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  • DPReview TV: Time-lapse photography

    Digital cameras have made it incredibly easy to do time-lapse photography, thanks to the ability to take hundreds—or even thousands—of photos without interruption. However, creating a time-lapse sequence that achieves your artistic intent may require a bit of planning or even some camera accessories. This week, Chris and Jordan walk us through the process of planning and shooting compelling time-lapse videos.

    Also, make sure to read our article Behind the scenes: Shooting a motion time-lapse in the Canadian wilderness.

    Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

    Articles: Digital Photography Review (dpreview.com)

  • Video: DIY Hasselblad XPan camera combines Hasselblad 500cm and anamorphic lens

    Cinematographer Casey Cavanaugh of GxAce has published a video detailing the creation of his own Hasselblad XPan, a DIY camera he calls the GX-Pan. “I always wanted an XPan, the anamorphic dream,” Cavanaugh narrates in his video. “But it has always been out of my reach, so I built my own.”

    The DIY GX-Pan features a custom machined adapter design to mount an anamorphic lens onto a Hasselblad 500cm camera. “What makes this better than an XPan, in my opinion, is that it gives a true anamorphic widescreen image,” Cavanaugh explains. Viewers are given both technical details and brief looks at the creation process.

    View this post on Instagram

    X-Pans are too damn expensive. So I built my own. Link to the video is up in the bio. #hasselbladxpan #xpan #anamorphiclens • • • • • • #anamorphic #anamorphiles #hasselblad #hasselblad500cm #fujiframez #fujixt3 #500cm #mediumformat #mediumformatfilm #cinematic #cinematography #cinebible #photocinematica #filmisnotdead @japancamerahunter @emulsivefilm @petapixel @phoblographer @35mmcblog @camerafilmphoto #panoramic #fujitx2 @hawkanamorphic @hasselblad @hasselbladfeatures @hasselbladculture

    A post shared by Casey Cavanaugh (@gxace) on

    Cavanaugh’s work can be found on his personal website, Flickr, and Instagram.

    Articles: Digital Photography Review (dpreview.com)

  • Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Three Men © Moises Levy

    Framing and composition are two of the most basic tools in every photographers arsenal, but they can also be some of the most powerful.

    In his recent of photographs, Mexico City photographer Moises Levy shows how simple black and white photographs on the beach can be turned into wonderfully juxtaposed images with the help of perfect timing, great composition, and clever framing.

    In speaking with DPReview about the ongoing series, Levy said “Human condition is the main subject of my photography. I use several resources to express my ideas in photography like perspective and scale. My images are intimate too — I believe being close to my subject helps me to create powerful images.”

    Levy says he works with only one camera and one lens at a time — either his Leica or Fujifilm with a 28mm r 35mm lens.

    “I prefer to create anonymous subjects and for that I like to work with backlight to create high contrast black and white images in a more graphic sense,” Levy tells DPReview. “I also like to shoot very minimal and clean images and for that I use very low angles in places with almost no distractions, like beaches and open spaces.”

    You can keep up with Levy’s work by checking out his website or following him on Instagram, Flickr, and Facebook.


    Photographs by Moises Levy, used with permission.

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    5 Guys © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Action 5 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Action 8 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Action 11 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Arch © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Ave en tres palos © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Beer Man © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Chapuzon © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Communication © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Fisherman Net © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Fly © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Ghost © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Giraffes 1 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Horses 2 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Horses 1 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Jump 1 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Jump 2 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Kid © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Kiss © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Looking For Turtles © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    My Dog And I © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    On Place 1 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Perro Garza Y Hombre © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Play © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Resting © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Running 1 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Shadow And Fisherman © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Soul © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Trapped 2 © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Volley © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Ball Head © Moises Levy

    Friday Feature: Framing, timing bring juxtaposed beach scenes to life

    Game 1 © Moises Levy

    Articles: Digital Photography Review (dpreview.com)

  • Weekly Challenge – Industrial Photography

    This week’s photography topic for our weekly challenge is INDUSTRIAL photography!

    Weekly Challenge - Industrial by Caz Nowaczyk

    View of Steelworks and Port from Christy Drive in Port Kembla NSW Australia by Caz Nowaczyk.

    Industrial is quite a broad topic and can consist of industrial landscapes through to close-ups of industrial equipment, textures or their environmental impact.

    Think industrial buildings, rusting old silos and equipment, metal industrial pipes, smokestacks, and manufacturing spaces.

    Weekly Challenge - Industrial by Caz Nowaczyk 2

    Views across the Illawarra from Mt Keira including steel industry by Caz Nowaczyk.

     

    Check out some of the articles below that give you tips on finding and shooting industrial pictures.

    How to Photograph Industrial Deserts

    Working with Textures – 8 Ideas to Get You Started

     

    Photography Weekly Challenge – Industrial

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSINDUSTRIAL to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    Weekly Challenge - Industrial by Caz Nowaczyk 3

    Steelworks in Port Kembla, NSW Australia at night by Caz Nowaczyk.

    The post Weekly Challenge – Industrial Photography appeared first on Digital Photography School.


    Digital Photography School

  • 7Artisans shows off new 35mm F/5.6 FE lens designed specifically for drone photography

    Chinese lens manufacturer 7Artisans has introduced a new 35mm F5.6 FE lens designed specifically for drone photography.

    The unusual-looking lens features an FE mount for full-frame Sony cameras and weighs just 49 grams. Its optical construction is specifically designed to reduce perspective distortion and minimize any vignetting around the edge of the image frame.

    7Artisans also notes that the lens can be locked to infinity focus by using three screws to lock the lens into place. The below image is the only sample image 7Artisans has supplied.

    7Artisan lenses can be purchased through B&H, but the 35mm F5.6 FE lens isn’t yet posted on B&H and 7Artisans doesn’t mention pricing or availability on its website (translated). We have contacted 7Artisans regarding these details and will update accordingly when and if we hear back.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z6 sample gallery

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    The Nikon Z6 is the lower-resolution, faster sibling to the Z7, and has already shown impressive results in our studio tests. This week we joined Nikon in Orlando, Florida for some shooting with the Z6 outside of the studio. Take a look at the results and keep your eyes peeled for more from the Z6 soon.

    See our Nikon Z6 sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • 5 Tips for Better Road Trip Photos

    Are you heading out on a road trip anytime soon? Packing up the car and hitting the road with friends, family, or even running solo can make for a great adventure.

    But as photographers, our thoughts aren’t just on the experience itself. Documenting it with your camera adds to the occasion for creative types, but doing it on the road adds another level of challenge!

    Here’s a 2-minute video from Tajreen&Co which outlines 5 top tips for getting better road trip photos, that make for better memories and pictures.

    5 Top Tips for Getting Better Road Trip Photos

    1. Shoot with the kit you already have – even your phone!
    2. Interact with your environment
    3. Exaggerate your shots – explore angles and backdrops
    4. Capture moments and emotions – it’s all about the experience
    5. Plan your shoots even on a road trip

    What are your tips for achieving better road trip photos?

    The post 5 Tips for Better Road Trip Photos appeared first on Digital Photography School.


    Digital Photography School

  • Olloclip introduces new ‘Pro’ and ‘Intro’ series lenses for Android and iOS devices

    Smartphone photography accessory manufacturer Olloclip has expanded its lineup of lenses for Android and iOS smartphones with an all new “Pro Series” and “Intro Series” that round out the company’s Connect X line.

    The Olloclip Pro Series consists of a Super-Wide lens and a telephoto lens, both of which come in two varieties to work with the maximum number of smartphones possible.

    According to Olloclip, the new Super-Wide lens features less distortion than any wide angle lenses the company has offered to date. Olloclip says the Super-Wide lens doubles the field of view of your smartphone’s camera and features a multi-element lens that has coatings to help “deliver premium image quality.”

    The Pro Series telephoto lens, on the other hand, offers 2x optical zoom. It too features a multi-element lens with coatings for improved image quality. Olloclip has made 2x telephoto lenses in the past, but says this Pro Series version “gathers more light for a brighter photograph.”

    Both lenses in the Pro series are available for all of Olloclips current lens attachments for $ 119.95 or on their own for $ 99.99.

    In addition to the new Pro Series, Olloclip also unveiled the more budget-friendly Intro Series, a two-in-one setup that offers both a macro and wide angle lens in one. In its standard form, the lens works as a wide angle lens, but when you unscrew the front part of the lens, it reveals an integrated macro lens underneath.

    The Intro Lens is available with Olloclip’s current lineup of lens attachments for $ 39.95 or on its own for $ 19.99.

    You can find out more information and purchase the new lenses from Olloclip’s online shop.

    Articles: Digital Photography Review (dpreview.com)

  • Pro mountain filmmaker Jimmy Chin takes the DJI Mavic 2 Zoom to Greenland

    Professional mountain photographer and filmmaker Jimmy Chin has worked on all seven continents, in some of the most remote places on earth. A hugely experienced climber, Chin has had more than his fair share of brushes with disaster in the mountains, where every ounce of weight counts when it comes to getting great shots – and getting down in one piece.

    Jimmy Chin’s current film ‘Free Solo’ follows climber Alex Honnold as he became the first person to ever free solo climb Yosemite’s 3,000ft high El Capitan Wall last summer. Only slightly less hazardous was a more recent trip to Greenland for DJI, with professional ski mountaineer Kit Deslauriers.

    Over a more than 20-year career, Chin is still inspired by the challenge of “going to new places and exploring mountains in remote places”. For the Greenland trip, alongside his normal DSLR kit Chin brought along DJI’s newest consumer drone, the 4K-capable Mavic 2 Zoom to capture footage of their adventure.

    Chin describes the Mavic 2 Zoom as a “multi-tool”, which he used for everything from high production-value shots to scouting locations

    The DJI Mavic 2 comes in two versions – the high-end ‘Pro’ with a 1-inch sensor, and the less costly but more flexible ‘Zoom’, which offers an optical zoom lens. Chin describes the Mavic 2 Zoom as a “multi-tool”, which he used in Greenland for everything from high production-value ‘dolly zoom’ and tracking shots to scouting locations and routes. When you’re shooting in the mountains, it might take hours to get up to a certain peak, but with the Mavic 2 Zoom, he could go in search of great-looking locations – and look out for hazards – remotely.

    Speaking of remote, in such extreme conditions, gear needs to be reliable, but it also needs to be easy to use. In Chin’s words, “you need equipment that’s intuitive, and which you don’t have to spend a bunch of time figuring out how to make it work” because, as he says, “a lot of your mental bandwidth is taken up by making sure you’re being safe”.

    Behind the scenes in Greenland with the DJI Mavic 2

    Among Chin’s favorite shots from the trip are the aerial tracking sequences, showing Deslaurier descending down the mountain slopes. In the past, Chin says, “I couldn’t have got those shots in the past without a helicopter. They’re very difficult angles to get when you’re high up in those remote areas. Traditionally, those kinds of shots are expensive, they’re high production-value shots, and being able to create them with a drone I can carry in the top of my pack is incredible”.

    As well as its portability, Chin praises the quality of the video that the Mavic 2 Zoom can capture. “You need a camera which offers high quality, because shooting in a location like Greenland, you know it might not be possible to ever go back. Every shot is potentially a once-in-a-lifetime shot”.


    This is sponsored content, created by DJI. What does this mean?

    Articles: Digital Photography Review (dpreview.com)

  • DPReview picks the best lenses for Canon, Nikon and Sony

    We’ve published the first three of our new Lens Buying Guides, covering Canon and Nikon DSLRs, as well as Sony mirrorless cameras. We’ve started with these three as they’re the most sought-after, and we hope to expand it to other systems soon.

    In each guide we’ve chosen the best standard zoom, prime, macro, telephoto, wide-angle and travel zoom lenses – there’s a quick primer on these lens types at the bottom of this page if you’re not familiar with them. The winner is what we consider the best overall value and, in most cases, we’ve provided ‘bargain’ and ‘money is no object’ options as well.

    Don’t agree with our picks? Please leave comments in the guides and we’ll take your suggestions into account.


    Best lenses for Canon DSLRs

    Best lenses for Nikon DSLRs

    Best lenses for Sony mirrorless cameras


    Lens primer:

    Standard zooms are just what they sound like – versatile, general-purpose lenses that start with a fairly wide angle of view and allow you to zoom in to a focal length traditionally used for portraits.

    Prime lenses are just a single focal length; removing the complexity of a zoom often allows for these lenses to be smaller, lighter and sharper, while letting more light through and being more useful in dimly lit situations.

    Macro lenses allow you to focus very close to small subjects, which is very handy for photographing flowers or bugs.

    Telephoto lenses start out being fairly zoomed-in, and allow you to zoom in further so you can fill your frame with more distant subjects.

    Wide-angle lenses are often useful for taking photos of interiors, landscapes and architecture.

    Lastly, travel zooms are like your kit zoom lens but taken to the extreme. You still start out with a fairly wide field of view, but you can zoom in almost as much as many telephoto lenses. This is convenient, but these lenses tend to let less light through them, so aren’t as useful in dimly lit situations, and they may not always give you the sharpest results.

    Articles: Digital Photography Review (dpreview.com)