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How to Use Creative Aperture to Maximum Effect

15 Nov

One of the most powerful controls on your camera is the aperture setting. It’s so useful that a good proportion of photographers utilize aperture priority as their primary setting, allowing them to quickly change this setting for creative aperture use.

So what are the ways you can use aperture to get creative photos? There are several ways and some different effects that can be achieved. So read on, and see how you can add these creative approaches to your photography.

You can use aperture to create bokeh like this.

Creating Bokeh in Your Photos

Almost certainly the first thing you’ll think of with creative aperture is bokeh. So what is this and how is it achieved?

What is Bokeh?

Bokeh is the area of the photo that’s out of focus, and the level of blur achieved will depend on a number of factors. The word itself come from the Japanese word ‘boke,’ which translates as blur.

Using aperture to blur out the background is an ideal way of making the main subject standout more.

How Creative Aperture Makes Bokeh

You’ll create bokeh by using a lens with a large aperture, and sometimes with a lens that has a long focal length. The best lenses for creating bokeh are prime lenses, mainly because they offer larger aperture. To create bokeh focus on an object in the foreground, and ensure there is a separation to the background. When using a lower focal length with a large aperture the distance of separation between fore and background can be relatively small. If you use a longer focal length with a lens that has a smaller aperture you can still achieve bokeh as long as the background is far behind your foreground object. To sum up use your lenses largest aperture, and ensure you leave enough distance to the background so it’s blurred.

  • Light source – One of the most attractive aspects are what are sometimes called ‘bokeh balls.’ When you have points of light in the background, they’ll become enlarged orbs because of bokeh. Look to place city lights in the background during blur hour, or light reflecting off leaves to create this type of bokeh.
  • Tell the story – One way of subtly telling a story in a scene is to blur out the background, but leave enough definition to see what’s happening in the background. Perhaps you can photograph some food, with the chef making that food blurred into the background.

You can use bokeh for simple minimalism in a photo.

Creative Bokeh

It’s possible to get even more creative with bokeh, by turning it into various shapes. The idea behind this involves placing a piece of black card over the front of your lens. You’ll need to cut the shape your want to create with your bokeh in the center of that card first though! To find out more about how to do this you can read this guide. Remember you’ll need some light sources in the background, so how about experimenting with some fairy lights this Christmas!

Get those creative sparks flying with different shaped bokeh!

Lensbaby

Lensbaby is a series of lenses produced with the idea of using bokeh in your photo. It’s a little like a tilt-shift lens and will create stretched bokeh as you change the position of the focal sweet spot. This lens can be fun to play around with, though it doesn’t produce the sharpest photos you’ll ever see.

The Sweet Spot

While this area of aperture usage isn’t especially creative, it’s worth knowing about. The lens sweet spot refers to the aperture which produces the greatest sharpness across your photo. Each photo will have a different sweet spot, but generally between f8 and f11 is the sharpest point for your lens. Knowing your lenses sweet spot is essential knowledge for landscape photographers. Keep in mind that if you have elements close to your foreground, you may need to use focus stacking to keep sharpness across the entire image.

Landscape photographers will often use an aperture of f8 for their photos.

Starburst Effect

A starburst can be produced when you have a single focused light source. This can be a street light, all the way up to the sun! The effect is produced by closing your aperture down to a number smaller than f16. Each lens will produce a slightly different starburst as well. This depends on the type of diaphragm used in your lens to open and close the aperture. The lens diaphragm has a number of blades and depending on how many of these there are, your ‘star’ will have different numbers of spikes.

The sun can have a star look to it, by hiding it behind the tree.

  • Photographing city lights – This is relatively straightforward, as you just need to close down your aperture. Keep in mind however that a small aperture will mean your photo is less sharp.
  • Photographing the sun – To do this you’ll need the sun to be partially blocked. This might mean hiding the sun behind some tree leaves, or waiting for the sun to just about disappear behinds some clouds or headland. In these conditions, the sun won’t dominate the rest of the frame as much, and you can create a star effect with it by closing down your aperture.

Starburst Filters

Not related to creative aperture, but this is an alternate way of creating starbursts in your photo. Once again this will create starbursts from a point of light in your frame. The light spikes will be longer though, and you might decide this creative effect is not for you.

City lights provide a great point of light, and this can be made into a starburst.

Get Your Own Creative Aperture Photos!

So now it’s your turn to use one of the key settings to its creative potential! Get your camera on aperture priority, and see what you can produce!

Do you have a favored way of using aperture for your photography? We’d love to hear your experiences with this setting.

Finally, please share your photos with the digital photography school community, by posting them in the comments section below.

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Google’s Night Sight allows for photography in near darkness

15 Nov

Google’s latest Pixel 3 smartphone generation comes with the company’s new Night Sight feature that allows for the capture of well-exposed and clean images in near darkness, without using a tripod or flash. Today Google published a post on its Research Blog, explaining in detail thecomputational photography and machine learning techniques used by the feature and describing the challenges the development team had to overcome in order to capture the desired image results.

Night Sight builds on Google’s multi-frame-merging HDR+ mode that was first introduced in 2014, but takes things a few steps further, merging a larger number of frames and aiming to improve image quality in extremely low light levels between 3 lux and 0.3 lux.

One key difference between HDR+ and Night Sight are longer exposure times for individual frames, allowing for lower noise levels. HDR+ uses short exposures to provide a minimum frame rate in the viewfinder image and instant image capture using zero-shutter-lag technology. Night Sight waits until after you press the shutter button before capturing images which means users need to hold still for a short time after pressing the shutter but achieve much cleaner images.

The longer per-frame exposure times could also result in motion blur caused by handshake or to moving objects in the scene. This problem is solved by measuring motion in a scene and setting an exposure time that minimizes blur. Exposure times also vary based on a number of other factors, including whether the camera features OIS and the device motion detected by the gyroscope.

In addition to per-frame exposure, Night Sight also varies the number of frames that are captured and merged, 6 if the phone is on a tripod and up to 15 if it is handheld.

Frame alignment and merging are additional challenges that you can read all about in detail on the Google Research Blog. Our science editor Rishi Sanyal also had a closer look at Night Sight and the Pixel 3’s other computational imaging features in this article.

Articles: Digital Photography Review (dpreview.com)

 
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The Lume Cube Air is an ultra-portable app-controlled lighting solution

14 Nov

Based on the original Lume Cube, the new Lume Cube Air is a small, lightweight and affordable portable light source aimed at vloggers, casual photographers and other content creators.

The Lume Cube AIR features LED lighting with a 5700K daylight balanced color temperature, 400 LUX at 1m output, and a 60-degree beam angle. The light is waterproof down to 30 feet and weighs only 2oz (57g). A built-in magnet allows for easy attachment to many metallic surfaces but the Lume Cube Air also comes with a conventional tripod mount.

The light is controlled from the Lume-X iOS or Android mobile app which lets you connect to and combine multiple Lume Cube AIRs and control brightness, light mode and strobe speeds. You can also check battery levels, all via a Bluetooth connection.

In the box you’ll find white and orange diffusers for color correction, a lanyard and a USB charging cable. The Lume Cube Air is available now from Lumecube.com and select retailers globally for $ 69.95.

Press Release:

LUME CUBE AIR FOR ON-THE-GO CONTENT CREATORS NOW AVAILABLE

Unique features, slimmed-down size and extra accessories provide an all-in-one lighting solution for every content-creation challenge

CARLSBAD, Calif. – November 14, 2018 – Known as the world’s most versatile light for content creators, Lume Cube announced today the launch of the all-new Lume Cube AIR. Derived from the original Lume Cube, the Lume Cube AIR is the smallest, lightest, and most portable lighting device designed to help content creators capture better photo & video. With newly designed features, improved LED output, and multiple accessories included in every box, the latest solution is an affordable, all-in-one light that allows anyone hitting the “record” button to produce professional quality content on any device, from a smartphone to a professional DSLR camera. It is available now from Lumecube.com and select retailers worldwide for $ 69.95.

“As an innovative brand in the imaging market, we are committed to delivering valuable tools to help the growing community of content creators around the world capture stunning photos and videos,” said Riley Stricklin, co-founder at Lume Cube. “When developing the Lume Cube AIR, we made listening to our customers a priority. We wanted to ensure we fully understood their needs so that we could craft a portable lighting solution that best enables them to create quality, on-the-go content, all while at an economical cost. Based on this feedback, Lume Cube AIR has been designed as small and as sleek as possible, has a built-in magnet for more versatile mounting options, and includes multiple accessories inside the box to ensure our customers have everything needed to capture professional quality content in any environment.”

From the digital influencer and YouTube star, to the at-home vlogger and casual photographer, the Lume Cube AIR offers the perfect combination of size, power, durability, and light quality needed to illuminate any scene, whether on or off camera. For the first time, users will receive two diffusers (white and orange) inside the box that provide both diffusion and color correction capability, which is essential for any broadcast or live streaming application.

The Lume Cube AIR features:

  • Unmatched Light Quality & Custom Lens – Packed with the best LED specs for its size, the Lume Cube AIR lighting has a CRI rating of +/- 90, a 5700K daylight balanced color temperature, 400 LUX at 1M power, and a 60-degree beam angle.
  • Compact, Waterproof & Durable Design – Weighing in at just 2oz with overall dimensions of 1.625” x 1.625” x 1.125”, the Lume Cube AIR is the smallest and most portable light of its kind, allowing content creators to uncover new creative opportunities whether in the rain or submerged under water up to 30 feet.
  • Bluetooth & App Control – From the Lume-X iOS or Android app, users can connect to multiple Lume Cube AIRs and control brightness, light mode, strobe speeds, battery levels, and more. The Bluetooth functionality allows for a seamless connection and fast adjustment of any lighting set-up, creating a truly smart mobile studio.
  • Built-In Magnet – In addition to a tripod mountable thread, a built-in magnet provides complete mounting versatility and allows for numerous lifestyle applications outside of content creation. The Lume Cube AIR can be mounted to a bike, attached to a car for maintenance, put in manual Strobe Mode for emergencies, and much more.
  • In-Box Accessories – Out of the box, the AIR is equipped with the accessories needed to tackle any content-creation challenge. The white diffusion, orange (warming) diffusion, lanyard and charging cable provides an all-in-one solution for anybody looking to enhance the level of their content creation.

For more information on Lume Cube and the all-new Lume Cube AIR, visitwww.lumecube.com.

Articles: Digital Photography Review (dpreview.com)

 
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Insta360 One X hands-on review

14 Nov

The One X is Insta360’s latest consumer 360-degree cam and is controlled via an iPhone or Android smartphone, and retails for $ 400. The big news on the new model is the 5.7K resolution which means you can reframe the spherical footage and extract a standard 16:9 video with good resolution after capture. During recording you don’t have to worry where the camera is pointed at.

5.7K video is recorded at 30 frames per second. For smooth motion in action videos or slow-motion effects you can also opt to record 4K footage at 50fps or 3K video at 100fps. In photo mode the camera captures 18MP still images.

The One X also comes with an improved version of Insta360’s FlowState stabilization and a new TimeShift feature that lets users adjust the speed of different parts of a clip to put the focus on key moments, using either slow-motion or hyperlapse effects. The “Bullet-time” special effect was already available on the predecessor Insta360 One.

We’ve had the chance to play a few days with the new Insta360 One X. Read this article and find out how we got on.

Key specifications:

  • 18 MP still image resolution
  • 5760 x 2880 @30fps, 3840 x 1920 @50fps, 3008 x 1504 @100fps video resolutions
  • Built-in 6-axis gyroscopic stabilization
  • Live-streaming
  • Exposure compensation and manual control over shutter speed and ISO
  • Weight with battery: 115g
  • Dimensions: 115mm x 48mm x 28mm
  • MicroSD card slot up to 128GB
  • 1200mAh battery, 60 mins run time shooting 5.7K @30FPS or 4K@50FPS video

Operation

The One X only has two buttons, making stand-alone operation very straightforward. The small button is the power button and also used to cycle through shooting modes and settings. The larger button is the shutter and also used for confirmation when navigating the menus which are displayed on a small circular OLED display.

Camera settings are shown on a small circular display.

The display isn’t always easy to view in bright light but you can enable a QuickCapture mode that powers the camera up and immediately starts recording when you long-press the shutter. This is a useful feature for shooting while riding a bike or doing any other activity that demands your full attention.

At the bottom of the device is a standard tripod mount which allows you to attach the camera to all sorts of supports and selfie-sticks. With an adapter, you can use the One X with a GoPro-style mount, and if you don’t have any other means of support, the flat base allows you to place the camera on any flat surface.

The One X connects to mobile devices via WiFi, or, for better transfer speeds, via a supplied USB-cable. Via the same connection you can also trigger and control the camera from the dedicated mobile app. Parameters such as ISO, exposure compensation, white balance, and shutter speed are user adjustable.

In the app you can view images and videos that are stored on the camera or your mobile device. Photo editing options include filters and stickers.

The dedicated One X app lets you transfer, view, edit and share both 360-degree videos and still images.

Videos

The One X can record 5.7K 360-degree video which allows you to reframe on your phone and extract a 16:9 1080p standard video at very good quality. The easiest way to achieve this in the app is through the Viewfinder feature.

In Viewfinder mode the 360-degree video is played back on your device. You can then move the phone just as if you were recording a video in real-time. Whatever is visible on the display of your device will be “re-shot” and saved as a new video.

You can use the Viewfinder, Pivot Points or Smart Tracking to frame your video In Viewfinder mode you press and hold the red shutter while moving the phone as you would during recording of a standard video.

The video below is totally uncut to give you a better idea of what’s going on. After starting to record I hand the camera to my buddy who then simply rides along with the camera in his hand, not worrying about where the lenses are pointing.

Back home I “re-shot” the video using the Viewfinder function and aiming to keep myself in the frame. With a conventional action camera this type of video would have been a lot more difficult to shoot, especially from a bike.

Viewfinder also allows you to “recycle” your 360-degree footage and re-shoot several versions of the same footage. The sample clip below was recorded from the same 360-degree footage as the one above, but this time with different framing, creating more of a typical rider point-of-view video you would get with a conventional action cam in a chest or handlebar mount.

For this third version of the same video I applied a Tiny Planet effect to the 360-degree footage. The feature won’t particularly useful to more serious video makers but makes for a nice party trick.

As you can see in the video samples above, the camera is capable of capturing decent detail, even when using only a portion of the full 360-degree footage. With the sun always visible somewhere in the frame, there is inevitably some clipping in the brightest areas of the sky but overall dynamic range is pretty good and, although occasionally visible, stitching artifacts are well under control.

The real highlight is Insta360’s FlowState stabilization, though. Footage is very smooth and almost looks like it was shot from a gimbal, despite the hand-held capture.

Footage is very smooth and almost looks like it was shot from a gimbal

The sample below was recorded with the Insta360 selfie-stick to give a perspective from higher up than usual. Camera movement was created using Insta360’s pivot points instead of Viewfinder mode. You can set as many pivot points as you like in a video and the app creates smooth transitions between them. Pivot points are a good alternative to Viewfinder mode if you prefer a more automated solution.

The app also offers a subject tracking option for controlling camera movement during editing. This works generally well but will stop tracking if the subject is momentarily obscured by another object, so depending on your footage it’s not always the best solution.

Below is the same video in 360-degree format as a reference. If you pan the video to see myself you can see that the Insta360 app is doing quite an impressive job at making the selfie-stick disappear from the footage.

In lower light, like the indoor scenes below, the camera is still capable of producing good detail and noise-free footage. When light conditions get really dim the otherwise excellent FlowState stabilization loses some of its efficiency. However, you have the option to sacrifice some image detail for faster frame rates which allow for a very similar stabilization performance as in good light.

I’ve also created a “Bullet-time” video using the optional Bullet-time handle that allows you to swing the selfie-stick over your head in a circle. In bullet time mode the camera records at 100 frames per second, allowing for a slight slow-motion effect in playback. The feature is fun to play with and with some more practice more impressive results than mine should be easily possible.

Still images

The Insta360 One X will likely be most attractive to video shooters but the camera is also capable of capturing 18MP spherical still images. In still image mode you can activate HDR mode, configure interval shooting and capture in Raw format. A self-timer is on board as well.

In the app you can view and export images in several formats including full 360-degree fisheye, tiny planet and crystal ball formats. Below you can see a few samples, in original 360-degree format and Tiny Planet or Fish-eye variations.

Full 360-degree image Full 360-degree image
Tiny Planet Fish-eye

The camera is capable of producing good quality 360-degree image output that in terms of detail, noise, color and dynamic range is roughly on the level of a good smartphone camera. While in some video clips some stitching artifacts are just about noticeable, they are as good as invisible in most still images, making the camera an interesting and affordable option for professional users, such as property agents or wedding photographers.

Full 360-degree image Full 360-degree image
Tiny Planet Fish-eye

Conclusion

I’ve used a couple of Insta360’s earlier models before, for example the Insta 360 Air. Those older consumer cameras were easy and fun to use but had one important limitation: the video resolution would not allow for the extraction of standard video at a sufficiently high resolution. The cameras were fun to play with but ultimately not of much use to anyone serious about video.

At a retail price of $ 400 the One X now makes high-resolution 360-degree footage available to the masses, allowing for the creation of Full HD video from the camera’s 5.7K 360-degree output. During recording this means it doesn’t matter where you are pointing the camera because you can select the final frames in post-production in the app.

This makes the camera extremely useful for use on a bike, while hiking or running or doing any other kind of physical activity during which you don’t really want to think about where to point your camera.

At $ 400 the One X makes high-resolution 360 footage available to the masses, allowing for Full HD standard video from the camera’s 5.7K 360-degree output.

I’ve never been a big fan of using GoPro-style action cams on a bike for example. If you mount it to the handlebars or your chest, the footage gets quite boring quite quickly. But if you hold it in your hands and try to frame an interesting video, you dramatically increase the risk of crashing. The One X makes shooting interesting video on a bike so much easier, which is why I have been carrying it on every single bike ride since I received the camera for testing.

Both video and still image quality are on the level of a decent smartphone camera, all editing can be done on a mobile device and the dedicated app is intuitive and straightforward to use, making the Insta360 One X an easy recommendation to anyone who has a use case for 360-degree video and still images but a limited budget.

If you find the features of the One X appealing, you may also want to read our reviews of the Rylo Camera and the GoPro Fusion, two other 360-degree cameras that we liked and which include similar feature sets.

What we like:

  • Ability to “reframe” 360-degree footage to create Full-HD standard video
  • Intuitive app control, very easy to use Viewfinder reframing function
  • Very good video stabilization in most conditions
  • Price

What we don’t like:

  • Occasional stitching artifacts in video footage
  • Strong wind noise in some outdoor videos

Articles: Digital Photography Review (dpreview.com)

 
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How To Plan Astrophotography With The Photopills App

14 Nov

One of the most important lessons that astrophotography has taught me is the importance of planning. I’m a huge advocate of planning your photos in advance, no matter what your subject may be. With most genres of photography, you can wing it and still come home with some great photos. With astrophotography, you’re a lot less likely to get lucky if you don’t plan ahead.

how to plan astrophotography with photopills app

There are many factors that come into play when photographing the night sky. You can’t just pick a location and hope for the best. A successful image will depend on sunrise/set, moonrise/set, the phase of the moon, milky way position, galactic center visibility, time of year, and light levels.

If all that feels a bit overwhelming, don’t stress. There are many tools available to help you research and plan your night sky photos. I’ve used a number of them over the years, but there’s really only one that I rely on these days.

The PhotoPills App

You may have heard of PhotoPills already. It’s a popular app among landscape photographers. I’ve used it for a while now, and I can’t imagine planning my travel and landscape photos without it.

PhotoPills is a great tool for figuring out the best time to photograph the outdoors. It gives you a bunch of useful information about the sun and moon at a specific time and location, which is great for planning sunrise and sunset photos.

how to plan astrophotography with photopills app

It does so much more than that, though. It’s actually an incredibly feature-rich app that provides far more tools than I could cover here. If you’re new to PhotoPills, I recommend learning the basics of the app first. I’m just going to show you how to use PhotoPills to plan astrophotography.

Ambient Light

The single most important factor in successful night sky photography is darkness. There are three main factors that will affect the amount of ambient light in the scene and potentially ruin your photos.

The first, and most obvious, is daylight. Photographing the night sky while the sun is still shining is difficult. While you may think that you just need to wait until after sunset, it’s not quite that simple. The light from the sun illuminates the sky for a lot longer than you may realize.

As the ambient light from the sun fades in or out at the end of the day, it goes through four phases. You’ve likely heard of golden hour and blue hour. There’s also nautical twilight and astronomical twilight. You don’t need to understand what these terms mean, just that there will still be light from the sun that your camera will see.

For the darkest sky possible, you want to shoot after astronomical twilight ends and before it begins again. In the PhotoPills app, open the Sun pill, select the calendar view, and tap on the date you’re planning to shoot. You’ll be able to see the exact times from golden hour and sunset, through the twilight phases, and into night time. The sky will be darkest between that time and the beginning of astronomical twilight the next day.

how to plan astrophotography with photopills app

Light Pollution

The second factor is light pollution caused by man-made light. This is most noticeable in or near built-up areas, so getting away from these is crucial.

The simplest way to find locations that have minimal light pollution is to look at a light pollution map such as Blue Marble Navigator. You can easily find locations far enough away from light pollution to photograph the night sky.

how to plan astrophotography with photopills app

The Moon

The third factor that can affect the amount of ambient light in your night sky photos is the moon. The moon can reflect a surprising amount of the sun’s light and wash out your night sky photos. It can also illuminate the foreground, which may be something you want to take advantage of. Unfortunately, you can’t have the moonlight on the foreground without it illuminating the sky also.

If you want to eliminate moonlight from your night sky photos, there are two ways to do it. The first, and easiest, is to shoot during a new moon. A new moon is the opposite to a full moon, meaning it’s completely dark. No matter where it is in the sky, it won’t reflect any light or affect your photos at all.

The second way is to plan your photos so that you’re shooting while the moon is below the horizon. That means before moonrise and after moonset. This isn’t as effective as timing your photography with a new moon, but you can come home with some great images using this technique.

PhotoPills makes it easy to plan using both these options. To plan for a new moon, open the Moon pill and go to the calendar view. You’ll be able to look ahead and see the date of the new moon each month. The new moon is completely black with the little circle next to the date. A day either side is also usually safe.

how to plan astrophotography with photopills app

To figure out what time the moon will rise and set on a specific date, tap on that date while still in the calendar view. You’ll be shown a list of events for that date, including moonrise and moonset.

how to plan astrophotography with photopills app

The Milky Way

If you want to include the Milky Way in your night sky photos, you’ll need to consider a couple of things. Firstly, although the Milky Way is visible all year round, the galactic center is only visible for part of the year. This is between March and October, or slightly longer in the Southern Hemisphere.

The second thing you need to remember is that the Milky Way moves through the sky as the earth rotates, just like the sun and moon. What this means is that when planning your astrophotography, you’ll need to consider the time that the galactic center is visible.

PhotoPills makes this super easy. Going back to the Sun pill, you’ll see that galactic canter visibility appears in the event list for your selected date. Note that this may not be the time that the galactic center rises and sets, it may be the time that the sky is dark enough to see it.

how to plan astrophotography with photopills app

One of the coolest and most useful features of the PhotoPills app is augmented reality (AR). In the Planner pill, go to the date and location you’re planning to photograph, then tap Night AR in the option bar at the bottom. This will show you an AR view that superimposes the Milky Way over your screen.

how to plan astrophotography with photopills app

This is useful for seeing where the milky way and galactic center will be at your selected date and location. You’ll be able to see the angle and relative position of the Milky Way, as well as watch how it will move across the sky by sliding your finger across the screen.

PhotoPills Widgets

PhotoPills makes it super easy to see all this info in one place. Instead of having to go into each pill to find the relevant information you want, you can take a quick look at the PhotoPills widget and see times for the next sun, moon, and galactic center events.

how to plan astrophotography with photopills app

This won’t work for planning future photos, but if you want to see if tonight is a good night for astrophotography, you can find out at a glance. I’m sure you’ll find it useful once you have a good understanding of the right conditions for night sky photography.

Dig Deeper Into PhotoPills

As I mentioned, the PhotoPills app is incredibly powerful and feature-rich. It includes many more useful tools, such as Star Trails, Spot Stars, and Time Lapse. If you want to dig deeper and find out what PhotoPills can really do, I encourage you to buy the app and spend some time working through the User Guide on their website. There’s a wealth of tutorials and how-to videos that will help you make the most of the app.

I would love to see the night sky photos that you create with PhotoPills. Feel free to share them below.

The post How To Plan Astrophotography With The Photopills App appeared first on Digital Photography School.


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4 of the Best Lenses for Creative Dog Photography

14 Nov

It’s now estimated that of the 12 million households in the UK, 44% have pets. This equates to approximately 51 million pets owned. Of those, 9 million are dogs and 8 million are cats. With dogs and cats recognized as legitimate members of our families, just like our children, it’s no wonder we want to share them with the world. Pictorially speaking.

4 of the Best Lenses for Creative Dog Photography 1

Cavachon, Dorset © Andrew Sproule

Adult dog owners post a picture or talk about their dog on social media on average six times per week. They also watch dog videos or check out dog pictures about three times a week — and, one in ten has a social media account exclusively for their beloved woofer. It’s a similar picture (pardon the pun) in many countries around the world.

The perpetual advancements in smartphone camera technology allow us to be able to snap and share good quality pics of our very special soul mates, anytime and virtually anywhere.

Despite the ever-ready benefit of having a camera at hand (or should that be ‘in hand’), the demand for superior quality, longer lasting, tangible keepsakes such as albums or wall art has never been higher.

As a working dog photographer, I am inundated with questions pertaining to all aspects of pet photography as you can imagine. And I love to help where I can. The questions that I’m asked most often relate to lenses:

‘What is the Best Lens for Pet Photography?’

Now, this is a somewhat loaded question. However, the answer really depends on you. What you’re trying to achieve, your style, your budget, whether you’re a hobbyist or professional, a generalist or targeting one type of pet etc. If your chosen system is Nikon, Sony or another, that’s absolutely fine. Rather than focus on the brand, this article outlines how particular lenses can be used to create different effects in certain situations.

90% of my work is focused on dogs, predominantly in outdoor on-location situations. I use two Canon full-frame camera bodies, which has inevitably influenced my choice of lenses.

I would love to be able to provide you with a catchall solution to this question. Nevertheless, it’s only right that I concentrate on providing you with details about what works for me. I trust that you’re able to take away information that you find helpful and constructive, and that you can use in your own unique situations.

4 of the Best Lenses for Creative Dog Photography 2

Springer Spaniel Sussex © Andrew Sproule

So, here’s an overview of what I tend to use on most of my dog photography sessions. As a heads-up, I’ve avoided the technicalities of each lens and instead focused on how these lenses can be used creatively.

Clients hire me based on my style and my approach to dog photography. That works for me because I’ve always liked to get up close and personal. I often get at or below the dog’s level to afford me a dog’s eye view of the world.

Now, I have a certain style, but when it comes to a commissioned shoot, my focus and my duty are to offer my clients a gallery of images jam-packed with diversity. One sure-fire way to achieve this is through the use of several different lenses. In this post, I’m going to concentrate on the four that I tend to use the most.

Zoom Lens: 70-200mm f2.8

I like to ease myself into most photo sessions to ensure the client’s dog is relaxed right from the offset. I tend to stand back a bit (or lay down in most cases!) and start with the 70-200mm f2.8. This zoom lens (although quite heavy for its size – over 3lbs) is a real workhorse. It has a very handy focal range, outstanding autofocus, and excellent image quality. Because I always work hand-held (often in varying light conditions), its 3-stop image stabilization (IS) is a godsend.

However, if I need a bit more focal length I will pair the 70-200mm with a 1.4x extender. There is the inevitable small drop in image quality, which can be more noticeable in older versions of the extender. However, if it’s this versus no shot at all, then it’s a no-brainer.

The 70-200mm f2.8 is an extremely versatile lens that allows you to capture a variety of shots from playtime, scenic, group, portrait and so much more. It’s a lens that is always with me on my photo shoots.

4 of the Best Lenses for Creative Dog Photography 3

Labradoodle, Kent © Andrew Sproule

Prime Lens: 85mm f1.2

For situations that call for stunning background blur, I reach for my 85mm f1.2 (non-IS). I absolutely love this prime lens for its light gathering properties and superb image quality. Again, for its size, it’s heavy. That is to be expected though as there’s an awful lot of glass in there. In fact, there’s so much heavy glass that it affects the autofocus speed.

Therefore, I use this lens primarily when I know I’m going to have subjects that can remain fairly still, even if it’s just for a few seconds. I hardly ever shoot at f1.2 either. The plane of focus is so narrow that you can often see a difference in sharpness between a dog’s eyes. A dog that is facing me! It’s that narrow. I find f2-f4 is the sweet range.

Zoom Lens: 24-70mm f2.8

If I were only allowed to use one lens on a dog photography session it would be the 24-70mm f2.8. This lens, which offers my most-used range of focal lengths, is often described as ‘the best performing Canon full-frame compatible general purpose zoom lens available.’ And breathe!

And, I have to agree.

The 24-70mm is super sharp, super fast and super accurate, so I can forgive Canon for this lens’s lack of image stabilization. They (Canon) sacrificed IS to ensure this lens would retain ultimate image quality and I can live with that.

The amount of flexibility and control the 24-70mm lens affords me means that, on average, over 65% of the images I present at my clients’ viewing appointments have been taken with this lens.

4 of the Best Lenses for Creative Dog Photography 4

Pug, London © Andrew Sproule

Wide-Angle Zoom Lens: 16-35mm f4

Finally, the lens I most like using is the 16-35mm f4. It’s an extremely sharp ultra-wide angle zoom that’s full-frame compatible. It is incredibly fast and quiet, extremely accurate and the image quality is excellent. This is the lens that allows me to truly have some fun with my subjects. If I’m working with a dog that’s unfazed by having a lens unusually close to them, then I can truly come away with some magical and whimsical portraits.

As you’ve read, it’s horses-for-courses. In my case, it has taken quite a few years to get to this point. The crucial take-out is that you need to discover for yourself what works for you. The best advice I was given was to get out there and shoot. The more dogs I photographed the more I was able to hone in on what lenses worked for me.

So, don’t be afraid to invest in pro-quality lenses, especially if you’re a working professional. You owe it to your clients to be using pro-level gear. And, these lenses really hold their value. They can be resold or part-exchanged if they don’t quite work out for you. If it’s a toss-up between several lenses, consider hiring first. It’s an effective way to help you narrow down the many choices available.

Good luck out there!

What lenses do you use for dog photography? Share with us your experiences in the comments below.

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ON1 Photo RAW 2019 arrives with new UI, AI-powered Lightroom migration, and more

14 Nov

ON1 has launched its new ON1 Photo RAW 2019 photo editor for macOS and Windows. The new software is a “major upgrade” to the existing ON1 Photo RAW editor, according to the company, which has added new features that include focus stacking, a non-destructive layers workflow, a new portrait tab, and more.

ON1 Photo RAW 2019 relies on AI-powered algorithms to bring “significant enhancement” for users who want to migrate from Adobe Lightroom. In addition to the batch of new features, the updated application also adds additional camera support and lens profiles, HEIC file support, and a new interface with reduced contrast, updated UI elements, and an overall modern look.

ON1 Photo RAW 2019 is available now with a 30-day free trial and $ 99.99 USD purchase price. Existing ON1 product owners are offered the upgrade at a discounted $ 79.99 USD. Alternatively, customers can get access to the new software via an ON1 Plus Pro membership, which is currently priced at $ 129.99/year with a regular annual price of $ 149.99 USD.

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available
Portland, OR – November 13, 2018?? – ON1, Inc announces that ON1 Photo RAW 2019, an all-new photo editing experience and a major upgrade to ON1 Photo RAW, is available today. ON1 Photo RAW 2019 includes all-new features and technologies along with a streamlined workflow that is elegant, powerful and easy to learn. Notable new features include a new non-destructive workflow for layers, auto-alignment of layers, focus stacking, a new portrait tab, a new text tool, new digital asset management updates and more. ON1 Photo RAW 2019 includes the tools photographers need in a single well thought out photography workflow application.

This all-new photo editing experience gives photographers the features they use the most from the Adobe® Lightroom® and Photoshop® worlds in a single application. ON1 Photo RAW 2019 also includes a significant enhancement to the migration process for customers looking to move away from Lightroom®. Version 2019 is the first solution to utilize AI-powered algorithms to transfer and display Lightroom edited photos in ON1 Photo RAW 2019. The transferred settings will also remain non-destructive and be re-editable inside ON1 Photo RAW 2019.

The ON1 community drives the development of ON1 Photo RAW based on what’s most important for their photo editing needs. Every new feature and improvement made in version 2019 is a direct result of community input through the ON1 Photo RAW Project.

  • A New & Faster Editing Workflow ??–? ??All of the editing modules from previous versions have been combined into the Edit module to create a single place for editing photos. The former editing modules are now available as tabs to allow you to work in each seamlessly without changing the application appearance. These include Develop, Effects, Portrait, and Local Adjustments tabs.
  • A New Workflow for Layers?? – ON1 Layers is no longer a separate module. Instead, the power of layers is accessible within the non-destructive workflow in the new Edit module. This allows for creating or editing multi-layered files, including raw files, and keeping non-destructive settings for each photo layer. Customers can also move, size and mask each layer. More importantly, and a new concept, each layer has its own non-destructive settings, all the way back to the original file. What’s most exciting is if you are working with raw files, powerful adjustments like exposure, highlights and shadows can now be processed using the raw data in a layered photo workflow. All without having to change modules or applications.
  • New Lightroom Photo Settings Migration?? – New AI-powered algorithms give customers the ability to transfer Lightroom edited photos, keep the non-destructive settings, and move them into ON1 Photo RAW 2019. The updated Lightroom Migration Tool in version 2019 transfers almost every edit you can make in Lightroom including raw processing, crop, retouching and local adjustments along with folders, photos, collections, and metadata.
  • New Focus Stacking?? – Automatically blend a series of photos at different focus distances to increase depth-of-field. It’s so fast, you can adjust the focus in real-time, just like changing the focus on your lenses. Think of it like HDR, but for focus instead of exposure.
  • New Auto-Align Layers?? – Easily combine multiple photos as layers, then automatically align them based on image content, making it easy to mask and blend them together.
  • New AI Masking Tool (coming Winter 2019)?? – This new tool, powered by machine learning, will allow customers to easily identify areas of their photos to create a selection or mask and the AI technology detects your subject matter and automatically creates a beautiful mask.
  • New Portrait Tab ??– The new Portrait tab automatically detects faces in your photo allowing you to easily retouch, smooth skin, brighten and sharpen eyes, and whiten teeth.
  • New Text Tool?? – The new text tool is perfect for creating posters, postcards, or adding your byline or watermark. Easily control font size, color, position, and more and then save a preset to add the same text overlay to a batch of photos quickly.
  • New Master Keyword List?? – Now you can see every keyword you use in a single, searchable list. You can quickly apply, clear, edit, or delete keywords.
  • Enhanced Local Adjustments?? – Local adjustments have been enhanced to use the raw processing data. This allows for more highlight and shadow details with more tonal range. This also includes new controls like haze, whites and blacks.
  • New Layered HDR Workflow?? – With the powerful new non-destructive layers you can combine other photos, text or alternate exposures with your HDR photos. Use the powerful masking tools to combine multiple HDR renditions even.
  • New Filter Options in Effects ??–? ??We have added dedicated film grain, curves and color adjustment filters to Effects. These let you add film grain to color photos and make advanced, targeted color and tone adjustments faster. There’s even a new filter selector that allows you to search for filters, learn what they do and even view a sample before you add them.
  • New User Interface?? – The new user interface has a fresh and modern feel. Overall contrast has been reduced to make photos stand out along with a new font to help increase readability. Updated icons, tabs, and sliders will also take up less visual space.
  • Other Updates ??– including support for HEIC files, keyboard shortcuts for changing modules, more accent color options, color labels on folders and more.
  • Additional Camera Support?? – Added support for the Fujifilm XF10, Fujifilm X-T3, Nikon P1000, Nikon Z7, Panasonic LX100 II, Leica M10-P.
  • Additional Lens Profiles?? – Added lens profiles for: Canon EF35mm f/1.4L II USM (750), Chinon Auto Chinon 35mm f/2.8, KMZ Helios-40 85mm f/1.5, Nikon 200-500mm F5.6 174, Panasonic LEICA DG 8-18/F2.8-4.0, Panasonic LEICA DG NOCTICRON 42.5/F1.2, Pentax Pentax SMC Takumar 50mm f/1.4, Sigma Sigma 17-50mm f/2.8 EX DC HSM, Sony FE 24-105mm F4 G OSS, Sony FE 50mm F1.8, Tamron 14-150mm F/3.5-5.8 DiIII C001, Tamron SP 24-70mm F/2.8 Di VC USD G2 (A032), Voigtla?nder Voigtlander Super Wide Heliar III.

Price and Availability

ON1 Photo RAW 2019 is available today for $ 99.99. Previous owners of any ON1 product can upgrade for $ 79.99. ON1 Photo RAW 2019 is also available as part of an ON1 Plus Pro membership for a for $ 129.99/year (Reg: $ 149.99/year). ON1 Plus Pro includes a perpetual license of ON1 Photo RAW along with in-depth post-processing and photography education from the industries best trainers such as Matt Kloskowski, Hudson Henry, Tamara Lackey and many more. All of it is easy to follow along and fun. For a limited time, a purchase of ON1 Photo RAW 2019 includes some great bonuses. These include the ON1 Photo RAW 2019 Foundations video course, which provides the perfect get up and running training and the ON1 Looks eBook and series of 25 videos and practices files and to help you master ON1 Photo RAW 2019.

A 30-day free trial of ON1 Photo RAW 2019 is also available for download from the ON1 website.

A single purchase of ON1 Photo RAW 2019 includes both macOS and Windows installers and activation for up to five computers. It comes with a 30-day money-back guarantee, world-class customer support based in Portland, Oregon USA, hundreds of free video tutorials, and free ON1 Loyalty Rewards every month.

What’s Ahead for ON1

ON1 Photo RAW 2019 will include several free updates over the next year with all-new photo organizing and editing features, AI-powered algorithms to enhance workflows, other feature refinements, as well as updates for cameras and lenses. The first free update will in Winter 2019.
ON1 is also working on solving additional problems for customers who share files across multiple computers or work environments as well as those customers who are shooting video as part of their photography process.
“As we’ve said before, we have big plans at ON1. Our team is already busy working on the next free updates to version 2019. These will include dual display support, an editing history, and additional capabilities and enhancements to Focus Stacking,” says Craig Keudell, President of ON1.

About ON1 Photo RAW – An All-New Photo Editing Experience

ON1 Photo RAW 2019 is a game changer. Version 2019 includes everything photographers look for when editing their photos including an integrated photo organizer, raw processor, pixel editor, and layered file workflow. It’s like having Lightroom and Photoshop® in one application without paying a monthly subscription. ON1 Photo RAW 2019 will also use ON1’s

state-of-the-art processing engine providing a fast, smooth, comfortable, and fun photo editing experience while producing the highest quality results for your photos.

Photo RAW seamlessly integrates the features of photo organizing, non-destructive editing, layering capabilities, the best masking and selection tools, portrait retouching, hundreds of photo effects, text, HDR, automated panorama stitching, photo resizing, and more into one powerful yet easy-to-use software application.

ON1 Photo RAW 2019 supports RAW files from over 800 cameras, but it isn’t just for raw files. It also supports file formats include JPEG, TIF, PSD/PSB, PNG, HEIC and DNG are supported and benefit from the speed, performance, and abundance of editing tools in the app. Photo RAW 2019 will also integrate as a plug-in to Adobe® Lightroom Classic CC and Photoshop CC as well as Apple Photos and will continue to work as a standalone photo editor and rival the Adobe Photography Plan. Like the current version, version 2019 will integrate with the major cloud services to allow for uploading, managing, and editing photos across multiple computers. This enables users to sync photos and their edits across multiple computers or in a studio setting.

Articles: Digital Photography Review (dpreview.com)

 
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The New York Times opens up free applications for its 7th annual portfolio review

14 Nov

Tomas Roggero

The New York Times has opened up applications for its 7th annual New York Portfolio Review on March 30 and 31 in New York City, New York.

The applications, which are free to submit, are now open on The New York Times’ website for the review, which is put on by The New York Times Lens column, the Craig Newmark Graduate School of Journalism at the City University of New York and United Photo Industries.

So long as the applicant is over 18 years old, they’re free to apply. The New York Times says “all types of photography will be considered.” The deadline for applications is December 10, 2018 at 11:59 p.m. Eastern Time.

“The first session, on Saturday, March 30, will be for photographers 21 and older,” reads The New York Times announcement post. “Each participant will receive six private critiques. The second session, on Sunday, March 31, will be solely for photographers 18 to 27 and will consist of at least four private critiques for each participant, as well as free workshops on how to best present, promote and publish photographs. We will screen all applicants and choose 100 participants for Saturday and 60 for Sunday.”

The New York Times specifically mentions anyone who attended last year’s review is ineligible to apply. Also, if someone has attended more than twice in the seven years the portfolio review has been going on, they too are ineligible.

When a photographer is chosen for a portfolio review, they will be able to requiem their top choices for who is to review their work. The New York Times has provided a partial list of the reviewers on the bottom of its announcement page.

To enter, head over to The New York Times’ application page and fill out the required form. In addition to personal details, such as first name, last name, age, contact information, and a short biography, applicants can upload up to 20 photos from one or two projects. The images must be JPEGs and no more than 1,200 pixels across at 72 DPI.

Applicants who have been selected will be notified by January 12, 2019. The New York Times warns “Be sure to triple-check the email address you submit, because in past years some people were accepted into the review, but couldn’t be contacted with the good news because of a typo in their address. Don’t be that person.”

Articles: Digital Photography Review (dpreview.com)

 
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Introducing New dPS Managing Editor – Caz Nowaczyk

14 Nov
new dPS managing editor - Caz Nowaczyk

Caz Nowaczyk dPS Managing Editor

Some of our regular readers may have noticed a new byline on our Weekly Challenge posts recently, and the absence of Darlene Hildebrand. We announced a while back that after 5 years Darlene was moving on from dPS to focus on her own business – an exciting move for her.

From Darlene:

I’m honored to have been the Managing Editor at dPS for the last 5 years but now it’s time for me to move on to new ventures. It’s been a pleasure curating and publishing all the articles on dPS for you to enjoy and I hope you’ve learned a lot. You’ll be in good hands with the new editor and team of talented writers and photography educators.

Continue on your own photography journey, keep learning and shooting and you may even see my from time to time with a guest article right here on dPS.

Cheers, Darlene

Quietly and confidently slipping into her new role over the past few weeks is Caz (Carolyn) Nowaczyk (much to our General Manager Laney’s relief who got a crash course in editing whilst bridging the gap!).

About Caz Nowaczyk

Caz is a creative sponge and an excellent new asset to our team. As a practicing photographer, filmmaker, designer, songwriter, she follows the philosophy of practicing and sharing creativity to add to a balanced life.
Caz’s love of creativity led her to co-own and operate a community art gallery and performance space for 4 years. It included a photography club, many different creative workshops and hundreds of artists exhibitions. As an exhibiting artist herself (photography, painting, video and sound installation), supporting other artists is a right fit.
She currently has her own photography and digital media business, Exposure Arts and Media, working on projects for Government and commercial clients. One of her favorite things to do is photograph the community she is a part of; theatre, cabaret, circus and other areas of performance. She also loves nothing more than to get out into nature with her camera.
On the side, Caz writes and produces music under the pseudonym Dreamgirl and the Motorist, and plays with Sydney band Feick’s Device. She generally keeps this on the down-low though.
Caz is incredibly excited about being the new Managing Editor with Digital Photography School. She loves photography and the dPS business philosophy to help others learn, grow and make an income from doing something they love, is precisely what she believes in. It seems the stars aligned to bring the two of them together, and Caz can’t wait to share with and learn from the dPS community.

Moving Forward

As a fellow Aussie, we’re looking forward to being able to catch up with Caz in person again later this month, and planning exciting changes for dPS.

We hope you join us in welcoming Caz to the team.

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Picfair launches ‘Plus’ subscription with custom online stores for photographers

14 Nov

On September 10, stock image company Picfair introduced a new option for photographers to showcase their work called Picfair Stores. The online storefronts went live for all users a couple weeks later and are now joined by a new subscription option called Picfair Plus. Customers who sign up for Plus get access to new features, including support for custom templates and custom domains.

The free Picfair product enables users to create their own online store with custom prices for image sales. Picfair Plus builds upon that, enabling customers to connect the store to a custom domain, add social media profiles, eliminate Picfair branding, sort content into albums, choose design themes, and set up custom image ordering on the store’s home page. Below is a comparison of the free and Plus versions of Picfair Stores.

In addition to the new features, Plus customers get early access to new future features and highest priority customer service. Picfair Plus is priced at £4.99 / $ 5.62 per month, but there’s also a £49.90 / $ 64.66 annual subscription option. A sample Picfair Store with Plus features is accessible here.

Articles: Digital Photography Review (dpreview.com)

 
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