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  • Sigma to release eleven Art lenses for L-mount along with SA/EF-mount adapter

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    Sigma has announced that eleven of its Art lenses will be making their way to the L-mount system this year. Soon, owners of the Leica SL and Panasonic S1 and S1R will be able to get their hands on these:

    • 14mm F1.8 DG HSM | Art
    • 20mm F1.4 DG HSM | Art
    • 24mm F1.4 DG HSM | Art
    • 28mm F1.4 DG HSM | Art
    • 35mm F1.4 DG HSM | Art
    • 40mm F1.4 DG HSM | Art
    • 50mm F1.4 DG HSM | Art
    • 70mm F2.8 DG Macro | Art
    • 85mm F1.4 DG HSM | Art
    • 105mm F1.4 DG HSM | Art
    • 135mm F1.8 DG HSM | Art

    Pricing and availability for all of those lenses will be announced at a later date.

    In addition, the company is releasing the MC-21 mount converter, which allows owners of select Sigma SA and EF-mount lenses to attach them to L-mount bodies. An LED on the adapter illuminates when a compatible lens is attached, and also notifies users when a firmware update is available. Data for the first set of lenses is built into the MC-21 and will be updated automatically when future lenses are released.

    Note that the adapter does not support continuous autofocus.

    Compatible full-frame lenses include:

    • 12-24mm F4 DG HSM | Art
    • 14-24mm F2.8 DG HSM | Art
    • 24-35mm F2 DG HSM | Art
    • 24-70mm F2.8 DG OS HSM | Art
    • 24-105mm F4 DG OS HSM | Art
    • 60-600mm F4.5-6.3 DG OS HSM | Sports
    • 70-200mm F2.8 DG OS HSM | Sports
    • 100-400mm F5-6.3 DG OS HSM | Contemporary
    • 120-300mm F2.8 DG OS HSM | Sports
    • 150-600mm F5-6.3 DG OS HSM | Sports
    • 150-600mm F5-6.3 DG OS HSM | Contemporary

    APS-C lenses can also be used via the auto-crop functions in L-mount bodies. Those lenses include:

    • 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary
    • 18-35mm F1.8 DC HSM | Art
    • 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary
    • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary
    • 50-100mm F1.8 DC HSM | Art
    • 30mm F1.4 DC HSM | Art

    Sigma hasn’t indicated when the MC-21 will be available for purchase.

    Press Releases

    {PressRelease}

    Sigma Announces Art Prime Lenses in L-Mount & Mount Converter MC-21

    The new products include 11 Art prime lenses for full-frame cameras in L-Mount and a converter for Sigma’s SA mount and Canon EF mount lenses on L-Mount camera bodies.

    Ronkonkoma, NY – February 26, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced 11 of its Art prime lenses will soon be available in L-Mount. Sigma also announced the launch of the Sigma Mount Converter MC-21, which will allow Sigma’s SA mount and Canon EF mount lenses to be used on the L-Mount camera bodies. The expansion of the beloved Sigma prime lens line along with the MC-21 converter will increase the extensibility of the L-Mount system and further Sigma’s role in the strategic L-Mount Alliance alongside Leica and Panasonic.

    Sigma Art Prime Lenses in L-Mount

    Features:
    The L-Mount lineup consists of 11 Art prime lenses for full-frame cameras ranging from 14mm to 135mm, allowing Sigma’s award-winning high-performance lenses to be enjoyed by even more shooters on L-Mount cameras. The lineup features high-speed AF and is fully compatible with AF-C mode, in-camera stabilization and in-camera aberration correction. The native L-mount allows for a much more stable feel than using an adaptor. Additionally, the lenses are equipped with a surface treatment to enhance strength, a brass bayonet mount offering exceptional durability, and rubber sealing at the mount connection for dust- and splash-proof construction.

    Product Lineup:

    • Sigma 14mm F1.8 DG HSM Art ($ 1,599.00) – World’s First and Only Full-Frame F1.8 Ultra-Wide-Angle
    • Sigma 20mm F1.4 DG HSM Art ($ 899.00) – Bright & Sharp Wide-Angle
    • Sigma 24mm F1.4 DG HSM Art ($ 849.00) – Front Filter Compatible, Fast-Aperture Wide-Angle
    • Sigma 28mm F1.4 DG HSM Art ($ 1,399.00) – Best in Class Performance
    • Sigma 35mm F1.4 DG HSM Art ($ 899.00) – Groundbreaking Flagship Wide-Angle
    • Sigma 40mm F1.4 DG HSM Art ($ 1,399.00) – Beyond Art Series Performance
    • Sigma 50mm F1.4 DG HSM Art ($ 949.00) – Redesigned for High Megapixel DSLRs
    • Sigma 70mm F2.8 DG Macro Art ($ 569.00) – First Macro to Join the Art Line
    • Sigma 85mm F1.4 DG HSM Art ($ 1,199.00) – Award-Winning Ultimate Portrait Lens
    • Sigma 105mm F1.4 DG HSM Art ($ 1,599.00) – The “Bokeh Master”
    • Sigma 135mm F1.5 DG HSM Art ($ 1,399.00) – Award-Winning Prime with Reach

    Pricing and availability will be announced later.

    Sigma Mount Converter MC-21

    Features:
    The Sigma Mount Converter MC-21 allows Sigma’s SA mount and Canon EF mount lenses to be used on L-Mount camera bodies, allowing more freedom of choice for L-Mount cameras from Sigma, Leica and Panasonic. The MC-21 increases the number of interchangeable lenses manufactured by Sigma to be used with the L-Mount system by 29 lenses.

    Pricing and availability will be announced later.

    {/PressRelease}

    Articles: Digital Photography Review (dpreview.com)

  • No Joke: Fujifilm paper and film products to get massive price increase on April 1st

    Fujifilm plans to increase its prices substantially on a day when customers are least likely to believe it: April Fool’s Day. The price increase will affect the company’s film and paper products globally starting on April 1, Fujifilm announced on Monday. Though price increases will vary based on market, photographers can expect a minimum 30% increase in film cost and ‘double-digit percentage’ photographic paper price increases.

    In the company’s announcement, Fujifilm President Kenji Sukeno explained:

    Over the past several years, Fujifilm has faced the rising cost of raw materials and logistics. In the past Fujifilm has absorbed some of the costs by undertaking intensive structural reforms and communalization of production facilities, but as a responsible manufacturing company and to provide the high-quality products our customers expect, the company will institute a price increase.

    The price increase will impact Fujifilm’s color negative, color reversal, quick snap, and control strips film products, as well as all of its photographic paper products.

    Articles: Digital Photography Review (dpreview.com)

  • Full Moon and Eclipse Photography: Your Guide to Where They Are in 2019 and How to Capture Them Effectively

    The post Full Moon and Eclipse Photography: Your Guide to Where They Are in 2019 and How to Capture Them Effectively appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    Jongsun Lee

    Full moons and eclipses are a unique time to capture some interesting photographs.

    Full Moons

    Full moons usually happen once a month, with the occasional second full moon falling in the same month. This second full moon is called a Blue Moon.

    Solar and Lunar Eclipses

    A solar eclipse happens when the new moon passes between the earth and the sun, casting a shadow over the sun.

    A lunar eclipse occurs when the earth passes between the full moon and the sun, causing the moon to fall into earth’s shadow. Lunar Eclipses occur only at the full moon.

    To give you the opportunity to shoot the moon, below is a calendar of Full Moons and Eclipses for 2019, followed by some articles that will help you to capture the moon or eclipse effectively.

    Full Moon and Eclipse Calendar

    Full Moons

    New York, N.Y (US/Eastern)

    Date Time
    Jan 21 00:17
    Feb 19 10:53
    Mar 20 21:43
    Apr 19 07:12
    May 18 17:11
    Jun 17 04:31
    July 16 17:39
    Aug 15 08:31
    Sep 14 00:35
    Oct 13 17:10
    Nov 12 08:37
    Dec 12 00:14

    Eclipses

    Date Type
    July 2 Total Solar Eclipse
    July 16 Partial Lunar Eclipse
    Nov 11 Mercury Transit
    Dec 26 Annular Solar Eclipse

     

    Full Moons

    Sydney, Australia (AEST)

    Date Time
    Jan 21 00:17
    Feb 20 02:53
    Mar 21 12:42
    Apr 19 21:12
    May 19 07:11
    Jun 17 07:38
    July 17 17:38
    Aug 15 22:29
    Sep 14 14:32
    Oct 14 08:07
    Nov 13 00:34
    Dec 12 16:12

    Eclipses

    Date Type
    July 17 Partial Lunar Eclipse

     

    Full Moons

    London, England, UK

    Date Time
    Jan 21 05:16
    Feb 19 15:53
    Mar 21 01:42
    Apr 19 12:12
    May 18 22:11
    Jun 17 09:30
    July 16 22:38
    Aug 15 13:29
    Sep 14 05:32
    Oct 13 22:07
    Nov 12 13:34
    Dec 12 05:12

    Eclipses

    Date Type
    July 16-17 Partial Lunar Eclipse
    Nov 11 Mercury Transit

     

    How to Achieve Better Full Moon and Eclipse Photography

    20 Dos and Don’ts for Shooting the Moon

    Beyond Full Moon Photography

    Moon Photography: 6 Tips for Better Moon Photos

    How to Photograph a Solar Eclipse

    Tips for Photographing a Lunar Eclipse

    How to Photograph a Lunar Eclipse

     

     

    The post Full Moon and Eclipse Photography: Your Guide to Where They Are in 2019 and How to Capture Them Effectively appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Newly announced microSD Express format offers transfer speeds up to 950MBps

    The SD Association has launched the microSD Express format, bringing extremely fast read speeds of up to 985 MBps to microSD cards — approximately 10 times faster than current high-end cards are capable of.

    Like the SD Express format, microSD Express uses the NVMe 1.3 and PCIe 3.1 interfaces that are deployed in PC computers to power high-speed SSD drives. This technology is integrated into the second row of pins on the card. This means microSD Express cards will work at full speed on compatible devices but will also be backward compatible.

    The new standard will not only provide much higher transfer speeds but also reduce power consumption compared to regular microSD cards, thanks to support for the low-power sub-states (L1.1 and L1.2) of PCIe v3.1.

    High-speed and high-capacity microSD card could be very useful in all sorts of applications, from automotive to mobile, but in the imaging realm might provide most value to video shooters who need the capability to shoot 360-degree and/or Raw footage without being limited by storage.

    That said, we are likely still some time away from manufacturers launching any microSD Express cards and compatible devices. In the meantime more information is available in the video above and the official press release on sdcard.org.

    Articles: Digital Photography Review (dpreview.com)

  • The Ricoh Theta Z1 is a $1K 360 camera with Raw capture, improved optics and more

    Ricoh Imaging has announced the launch of the Theta Z1, its latest flagship model of its 360-degree camera system. The Ricoh Theta Z1 can capture 23MP (6720 x 3360 pixels) still images and 4K/30p (3840×1920 pixels) 360-degree video on its two 1″-type backside-illuminated CMOS sensor with a maximum sensitivity of ISO 6400.

    Behind the sensor is a new image processing algorithm and improved image capture support. Specifically, Ricoh has added a new HDR Rendering mode, Interval Composite mode for recording star trails, and a multi-bracket mode for capturing the same scene with different settings. In addition to JPEG still image support, the Theta Z1 now supports Adobe DNG Raw capture for more post-processing flexibility.

    To compliment the 4K/30p video capture, Ricoh has added a 4-channel microphone that supports 360-degree spatial audio recording. The lens itself has also been updated to reduce ghosting, flaring and purple fringing. An improved aperture mechanism makes it possible to choose between F2.1, F3.5 and F5.6. The Theta Z1 also features 3-axis stabilization to keep stills and video smooth.

    The Ricoh Theta Z1 (the black camera) compared to Ricoh’s other 360-degree cameras. Note the much larger lens size and OLED screen.

    The camera itself features a familiar two-lens design with a single button on the front of the device and three additional buttons on the side: one for power, one for Wi-Fi pairing and one for selecting the camera mode. A 0.93-inch OLED screen is used to show various settings and navigate through the shooting modes.

    Ricoh has also added additional plug-in support thanks to the AndroidTM-based system, including a new ‘Time-Shift Shooting’ plug-in that makes it possible to remove the person capturing the image from the frame. As with past Theta devices, the Theta Z1 can post media directly to various social media platforms including Facebook, Twitter, Tumblr, YouTube and even Google Maps.

    The Ricoh Theta Z1 is listed on Ricoh’s online shop for $ 999.95, but the ‘pre-order’ button only takes you to a sign-up page where Ricoh says you will be notified via email when the Theta Z1 becomes available for purchase.

    Press release:

    RICOH THETA Z1 — a camera that can shoot 360-degree spherical images in a single shot

    Achieving 360-degree still image photo shooting in high-quality 23MP resolution

    TOKYO, February 25, 2019 ?RICOH Imaging Americas Corporation announced today the launch of the RICOH THETA Z1, the latest model from the family of cutting-edge 360-degree cameras. The RICOH THETA Z1 supports approximately 23-megapixels resolution (6720 x 3360 pixels) 360-degree still image photo shooting as a high-end model of the RICOH THETA camera series, which can shoot spherical images in a single shot, giving consumers the opportunity to adventure, discover and capture life in 360.

    Since RICOH launched the world’s first 360-degree consumer camera*1 in 2013, the company has stayed at the forefront of this emerging technology as it continues to evolve, and become an integral tool for the burgeoning industries of virtual reality (VR), social media, business, real estate + more. Exceptional imaging and sleek design come together to deliver unique, expected visuals; a seamless integration into any element of everyday life – business or pleasure.

    The RICOH THETA Z1 is the flagship model of this series, with RICOH deploying exceptional optical and image processing technologies, cultivated through years of high-performance camera development, to pursue its highest resolution and quality to date. The compact main body is equipped with a 1.0-inch back-illuminated CMOS image sensor, enabling approx. 23MP resolution 360-degree still images. It supports a diverse range of shooting modes, such as aperture priority, allowing users to take high-quality images regardless of the setting: outdoors, nighttime, indoors, tropical beaches or snowy mountain views – nothing is off limits. Moreover, it is possible to shoot considerably smooth and immersive 360-degree videos in 4K (3840×1920 pixels) and 30 frames per second (fps) thanks to powerful 3-axis rotational stabilization to compensate for rotational shake.

    The main body of the camera, with a 0.93-inch organic EL monitor and a Function (Fn) button, grants users access to a multitude of information at a glance, including number of possible shots, exposure settings, and more, thus greatly improving the operability of the camera itself. In addition to JPEG, RICOH THETA Z1 now supports Adobe® DNG format (RAW) so that users can enjoy professional image editing as with a general digital SLR camera. Basic performance improvements are most evident in the AndroidTM-based system, which now offers flexibility in number of expansions one can add to the Z1 through the installation of additional plug-ins. The overall functionality of the latest model from RICOH not only meets the high demands of serious photographers, offers an optimal performance for professionals and amateurs alike.

    Opportunities to use 360 images in innovative ways are increasing at a rapid pace. RICOH THETA is heavily utilized in business use cases around the world. Advanced services leveraging RICOH THETA V in real estate and construction are offered by Ricoh Tours, Zillow 3D Home, Matterport Capture, and HoloBuilder JobWalk, and future integrations with these partners services and the new RICOH THETA Z1 are planned.

    RICOH’S THETA Z1 will be available to preview up ahead of its official release at the RICOH Imaging booth during CP+ 2019, the world’s premier show for Camera and Photo Imaging held at PACIFICO Yokohama this February 28, 2019.

    *1 As a mass-produced consumer product capable of capturing the scene around, above and below the device in a fully spherical image (as of October, 2013, based on RICOH research).

    Articles: Digital Photography Review (dpreview.com)

  • Slideshow: World Press Photo announces nominees for its 2019 Photo Competition

    2019 World Press Photo of the Year Nominees

    Editors note: There are images in the above gallery that are considered graphic and explicit in nature. Keep this in mind while looking through the gallery.

    World Press Photo has announced the nominees for its 2019 Photo Contest. The contest, which is in its 62nd year, celebrates the work of photojournalists around the world who have captured profound images that depict defining moments throughout the year.

    78,801 photographs from 4,738 photographers were considered and the 43 nominees hail from 25 countries around the world.

    The nominated photos fall under two headline awards: ‘World Press Photo of the Year’ and ‘World Press Photo Story of the Year,’ the latter of which showcases a series of images from a particular assignment or project from photojournalists around the world. There are eight additional categories, each of which has its own set of nominees: Contemporary Issues, Environment, General News, Long Term Projects, Nature, Portraits, Sports and Spot News. Each of these categories have the sub-categories of single picture entries and story entires with the exception of Long Term Projects, which is a series.

    We’ve rounded up the single picture nominees for each category in the gallery above. Along with the image will be a caption and accompanying backstory provided by the photographers and edited for clarity and brevity by World Press Photo.

    The winning photos and stories will be announced at the World Press Photo Award Show on April 11th in Amsterdam. All winners are chosen from an independent jury from a wide range of photo backgrounds.

    2019 World Press Photo of the Year Nominees

    Victims of an Alleged Gas Attack Receive Treatment in Eastern Ghouta | © Mohammed Badra, European Pressphoto Agency

    Victims of an Alleged Gas Attack Receive Treatment in Eastern Ghouta | © Mohammed Badra, European Pressphoto Agency

    Caption: A man and a child receive treatment after the suspected gas attack on al-Shifunieh, 25 February 2018.

    Story: By February 2018, the people of Eastern Ghouta, a suburban district outside Damascus and one of the last rebel enclaves in the ongoing Syrian conflict, had been under siege by government forces for five years. During the final offensive, Eastern Ghouta came under rocket fire and air bombardment, including at least one alleged gas attack—on the village of al-Shifunieh, on 25 February 2018. Figures are difficult to verify, but Médecins Sans Fronti?res (MSF) reported 4,829 wounded and 1,005 killed between 18 February and 3 March 2018, according to data from medical facilities they supported alone. MSF also reported 13 hospitals and clinics damaged or destroyed in just three days. Reports on the end of the siege in Eastern Ghouta are conflicting, though the Syrian army appear to have recaptured most of the south of the country by July. UNICEF reported the siege of Eastern Ghouta to have ended by late-March, with limited humanitarian access becoming available.

    2019 World Press Photo of the Year Nominees

    Almajiri Boy | © Marco Gualazzini, Contrasto

    Almajiri Boy | © Marco Gualazzini, Contrasto

    Caption: An orphaned boy walks past a wall with drawings depicting rocket-propelled grenade launchers, in Bol, Chad.

    Story: A humanitarian crisis is underway in the Chad Basin, caused by a complex combination of political conflict and environmental factors. Lake Chad—once one of Africa’s largest lakes and a lifeline to 40 million people—is experiencing massive desertification. As a result of unplanned irrigation, extended drought, deforestation and resource mismanagement, the size of the lake has decreased by 90 percent over the past 60 years. Traditional livelihoods such as fishing have withered, and water shortages are causing conflict between farmers and cattle herders. Jihadist group Boko Haram, which is active in the area, both benefits from the hardship and widespread hunger and contributes to it. The group uses local villages as a recruiting ground, and the protracted conflict has uprooted 2.5 million people, exacerbating food insecurity.

    The Lake Chad Crisis was funded by InsideOver.

    2019 World Press Photo of the Year Nominees

    Being Pregnant After FARC Child-Bearing Ban | © Catalina Martin-Chico, Panos

    Being Pregnant After FARC Child-Bearing Ban | © Catalina Martin-Chico, Panos

    Caption: Yorladis is pregnant for the sixth time, after five other pregnancies were terminated during her FARC years. She says she managed to hide the fifth pregnancy from her commander until the sixth month by wearing loose clothes.

    Story: Since the signing of a peace agreement between the Colombian government and the FARC rebel movement in 2016, there has been a baby boom among former female guerillas. Pregnancy was thought incompatible with guerrilla life. Women were obliged to put war before children, leaving babies with relatives or, some say, undergoing forced abortions—a charge FARC denies.

    2019 World Press Photo of the Year Nominees

    The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

    The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

    Caption: An unidentified man tries to hold back the press on 15 October, as Saudi investigators arrive at the Saudi Arabian Consulate in Istanbul, Turkey, amid a growing international backlash to the disappearance of journalist Jamal Khashoggi.

    Story: A critic of the Saudi regime, Khashoggi had been missing since entering the consulate on 2 October to obtain documents. After weeks of rumor and false information, Riyadh announced that Khashoggi had been killed accidentally during an altercation. Turkish authorities and the CIA claimed he had been murdered by Saudi intelligence operatives, working under high Saudi authority.

    2019 World Press Photo of the Year Nominees

    Crying Girl on the Border | © John Moore, Getty Images

    Crying Girl on the Border | © John Moore, Getty Images

    Caption: Honduran toddler Yanela Sanchez cries as she and her mother, Sandra Sanchez, are taken into custody by US border officials in McAllen, Texas, USA, on 12 June.

    Story: Immigrant families had rafted across the Rio Grande from Mexico and were then detained by US authorities. Sandra Sanchez said that she and her daughter had been traveling for a month through Central America and Mexico before reaching the US to seek asylum. The Trump Administration had announced a ‘zero tolerance’ policy at the border under which immigrants caught entering the US could be criminally prosecuted. As a result, many apprehended parents were separated from their children, often sent to different detention facilities. After this picture was published worldwide, US Customs and Border Protection confirmed that Yanela and her mother had not been among the thousands who had been separated by US officials. Nevertheless, public outcry over the controversial practice resulted in President Donald Trump reversing the policy on 20 June.

    2019 World Press Photo of the Year Nominees

    Akashinga – the Brave Ones | © Brent Stirton, Getty Images

    Akashinga – the Brave Ones | © Brent Stirton, Getty Images

    Caption: Petronella Chigumbura (30), a member of an all-female anti-poaching unit called Akashinga, participates in stealth and concealment training in the Phundundu Wildlife Park, Zimbabwe.

    Story: Akashinga (‘The Brave Ones’) is a ranger force established as an alternative conservation model. It aims to work with, rather than against local populations, for the long-term benefits of their communities and the environment. Akashinga comprises women from disadvantaged backgrounds, empowering them, offering jobs, and helping local people to benefit directly from the preservation of wildlife. Other strategies—such as using fees from trophy hunting to fund conservation—have been criticized for imposing solutions from the outside and excluding the needs of local people.

    2019 World Press Photo Contemporary Issues Single Nominees

    Afghan Refugees Waiting to Cross the Iranian Border | © Enayat Asadi

    Afghan Refugees Waiting to Cross the Iranian Border | © Enayat Asadi

    Caption: An Afghan refugee comforts his companion while waiting for transport across the eastern border of Iran, on 27 July.

    Story: UNHCR reports that Iran has almost one million registered refugees, the vast majority from Afghanistan. In addition, more than 1.5 million undocumented Afghans are estimated to be present in the country. Many people fleeing violence, insecurity and poverty in Afghanistan find no alternative but to use illegal traffickers, along routes where they are exposed to robbery, kidnapping and death. Their aim is to pass through Iran and Turkey or Greece to seek a better life elsewhere, but trafficked refugees are highly vulnerable to forced labor, debt bondage, forced marriage, or work in the sex trade.

    2019 World Press Photo Contemporary Issues Single Nominees

    Male Rape | © Mary F. Calvert

    Male Rape | © Mary F. Calvert

    Caption: Former US marine Ethan Hanson bathes at home in Austin, Minnesota, USA, after a sexual trauma experienced during his military service left him unable to take showers.

    Story: During a boot camp, Ethan and fellow recruits were ordered to walk naked through a communal shower while pressed together. Ethan reported the incident, but was harassed by the other men for doing so. Nightmares and panic attacks later forced him to resign. Recent Defense Department figures show sexual assault in the military to be on the increase. Servicemen are less likely than women to report sexual trauma, fearing retaliation or stigma.

    2019 World Press Photo Contemporary Issues Single Nominees

    The Cubanitas | © Diana Markosian, Magnum Photos

    The Cubanitas | © Diana Markosian, Magnum Photos

    Caption: Pura rides around her neighborhood in a pink 1950s convertible, as the community gathers to celebrate her fifteenth birthday, in Havana, Cuba.

    Story: A girl’s quinceañera (fifteenth birthday) is a Latino coming-of-age tradition marking transition into womanhood. It is a gender-specific rite of passage, traditionally showcasing a girl’s purity and readiness for marriage. Families go to great expense, often celebrating with a lavish party. The girl dresses as a princess, living out a fantasy and perceived idea of femininity. In Cuba, the tradition has transformed into a performance involving photo and video shoots, often documented in a photobook. Pura’s quinceañera had a special poignancy, as some years earlier, having been diagnosed with a brain tumor, she was told she would not live beyond the age of 13.

    2019 World Press Photo Environment Single Nominees

    Living Among What’s Left Behind | © Mário Cruz

    Living Among What’s Left Behind | © Mário Cruz

    Caption: A child who collects recyclable material lies on a mattress surrounded by garbage floating on the Pasig River, in Manila, Philippines.

    Story: The Pasig River was declared biologically dead in the 1990s, due to a combination of industrial pollution and waste being dumped by nearby communities living without adequate sanitation infrastructure. A 2017 report by Nature Communications cites the Pasig as one of 20 most polluted rivers in the world, with up to 63,700 tons of plastic deposited into the ocean each year. Considerable efforts are being made to clean up the Pasig, which were recognized by an international prize in 2018, but in some parts of the river the waste is still so dense that it is possible to walk on top of the garbage.

    2019 World Press Photo Environment Single Nominees

    Evacuated | © Wally Skalij, Los Angeles Times

    Evacuated | © Wally Skalij, Los Angeles Times

    Caption: Evacuated horses stand tied to a pole, as smoke from a wildfire billows above them, on Zuma Beach, in Malibu, California, USA, on 10 November.

    Story: The 2018 wildfire season in California was the deadliest and most destructive on record, burning an area of more than 676,000 hectares. While scientists pointed to the vegetation-drying effects of climate change as a cause, US President Donald Trump blamed forest management.

    2019 World Press Photo Environment Single Nominees

    Akashinga – the Brave Ones | © Brent Stirton, Getty Images

    Akashinga – the Brave Ones | © Brent Stirton, Getty Images

    Caption: Petronella Chigumbura (30), a member of an all-female anti-poaching unit called Akashinga, participates in stealth and concealment training in the Phundundu Wildlife Park, Zimbabwe.

    Story: Akashinga (‘The Brave Ones’) is a ranger force established as an alternative conservation model. It aims to work with, rather than against local populations, for the long-term benefits of their communities and the environment. Akashinga comprises women from disadvantaged backgrounds, empowering them, offering jobs, and helping local people to benefit directly from the preservation of wildlife. Other strategies—such as using fees from trophy hunting to fund conservation—have been criticized for imposing solutions from the outside and excluding the needs of local people.

    2019 World Press Photo General News Single Nominees

    The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

    The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

    Caption: An unidentified man tries to hold back the press on 15 October, as Saudi investigators arrive at the Saudi Arabian Consulate in Istanbul, Turkey, amid a growing international backlash to the disappearance of journalist Jamal Khashoggi.

    Story: A critic of the Saudi regime, Khashoggi had been missing since entering the consulate on 2 October to obtain documents. After weeks of rumor and false information, Riyadh announced that Khashoggi had been killed accidentally during an altercation. Turkish authorities and the CIA claimed he had been murdered by Saudi intelligence operatives, working under high Saudi authority.

    2019 World Press Photo General News Single Nominees

    Unilateral | © Brendan Smialowski, Agence France-Presse

    Unilateral | © Brendan Smialowski, Agence France-Presse

    Caption: US President Donald Trump leads France’s President Emmanuel Macron by the hand while walking to the Oval Office of the White House, in Washington DC, on 24 April 2018.

    Story: President Macron’s three-day visit to the United States was the first official state visit of the Trump administration. Unexpectedly, the two presidents’ body language went beyond the norm for such visits, bordering on the intimate. The leaders also praised each other effusively. The 2015 international nuclear agreement with Iran was one of the main topics under discussion. Macron aimed to persuade Trump to adhere to the deal, which limited Iran’s nuclear program in return for a lifting of sanctions, but failed. On 8 May 2018, President Trump withdrew from the agreement, breaking with European allies. The relationship between the two leaders appears to have soured, with Trump later attacking Macron on Twitter.

    2019 World Press Photo General News Single Nominees

    Still Life Volcano | © Daniele Volpe

    Still Life Volcano | © Daniele Volpe

    Caption: The living-room of an abandoned home in San Miguel Los Lotes, Guatemala, lies covered in ash after the eruption of Volcán de Fuego on 3 June 2018.

    Story: Fuego, around 40 km southwest of the capital Guatemala City, is one of Latin America’s most active volcanoes, and has been erupting periodically since 2002. It is monitored by volcanologists, but this eruption came without warning. People living around the volcano, many at Sunday lunch, were surprised by the suddenness of the event, as Fuego spewed red-hot lava, ash, poisonous gases and flaming debris onto villages below. The eruption was one of the deadliest in Guatemala for over a century. Guatemala’s National Institute of Forensic Sciences reported the recovery of 318 bodies, over a third of them unidentified.

    2019 World Press Photo Nature Single Nominees

    Flamingo Socks | © Jasper Doest

    Flamingo Socks | © Jasper Doest

    Caption: A Caribbean flamingo inspects the improvised socks created to help heal its severe foot lesions, at the Fundashon Dier en Onderwijs Cariben, Curaçao.

    Story: The bird was brought by plane from neighboring island Bonaire, after spending a few weeks in a local rehabilitation facility. Such lesions are common among captive flamingos, as they have very sensitive feet and are used to walking on soft ground. After a few weeks of care the bird was transported back to Bonaire There are around 3,000 breeding pairs of Caribbean flamingos on Bonaire, and a further 200 to 300 birds on Curaçao.

    2019 World Press Photo Nature Single Nominees

    Glass Butterfly | © Angel Fitor

    Glass Butterfly | © Angel Fitor

    Caption: A winged comb jelly, Leucothea multicornis, its wings widely opened, propels itself through waters off Alicante, Spain.

    Story: Leucothea multicornis, like other comb jellies, is a voracious predator, capturing its prey using sticky cells rather than by stinging. Little is currently known about the biology of comb jellies. Because the creatures are so fragile and fold their wings in reaction to the slightest vibration, they are extremely difficult to study and to photograph.

    2019 World Press Photo Nature Single Nominees

    Survival Instinct | © Bence Máté

    Survival Instinct | © Bence Máté

    Caption: Frogs with their legs severed and surrounded by frogspawn struggle to the surface, after being thrown back into the water in Covasna, Eastern Carpathians, Romania, in April 2018.

    Story: Frogs legs are frequently harvested for food in the spring, when males and females gather to mate and spawn. Legs are sometimes severed while the animal is still living. Each year, about US$ 40 million worth are sold annually, with countries across the world participating in the trade.

    2019 World Press Photo Portrait Single Nominees

    Black Birds | © Heba Khamis

    Black Birds | © Heba Khamis

    Caption: Jochen (71) and Mohamed (21; not his real name) sit in the Tiergarten, Berlin. Jochen fell in love after meeting Mohamed, then a sex worker in the park. They have been dating for 19 months.

    Story: Prostitution between consenting adults is legal in Germany, and German aid charities have reported a marked increase in the number of young migrants turning to sex work. While they wait for their documents, refugees are not allowed to work legally or attend school. The German government prioritizes assistance to refugees from countries with an ongoing war; those seeking asylum from countries without war are placed in a second category, where papers take longer to complete. This lack of employment opportunity creates a severe lack of choice for many, with some young men becoming sex workers, sometimes to fund a heroin addiction. The Tiergarten, a large park in central Berlin, is a popular meeting spot for male sex workers and older clients. Mohamed now works in a gay bar, and is quitting heroin.

    2019 World Press Photo Portrait Single Nominees

    When I Was Ill | © Alyona Kochetkova

    When I Was Ill | © Alyona Kochetkova

    Caption: Alyona Kochetkova sits at home, unable to face borscht (beet soup), her favorite food, during treatment for cancer.

    Story: Alyona shot this self-portrait following surgery and chemotherapy, when, although she knew the vital importance of food, she struggled to eat. Taking photos was not only a way of sharing a difficult and personal story in the hope that it might support others with a cancer diagnosis, it was also a means of accepting her ordeal by doing what she loved.

    2019 World Press Photo Portrait Single Nominees

    Dakar Fashion | © Finbarr O’Reilly

    Dakar Fashion | © Finbarr O’Reilly

    Caption: Diarra Ndiaye, Ndeye Fatou Mbaye and Mariz Sakho model outfits by designer Adama Paris, in the Medina neighborhood of the Senegalese capital, Dakar, as curious residents look on.

    Story: Dakar is a growing hub of Franco-African fashion, and is home to Fashion Africa TV, the first station entirely dedicated to fashion on the continent. The annual Dakar Fashion Week includes an extravagant street show that is open to all and attended by thousands from all corners of the capital. Adama Paris (who has a namesake brand) is a driving force behind the fashion week, and much else on the design scene.

    2019 World Press Photo Sports Single Nominees

    Sunlight Serve | © David Gray, Reuters

    Sunlight Serve | © David Gray, Reuters

    Caption: Naomi Osaka serves during her match against Simona Halep from Romania during the Australian Open tennis tournament, at Margaret Court Arena, Melbourne, Australia, on 22 January.

    Story: Osaka, who was born to a Japanese mother and Haitian father is now based in Florida, USA, went on to win the tournament. In September, she won the US Open women’s singles, defeating Serena Williams. Over the course of 2018, Osaka rose from number 72 in world rankings to number one.

    2019 World Press Photo Sports Single Nominees

    Shields Strikes Back | © Terrell Groggins

    Shields Strikes Back | © Terrell Groggins

    Caption: Olympic champion Claressa Shields (right) meets Hanna Gabriels in a boxing match at the Masonic Temple in Detroit, Michigan, USA, on 22 June.

    Story: Shields suffered a second-round knock down by Gabriels—the first in her career—but went on to win the match by unanimous decision. Shields is the first American woman to win an Olympic gold medal in boxing, and the first (male or female) to win a gold back-to-back in successive Olympic Games. She has had only one loss in her career, against British World Champion Savannah Marshal, in 2012.

    2019 World Press Photo Sports Single Nominees

    Boxing in Katanga | © John T. Pedersen

    Boxing in Katanga | © John T. Pedersen

    Caption: Boxer Morin Ajambo (30) trains in Katanga, a large slum settlement in Kampala, Uganda, on 24 March.

    Story: More than 20,000 people live in Katanga, crowded together and often in extreme poverty. The boxing club receives no outside funding. From these disadvantaged beginnings, Ajambo, a mother of seven, went on to box in the Ugandan women’s team. Men’s boxing has a long history in Uganda, bur women boxers are often frustrated by the few opportunities to compete at an international level.

    2019 World Press Photo Spot News Single Nominees

    Warning: the above image is graphic in nature. Click here to see the original photo. The Death of Michael Nadayo | © Ezra Acayan

    Warning: the above image is graphic in nature. Click here to see the original photo. The Death of Michael Nadayo | © Ezra Acayan

    The Death of Michael Nadayo | © Ezra Acayan

    Caption: The body of Michael Nadayao lies in the street after he was shot dead by unidentified men in front of mourners at a wake, in Quezon City, Philippines, on 31 August 2018.

    Story: President Rodrigo Duterte began a concerted anti-drug offensive soon after taking office in June 2016, repeatedly ordering increased attacks against suspects. Amnesty International reports that this led to human rights violations, including extrajudicial killings by both civilians and police. A spokesman for the Philippine Drug Enforcement Agency said the campaign had led to 5,050 deaths by December 2018, with Human Rights Watch citing over 12,000. In June, 38 UN member states called on President Duterte to end the killings and probe the causes of the drug war.

    2019 World Press Photo Spot News Single Nominees

    Crying Girl on the Border | © John Moore, Getty Images

    Crying Girl on the Border | © John Moore, Getty Images

    Caption: Honduran toddler Yanela Sanchez cries as she and her mother, Sandra Sanchez, are taken into custody by US border officials in McAllen, Texas, USA, on 12 June.

    Story: Immigrant families had rafted across the Rio Grande from Mexico and were then detained by US authorities. Sandra Sanchez said that she and her daughter had been traveling for a month through Central America and Mexico before reaching the US to seek asylum. The Trump Administration had announced a ‘zero tolerance’ policy at the border under which immigrants caught entering the US could be criminally prosecuted. As a result, many apprehended parents were separated from their children, often sent to different detention facilities. After this picture was published worldwide, US Customs and Border Protection confirmed that Yanela and her mother had not been among the thousands who had been separated by US officials. Nevertheless, public outcry over the controversial practice resulted in President Donald Trump reversing the policy on 20 June.

    2019 World Press Photo Spot News Single Nominees

    Climbing the Border Fence | © Pedro Pardo, Agence France-Presse

    Climbing the Border Fence | © Pedro Pardo, Agence France-Presse

    Caption: Central American migrants climb the border fence between Mexico and the United States, near El Chaparral border crossing, Tijuana, Baja California, Mexico, on 25 November 2018.

    Story: Refugees who were part of a caravan that originated in Honduras in October 2018, began arriving at the border in November 2018 to find a backlog of some 3,000 people waiting to be processed into the United States, and a potential delay of months. This led to rising tensions, and to people breaking away from the caravan to attempt their own entry.

    Articles: Digital Photography Review (dpreview.com)

  • 5 Tips for Better Forest Bird Photography

    The post 5 Tips for Better Forest Bird Photography appeared first on Digital Photography School. It was authored by Samuel Bloch.

    Birds are a delight for the eye, and it’s natural you want to capture them with your camera. However, when you start shooting more and more, you’ll realize that each environment offers challenges, and therefore each requires a unique approach.

    Red-Crowned Parakeet © Samuel Bloch

    Birds are often found in good numbers in the forest, but you’ll find them moving fast into dark places, making photography there truly difficult. Here are a few tips I gathered during my time in the woods; I hope they can help you make the most of your trips there.

    1. Wait for cloudy days

    Light is everything in photography, and bird photography is no exception. Ideally, you’ll want to shoot birds during the golden hour (at sunrise or sunset). However, you’ll face two main obstacles shooting at this time. Firstly, sunrise and sunset may not reach inside the forest, especially if you are in a valley that opens to the north or south. By the time the morning light reaches the bottom, it may be harsh and unflattering. Secondly, forest birds might not be as predictable as, say, waterfowl, and you’ll need much luck to find a bird in the right spot at the right time before light becomes harsh.

    On the other hand, shooting during a sunny day creates too much contrast: leaves catching sunlight turn into bright spots, branches cast ugly shadows on your subject, and in general, all the generic issues with shooting during the day apply in the forest as well…unless you go on an overcast day.

    If it’s a cloudy day, contrast reduces, light softens, and the overall atmosphere will be much more flattering for your subject.

    As an example, here are two pictures of the same bird; a New Zealand Bellbird. The first one was taken on a sunny day and exemplifies all the issues described above. Notice the branch’s shadow over the bird’s face and the bright spots on the tree to the right. I photographed the second image on a cloudy day when the light was softer and more homogenous.

    New Zealand Bellbird on a sunny day © Samuel Bloch

    New Zealand Bellbird on a cloudy day © Samuel Bloch

    2. Embrace high iso

    Under the canopy, it’s darker than in an open area. If you’re shooting on an overcast day, it will be darker than on a sunny day. Therefore, as in every situation, you’ll have to adapt your camera settings.

    The first thing to mention is that you don’t need as high a shutter speed as you think, especially if you have a stabilized lens. If you shoot handheld, the general guideline is to use a shutter speed no lower than the inverse of your focal (i.e., if you’re shooting with a 400 mm focal length, you shouldn’t go below 1/400s). While this is good to keep in mind, you can go down to 1/250s or even 1/200s and still make great photographs! This requires practice, as you need to be very stable, but it’s possible. Birds move fast, but when they perch on a branch, they stay still for only a short time; trigger a burst of shots at the right moment, and you should come up with good frames.

    The other aspect I’d like to focus on is ISO. Again, you can push your ISO much further than you think. I’ve found that if your bird is well in focus, grain is a problem only in the background, where you can easily remove it (with Photoshop for instance).

    As an example, I shoot with a cropped-sensor camera (Canon 7DII), and I’ve heard people with the same equipment tell me they won’t go over ISO800. In the forest, I’m happy to go as high as ISO3200. Of course, you should not expect the image quality to be the same as ISO100, but you can still produce images you’ll like. Full-frame users have more flexibility in that regard.

    Stitchbird shot at ISO3200 with a Canon 7DII © Samuel Bloch

    3. Shoot Aperture Priority with auto ISO

    Birds, especially songbirds, move quickly. You won’t have time to use Manual mode.

    I make the majority of my bird photography with Manual mode, but there’s no shame in using a semi-automatic mode if it helps you create amazing shots! However, you’ll need to help your camera. Let it decide what ISO it wants to use (Auto ISO), but if you can, set a maximum ISO number that the camera won’t overrun (I use ISO3200 on a Canon 7DII). You can also set a minimum shutter speed, to prevent your camera from going too low there.

    The aperture is the only thing you need to decide. Personally, with a Canon 100-400mm II, I prefer to shoot at f/6.3 because I find it sharper than when it’s wide open. However, in very dark conditions, I go down to f/5.6 (the minimum at 400mm). Remember the wider, the brighter.

    North Island Saddleback © Samuel Bloch

    North Island Robin © Samuel Bloch

    Once you’re set up, start shooting and keep an eye on your screen. You can play with Exposure compensation to adjust your exposure; I often like to underexpose by one or two-thirds of a stop, but it depends on the conditions.

    4. Mind your background

    Because you’re shooting in Aperture priority mode, you have more time to work on composition. Your image has more impact if you can draw the viewer’s eye directly to your subject (the bird), so it is good to limit distracting elements. A clean, smooth background is one way to achieve that. It doesn’t have to be uniform. Some color patterns can be pretty, but branches and foliage should not be recognizable (at least, not too much!) The best way to create such a background is to be close to your subject while the background is far away. The further the bird, the harder it will be to obtain this clean background.

    New Zealand Bellbird © Samuel Bloch

    The other trick you can use for composition is framing: use out-of-focus branches and leaves to surround the bird and direct your viewer’s eye. Again, on an overcast day, these elements look soft and pleasant, while they can be harsh and distracting on a sunny day, as they catch the sunlight.

    Juvenile New Zealand Bellbird © Samuel Bloch

    5. Anticipate

    Forest birds move fast. You can’t expect them to stay on a perch for ten seconds for you to fine-tune your shot. One second, maybe two, and they are gone.

    Therefore, you need to anticipate. Keep your camera up, at the ready. When you spot a bird, try to guess in which direction it will move next, and position yourself to maximize opportunities there. Study the possible perches, and choose those with the most favorable background. Prepare yourself to shoot when the bird lands on these perches.

    The approach above can be a gamble, especially if you don’t know the birds. It pays to regularly watch birds to learn their habits. It also pays to visit a place time and again, to learn it, to know where to find each bird, what area they like, and what perches they favor.

    Rifleman © Samuel Bloch

    You may want to set up a hide, but it is also valuable to stay mobile. Forest birds are not necessarily shy. Move slowly, and they may grace you with fantastic encounters. Then, it’s up to you to make the great pictures happen! Good luck!

    Conclusion

    If you can’t find birds at sunrise or sunset, elect to shoot on a cloudy day. It will be dark, so you have to adjust your settings – don’t fear high ISO! Aperture Priority mode gives you more time to work on your composition (mind the background!), and if you take time to observe the birds, you will be rewarded with fantastic photo opportunities.

    The post 5 Tips for Better Forest Bird Photography appeared first on Digital Photography School. It was authored by Samuel Bloch.


    Digital Photography School

  • SLC-OE-06 Chocolate Box Studio

    I am happy to announce my brand new studio. It features hardwood floors and a seamless, backlit ceiling as its primary light source.

    Sadly, like many studios, this one is a little on the small side: it measures exactly one cubic foot. But that's fine, as this workspace was designed specifically for one subject: chocolates.

    Today, we'll be harkening back to the roots of this website, namely working with cardboard and glue to solve a problem for next to nothing. Read more »
    Strobist

  • Skylum announces development of AirMagic drone imaging software

    Skylum software, the company behind the Luminar and Aurora HDR applications has announced it is developing a dedicated software for enhancement of aerial images captured with drones.

    The application for Windows and Mac will be called AirMagic and is AI powered “to transform photos made with a drone from great to breathtaking.” It will become available sometime in spring.

    Looking at the teaser video above AitMagic is capable of detecting what drone camera an image has been captured with. It can then scan the scene for haze, skies, and presumably other image elements and artifacts, before automatically adjusting exposure, color and other parameters for an optimized end result.

    It looks like AirMagic will be targeted at users who prefer automated enhancement over manual optimization but we’ll hopefully know more in the near future. No information on pricing has been released yet.

    Articles: Digital Photography Review (dpreview.com)

  • 15 Common Portrait Mistakes to Avoid

    The post 15 Common Portrait Mistakes to Avoid appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

    Creating portraits is challenging for many photographers, for many different reasons. There can be so much involved in making a portrait of someone that it’s easy to make mistakes.

    To make great portraits you need to be concentrating on more than just your camera settings. (I believe this is true for all photography.) You have to make sure the lighting is right, the background is suitable and wardrobe and props are on hand if needed. Most of all, you must give your attention to the person you are photographing.

    Cleaning Dispute 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    Juggling all this is not easy, especially when you have little or no experience.

    Practising taking portraits of someone you know, who enjoys being photographed, is a fabulous way to gain experience. Working with the same person for more than one or two portrait sessions will help you develop the skills you need.

    As you begin you will most likely make some or all of these common portrait mistakes. Being aware of them can help you avoid making them.

    1. Poor composition

    The most common portrait mistake I see people on our workshops making with portraits is leaving too much space above the subjects head. Emptiness above someone usually does nothing for the look and feel of the photo.

    Unless there’s significant information above a person, crop in more tightly to the top of their head.

    Red Head Scarf 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    2. Distracting background

    Having too much detail in focus behind your subject can draw attention away from them. Be careful about how you position your subject.

    Also, make your lens choice thoughtfully. Using a longer lens will reduce the amount of background in your frame.

    Woman Buying Chilli Peppers 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    3. Subject too close to the background

    Don’t get your subject to sit or stand right up against the background. If it’s a busy scene your subject may be overwhelmed and end up not being the main focus. Even with a fairly plain background, it’s often best if you separate your subject from it.

    Smart Phone Photo 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    4. Not enough in focus

    You may be tempted to open your aperture to the widest setting so you can blur out a distracting background. Be careful doing this that you maintain enough in focus on your subject.

    Blurring the background may also mean blurring your subject more than what really looks good.

    Market Porter 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    5. Out of focus eyes

    If your subject has eyes, focus on them. This is one photography rule I stick to, most of the time. It’s not often a portrait with the eyes out of focus looks great.

    When your subject is facing directly at the camera it’s easy to get both eyes in focus. If their head is turned to one side you need to focus on the eye closest to the camera.

    Akha Friends 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    6. Slow shutter speed

    People move. You need to choose a fast enough shutter speed to freeze your subject. Even if they make a slight movement it can result in a blurred photo if your shutter speed is too slow.

    1/250th of a second is usually fast enough. Slower than this and you may have problems.

    Dreadlocks 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    7. Poor lighting

    Modern cameras can take photos when there’s next to no light, so it’s easy to get it wrong.

    With portraits, it’s most important to have the right lighting for the mood you want to create in your photos. Hard, high contrast lighting is not good when you want a soft, romantic looking portrait. Equally, soft light will not help you create drama in a photo of a person.

    Muddy Ceramic artist 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    8. Bad timing

    Capturing the right expression will flatter your subject. If you don’t, they may be reluctant to let you photograph them again.

    Careful timing can make or break a portrait. Waiting and watching a person’s face for the right time to press the shutter button is vital. Most people will not stare into your camera without changing their expression. You need to be ready when they look their best.

    If you’re photographing someone who is blinking a lot you need to time your photos in between blinks.

    Buddhist Monk Yard Work 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    9. Not taking enough photos

    You need to take plenty of photos. Not taking enough photos will frustrate you when you are editing, because you will have too few to choose from.

    Try to capture a range of expressions. Don’t just sit with your camera on burst mode filling your card up with nearly identical images. Aim to create a good variety. This will please your subject as it will allow them to make their selections more easily.

    Man Studio Portrait 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    10. Taking too many photos

    Finding the balance between not enough and too many photos can be difficult. This will depend a lot on your subject.

    Some people will be more comfortable being photographed for a longer period of time than others. You need to be aware of this. If your subject is getting bored or agitated because you are taking too long or taking too many photos, this will show in their face. Your results will suffer for it.

    Man Studio Portrait 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    11. Failing to connect with your subject

    Connecting well with the person you are photographing is one of the most important aspects of portraiture. So many photographers spend more time and attention connecting with their cameras. This is a big mistake during a portrait session.

    Building a rapport with your subject, even if you only have a few minutes, can make the biggest impact on your resulting photos.

    When your subject is relaxed with you and happy, you will get better pictures of them. Your manner and the way you interact with them is vital.

    Vege Vendor 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    12. Not giving your subject enough direction

    Communicate clearly what your intention for the portrait session is. What type of picture does your subject want? What kind of image do they want to portray?

    When you know what they want, you will know what you have to achieve. If they do not understand what you are asking them to do, show them. Put your body, hands, face, just how you want them to look and they can mimic you.

    Rag Doll Girl 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    13. Feeling like you are imposing

    This is common with photographing strangers. Many street photographers prefer candid portraits because they do not want to impose on people.

    Standing back with a long lens on will not often produce an intimate portrait. You need to change your thinking and consider that what you are doing when you take someone’s photo has got the potential to bless them.

    Akha Woman Laughing 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    14. Not being confident

    If you are self-conscious and not confident this will generally be reflected back to you by your subject.

    Having a calm, confident manner when you are making portraits will enhance both their experience and yours.

    You don’t need to put on a show, but just be relaxed and assured that you are creating good photographs.

    Pretty Asian Karaoke Singer 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    15. Rushing to get finished

    Take your time. It’s not a race.

    Give yourself space to concentrate well on what you are doing. Make sure you are getting what you want and your subject is more likely to be pleased with your pictures.

    Boy With A Note Book 15 Common Portrait Mistakes to Avoid

    © Kevin Landwer-Johan

    Conclusion

    It takes practice. Like learning to do anything well, it takes concentrated perseverance to succeed. This is why it’s good to practice making portraits with someone you know who is willing to be photographed.

    Know your camera, be confident with it and with your subject and you will learn to make wonderful portraits.

    When I started out as a photographer I found it incredibly difficult to photograph people. I was shy and lacked confidence. It was hard work, but over the years I have come to really enjoy the art of portraiture.

    Do you have any other tips or portraits you’d like to share? If so, do so in the comments below.

     

    The post 15 Common Portrait Mistakes to Avoid appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


    Digital Photography School