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Video: This rare projector lens has been deemed the ‘Swirly Bokeh Emperor’

22 Aug

Photographer Mathieu Stern of the Weird Lenses Museum has published another video showcasing an old projector lens used with a 3D-printed adapter to shoot a video featuring beautiful, crazy — and in this case, swirly — bokeh.

As with the projector lens video Stern published earlier this year, the latest project involves an old projector lens designed for cinema projectors. Stern explains on YouTube that he paid €2 for the lens at a flea market, later determining that it is an ‘extremely rare’ Cinestar 75mm F1.9 model.

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New video is on YouTube ! Reviewing an insane swirly bokeh lens ( DIY) Check the link in my bio to see my YouTube channel #vintagelens #bokeh #bokehphotography #bokeh_kings #swirlybokeh #bokehphotofan #igersparis #bokehlicious #swirly #portraitmode #green

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Stern used a 3D-printed adapter to insert the lens into a helicoid ring, enabling him to focus the lens. The ring was then used with an M42 to E-mount adapter for use with a Sony A7III camera. The result, Stern says, ‘Is the most amazing swirly bokeh I [have ever] seen.’

Stern showcases a number of unusual lenses on his website, including one that he made using ice from an iceberg.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 announces upcoming Photo RAW 2020 update, two mobile apps and ON1 Sync

22 Aug

ON1 has announced the impending release of ON1 Photo RAW 2020 as well as three new products: ON1 Video, ON1 Photo Mobile and ON1 Sync Service. ON1 says in its press release that ‘in the coming months’ it will launch a ‘complete line of photo and video products to all levels of photographers providing an integrated creative workflow.’

ON1 Photo RAW 2020

The first product to arrive is ON1 Photo RAW 2020, a successor to ONE1 Photo RAW 2019 that brings with it new AI-powered features and more. Specifically, ON1 says Photo RAW 2020 will feature ‘AI Match and AI Auto, four filters in Effects (Weather, Sun Flare, Color Balance, Channel Mixer), Custom Camera Profiles with X-Rite, SmugMug integration, improved noise reduction, a map view, a Print Module, and significant speed/performance enhancements.’

Additionally, ON1 Photo RAW 2020 will be available in eleven languages for the first time, including English, German, Spanish, French, Japanese, Korean, Simplified Chinese, Russian, Portuguese, Italian and Dutch.

ON1 says it plans to release a public beta for Photo RAW 2020 in ‘mid-September’ 2019. ON1 Photo RAW 2020 is available to pre-order as the full version for $ 99.99 and an upgrade for Photo Raw 2019 users for $ 79.99.

ON1 Photo Mobile 2020 App

ON1 has also announced it will soon release ON1 Photo Mobile 2020, an Android and iOS app that will allow you to both capture and edit Raw photos on your mobile device. According to ON1, the app ‘will allow you to capture raw photos on your smartphone using the pro-level controls you are familiar with on your interchangeable-lens camera.’ In addition to capture, it will provide basic editing tools to adjust the captured images.

ON1 Sync

Alongside the ON1 Photo Mobile 2020 app, ON1 has announced ON1 Sync, an optional service that makes it possible to ‘view and edit photos on all your devices without requiring you to store them in the cloud or a closed system.’

The optional add-on for ON1 Photo Mobile 2020 will sync albums, presets and more between devices. ON1 doesn’t elaborate on how exactly it’ll work, but says ‘You can store your photos on your desktop or laptop computer, an external hard drive, in any of the popular cloud services or on your mobile devices, and you can still access them from anywhere.’

ON1 also emphasizes its priority on privacy, saying using the ON1 Sync service won’t grant ON1 any additional rights to the content, nor will the company ‘have permission to use your photos for image analysis or any sort of marketing purposes.’

ON1 Video 2020

Last but not least, ON1 has announced ON1 Video 2020, a new video editing application that it says was ‘explicitly designed for the photographer.’ ON1 says it ‘will be a simple, yet robust video editor’ with tools for enhancing, tripping, editing audio, grading and sharing videos. ON1 says ON1 Video 2020 will work seamlessly with ON1 Photo RAW 2020.

A public beta for ON1 Video 2020 is expected mid-November with a final release timeframe of ‘early 2020.’

Articles: Digital Photography Review (dpreview.com)

 
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Instagram says viral meme about new content ‘rule’ is a hoax

22 Aug

Instagram has dismissed another viral spam image that is circulating on its platform, this one claiming that, starting tomorrow, all user content will be made public (including deleted messages) and that the company will be able to use images against users in court. Instagram brand communications manager Stephanie Otway told WWD, ‘There’s no truth to this post.’

The image has gone viral thanks to, in part, accounts with large numbers of followers that reshared the claim, including ones belonging to musicians, actors and politicians. The image tells viewers that they must reshare the meme to prevent Instagram from using their images and other account details, but doing so is pointless and only helps surface the spam content.

This isn’t the first time claims related to user content have gone viral on social media. Facebook was forced to address similar claims in 2012 and again in 2015, for example. Instagram details the information it gathers on users and how it utilizes that information on its official Data Policy.

Articles: Digital Photography Review (dpreview.com)

 
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Moment launches 37mm Cine filters and mount for use with smartphone cameras

22 Aug

Mobile photography company Moment has launched a new 37mm Cine filter set for smartphones, including a compatible mount. Though Moment already offered a series of filters, those products were designed for the company’s mobile lenses. The new 37mm Cine filter set, however, is made for use with a phone’s camera using its native lenses.

The new filter mount is designed for use with Moment’s existing smartphone cases for iPhone, Pixel, OnePlus, and Galaxy models. Users who don’t already have a Moment phone case can order the new 37mm Cine filters and mount in a bundle that features a phone case, 37mm ND filter and 37mm CPL filter. This bundle costs $ 99.96 USD.

The new 37mm Cine CPL phone filter set is available with the mount and CPL filter for $ 49.98 USD, plus there’s a 37mm Cine ND filter set with the mount and ND filter for $ 39.98 USD. Both new filters are scratch-resistant and feature hydrophobic, anti-static, anti-reflective, color-corrective coatings.

The filter mount will work with any 37mm filters and the filters with any lenses with a 37mm filter thread, according to the company. The entire 37mm Cine filters and mount line is available now from Moment.

Articles: Digital Photography Review (dpreview.com)

 
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X-Rite’s i1Photo Pro 3 Plus profiler can calibrate for difficult surfaces, brighter displays

22 Aug

Calibration tool manufacturer X-Rite has announced an updated i1Photo Pro profiler that it says is designed to provide greater accuracy when measuring from heavily textured and high gloss papers. The professional-grade i1Photo Pro 3 spectrophotometer has a larger measuring aperture to compensate for imbalances caused by uneven surfaces and uses a polarizer to cut through reflections on high-gloss papers and on textured surfaces such as canvas.

The profiler is also now able to read from much brighter displays when performing screen calibrations, with a maximum of 5K NITs allowed for. The i1Photo Pro 3, along with the i1Profiler software, can also be used to emulate M0, M1 and M2 conditions after a single scan to demonstrate how images will look under various types of lighting when optical brighteners are present in the target paper.

X-Rite says the device has been developed in response to the broadening of the range of surfaces now being printed on, and the increasing brightness and resolution of backlit displays.

X-Rite has also launched a new calibration table for those really serious about print accuracy. The i1iO Automated Scanning Table allows automated patch reading for reflective and transparent materials, and can work with a thickness of up to 33mm.

The X-Rite i1Photo Pro 3 Pro costs $ 2199/£1750, while the i1iO Automated Scanning Table costs $ 2995/£2400. For more information see the X-Rite website.

Press release:

X-Rite Now Shipping i1Photo Pro 3 Plus

The new i1Photo Pro 3 Plus from X-Rite is an ultra-precise spectral colour measurement solution that is optimised for Colour Perfectionists who print digitally on a wide range of specialised materials and surfaces.

Birmingham, UK, 15th August 2019 – X-Rite Incorporated, the global leader in colour science and technology, is now shipping the new i1Photo Pro 3 Plus, a spectral colour measurement solution specifically designed for professional photographers who print on challenging textured and glossy photo media looking for the most accurate colour in their RGB print workflows. i1Photo Pro 3 Plus combines the new i1Pro 3 Plus spectrophotometer and i1Profiler software to deliver the ultimate professional-level colour management for displays, projectors, scanners, RGB printers and cameras.

Current profiling solutions are limited in their ability to measure textured, rough, or uneven surfaces and cannot accommodate various material thicknesses. Many devices do not have the resolution required to ensure the highest colour quality when printing detailed patterns, metallic effects, or photography images. This leads to costly colour errors and rework, which impacts a photographer’s bottom line.

“The i1Photo Pro3 Plus builds on the success of the i1 Family and removes the variability to create accurate ICC profiles on a broader range of photographic materials,” said Liz Quinlisk, Photo and Video Business Unit Manager, X-Rite. “Photographers will see the immediate value by incorporating the i1Photo Pro 3 Plus into their RGB print workflow, resulting in more accurate, repeatable colour and improved shadow detail, as well as a reduction of waste and an increased return on investment.”

New in the i1Pro3 Plus spectrophotometer:
Larger 8mm aperture supports new materials and substrates used in digital printing.

Polarisation Filter (measurement condition M3) that reduces specular highlights and shadows to provide “better blacks” and richer colours on rough surfaces and glossy media, like canvas prints and fine art photo papers.

High Brightness Measurement up to 5K NITs for ultra-bright displays.

Simultaneously measure M0, M1 and M2 in a single pass to account for optical brighteners so photographers can quickly predict how colours printed on optically brightened substrates will look under different lighting conditions.

New LED illuminant that improves device reliability. The i1Pro3 Plus allows for four measurement conditions (ISO 13655 M0; M1: D50; M2: UV Excluded, M3Polarised).

Transmission scanning support for backlit materials.

Longer scanning ruler to support wider charts.

“We are used to seeing bumpy shadow measurements from unpolarised devices on glossy textured media like canvas. With the new polarisation feature in the i1Pro 3 Plus, our M3 measurements are dramatically smoother in the shadows – perfect in fact,” commented Scott Martin, Founder, Onsight, a leading workflow consultant for print, prepress, design and photography.

New X-Rite iO Table
In addition, X-Rite announces a new i1iO Automated Scanning Table that supports the i1Pro 3 Plus hardware. This hands-free test chart reader offers automated colour profiling on a variety of substrates with reduced risk of colour measurement errors. It is ideal for colour perfectionists who want to speed up and automate the measurement process and eliminate manual strip reading. The new i1iO table can be used with a variety of materials including canvas, textiles, ceramics, corrugated, etc. and supports materials up to 33mm thick, with the optional z-axis spacer. It also supports transparencies and backlit materials.

Additional i1Pro 3 Plus Solutions
In addition to i1Photo Pro 3 Plus, X-Rite is now shipping these new i1Pro 3 Plus solutions:
i1Basic Pro 3 Plus – includes monitor calibration and quality control for monitors and printers
i1Publish Pro 3 Plus – includes CMYK+ printer module and all features of i1Photo Pro 3 Plus

Articles: Digital Photography Review (dpreview.com)

 
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Nikon SnapBridge 2.6 update brings Raw image transfer support to Android, iOS

21 Aug

Nikon has released SnapBridge version 2.6, finally adding support for Raw (NEF/NRW) image transfers when shooting with Nikon’s WiFi-enabled camera models. The addition finally enables users to wirelessly transfer Raw images from a camera to a smartphone or tablet, something users have been seeking for years.

In addition to Raw transfer support, SnapBridge 2.6 has added a number of smaller changes, including faster transfer of 2MP images, DSLR camera control for settings like shutter speed and aperture, simplified and faster pairing, an updated app design, a power-saving mode and location data with user-selectable accuracy.

SnapBridge 2.6 is available now on both Android and iOS. Nikon has shared videos detailing how to set up SnapBridge with both Android and iOS on its website.

Articles: Digital Photography Review (dpreview.com)

 
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What is the Essential Underwater Photography Equipment for Beginners?

21 Aug

Photography is a very appealing hobby and  many people will be tempted to capture their holidays and all the places they’ve visited. This is one of the best opportunities to bring your camera underwater and do some unique photography with amazing results.  With underwater equipment, you can capture reefs, go snorkeling, get pictures of fish, capture shipwrecks, and so on. Continue Reading

The post What is the Essential Underwater Photography Equipment for Beginners? appeared first on Photodoto.


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Sony FE 35mm F1.8 Review

21 Aug

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Silver Award

88%
Overall score

As Sony’s full-frame mirrorless lens lineup has grown, there is a certain irony that as the company started on churning out some really, really good lenses, like the 12-24mm F4, the 24mm F1.4 and the eye-searingly sharp 135mm F1.8, a large portion of Sony’s customer base was yearning for something much simpler. And much smaller. And cheaper. For a couple of years, “I just want a 35mm F1.8!” was one of the most oft-posted comments underneath our Sony lens coverage.

Finally, on July 9th in the year of our Lord 2019, Sony answered those users’ prayers and released the FE 35mm F1.8. And peace did fall across the land, and there was much rejoicing – for about five minutes until we all found something else to complain about.

Product images by Dan Bracaglia, all other photographs by Rishi Sanyal unless otherwise noted.

Key specifications:

  • Compatibility: Sony E-mount (full-frame and APS-C)
  • Focal length: 35mm (52mm equiv. on APS-C bodies)
  • Maximum aperture: F1.8
  • Minimum focus: 22cm (8.7″ – max magnification 0.24X)
  • Construction: 11 elements in nine groups (incl., one aspherical)
  • Weight: 280g (10 oz)
  • Dust and weather-resistant
  • Diameter / Length: 66mm x 73mm (2.6″ x 2.9″)

The FE 35mm F1.8 joins the FE 20mm F2 and FE 85mm F1.8 in the non-GM, non-G lineup, and shares some similarities with both earlier lenses. You won’t find any fancy exotic glass inside the 35mm F1.8, and Sony doesn’t claim that these lenses are up to the GM standard of durability when it comes to weather-sealing, but they’re sharp, small-ish and relatively affordable primes, all coming in at under $ 800 MSRP.

You’ll find just one unconventional piece of glass inside the FE 35mm F1.8 – an aspherical element, towards the rear of the lens.

Placing the focusing optics at the rear of the lens allows optical designers to greatly reduce focus breathing.

The FE 35mm F1.8 is the priciest of the bunch, at $ 750. This is noticeably more expensive than the film-era 35mm F1.8 lenses of yore, but as we’ll see, just like the recently-reviewed Nikon Z 35mm F1.8 S, it belongs to a new generation in more ways than just one.

The Sony FE 35mm’s size, weight and cost make it a perfect companion to the A7 III, but it’s equally at home on the higher-resolution sensor of the A7R III and A7R IV. In fact, – spoiler alert – we’d recommend it over the costlier Sony Distagon T* FE 35mm F1.4 ZA for almost every use-case.

Articles: Digital Photography Review (dpreview.com)

 
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3 Easy Tips for Photographing Details in a Scene

21 Aug

The post 3 Easy Tips for Photographing Details in a Scene appeared first on Digital Photography School. It was authored by Lily Sawyer.

Regardless of the type of event I photograph, I ALWAYS photograph details. Why? Because details help tell the story of an event that nothing else can. Details aid the recollection of memories: words and conversations, scents and aromas, spoken and unspoken emotions. Details also help cement these memories in our brains.

photographing-details-in-a-scene-lily-sawyer

Newborns grow so fast and often parents are exhausted beyond belief. Photographing details helps them remember the sweet moments, especially of those first days. The first tuft of hair, the tiniest fingers, milk spots, windy smiles, hospital tags, first baby hats, and mittens. Captured in details, these moments can be cherished more often and for much longer.

Wedding days go in a total haze for many a couple. All the weeks and hours they have put into planning the decorations and color scheme down to the minutest detail and they don’t even have a moment to fully appreciate them on the wedding day. I carve out time to capture hundreds of detail photos during a wedding. They are just as important as all the other photojournalistic and documentary captures of people and events unfolding on the day.

dps-3-tips-capturing-details-lily-sawyer-photo

You don’t need to have an expensive kit to take some good, solid photos. All the photos in this article were intentional snapshots taken during a day trip with me as a tourist. No flashes, just a camera, a 60mm fixed lens and an observant eye looking for details.

Here are 3 tips I find helpful when photographing details:

1. Storytelling

Photographs are no doubt one of the most visually exciting ways to tell a story, so tell it well using photographs of details.

Let’s consider the five elements of a story to help us communicate it effectively: setting, characters, plot, conflict, resolution.

Below is a series of photographs I shot with intent to tell a simple short story (real captures and not staged) with the above elements in mind.

Setting

photographing-details-in-a-scene-lily-sawyer

Conflict

photographing-details-in-a-scene-lily-sawyer

Characters and Plot

photographing-details-in-a-scene-lily-sawyer

Resolution

photographing-details-in-a-scene-lily-sawyer

This is just a simplistic way of showing you how a story can be captured beautifully in details. The setting is in Copenhagen on a soaking wet and cold day. It had been heavily raining for a good while. Droplets have collected on the bridge adorned with love locks. It’s summer (as seen on the date in the newspaper), and the map is sodden. Somewhere nice and cozy to dry off and relax would be welcome. A girl wrapped in a thick blanket browses the menu. Hot cocoas put a big smile on the children’s faces. It’s a happy summer once again.

2. Composition

a. Rule of Thirds

The rule of thirds is probably the most well-known and popular composition techniques. It is also my favourite and the easiest that comes to me. The frame is divided into thirds horizontally and vertically. Where the sections intersect are the strongest points where your main image or interest in the image should be placed.

dps-3-tips-capturing-details-lily-sawyer-photo

This is illustrated above left where the yellow building occupies two-thirds of the space and one third on the left is the overcast sky. In the above right image, the two buildings intersect on a third of the frame. The point of the small tower is positioned about a third from the bottom of the image and a third from the left.

Plain snapshots like these look stronger with this rule of thirds composition.

dps-3-tips-capturing-details-lily-sawyer-photo

Can you see how these two images above use the rule of thirds composition?

b. Symmetry/centred

Another favorite of mine is symmetry; where the main point of interest in the image is placed at the center of the frame. A central composition accentuates the importance of the subject and emphasizes its superiority.

dps-3-tips-capturing-details-lily-sawyer-photo

The image above shows the fish at the center and two symmetrical areas on either side of it. More symmetry – the tables and chairs and the windows on either side – strengthens this image further. You can feel the solidity of the structure because of the centered composition.

c. Fill the Frame

As with the above, filling the frame strengthens composition and makes the viewer focus intensely on the subject without unnecessary distractions. The viewer can explore details that otherwise would be lost had the image not filled the frame and cropped distractions. Filling the frame is an effective way of highlighting a point of interest and telling its story from much closer.

dps-3-tips-capturing-details-lily-sawyer-photo

d. Depth and foreground interest

Photographs are two dimensional in nature. Many images only show the subject and background. Including foreground adds a third dimension to the space. It increases its depth and makes the viewer feel as if they are on the outside looking in. I use this technique for anything and everything: portraits, objects, or action.

A foreground interest also invites the viewer to explore other elements in the image and look deeper into the other areas of the frame, not just first thing that meets their eye. Because you are inviting the viewer’s eye to move around the image, you make your image more dynamic.

dps-3-tips-capturing-details-lily-sawyer-photodps-3-tips-capturing-details-lily-sawyer-photo

3. Angles

Change your point of view

We see virtually everything at eye level. We often walk around with our faces looking forward not upwards, downwards or sideways. So whenever we change our point of view into a bird’s eye view or worm’s eye view or perspective, we find ourselves seeing new interesting things in common and familiar objects. It’s something I always try to remind myself when shooting: look up, look down, look right, and look left.

In the image below, you can see I’ve also combined this bird’s eye view with the symmetrical composition and the rule of thirds.

dps-3-tips-capturing-details-lily-sawyer-photo

Perspective and leading lines

Something as mundane as a bird on a bench can be captured with a touch more interest by moving a few steps sideways and photographing it from a perspective viewpoint. Doing this is making use of the line of the bench to lead the viewer’s eye to the bird – the focal point of the image.

I didn’t want to get too close lest I scared it away. It caught my eye because I thought it was a crow. Then I noticed it was wearing some white feathers like a cardigan on its black body. Look out for leading lines, whether they be straight like benches, rails and fences, or curvy like windy paths, a stream of water or patterned tiles on pavements.

dps-3-tips-capturing-details-lily-sawyer-photo

Conclusion

I find photographing details exciting, mentally challenging, and thoroughly enjoyable. It keeps me on my toes, especially when I try to tell a story. I feel a sense of achievement when I’m happy with the results. I hope you try it sometime if you haven’t yet.

If you have any tips for photographing details, do share them in the comments below.

 

photographing-details-in-a-scene

The post 3 Easy Tips for Photographing Details in a Scene appeared first on Digital Photography School. It was authored by Lily Sawyer.


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Woodstock photographer shares what it was like to photograph the 1969 music festival

21 Aug

Henry Diltz, an official photographer of the Woodstock music festival held in August 1969, has detailed his experience in a new six-minute video produced by Keeper and directed by Scott Hanson. Diltz captured thousands of photos during the three-day festival, which was attended by nearly half a million people.

‘It’s almost every day now, people are asking me to interviews, about Woodstock, to use my photos, and my remembrance of it,’ Diltz says in the new short film. The photographer explains how he landed the job, revealing that he was only able to attend the event thanks to lighting director Chip Monck, who sent Diltz a plane ticket and $ 500.

Unlike other photographers who attended the music festival, Diltz explains that he was allowed to shoot from a walkway built for the film crew, putting him directly in front of the concert stage. It’s from this position that Diltz was able to capture iconic photos of renowned artists, including one he says he managed to capture with all four members of The Who in the same image, something that was difficult using his widest lens.

Articles: Digital Photography Review (dpreview.com)

 
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