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Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

22 Sep

The post Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop appeared first on Digital Photography School. It was authored by Jackie Lamas.

There is probably nothing worse than hearing a coffee grinder whirl up as you talk to your potential clients. While coffee shops can seem like an ideal and neutral location for a meet up with a client, it can also be distracting. Here are some other locations for photography pre-consultations with a client.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

1. Vendor office space

As photographers, we work with lots of different vendors that are close by and that over time, we can even become friends with.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Find a vendor that has an office or retail space and ask them if you can rent the space to hold your pre-consultations. Perhaps they have a small office they don’t use or a large open floor plan where you can hold your meetings.

You could even swap the rent with free sessions or artwork for their space. This will also bring more business into their space while you get to hold your pre-consultation without distractions and in a beautiful space.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Be sure to keep your samples or products that you plan on showing during your pre-consultation. If you can, talk your vendor friend into letting you use a corner where you can set it up just right for your meetings.

It will leave a much bigger impact than you have invested in making friends with other vendors you trust enough to hold your meetings there.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Clients will feel more comfortable and be able to ask their questions and get all information without the barista yelling out names and coffee orders.

2. In your own home

Many photographers don’t have a designated studio space, which means that you probably work from a desk somewhere in your home.

Having a pre-consultation, in-person sales appointment, and any other general client meetings, in your home means that you’re able to control the impression you leave on your clients.

Locations-for-Photography-Pre-Consultations

Designate a space in your home where your clients will be able to sit and talk with you comfortably. Have your products all ready to go, and perhaps some candles or incense burning to create a nice ambiance.

Bringing clients into your own home also builds more trust between you and the client. You have all your products right at your fingertips along with any beverages and snacks to offer your client.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Also, you can use your television as a screen to preview photos, show a slideshow of your work, and even play music in the background.

3. In your client’s home

If don’t feel comfortable having consultations in your home, you can offer to hold the pre-consultation at your client’s home.

This can be really convenient if your client has small children and you need to work around their schedule. Also, this will allow you to view locations for wall portraits and various products that your client perhaps may not have thought of prior to the pre-consultation.

Locations-for-Photography-Pre-Consultations

You can take your products, laptop, or have a printed product guide for your clients to view while you sit in their living room chatting about ideas for their upcoming session.

Ask your clients if they feel comfortable with a pre-consultation visit and offer them free measuring for wall portraits while you’re there. This might give them the incentive to have a consultation at their home.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Take note of their design style, color schemes, and architecture. This can be really helpful when you do an in-person sales appointment and you’ve correctly matched frames that fit perfectly into their already decorated home.

4. At the venue/location

For wedding clients, the perfect location where you can meet is at the location where the couple will be getting married, if possible.

Locations-for-Photography-Pre-Consultations

Walking the location can also be a good time to look for photo spots that would work perfectly for the day of wedding portraits. You can walk through and get an idea of their style, and it makes the meeting a little less formal.

For portrait sessions, you can choose a favorite location like a park that you have used before where a bench and seating are available. This is because you might be meeting with clients with their children, or you might want to show them your portfolio on your laptop or phone and your products.

Locations-for-Photography-Pre-Consultations

If the weather is comfortable, use an outdoor space that you particularly like that isn’t heavily crowded, like a plaza or benches where you can talk with your clients comfortably.

Remember, some of these places may not have internet, so everything you need should be downloaded or pre-loaded onto your devices. That way, you can show your client without delays or issues.

5. Shared workspaces

Shared workspaces, like We Work, offer members lots of perks and amenities that are just like having an office or studio space of your own.

Locations-for-Photography-Pre-Consultations

Some of these locations have conference rooms you can reserve ahead of time to have your pre-consultation with your clients.

Many shared workspaces have reception, lounge areas, coffee and tea bars, and many other perks that also include internet and distraction-free space. You can hold your consultation without having to sit cramped at a small round table and cafe chairs.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

If you’re holding quite a few pre-consultations and in-person sales meetings a month, you might want to consider paying the monthly fee to use the shared workspace. Or perhaps talk to a friend who has used one and get their take on it.

Conclusion

Many a photographer has had the coffee shop pre-consultation client meeting and while it is practical and neutral, these alternate locations may just prove to leave a more professional impression on your clients.

Do you have any other locations for photography pre-consultations that you’d like to share? Please do so in the comments!

locations-for-photography-pre-consultations

The post Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop appeared first on Digital Photography School. It was authored by Jackie Lamas.


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Do Cheap Photographers Take Work Away From the Rest of Us?

22 Sep

The post Do Cheap Photographers Take Work Away From the Rest of Us? appeared first on Digital Photography School. It was authored by Anabel DFlux.

Price tends to be one of the biggest points of contention with photographers. What is too low? What is too high? What’s just right? Running a profitable business is never easy. Whatever price you set, someone will likely have an opinion or two about it (solicited or not). Which leads to the biggest elephant in the room… do cheap photographers who price low take business away from those that price higher?

Do Cheap Photographers Take Work Away From the Rest of Us?

My answer?

No.

And here are 6 reasons why:

1. There is a client for everyone

Do Cheap Photographers Take Work Away From the Rest of Us?

This is business 101 that we often forget (and I am guilty of forgetting sometimes too!). Artists tend to be very emotionally tied to the work and the service provided, and photographers are certainly not exempt from this fact. As such, losing or not obtaining a client can feel like a personal jab even when it has nothing to do with us at all. You have to remember, there is a client for everyone!

This rings especially true in the tumultuous price debate. A client who is focusing on the price will not be looking for an expensive photographer. Likewise, a client who is focusing on high quality will often assume that cheap photographers cannot provide the quality that they seek. A Lamborghini is not concerned over the lower price of a Honda Civic because the Honda Civic buyers are not looking for a Lamborghini.

Alongside this, often price equates to years of experience. Photographers who are brand new may be absolutely fantastic and have beautiful quality images but aren’t able to charge the same as those that are seasoned professionals. Likewise, some clients do value quality work but simply cannot afford a seasoned professional. These two tend to find each other and work together well.

2. Client priorities are not always the same as yours

cheap-photographers-take-work-away

As photographers, we naturally (and rightfully) value professional photographs highly. From capturing memories to creating beautiful new stories, photographs are essential. However, the priorities we hold as photographers may not always ring true for the subjects in front of our lenses.

Some clients would rather invest their money into something else – something that holds more importance to them. Whether you agree or not, that’s not your decision to make. Some clients look for less expensive photographers because their finances are tied into something that they find to hold more worth to them (and thus receive what they have paid for). And that’s okay – let them.

3. Some clients will eventually understand the price versus value point

cheap-photographers-take-work-away

This is something that tends to happen to me often. A client will go to a very low-priced photographer, end up unsatisfied with the experience or the end result, and quickly learn the general value of the price. They then come to me and ask to shoot their concept once more. This does happen quite a bit. This is why staying firm on your policies and pricing is important (and tends to command respect).

Wait, wait.

This is assuming that the low-priced photographer has a quality that doesn’t match that of the higher-priced ones. What if a great quality photographer prices low? Doesn’t that cut into my jobs? 

cheap-photographers-take-work-away

Some photographers have a different business model than the rest – known as the “low price and high turnover model.” This model works on the idea that you charge low, service many, and turn over a profit much like a photographer that charges high and services one.

However, what many don’t see behind the scenes, is the reason this model works is much of the process is automated or simplified. It allows the photographer to have a lower output of effort that matches their price. This service is not individualized, and generally not specifically tailored for the individual. It’s the difference that is similar to “ready-made” versus “custom-made” clothing. But this doesn’t work for all clients. The clients this does work for are likely not your clients if you have a traditional photographic business model.

Many major brands have a high-end and a low-end to their business. Take the car company Toyota, for example. Their high-end line is called Lexus – a luxury brand of car. Their consumer-grade line is just good ol’ Toyota. Both cars are great, hardy, and will get you where you need to go in comfort. A Toyota is not worse than a Lexus. The Lexus is just intended for a different kind of buyer.

Well, now that’s said…how do I justify my price? 

4. Express your value and stand by your worth

cheap-photographers-take-work-away

First and foremost, confidence speaks volumes. If you set a price and are confident about it, stand by your worth and be firm.

That being said, every price needs something to justify it. Show the client what the value in investing in your work is versus someone else’s. Do you do something unique and different? Is your client experience above and beyond what the rest do? What do your years of experience or high-quality gear bring to the table? Do you have any awards or honorable mentions? These are all important topics to cover with your client when explaining what you offer and how much you charge for your offering.

5. Find your demographic and market to them!

cheap-photographers-take-work-away

Marketing is what makes or breaks a business. If people don’t know about you, how can they book you? Marketing is extremely important, especially in the social media age. Marketing is the act of spreading awareness about your business, whether it be through digital advertising, partnering with local businesses, or launching billboards!

If you’re finding that the clients you are marketing to keep choosing a photographer that prices lower than you, that is a big sign that this client base is not the right demographic for you. Demographics are particular sectors of a population that are divided by factors. For marketing purposes, factors tend to be interest, age, location, income, and more.

As a business owner, you need to find the demographic that relates to the service you are offering. Look at income levels that tend to align with your price point, and for clients with interests that may be more aligned with your offering (e.g., pet photographers will look for clients with interest in animals), and age group can also be a big factor. If you’re a family photographer, look for moms and dads, or youth sports – keywords like that!

Remember, you must segment your population based on more than one factor to find the right demographic. Filling out location and interests in the minimum is a good starting point.

6. Stop worrying about what others are doing and charging

Do Cheap Photographers Take Work Away From the Rest of Us?

Everyone has a different ideology when it concerns their business. They use the business model that suits them, dependent on variables you likely do not know about. As such, the running of their service (and what they charge for it) does not apply to you. It’s best to stop concerning yourself with what others are doing and focus on what you are doing for you!

The industry is changing, and society has changed its view on the value of art.

Conclusion

Do Cheap Photographers Take Work Away From the Rest of Us?

You’re not losing jobs because your competitors are cheap photographers, you’re losing jobs because you either haven’t found your right client base or you need to get better at expressing your value.

Focus on your business and what you can improve in your work, and the right clients will come! The world is not as small as it seems; there are thousands of potential clients out there for you.

Do you agree with this or do you think cheap photographers do take work away from us? Or perhaps you have some other valuable points to share? Share them with us in the comments section.

 

cheap-photographers-take-work-away

The post Do Cheap Photographers Take Work Away From the Rest of Us? appeared first on Digital Photography School. It was authored by Anabel DFlux.


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How to Embrace MINIMALISM for IMPROVED Landscape Photos [video]

21 Sep

The post How to Embrace MINIMALISM for IMPROVED Landscape Photos appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Mark Denney, he looks at how embracing Minimalism can improve your Landscape Photography.

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Mark uses some of his photos to illustrate some of the following points:

5 tips for achieving minimalist landscape photography

1. Include an obvious subject

Use an obvious subject without filling the frame with it. It draws the viewer’s eye in.

2. Expansive Composition

Use a lot of negative space around your subject to make your subject stand out further.

3. Minimizing color

Color can be distracting (if there are many colors) in a minimalist composition. Many minimalist photos are black and white, quite monotone or only make use of a few colors so that the composition is not busy.

4. Use of light and shadows

Consider using dappled light, striped light, or spots of light so that light is the main subject in the scene. This can work well for minimalist photography.

5. Keep it simple

Think differently and outside the box, but keep it simple. Look for a distraction-free palette to work with. Often it is more about what you don’t have in the frame rather than what you do.

So shake up your focus with your landscape photography, and give Minimalism a try. If you are interested in learning more about Landscape Photography, check out our Landscape and Nature Course!

 

You may also be interested in:

  • Tips for Achieving Minimalism in Photography
  • Minimalism: Using Negative Space In Your Photographs
  • Tips for Using Negative Space in Photography to Create Stunning Images
  • How to Photograph a Minimalist Landscape
  • The Minimalist Landscape Photographer: What do you really need?
  • 5 Guidelines of Minimalist Photography to Help Improve Your Work
  • Tips for Minimalist Photography in an Urban Environment

The post How to Embrace MINIMALISM for IMPROVED Landscape Photos appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon EOS 90D sample gallery (DPReview TV)

21 Sep

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A new gallery from the Canon EOS 90D, shot by Chris and Jordan while filming this week’s episode of DPReview TV. As usual, it comes complete with reflected images in puddles.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Canon EOS 90D review

21 Sep

The EOS 90D is Canon’s newest DSLR camera, sporting a new 32.5MP sensor and 4K video without a crop. As Chris and Jordan discovered during their testing, there’s a lot to like.

Make sure to visit our Canon 90D initial review for more information on this camera.

Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Handling
  • Battery
  • Lenses
  • VLogging
  • Dynamic range
  • New features
  • Autofocus: optical viewfinder
  • Autofocus: live view
  • Video capabilities
  • Who's it for?
  • Duckies!!!

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm teases development of X-Pro3 with titanium body, mini rear LCD, hidden display and more

21 Sep

At its Fujifilm X Summit in Tokyo, Japan today, Fujifilm announced the development of its forthcoming X-Pro3 and teased several new and intriguing features the rangefinder-like mirrorless camera will have.

The first detail Fujifilm noted in its presentation is that the X-Pro3 will be built with a titanium body, which will come in three colors: Black, DURA Black and DURA Silver. The standard ‘Black’ version appears to be painted, while the ‘DURA’ versions are coated in some manner. Titanium is a challenging metal to work with, but more durable and lighter than other metal alloys traditionally used in camera bodies.

Fujifilm also talked about the improved hybrid viewfinder in the X-Pro3. Inside the viewfinder is a new electronic viewfinder (EVF) that will offer higher resolution, higher contrast, wider-gamut color space, improved brightness and a higher refresh rate. Fujifilm also says it’s managed to decrease distortion and improve the angle of view inside the viewfinder.

Note the ‘Provia’ film stock icon shown on the compact LCD on the rear of the camera. This film stock icon will stay there and is dynamic in that the ISO rating in the icon changes as you change it on the camera.

Further switching things up, Fujifilm announced that it will be repositioning the standard rear LCD in favor of a compact LCD that is comparable to the top LCD on the GFX cameras, except on the back of the camera. In a neat little trick that nostalgia-seeking photographers will love, this compact LCD can also be used to show the film simulation in use, a nod to the days where you’d rip off part of the film package and place it in the mount on film cameras.

You’ll note we said reposition because, as Fujifilm demonstrated, the display is still there, it’s just hidden. Now, the main rear display sits on the back of a hinged panel, meaning you have to flip it down to navigate the menu or review images/video. Fujifilm says the repositioning of the LCD was done to ‘keep photographers looking through the viewfinder’ rather than ‘chimping’ at the back of the camera.

It’s an unusual approach and, while we can see it appealing to waist-level street shooters, we’ll have to wait to see what it’s like for other types of photography. There have been a lot of calls for an articulated screen on the X-Pro and X-100 series cameras, but we’re not sure this solution will satisfy everyone, either. It will, at least, create a more obvious distinction between the X-Pro and X-T series: with the rangefinder-shaped model being the one you shoot through the viewfinder.

‘Classic Negative’ will be the 10th film simulation Fujifilm has released.

Lastly, as has been rumored, Fujifilm its 10th film simulation called ‘Classic Negative’ that will resemble the look of Fujicolor Superia.

Despite being billed as a ‘development’ presentation, Fujifilm spilled quite a few details about its upcoming X-Pro3 camera system. The camera will officially be announced on October 23rd. To get to all of the details regarding the new X-Pro3 system, skip to roughly the 1:10:00 mark in the above video.

Articles: Digital Photography Review (dpreview.com)

 
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Axibo camera slider system uses AI to track faces and objects

21 Sep

Axibo Media has launched a Kickstarter campaign for Axibo, an AI-powered camera slider system with tilt and pan functionalities. The company bills Axibo as a more affordable and simplified professional alternative to existing robotic camera systems. The product features an integrated 6 + 1 AI core CPU, powering its ability to learn faces and track ‘just about any object.’

Axibo is claimed to be the first AI-powered camera slider on the market. The device supports shooting in a variety of modes, including simple to 3-axis multi-point complex time-lapses, face tracking while sliding back and forth, and more.

The system supports payloads up to 20lbs (slider) to 24lbs (Pan & Tilt unit), speeds up to 1m/s (slide) and 300 deg/s (pan/tilt), and it supports voice control. Features include USB-C compatibility, HDMI-in, power for the mounted camera, and a universal app for controlling the device.

The 1m (3.2ft) slider is made from carbon fiber, supports angled and vertical motion, and including dual 1/4″-20 mounts on both ends. The Axibo slider can be used without the companion Axibo Z1 Pan & Tilt unit when applicable. The slider is joined by the companion Axibo controller, which includes WiFi, Bluetooth, USB-C, HMDI, axis inputs for camera control, and a Sony NP-F dual battery receiver.

The aforementioned Pan & Tilt unit features an intreated 4MP camera for 40fps face and object tracking, support for operating in inverted mode, modular mounting options (including support for tripods), and aluminum construction.

The Axibo camera slider system is being offered through Kickstarter, where backers who pledge at least $ 1,192 CAD are offered the slider, controller, z friction mount and cable package. Other pledge options include the Pan & Tilt unit for pledges of at least $ 1,315 CAD and both the slider and Pan & Tilt unit for pledges of at $ 2,105 CAD. Shipments to backers is estimated to start in April 2020


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Circles

21 Sep

The post Weekly Photography Challenge – Circles appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is CIRCLES!

Image: Tyler Lastovich

Tyler Lastovich

Circles are all around us. You can see them in bokeh, star trails, light painting, rocks, car and bicycle wheels, swirling staircases, in patterns and shadows, fruit, kitchenware, etc.

So go out and capture anything that has circles. They can be color, black and white, moody or bright. Just so long as they have circles in them! You get the picture! Have fun, and I look forward to seeing what you come up with!

Image: Mel Poole

Mel Poole

Image: Michael Hull

Michael Hull

Image: Jason Leung

Jason Leung

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting CIRCLES

Tips for Shooting Out of Focus Cityscape Bokeh Images at Blue Hour

7 Tips for Shooting and Processing Star Trails

Tips for Successful Star Trails Photography

Kinetic Light Painting vs Light Painting

How to do Light Painting by Rotating the Camera

Simple Methods for Creating Better Still Life Images

Photoshop Focus Stacking for Still Life and Product Photography

Weekly Photography Challenge – CIRCLES

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPScircles to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

 

The post Weekly Photography Challenge – Circles appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Fujifilm developing 50mm F1.0 instead of planned 33mm F1.0

21 Sep

Alongside the announcement of the X-Pro 3, Fujifilm has said it is developing a 50mm F1.0 lens for its X-mount mirrorless cameras and cancelling the promised 33mm F1.0.

As part of the presentation, Fujifilm’s Head of Product Planning, Takashi Ueno said that the 33mm F1.0 had become too big and heavy as it was being developed. The latest prototype weighed 1300g (45.8oz), included 15 elements and necessitated the addition of a tripod foot.

Instead the company has said it will build a 50mm F1.0, that can be under 900g (31.7oz).

The result is a very different lens: a 75mm equivalent, rather than 50mm equiv. people were expecting. The two sponsored ‘X Photographers’ at the event suggested it could be useful for wedding and portrait photographers. One of these professionals, Bert Stephani, expressed a the hope that the company will re-work its XF 35mm F1.4: one of the first lenses in the X system, whose autofocus isn’t up to the same standard as the company’s more recent designs.

Articles: Digital Photography Review (dpreview.com)

 
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Updated: Best cameras over $2000 Buying Guide

20 Sep

Our guide to the best cameras over $ 2000 has been updated to include overviews of some of the latest contenders.

Articles: Digital Photography Review (dpreview.com)

 
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