200LT-PL plate and allows for quick positioning of the camera into portrait orientation.

The company has also redesigned its 492 and 492LCD heads. Both models are manufactured in Italy and designed with ergonomics and convenience of use in mind. The LCD version comes with a cold shoe mount, allowing for mounting on top of a camera to hold external displays or others accessories via a 1/4-inch tripod mount.

The new heads are targeted at amateur photographers and have a payload of 4KG, making them ideal for smaller camera/lens combination, such as Micro Four Thirds mirrorless cameras or entry-level DSLRs.

At $ 50 (GBP 44.95) the 490 is the most affordable of the new center ball heads. The 492 is $ 60 (GPB 54.95) and the 292LCD will set you back $ 70 (GBP 64.95).

Articles: Digital Photography Review (dpreview.com)

 
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