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DPReview TV: Fujifilm GF 50mm F3.5 review

03 Oct

Fujifilm’s GF 50mm F3.5 ‘pancake’ lens is a relatively compact optic for the company’s GFX line of medium format cameras. What do you give up in exchange for the small size? According to Chris, not much.

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  • Introduction
  • Design
  • Is it really a pancake?
  • Field of view
  • Sharpness (on the GFX 100)
  • Longitudinal CA
  • River surfing
  • Bokeh
  • Compared to the GF 63mm F2.8

Sample gallery from this episode

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Gnarbox 2.0 SSD is now available around the world starting at $499

03 Oct

MyGnar Inc. has announced worldwide availability of the Gnarbox 2.0 SSD. Originally funded on Kickstarter, the Gnarbox 2.0 SSD is now available to purchase from retailers around the globe and brings with it a few new features.

As detailed in our original coverage, Gnarbox 2.0 SSD is a rugged storage solution that works hand-in-hand with a collection of apps to make it easy to import, sort, edit and export multimedia content while on the go.

The Gnarbox 2.0 SSD offers a 2.4 Ghz Quad-Core processor, 4GB of RAM and up to 1TB of NVMe SSD storage. Photos and videos can be imported to the device using the onboard SD card slot (up to 75MB/s) or one of the two onboard USB-C ports (up to 350MB/s) and Micro HDMI port is onboard to show photos off on any HDMI comparable display. The battery inside is charged via USB-C and is rated for three to six hours of use.

Gnarbox has also announced two new features the Gnarbox 2.0 SSD supports. First, MyGnar has partnered with Camera Bits, Inc. to power its Gnarbox Selects App using Photo Mechanic’s image processing technology, Raw file support and metadata tagging tools. Additionally, the Gnarbox 2.0 SSD can now be connected to iPad Pro devices via USB-C if you prefer a tethered connection.

Although the specs themselves are impressive, it’s the connectivity that makes the Gnarbox 2.0 SSD shine. When used with iOS devices, the Gnarbox 2.0 SSD works seamlessly with Lightroom CC and video editing application LumaFusion, making it easy to edit media when out and about.

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The Gnarbox 2.0 SSD is available in 256GB, 512GB and 1TB capacities for $ 499, $ 599 and $ 899, respectively. In addition to Gnarbox’s website, it’s also available at Amazon and B&H Photo.

Articles: Digital Photography Review (dpreview.com)

 
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Epson reveals SureColor P7570, P9570 wide-format printers that offer ‘museum quality’ prints

03 Oct

Epson has expanded its SureCore P-Series line of printers with the new wide-format SureColor P7570 and SureColor P9570 models offering 24in and 44in print sizes, UltraChrome PRO12 pigment ink, and PrecisionCore MicroTFP printhead tech. Epson’s Reed Hecht calls the P7570 and P9570 its ‘most advanced printers to date.’

Both printer models feature dedicated nozzles for Matte and Photo Black ink, which eliminates ink switching and improves overall printing speeds. According to Epson, the new 6.6cm (2.6in) PrecisionCore MicroTFP printhead combined with the new 12-color UltraChrome PRO12 pigment ink enables these models to print up to 2.4 times faster than the previous models.

Other features include a new print mode called Black Enhanced Overcoat offering improved DMAX for what Epson says is better sharpness and wider contrast ratio on glossy prints, as well as a 4.3in customizable color touchscreen, support for the optional Epson SpectroProofer, a built-in LED light for viewing prints as they’re printing, and a sealed roll media door designed to better protect against dust.

Talking about what users can expect from these two models is Wilhelm Imaging Research director of research Henry Wilhelm, who said:

Preliminary data for the Epson 12-color UltraChrome PRO12 pigment inks in the new SureColor P7570 and P9570 create stunning museum-quality prints with WIR Display Permanence Ratings that will equal or exceed the ratings achieved by the current UltraChrome HDX inks of up to 200 years for color prints and up to 400 years for B&W. Prints framed with UV-absorbing acrylic – and those displayed under LED illumination – will achieve significantly higher ratings.

Epson plans to showcase its new printers from October 3 to 5 at PRINT19 in Chicago. Both models will launch in December at around $ 4,695 USD (P7570) and $ 6,595 (P9570).

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Duet Display adds support for turning Android tablets into secondary displays

03 Oct

Duet Display, the software that was launched as a way to turn an iPad into a secondary Mac display, has launched support for Android. The new Duet Display for Android app enables users to turn an Android smartphone, tablet, or Chromebook into an extra display for use with a PC or Mac computer, a feature that is particularly useful when working outside of the office.

Apple made the Duet’s main product defunct with the launch of its Sidecar feature, which now directly offers a way for using an iPad as a secondary Mac display. Users had anticipated an eventual arrival of Duet Display for Android given the sudden change in its primary market.

As with iPad, Android and Chromebook users can turn their devices into secondary displays for a main PC or Mac computer by connecting the two with a USB cable. Users must install the free Dual desktop client on their computer and the Duet Display Android app on their supported secondary device.

Duet supports gestures and touch control, enabling users to scroll and zoom, among other things, directly on the secondary device. The Duet Display for Android app costs $ 19.99 USD, but is temporarily discounted on the Google Play Store at $ 9.99 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Microsoft launches ARM-powered Studio Pro X, updates Surface Pro 7 with USB-C

03 Oct

Today, Microsoft released the details on its two new Surface Pro 2-in-1 PCs, the Surface Pro 7 and the Surface Pro X. The new devices might look similar on the outside, but take quite different approaches to mobile computing on the inside.

Surface Pro 7

The Surface Pro 7 remains largely unchanged from its predecessor on the, well, surface. Aside from the jump to USB-C (finally), the Surface Pro 7 is identical to the Surface Pro 6, including the 12.3-inch PixelSense touchscreen display (2,736 x 1,824, 267 ppi), Surface Type Keyboard and Surface Pen.

After years of Microsoft using its proprietary Surface Connector, the Surface Pro lineup now gets USB-C. It’s not Thunderbolt 3, but it’s a welcomed change nonetheless. Other ports include USB 3.0, Mini DisplayPort, Surface Connect and a Micro SD port.

Internally, the Surface Pro 7 is powered by Intel’s 10th generation processors with a number of options ranging from dual-core 1.2G GHz i3 processors to quad-core 1.3 GHz i7 processors. The Surface Pro 7 can max out with up to 16GB of RAM and 1TB of storage, but the base model will include just 4GB of RAM and 128GB of storage.

On the wireless side of things, the Surface Pro 7 will include 802.11ax Wi-Fi and Bluetooth 5.0 connectivity. Microsoft claims a runtime of up to 10.5 hours on a single charge, although a specific Wh rating was not given for the battery.

The Surface Pro 7 starts at $ 749 for the base model—$ 150 less than the base level price for the Surface Pro 6. It’s available for pre-order today in black and silver and will ship starting October 22, 2019.

Surface Pro X

Microsoft is switching things up a bit with the Surface Pro X. Unlike the Surface Pro 7, which relies on Intel processors, the new Surface Pro X will use a custom ARM-based processor.

Microsoft says the processor is a co-developed version of Qualcomm’s Snapdragon 8cx processor called the Surface SQ1. Microsoft says the 7-watt processor can get upwards of ‘three times more performance per watt than the [Intel-driven] Surface Pro 6.’ Microsoft says the GPU inside the Surface Pro X was also co-developed with Qualcomm.

Other benefits of using an ARM-based processor is that the Surface Pro X will support LTE connectivity, offer up to 13 hours of battery life and will offer fast charging (0-80 percent with just an hour charge).

The device itself looks very similar to its Intel counterparts on the outside, with a few notable exceptions. Rather than a 12-inch PixelSense display, the Surface Pro X will offer a 13-inch display. The edges and corners of the Surface Pro X have also been rounded off compared to the Surface Pro 7.

The Surface Pro X is just 5.3mm at its thinnest point and weighs only 762g (1.68lbs). Microsoft says the Surface Pro X will run a full-fledged version of Windows 10, unlike the toned-down version the ARM-powered Surface RT used.

The Surface Pro X is available to pre-order today for $ 999 and will arrive at retailers on November 5th.

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Exposure Software releases Exposure X5 image editing and organizing software

02 Oct

Exposure Software (formerly Alien Skin) has released its new flagship product, the image editing and organizing software Exposure X5. The new package comes with long list of improvements over the last version Exposure X4.5 which includes the following:

  • 3D Color Masking allows you to control where an image adjustment is applied by color characteristics such as hue, saturation, and luminance. You can select foreground or background areas, skies, skin tones or specific color ranges using the tool.
  • Chromatic Aberration Correction removes color fringes caused by lens refraction. Corrections can be applied by selecting a lens profile or manually for more precise control. Apply via lens profile or by manual adjustment if precise control is desired.
  • Vignette Correction does what it says on the tin and lifts the brightness around the edges of your images to counteract vignetting effects. Like the CA correction, this can be applied using a lens profile or manually.
  • Custom Camera Profiles let you control the JPG color rendering from RAW data for a particular camera. Camera profiles created by X-Rite or other software can be automatically applied by matching a camera model or serial number. Optionally they can also be applied when matching a specific lens or a pre-defined ISO range.

Other new few features and functions include complementary color presets, additional black&white film simulation presets, new image flip options, support for gatscale TIF and JPG images as well as multiple user interface language options.

Owners of Exposure X4 who purchased their copy on or after August 1st, 2019 will be receiving a free upgrade to Exposure X5 soon. Anyone you bought any Exposure version before this date will be able to purchase an update version for $ 89. The full version will set you back $ 119. A 30 day trial version is available. You’ll find more information on the Exposure website.

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Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere?

02 Oct

The post Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere? appeared first on Digital Photography School. It was authored by Carl Spring.

Loupedeck+ Review - the Perfect Editing Companion for Lightroom and Premiere?

There is something undeniably cool about Hollywood editing studios. I remember seeing one in a magazine as a child and wanting to play with it. Thinking how cool it would be to figure out what all the dials did and edit Hollywood Blockbusters. I never made it in Hollywood, but I can remember my first editing console. Purchased from the high street, it allowed me to link 2 VCR players and have a fade and wipe slider for video. It even had an audio fader that allowed me to (surprisingly) fade audio. At the time it was amazing! I made a lot of skateboard videos using that console.

Obviously we’ve moved to digital everything, but there is something about using knobs and dials to edit that I have always liked. So, when I was given the opportunity to try the Loupedeck+, I jumped at the chance to get hands-on with it. 

What is it?

Simply put, Loupedeck+ is a keyboard-sized photo editing console. The main editing functions are controlled via a series of knobs and buttons.

Loupedeck started life on Indiegogo. The initial Loupedeck was marketed as a photo editing console just for Lightroom. With the Loupedeck+, however, it has become much more than that. The new version has support for several different software platforms too.

This device is still aimed primarily at Adobe users, with support for most of the Creative Suite. There is also support for Apple’s Final Cut and Aurora HDR and is also currently in Beta testing with Capture One Pro, which is my preferred choice of photo editor.

Out of the box

In terms of looks, it is beautifully packaged. However, that doesn’t mean anything if the product itself is not up to scratch. The Loupedeck however, definitely is. Although fully plastic, everything is solid and feels like it will survive long term usage. The only exception to this is the control dial, which does feel a little flimsy compared to the rest of the device.

In terms of the buttons, when making notes, I put down that they are squishy but solid. I still think that’s the best way to describe them. There is also a nice little detail for the cable to connect the Loupedeck. There are grooves that allow you to place it to work with how your computer is setup. It’s not a deal-breaker, but attention to detail like this tends to show the makers care about the end-user. 

dpsloupedeck+-review

The Loupedeck+ is well built apart from the control dial. It just feels a little flimsy. However, in use, it has been flawless so far.

Getting set up 

Once you have unpackaged your Loupedeck, the next stage is setting it up. To do this, you need to install the Loupedeck software. This is a simple download from the Loupedeck website, which then allows you to customize the Loupedeck to your specific editing preferences.

I have left it is standard for now, but I can definitely see me looking into this again to fine-tune it to how I edit.

Once you have the software installed, it is as simple as choosing which software you want to use the Loupedeck with and off you go. Loupedeck has a series of guides for each piece of software that it is compatible with. I recommend having these on hand, especially when using software other than Lightroom. Even with Lightroom though, it is worth having nearby to see what extras you may find yourself reaching for.

The fact that the user guide for Lightroom alone is 31 pages tells you what level of customization is possible.

Image: To get started with Loupedeck+ you need to download the software from the Loupedeck website....

To get started with Loupedeck+ you need to download the software from the Loupedeck website. Once installed, choose your software and away you go.

The learning curve

The learning curve is in two parts; getting used to the Loupedeck from your usual editing routine, and how Loupedeck reduces the learning curve of the software.

To test this, I got my wife to use Loupedeck to work on a wedding we had recently shot. She normally helps make picks, but she has very limited editing experience. She can just about manage to tweak exposure a little, but that’s it.

I put her at the Loupedeck and asked her to try and edit images she thought needed work. After about 2 minutes of me explaining the device, she started. Two more minutes passed before she explained how brilliant it was.

By removing the need to search through the menus (of Capture One in our case), she was able to edit photos easily and without needing constant reminders of the locations of buttons or sliders. It made her experiment more, and within an hour, she felt completely confident using the Loupedeck.

For beginners, this will make the process of learning to edit (especially in Lightroom) so much easier. Everything is at hand, and the layout makes it simpler for beginners to experiment. They can use more of the features of the program without the need to remember the locations in the menus.

For me, as a power user of Capture One, the learning curve was a little steeper. I’ve put this down to Capture One currently being in Beta testing. There are some quirks I needed to get used to when editing, such as using the color balance tool.

There is also the fact that when you use the software every day, you acquire muscle memory from the keyboard shortcuts you use most often. Moving to dials does take a while to get used to.

I do feel that even for Lightroom users (whom this deck was designed for), the change to Loupedeck will mean your editing is slower until you get up to speed. However, I am talking only hours here, not days.

Loupedeck+ and Lightroom

Obviously I wanted to start this test with Lightroom as this is really the program the device is designed for. Now I am not a Lightroom user, so having me use this is more like an inexperienced Lightroom editor versus someone who uses it every day.

I loaded up a selection of images into a catalog and began editing. Using the Loupedeck was completely intuitive. I simply started to edit images without the need to try and remember control locations. It was as easy as twisting the dials with the required name on them. In my experience, the Loupdeck+ and Lightroom work flawlessly together. There is no lag, and the degree of control with each twist feels perfect. Everything is at hand, and if you do find yourself needing something that is not here, you can customize the software until your heart’s content.

It made the process of editing in Lightroom a pleasure and, as a hardcore Capture One user, that is the highest praise I can give it.

dps-loupedeck+-review

It is easy to see that the Loupedeck+ is designed with Lightroom users in mind.

Loupedeck+ and Capture One Pro

Because I’m not a Lightroom user, I went down the road that is Beta testing to put the Loupedeck in my day-to-day editing software. 

Now compared to Lightroom, I found editing in Capture One Pro to be a more clunky affair. The problem is that in its current Beta state, the Loupedeck doesn’t offer the same level of functionality. This is something that Loupedeck are working on and are currently looking for feedback from any Capture One users to help improve the experience.

The basic adjustments work perfectly well in Capture One. To adjust white balance and exposure is just as good as Lightroom. However, there are elements, such as resetting adjustments, that are not there.

The issue here is that the Loupedeck was designed with Lightroom in mind and Capture One works differently. The most obvious example of this is the P1-P8 buttons. In Lightroom, these assign to presets; however, in Capture One, they are simply not set up.

Shooting Fuji, I would love to map this to my film curves, where it would be great to choose the look of my image. However, at present, this is not possible. For more advanced editing, it can be frustrating, and I find myself reaching for the mouse and keyboard more often than I would like.

It’s not perfect by any means, and it does sound a little doom and gloom, but in terms of basic edits, it really did speed up my workflow. I have now edited two weddings with the Loupedeck, and it has definitely saved me some time. Also being super simple for basic adjustments, it really has allowed my wife to do basic edits for things such as exposure.
When editing a wedding, I reach for it straight away. It really is something that after using it, I wouldn’t be without.

The best thing about using Loupedeck+ with Capture One is that I know it can only get better from here. Once there are some more options added, and a few things ironed out from the beta testing, I feel this will be a powerful editing tool.

Loupedeck+ and Photoshop

This is where things start to feel like I was using the Loupedeck for the sake of it. When editing a RAW file, it was great, but after that, I really felt no benefit from using it. When editing in Photoshop, you tend to use your mouse or tablet much more.

You can use it for working with curves, but you need to work with the mouse too, and I found it just too clunky. Other things like zoom in and out, which are mapped to knobs, simply do not work as well as using the middle mouse button.

Unlike using it in Lightroom and Capture One, when working in Photoshop, I found myself using it for the sake of it, rather than reaping any real benefit. I do feel that the Loupedeck+ working with more software is good. However, I feel that, in some cases, it just feels like it is added for marketing over actual functionality. 

Loupedeck+ and Premiere

The ability for Loupedeck to work with Premiere was something that I found myself excited to try. I am by no means a power user, but I know my way around Premiere and edit with it enough to consider myself proficient.

Using Loupedeck with Premiere, though, is where things go a little too far for me. When using it to edit a video, it was just too hard for me to remember what all the functions did. It could be due to my lack of time spent in Premiere, but I think it’s more than that. When photo editing, things like exposure, and contrast are the same no matter which program you use. Video editing, however, uses a completely different language.

It is not that you can’t learn how to use Loupedeck with Premiere. I think once you got used to what each button and dial was mapped to, it would really speed things up. However, as someone who uses the software occasionally, I would find it hard to remember the settings for Premiere.

I think the best way to sum it up is that if you are buying a Loupdeck+ solely for Premiere use, you may face a steep learning curve. For me, to have it as a bonus is nice, even though I can’t really see myself using it.

loupedeck+-review

As you can see from the layout above, Loupedeck is not as intuitive in Premiere.

Conclusion

It’s hard to sum up the Loupedeck+.

Some may see this as a gimmick you will buy, only to put it in the cupboard after a few months to gather dust. But that really isn’t how it is. It’s a well-made, high-quality device that really is a time-saver, especially in basic edits.

I use the Loupedeck+ on every edit now. That must say something. It has sped up my editing (it needs to, I am currently behind on editing a wedding and am writing this article rather than doing that). However, I do still find myself reaching for the keyboard or mouse quite often. I think the best way is to give three different outcomes, depending on what software you use.

If you’re a Capture One user like me, you may find it frustrating. It is almost there, close to being great, but then there are silly little things that are really annoying! However, this is in beta testing, which means things are still ironing out. I am sure this is going to improve moving forward. It’s just a question of whether you are willing to pay for something that doesn’t quite work as you would like it to.

If you’re using this on Premiere or Final Cut, you will need to spend some serious time with the manual. It really is not intuitive in the same way it is for photo editing. If you are willing to put in the time, I am sure it will speed up your workflow. I do question how long it would take to get to this point though.

Lastly, Lightroom. This is still what they designed the Loupedeck for. If you are a Lightroom user, I would definitely suggest getting your hands on a Loupedeck+ – It really does make editing much faster. It worked incredibly well in use, and I enjoyed editing in Lightroom. This really is the highest praise I can give it.

However, where this console really shines is for new users. If you are new to editing, I cannot recommend this enough. I wish something like this had existed when I started editing. It makes the process of understanding how tools work so much more organic. Beginners will get a lot out of using a device like this – It just makes editing more intuitive. My wife managed to edit much better than ever before in minutes.

Moving forward, I will continue to use a Loupedeck+ to edit. Maybe it’s just my old ways. Maybe it means I get to pretend I am in a film studio editing suite. Or maybe, it’s something that I never really thought I would want, but now don’t want to stop using.

In all honesty, I think it’s all three.

 

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The post Loupedeck+ Review – the Perfect Editing Companion for Lightroom and Premiere? appeared first on Digital Photography School. It was authored by Carl Spring.


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Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

02 Oct

The post Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Have you ever endured the stress of dealing with a corrupted Photoshop PSD file? It’s not such a common problem, but when it happens it can invoke serious mental and emotional hardship. Let me introduce you to a little software tool that can be of great help to photographers, designers, and anyone else who uses Adobe Photoshop – the Recovery Toolbox for Photoshop.
Recovery-Toolbox-for-Photoshop

Fully recovered corrupted PSD file

How PSD files become corrupt

Imagine spending hours post-processing a photo you’ve captured or graphic you have created. It’s one of your best. You’ve worked through some tutorials, and been inspired to create a masterpiece of digital art.
 
You’ve put the final touches to it and hit Save, and then the power goes out. Your file has not saved correctly. Or you’ve saved it to a hard drive with bad sectors. Even when you revive the drive, the PSD file will not open. These are events that create nightmares.
 
There are other ways PSD files become corrupted and Photoshop won’t open them. At times, all you’ll see is an error message.
 
Recovery-Toolbox-for-Photoshop
 
Other times the file will open but will be incomplete. Layers may be missing, or the file may have been flattened. Maybe all you’ll see is digital noise.
 
Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files
 
You may have encountered similar file retrieval problems with bad memory cards or hard drives. These situations require specialized software that can recover files and rebuild them.

Adobe Photoshop Repair Tool

Adobe Photoshop Repair Tool from Recovery Toolbox is specifically designed to reclaim and repair damaged Photoshop PSD files. It’s not a tool you will use every day (hopefully), but when you do need to, it can save you considerable stress and maybe hours of work.

This small piece of dedicated software opens and restores PSD files. Often it will manage to completely restore a file which Photoshop refuses to open. Other times it will work partially. You might get most of your layers back, but not all of them. At this stage, however, it is only available for users of Windows 98 and above.

How it works

Step 1:

Open Recovery Toolbox for Photoshop and select the file you are having issues with. Click ‘Next’.
 
Recovery-Toolbox-for-Photoshop

Step 2:

The ‘View Data’ window will open. Here you have a breakdown of what the Recovery Toolbox for Photoshop can see in the corrupted file. If the file has multiple layers, click on the ‘Layers’ drop-down in the left-hand panel to view them.
 
In the right-hand panel, there are two tabs. Click on the ‘Picture’ tab for a preview of each layer.
 
Recovery-Toolbox-for-Photoshop

Step 3:

Choose your target file and the layers you want to recover. In this step, you can also select or deselect certain layers you want to recover.
 
Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

Step 4:

Click ‘Recover’ and the software will work its magic. Once the recovery process is completed, click the ‘Show Result’ button to open the recovered file in Photoshop. It’s as easy as that.
 
Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files

Salvaged

Whether you’re a keen amateur or a professional photographer, this software will help you out when Photoshop fails to open a file. This might mean the difference in saving time rebuilding an image, or it might save your skin and keep a valuable client.
 
This Recovery Toolbox for Photoshop works on any PSD file saved from Photoshop version three or later, and recovers files with .psd and .8bps extensions.

Working through the easy steps is fast and allows for some control in the layers you choose to repair. I found that when testing this software, it was not necessary to do this, but the feature allows for flexibility with more problematic files.

This software is specifically designed to read, analyze, and recover your PSD files.

When testing this software, I purposefully produced a series of damaged PSD files, corrupting them in different ways. While saving a multi-layered PSD file, I rebooted my computer while the file was in the process of writing to a hard drive. I also saved the file to a thumb drive which I removed before fully saving the image. I did this at various stages in the process of saving. In these instances, the Recovery Toolbox for Photoshop was not able to restore my files even when they’d been nearly through the saving process.

 
Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files
 
The software was sent to me with a number of test files. Each of these appeared to be corrupted in different ways. Some of them opened with Photoshop, but incompletely. Others failed to open and Photoshop displayed an error message.

Pros

  • Dedicated to repairing PSD files.
  • Easy to use.
  • Well laid out user interface.
  • Detailed information and controls.
  • Price.

Cons

  • Doesn’t repair all damaged PSD files.
  • Only available for Windows Users
recovery-tool-box-for-photoshop-online
If you don’t like the idea of installing software onto your computer, Recovery Toolbox for Photoshop also has an online repair service where you simply upload your damaged file. The benefits of using the online version include:

  • Helps to repair Photoshop files on all Operation Systems: macOS, iOS, Android, Windows and so on
  • Work on any devices: PC, tablet, phones
  • Affordable price: $ 10
  • No need to install any software

In this review, the online version was not tested.

Conclusion

Recovery Toolbox for Photoshop is a great tool and will help you out where Photoshop fails to. However, there is never any substitute for having a disciplined backup routine. Saving your work often and backing it up on a separate drive, device or in the cloud is the most sure-fire way to ensure your precious files are safe and usable.
Disclaimer: Recovery Toolbox for Photoshop is a paid dPS partner.

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The post Recovery Toolbox for Photoshop: Rescue Your Damaged Adobe Photoshop Files appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Fujifilm unveils the Instax Mini Link, its latest compact instant photo printer

02 Oct

Fujifilm has launched the Instax Mini Link, its latest photo printer designed to turn digital photos into analog Instax prints.

The handheld device works hand-in-hand with Fujifilm’s new Instax Mini Link app to share and print images wirelessly. Fujifilm says the device can transfer prints in ‘about 12 seconds’ and can print up to 100 Instax prints per charge.

The Instax Mini Link has special printing modes including called ‘Video Print’ and ‘Party Print.’ ‘Video Print’ lets you scrub through a video to capture a still to print with the devices, while ‘Party Print’ allows up to five different smartphones to pair together to create a collage of images in a single print. An additional ‘Surprise Mode’ within the ‘Party Print’ option will randomly scramble the images, ensuring the final print remains a mystery until it’s revealed.

Basic edits can be made to photos within the Instax Mini Link app and a collection of border options are available to for further customization. Fujifilm’s X Series and GFX System cameras can also be paired with the Instax Mini Link via the Fujifilm Camera Remote app—because who doesn’t want an instant print from a $ 4,499 51.4-megapixel camera body?

The Instax Mini Link printer will be available in blue, pink and white versions and is expected to retail for $ 99.95 when it becomes available to purchase on October 4, 2019. For more information, check out the Instax Mini Link website.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro Hero8 Black adds improved stabilization, Media Mod, Digital Lenses and more

02 Oct

As promised in its teaser a few weeks back, GoPro has unveiled its latest action camera, the Hero8 Black.

The GoPro Hero8 Black now features Hypersmooth 2.0, GoPro’s second-generation stabilization technology that features a ‘Boost’ mode and an auto horizon leveling mode. TimeWarp (GoPro’s hyperlapse mode) also received a 2.0 update that will automatically adjust the playback of the video to the speed you’re traveling and can slow down to capture prominent moments with a tap of the screen.

Moving onto the hardware side of things, the Hero8 Black features the leaked ‘Media Mod,’ which adds additional ports and makes it possible to add a number of add-on accessories. When secured inside the Media Mod housing, the Hero8 Black gains a shotgun microphone, a 3.5mm microphone port, a Micro HDMI out port, a USB-C Port and two cold-shoe mounts.

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In addition to third-party accessories, GoPro has also released its own line of ‘Mods’ including a 1.9in flip-up LCD ‘Display Mod’ and a waterproof LED ‘Lighting Mod.’

GoPro has also added a new feature called ‘Digital Lenses.’ As its name suggests, this new functionality will effectively crop the image to adjust the framing in four different settings: Narrow, Linear, Wide and SuperView.

Presets have also been added to the Hero8 Black, which makes it easy for users to switch settings on the fly depending on what they anticipate filming. With the ‘Cinematic’ preset the Hero8 Black will shoot 4K/30p video, in ‘Activity’ it will shoot 2.7K/60p video and in ‘Slo-Mo’ it will shoot 1080/240p video. The exact settings can be further adjusted as with past Hero cameras, but these presets should provide a simple starting point for those who don’t care to dive into the settings too much.

GoPro has also updated its SuperPhoto and HDR functionality to deliver more ‘detail you never thought possible.’ Other improvements include the ability to livestream Full HD video, a 2x stronger lens and a dedicated Night Lapse Video mode.

Below is a detailed video of all the new and improved functions of the Hero8 Black:

The GoPro Hero8 Black is available to pre-order starting today for $ 399.99. The first shipments are expected to go out October 15th with in-store availability starting October 20th. The Media Mod and Display Mod will retail for $ 80 and the Light Mod will retail for $ 50 when they become available to pre-order in December.

Articles: Digital Photography Review (dpreview.com)

 
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