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  • Why You Need to Know the History of Flowers in Art and Photography

    The post Why You Need to Know the History of Flowers in Art and Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.

    Flowers have had a presence in art for millennia. In this article, we’ll have a look at the history of flowers and some photographic principals that can be drawn from the historical use of flowers in visual culture.

    history-of-flowers-in-art-and-photography

    Floral colors

    history-of-flowers-in-art-and-photography

    Over the course of visual arts, colors have become embedded with a rich symbolic history.

    While red can denote love and passion, blue can imbue a sense of calm.

    The pairing of colors and flowers in both nature and art has influenced the reading of floral imagery throughout history. For example, the Ancient Egyptians often painted artistic renderings of the blue and the white lotus. However, the blue lotus was used as symbol of rebirth whereas the while lotus represented innocence and modesty.

    In Renaissance artworks, a red carnation was symbolic of love. A pink carnation, on the other hand, stood as a symbol of marriage or betrothal, while in Japan, yellow chrysanthemums have historically signified the Emperor and Imperial family whereas white chrysanthemums indicate purity, truth or grief.

    Melding color psychology with floral symbolism touches on our perceptions of visual art history. This is especially relevant if you are presenting your images as a conceptual artwork or as a gift with a heartfelt message layered in meaning. If you are looking to convey peace or emotional depth, try photographing blue flowers.

    Incorporating yellow flowers into a photograph stimulates an energetic reading and sympathy is conveyed with white floral blooms.

    You can also alter the color of flowers completely in post production, or strip it of its colorful meaning by working in black and white. This draws greater attention to a flower’s form rather than its biological pigmentation.

    history-of-flowers-in-art-and-photography

    The language of flowers

    Why You Need to Know the History of Flowers in Art and Photography

    Over time, cultures have linked flowers with specific ideas as a means of communication. Flowers like the lily and rose are used as symbols in the Hebrew Bible. This is especially the case in the Song of Solomon.

    An age-old art form in Japan, the practice of Hanakotoba involves the pairing of flowers with meaning in the hopes of conveying emotion without the use of words. And for the first half of the 19th century, floriography was hugely popular in France, Britain and in the United States. Although many floriography dictionaries differed in meaning, some consensus on particular floral associations has prevailed in Western popular culture today.

    Red roses (and their thorns), for example, continue to symbolize the duality of pain and pleasure in romantic love. The red poppy has become a symbol of remembrance of the fallen in war and white lilies, often used at funerals, signify sympathy and purity.

    By utilizing the popular associations of flowers in a given culture, you can communicate ideas to a viewer through the photography of floral blooms.

    Physicality

    history-of-flowers-in-art-and-photography

    Physicality defines the physical features that make up a floral bloom. For example, the textural qualities of a bloom influence our ability to visually feel the make-up of a flower. Aspects like the heaviness of a flower head can add visual weight to an image and the direction of a bloom can convey movement.

    Varying dimensions of the flowers in Still Life With Flowers by Ambrosius Bosschaert cultivate energy and directionality, while the whimsical dimensions of the iris petals in Vincent Van Gogh’s Irises burst with movement and spontaneity. The repetition of Renoir’s Bouquet of Roses reinforces the soft quality of the rose heads, each vying for a place within the artist’s rendering, while Imogen Cunningham’s Magnolia Blossom features a single magnolia, emphasizing the delicate membrane of a lone flower.

    Research into flower usage in art history will help you to achieve the right balance of physical characteristics within a floral photograph.

    Abstraction

    Why You Need to Know the History of Flowers in Art and Photography

    According to Tate.org “abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colors, forms and gestural marks to achieve its effect.”

    Abstract flowers in art are exemplified by the paintings of Georgia O’Keeffe. A leading figure in American Modernism, O’Keeffe pushed the boundaries of art by combining abstraction and representation. O’Keeffe’s close-up paintings of flowers allowed viewers to appreciate intimate forms from a fresh perspective.

    In the same way, photographing abstracted flowers cultivates a sense of intimacy. Abstraction provides the opportunity for viewers to experience the properties of flowers through the eyes of the photographer.

    You can achieve floral abstraction through the use of various photographic techniques.  Camera movement, cropping or creative macro photography are some of the ways a photographer can create intriguing abstracted floral imagery.

    Conclusion

    With thousands of types of floral blooms spread around the globe, flowers have caught the eye of artists for millennia. Familiarizing yourself with the history of flowers in art can be beneficial in a number of ways. A knowledge of colors and their use in conjunction with flowers is a useful tool in conveying emotional depth.

    Knowing the history of flowers in art and culture can open more channels of communication between the photographer and the viewer. Training the eye to assess the physicality of different flowers allows for well-considered image-making.

    And abstraction can introduce a unique perspective to your floral photography.

     

    history-of-flowers-in-art-and-photograph

    The post Why You Need to Know the History of Flowers in Art and Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.


    Digital Photography School

  • Sony a9 II has a refined design and more pro-oriented features

    Sony has introduced the a9 II, which adds a host of features for the working professional, along with a refined design largely borrowed from the a7R IV.

    The sports-oriented a9 II uses the same full-frame 24MP sensor as its predecessor, though its faster Bionz X processor improves AF speed and precision, along with EVF display response. It retains the same 693-point on-sensor PDAF system as the a9, but with new algorithms that improve subject tracking. The camera can still shoot at 20 fps with no blackout using the electronic shutter, and the burst speed using the mechanical shutter has risen to 10 fps. There’s also a new anti-flicker system when using the mechanical shutter, making it much more usable under artificial light.

    The biggest changes on the a9 II are targeted toward those who make a living taking photographs and need to deliver large numbers of them quickly

    The a9 II has a larger grip than its predecessor, with improved weather-sealing around ports and doors similar to that of the a7R IV. The rear control dial now sits on the top plate, the EV comp button has a lock and the AF-On button and joystick are a bit larger. Battery life has gone up – and the camera can be powered over its USB 3.2 Type C port – and both SD card slots now support UHS-II speeds.

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    The a9 II has a slightly improved in-body IS system, which can reduce shake by an additional 1/2-stop, while its 3.76M-dot EVF, tilting LCD and oversampled 4K video capture remain unchanged (meaning 8-bit and no Log modes).

    The biggest changes on the a9 II are targeted toward those who make a living taking photographs and need to deliver large numbers of them quickly. Some of the new features include Gigabit Ethernet, 5GHz (802.11ac) Wi-Fi, background FTP transfer and voice memos. The camera can store up to ten sets of both FTP and camera settings, which is helpful when sharing the a9 II with multiple photographers.

    The a9 II will be available in November for $ 4500. The a9 will continue to be sold as a more accessible model – at least for now.

    Press release

    Sony Electronics Introduces the Alpha 9 II with Enhanced Connectivity and Workflow for Professional Sports Photographers and Photojournalists

    New Alpha 9 II Combines Alpha 9’s Unrivaled Speed with New Functionality to Match the Needs of Professionals

    SAN DIEGO — October 3, 2019 — Sony Electronics today announced Alpha 9 II (model ILCE-9M2). The latest model from Sony’s acclaimed line-up of ? (Alpha) full-frame interchangeable lens cameras, the new model has been created to support working professionals in the fields of sports photography and photojournalism.

    The new Alpha 9 II builds on the impressive legacy of the original Alpha 9, maintaining groundbreaking speed performance, including blackout-free continuous shooting at up to 20 frames per second with Auto Focus and Auto Exposure tracking at 60 calculations per second.

    Updates include significantly enhanced connectivity and file delivery, continuous shooting at up to 10 fps with mechanical shutter, and evolved AF performance with newly optimized algorithms, re-designed build to enhance durability and operability.

    “The voice of our customers is absolutely critical to Sony – we are always listening,” said Neal Manowitz, deputy president for Imaging Products and Solutions Americas at Sony Electronics. “The Alpha 9 II is the direct result of our work with agency, sports and news photographers since the launch of the original Alpha 9. We have added connectivity and network capabilities that drastically improve the professional workflow, while also making enhancements to design, interface and processing power that complete the user experience. Complemented by our extremely versatile E-mount system – with 55 native lenses introduced at this point including super-telephoto 600mm and 400mm G Master™ series lenses – this new camera is a tool unlike any other for professionals, whether in the field or on the field.”

    Raising the Bar for Built-in Connectivity in the Professional’s Workflow

    The Alpha 9 II includes a built-in 1000BASE-T Ethernet terminal, enabling gigabit communication for high-speed, stable data transfer operations. Additionally, File Transfer over SSL or TLS encryption (FTPS) is supported for increased data security and PC remote (tether) shooting performance is improved, with decreased release time lag and reduced live view screen delay when using the ‘Remote Camera Tool’ desktop application. The speed of the camera’s built-in wireless LAN functionality has also been increased, adding a stable and fast 5 GHz (IEEE 802.11ac) band, in addition to the 2.4 GHz provided in the Alpha 9. IEEE 802.11a/b/g/n/ac standards are all supported.

    Designed to improve the speed of news agencies’ workflow, the Alpha 9 II features a new Voice Memo function that allows spoken information to be attached to images in the form of voice memos that can be replayed when the images are reviewed. The voice data can also be included with images sent to an editor, giving them important information needed for effective editing. Alternatively, a field photographer can also use the ‘Transfer & Tagging add-on’ “Imaging Edge™” application to transfer voice tags with the images to their mobile device and have the voice memos automatically converted to text and added to the JPEG images in the form of IPTC metadata. All of this can be done automatically or manually selected by the photographer.

    By combining wireless voice/image transfer and automatic voice-to-text conversion with the ability to auto-transfer images with attached voice memos via FTP, it is possible to shoot and transfer the results to an FTP server without ever having to operate a smartphone. FTP settings within the app can also be sent to a camera via Bluetooth®, allowing for a faster workflow.

    The Platinum Standard for Speed and Auto Focus Performance

    The new Alpha 9 II shares the same acclaimed 35mm full-frame stacked 24.2 MP Exmor RS™ CMOS image sensor with integral memory as the original Alpha 9, giving it the same unmatched speed performance and outstanding image quality. The new model can shoot continuously and completely silently at 20 fps for up to 361 JPEG images or 239 compressed RAW images, with no viewfinder blackout allowing the photographer to follow the subject and action with no interruption to the EVF during picture taking. For times when mechanical shutter is preferred or required, the new Alpha 9 II has been improved to shoot at up to 10 fps, about 2x the speed of the Alpha 9.

    The camera is able to function while continuously calculating Auto Focus and Auto Exposure at up to 60 times per second, with newly optimized AF algorithms that provide notably enhanced AF precision and performance, ensuring that even the most erratic subject motion that is associated with sports are captured with high precision. Also useful for sporting events, the camera now offers an anti-flicker shooting mode that automatically detects and adjusts for the presence of fluorescent or artificial lighting to maximize image quality.

    The advanced focusing system in the new Alpha 9 II is far beyond the capabilities of any professional camera. Comprised of 693 focal-plane phase-detection AF points covering approximately 93% of the image area, as well as 425 contrast AF points, the Fast Hybrid Auto Focus system achieves extremely fast and accurate performance, ensuring all fast-moving subjects are accurately captured. Additional notable focusing capabilities include Real-time Eye AF with right eye / left eye selection, Real-time Eye AF for animal augmented with a new algorithm, Real-Time Eye AF for movie, Real-time Tracking, selectable focus frame color, Touch Pad focus point control while using the viewfinder and more. AF can also now continuously track even if continuous shooting is greater than F16, providing further accuracy for shots that require slower shutter speeds. ?

    Refined Build and Operability

    • Upgraded BIONZ X™ image processing engine gains maximum benefit from the sensor’s fast readout speed; processor works with front-end LSI to enhance speed in AF/AE detection, image processing, face detection and accuracy, and more
    • Upgraded dust and moisture resistant design to meet the needs of professionals in even the most challenging outdoor conditions; stronger sealing provided at all body seams as well as the battery compartment cover and media slot
    • Latest developed image-processing algorithm reduces noise in the medium-to-high sensitivity range while improving subjective resolution and image quality
    • 5-axis optical in-body image stabilization system that provides a shutter speed advantage of 5.5 steps
    • Improved grip configuration for even greater comfort and sure hold; compatible with Sony VG-C4EM Vertical Grip
    • Improved button design and feel; increased diameter and feedback of the ‘AF-ON’ button; a refined multi-selector joystick design; an exposure compensation dial lock button; and a redesigned shape and new position for the rear dial
    • Redesigned shutter mechanism to suppress even the slightest movement that can cause image blur; tested for durability in excess of 500,000 shutter cycles
    • USB Type-C™ connector that supports fast USB 3.2 Gen 1 data transfer
    • Dual media slots that are both compatible with UHS-I and UHS-II SD cards, allowing higher overall capacity and faster read/write speeds
    • Digital audio interface has been added to the camera’s Multi Interface Shoe™ (MI Shoe), enabling the new ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit to be connected directly to the MI Shoe for cleaner, clearer audio recordings

    Pricing and Availability

    The new Alpha 9 II will be available in November 2019 priced at approximately $ 4,500 US and $ 6,000 CA. It will be sold at a variety of Sony’s authorized dealers throughout North America.

    Articles: Digital Photography Review (dpreview.com)

  • Lighting Workshop Interest List

    Apologies for how the lighting workshops announcement went yesterday. They filled within a few hours, and before many of you even saw the email.

    Given that I typically only do the small-class shooting workshops once a year, I sat down last night and figured out a fairer way to announce them. If you are interested in perhaps one day attending, click through to learn more. Read more »
    Strobist

  • Fujifilm GF 50mm F3.5 sample gallery (DPReview TV)

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    This gallery of images shot on the Fujifilm GF 50mm F3.5 R LM WR ‘pancake’ lens was captured during production of this week’s episode of DPReview TV.

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Fujifilm GF 50mm F3.5 review

    Fujifilm’s GF 50mm F3.5 ‘pancake’ lens is a relatively compact optic for the company’s GFX line of medium format cameras. What do you give up in exchange for the small size? According to Chris, not much.

    Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • Design
    • Is it really a pancake?
    • Field of view
    • Sharpness (on the GFX 100)
    • Longitudinal CA
    • River surfing
    • Bokeh
    • Compared to the GF 63mm F2.8

    Sample gallery from this episode

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    Articles: Digital Photography Review (dpreview.com)

  • Gnarbox 2.0 SSD is now available around the world starting at $499

    MyGnar Inc. has announced worldwide availability of the Gnarbox 2.0 SSD. Originally funded on Kickstarter, the Gnarbox 2.0 SSD is now available to purchase from retailers around the globe and brings with it a few new features.

    As detailed in our original coverage, Gnarbox 2.0 SSD is a rugged storage solution that works hand-in-hand with a collection of apps to make it easy to import, sort, edit and export multimedia content while on the go.

    The Gnarbox 2.0 SSD offers a 2.4 Ghz Quad-Core processor, 4GB of RAM and up to 1TB of NVMe SSD storage. Photos and videos can be imported to the device using the onboard SD card slot (up to 75MB/s) or one of the two onboard USB-C ports (up to 350MB/s) and Micro HDMI port is onboard to show photos off on any HDMI comparable display. The battery inside is charged via USB-C and is rated for three to six hours of use.

    Gnarbox has also announced two new features the Gnarbox 2.0 SSD supports. First, MyGnar has partnered with Camera Bits, Inc. to power its Gnarbox Selects App using Photo Mechanic’s image processing technology, Raw file support and metadata tagging tools. Additionally, the Gnarbox 2.0 SSD can now be connected to iPad Pro devices via USB-C if you prefer a tethered connection.

    Although the specs themselves are impressive, it’s the connectivity that makes the Gnarbox 2.0 SSD shine. When used with iOS devices, the Gnarbox 2.0 SSD works seamlessly with Lightroom CC and video editing application LumaFusion, making it easy to edit media when out and about.

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    The Gnarbox 2.0 SSD is available in 256GB, 512GB and 1TB capacities for $ 499, $ 599 and $ 899, respectively. In addition to Gnarbox’s website, it’s also available at Amazon and B&H Photo.

    Articles: Digital Photography Review (dpreview.com)

  • Epson reveals SureColor P7570, P9570 wide-format printers that offer ‘museum quality’ prints

    Epson has expanded its SureCore P-Series line of printers with the new wide-format SureColor P7570 and SureColor P9570 models offering 24in and 44in print sizes, UltraChrome PRO12 pigment ink, and PrecisionCore MicroTFP printhead tech. Epson’s Reed Hecht calls the P7570 and P9570 its ‘most advanced printers to date.’

    Both printer models feature dedicated nozzles for Matte and Photo Black ink, which eliminates ink switching and improves overall printing speeds. According to Epson, the new 6.6cm (2.6in) PrecisionCore MicroTFP printhead combined with the new 12-color UltraChrome PRO12 pigment ink enables these models to print up to 2.4 times faster than the previous models.

    Other features include a new print mode called Black Enhanced Overcoat offering improved DMAX for what Epson says is better sharpness and wider contrast ratio on glossy prints, as well as a 4.3in customizable color touchscreen, support for the optional Epson SpectroProofer, a built-in LED light for viewing prints as they’re printing, and a sealed roll media door designed to better protect against dust.

    Talking about what users can expect from these two models is Wilhelm Imaging Research director of research Henry Wilhelm, who said:

    Preliminary data for the Epson 12-color UltraChrome PRO12 pigment inks in the new SureColor P7570 and P9570 create stunning museum-quality prints with WIR Display Permanence Ratings that will equal or exceed the ratings achieved by the current UltraChrome HDX inks of up to 200 years for color prints and up to 400 years for B&W. Prints framed with UV-absorbing acrylic – and those displayed under LED illumination – will achieve significantly higher ratings.

    Epson plans to showcase its new printers from October 3 to 5 at PRINT19 in Chicago. Both models will launch in December at around $ 4,695 USD (P7570) and $ 6,595 (P9570).

    Articles: Digital Photography Review (dpreview.com)

  • Duet Display adds support for turning Android tablets into secondary displays

    Duet Display, the software that was launched as a way to turn an iPad into a secondary Mac display, has launched support for Android. The new Duet Display for Android app enables users to turn an Android smartphone, tablet, or Chromebook into an extra display for use with a PC or Mac computer, a feature that is particularly useful when working outside of the office.

    Apple made the Duet’s main product defunct with the launch of its Sidecar feature, which now directly offers a way for using an iPad as a secondary Mac display. Users had anticipated an eventual arrival of Duet Display for Android given the sudden change in its primary market.

    As with iPad, Android and Chromebook users can turn their devices into secondary displays for a main PC or Mac computer by connecting the two with a USB cable. Users must install the free Dual desktop client on their computer and the Duet Display Android app on their supported secondary device.

    Duet supports gestures and touch control, enabling users to scroll and zoom, among other things, directly on the secondary device. The Duet Display for Android app costs $ 19.99 USD, but is temporarily discounted on the Google Play Store at $ 9.99 USD.

    Articles: Digital Photography Review (dpreview.com)

  • Microsoft launches ARM-powered Studio Pro X, updates Surface Pro 7 with USB-C

    Today, Microsoft released the details on its two new Surface Pro 2-in-1 PCs, the Surface Pro 7 and the Surface Pro X. The new devices might look similar on the outside, but take quite different approaches to mobile computing on the inside.

    Surface Pro 7

    The Surface Pro 7 remains largely unchanged from its predecessor on the, well, surface. Aside from the jump to USB-C (finally), the Surface Pro 7 is identical to the Surface Pro 6, including the 12.3-inch PixelSense touchscreen display (2,736 x 1,824, 267 ppi), Surface Type Keyboard and Surface Pen.

    After years of Microsoft using its proprietary Surface Connector, the Surface Pro lineup now gets USB-C. It’s not Thunderbolt 3, but it’s a welcomed change nonetheless. Other ports include USB 3.0, Mini DisplayPort, Surface Connect and a Micro SD port.

    Internally, the Surface Pro 7 is powered by Intel’s 10th generation processors with a number of options ranging from dual-core 1.2G GHz i3 processors to quad-core 1.3 GHz i7 processors. The Surface Pro 7 can max out with up to 16GB of RAM and 1TB of storage, but the base model will include just 4GB of RAM and 128GB of storage.

    On the wireless side of things, the Surface Pro 7 will include 802.11ax Wi-Fi and Bluetooth 5.0 connectivity. Microsoft claims a runtime of up to 10.5 hours on a single charge, although a specific Wh rating was not given for the battery.

    The Surface Pro 7 starts at $ 749 for the base model—$ 150 less than the base level price for the Surface Pro 6. It’s available for pre-order today in black and silver and will ship starting October 22, 2019.

    Surface Pro X

    Microsoft is switching things up a bit with the Surface Pro X. Unlike the Surface Pro 7, which relies on Intel processors, the new Surface Pro X will use a custom ARM-based processor.

    Microsoft says the processor is a co-developed version of Qualcomm’s Snapdragon 8cx processor called the Surface SQ1. Microsoft says the 7-watt processor can get upwards of ‘three times more performance per watt than the [Intel-driven] Surface Pro 6.’ Microsoft says the GPU inside the Surface Pro X was also co-developed with Qualcomm.

    Other benefits of using an ARM-based processor is that the Surface Pro X will support LTE connectivity, offer up to 13 hours of battery life and will offer fast charging (0-80 percent with just an hour charge).

    The device itself looks very similar to its Intel counterparts on the outside, with a few notable exceptions. Rather than a 12-inch PixelSense display, the Surface Pro X will offer a 13-inch display. The edges and corners of the Surface Pro X have also been rounded off compared to the Surface Pro 7.

    The Surface Pro X is just 5.3mm at its thinnest point and weighs only 762g (1.68lbs). Microsoft says the Surface Pro X will run a full-fledged version of Windows 10, unlike the toned-down version the ARM-powered Surface RT used.

    The Surface Pro X is available to pre-order today for $ 999 and will arrive at retailers on November 5th.

    Articles: Digital Photography Review (dpreview.com)

  • Exposure Software releases Exposure X5 image editing and organizing software

    Exposure Software (formerly Alien Skin) has released its new flagship product, the image editing and organizing software Exposure X5. The new package comes with long list of improvements over the last version Exposure X4.5 which includes the following:

    • 3D Color Masking allows you to control where an image adjustment is applied by color characteristics such as hue, saturation, and luminance. You can select foreground or background areas, skies, skin tones or specific color ranges using the tool.
    • Chromatic Aberration Correction removes color fringes caused by lens refraction. Corrections can be applied by selecting a lens profile or manually for more precise control. Apply via lens profile or by manual adjustment if precise control is desired.
    • Vignette Correction does what it says on the tin and lifts the brightness around the edges of your images to counteract vignetting effects. Like the CA correction, this can be applied using a lens profile or manually.
    • Custom Camera Profiles let you control the JPG color rendering from RAW data for a particular camera. Camera profiles created by X-Rite or other software can be automatically applied by matching a camera model or serial number. Optionally they can also be applied when matching a specific lens or a pre-defined ISO range.

    Other new few features and functions include complementary color presets, additional black&white film simulation presets, new image flip options, support for gatscale TIF and JPG images as well as multiple user interface language options.

    Owners of Exposure X4 who purchased their copy on or after August 1st, 2019 will be receiving a free upgrade to Exposure X5 soon. Anyone you bought any Exposure version before this date will be able to purchase an update version for $ 89. The full version will set you back $ 119. A 30 day trial version is available. You’ll find more information on the Exposure website.

    Articles: Digital Photography Review (dpreview.com)