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  • The One and Only Thing That Will Make Your Photography Better

    The post The One and Only Thing That Will Make Your Photography Better appeared first on Digital Photography School. It was authored by John McIntire.

    make-your-photography-better

    This is a fantastic time to be getting into photography.

    Even if you don’t take into account the wonderful array of options you have for equipment and the like, there is an enormous amount of information available at the click of a button to anyone who wants to learn any kind of photography. There are millions (I’m sure) of written and video tutorials that you can access at a moment’s notice with a device that you keep in your pocket. There is also a huge number of courses, books and real-life photographers offering tuition and workshops all over the world. I do feel this abundance is a great thing for photography as a whole.

    However, this abundance comes with a subtle trap. When fallen into, it can hinder your progress and growth as a photographer.

    make-your-photography-better

    With a wide array of techniques, equipment and possibilities available, now might just be the best time to start learning photography.

    The trap

    It’s easy to spend time consuming content and learning new things. Some outlets, like Youtube, are designed to keep you consuming for as long as possible – and long after you watched what you intended to in the first place.

    The problem is, when you go from tutorial to tutorial consuming information indiscriminately, you are only part-learning it. Sure, the theory is important, but knowing something isn’t the same thing as being able to do it.

    It’s also easy to sit and think about photography and what you can do with all of the information that you have accumulated.

    Image: You can read about black and white conversions all you want, but until you actually put that...

    You can read about black and white conversions all you want, but until you actually put that information into practice, it’s just that: information. It’s not yet a skill.

    What isn’t so easy is the most important step. Reading about and thinking about photography is great, but neither one is actually photography. Putting all of that information to use is the difficult part. It’s the one thing I see people struggle with consistently (myself included at times). Boiled down, it’s basically the same thing as lusting after and buying that fancy, expensive lens, but then never using it.

    Break the cycle

    The cycle goes like this:

    Read/watch a tutorial — think about it a bit — read/watch another tutorial — think about it a bit — rinse, lather, and repeat.

    When you get stuck in a loop like this, you’re only doing half the job of learning something new. Unless we’re talking about something really easy like where the shutter release is on your camera and how to use it, most things require actual practical experience to learn properly.

    Take something like Rembrandt lighting.

    Sure, you can read a tutorial and know that your light source should be at a 45-degree angle to the side of your subjects and 45 degrees above and pointed down. However, if you get something like that right on the first try, there’s more luck involved then anything else.

    Techniques like this have a lot of nuances that are not very easy to infer without practical experience. Many factors can interfere with getting them right that you might not be able to read about, meaning you have to figure it out for yourself.

    make-your-photography-better

    In this example, I had a new modifier to figure out. To do so, it was a matter of trying it at various angles and positions to see what it did and didn’t do.

    The new cycle I would propose looks a bit like this:

    Read/watch a tutorial — think on it — act on it — evaluate — alter — evaluate.

    Keep going like this until you feel that you have a complete understanding of whatever it is you are trying to learn.

    Going back to the Rembrandt example, if you’ve read a tutorial and took some time to figure out how to implement it, you could then set up a practice session and put what you’ve learned to the test.

    Once you’ve tried it, you can evaluate the results.

    Let’s say that the triangular highlight that appears on the shadow side of the face with Rembrandt lighting isn’t quite right.

    Here you would identify that problem and then try to figure out why it has happened that way. Then you would try the technique again and again until you’ve sorted that out, and you have images with perfect Rembrandt lighting.

    Image: Once you’ve figured out one technique, you can now try to break it. Add things flags an...

    Once you’ve figured out one technique, you can now try to break it. Add things flags and reflectors and fill lights one step at a time as I did with the same modifier in the previous example.

    You shouldn’t stop here though. Continuing with Rembrandt: now you can start to experiment and add to it.

    What does the setup look like if you add a reflector?

    How does it look if you add a fill light or a hair light?

    What does it look like when you have your subject move into a different position?

    make-your-photography-better

    Taking incremental steps like these will help ensure you learn everything you want to more thoroughly.

    Going through questions like these with practical, incremental experience will not only help you to learn faster but will help you to learn more thoroughly. Also, because you have intentionally tried a variety of things that probably don’t work, once those scenarios come up in the real-world application of your new skills, you will be able to identify and fix those problems immediately.

    Every aspect of photography

    Image: This concept encompasses every aspect of photography. From basic camera craft to lighting and...

    This concept encompasses every aspect of photography. From basic camera craft to lighting and to post-processing. Focusing on one skill at a time is the fastest way to learn.

    It doesn’t matter if the technique in question is a lighting pattern, using different metering modes, manual focus, or post-processing techniques. The process is the same.

    Learn it. Use it. Master it.

    One thing at a time

    If you want to learn as much as possible in photography, there is no set order in which you do things. I do suggest, however, that you only do one thing at a time.

    Early on, things will be easy (like learning where the basic controls of your camera are, how to focus, and using manual mode) and won’t take much time. If you focus on each of these basic skills in isolation, you’ll probably find that they all mesh together a lot easier. Then, before you know it, you will be tackling much more complicated skill-sets and techniques.

    That said, the most important thing of all is that you need to do your best to get out and practice.

    The post The One and Only Thing That Will Make Your Photography Better appeared first on Digital Photography School. It was authored by John McIntire.


    Digital Photography School

  • News: Olympus Denies Rumors of Camera Division Shutdown

    The post News: Olympus Denies Rumors of Camera Division Shutdown appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    olympus denies shutdown rumors

    Olympus photographers, look out:

    Over the past few weeks, the future of Olympus’s camera business has been the subject of much speculation.

    It started when a Personal View admin argued that the Olympus camera division was on the way out, claiming that “closure is near,” and it can “happen in less than 8 months.” The article stated that “it is total instability now in [the Olympus] camera division,” and went on to say that “in various countries, people are running and looking for new positions.” The author also pointed to an Olympus financial report, which revealed that camera revenue has fallen by 17%.

    Yet this was rebutted by Olympus; the company quickly released a statement:

    Olympus Imaging products play an important role as technology drivers for all Olympus business lines, including the advanced digital technologies used in Olympus’ Medical, Industrial and Scientific businesses. Olympus does indeed plan to continue to develop its imaging produce lines, bringing products to life that embody Olympus’ core benefits, including system compactness and superior lens optics.

    For Olympus shooters out there, the relief was short-lived. Because just days later, Bloomberg published an article reporting that the Olympus CEO, Yasuo Takeuchi, “backtracked on some his comments in the past that the camera business was not for sale, saying that may not be the case anymore.” This was followed by Bloomberg reporting that “Olympus plans to regularly reassess its business portfolio to focus on its medical business.”

    As expected, this resulted in another swarm of rumors and speculation, which were acknowledged in a recent statement by Olympus:

    As announced in our Corporate Strategy, Olympus is further focusing on our Medical business and follows the strong ambition for all of our businesses to be profitable and contribute to our overall business objectives. In that regard, we are continuously evaluating our overall portfolio, as announced in our Corporate Strategy on November 6, 2019.

    For Imaging, however, we currently have no plans to sell the business. The task is therefore to stabilize and strengthen its market position. To achieve that, we are actively running marketing activities, and have already established a clear and exciting product roadmap for the coming months and years. We are actively pursuing future technology developments that will enhance photography and video for creators. Furthermore, Imaging is and will continue to be an important technology and innovation driver for our other businesses.

    Our Imaging business features a unique product portfolio. Olympus products are compact and lightweight, feature market leading image stabilization and autofocus. Many of our high-end products are also splash-proof. No other product offers customers this level of optical excellence paired with the highest mobility.

    Just last month we launched our new OM-D E-M5 Mark III – a light yet feature packed addition to our semi-pro camera portfolio, inheriting pro-features like a high precision AF from our OM-D E-M1 Mark II model. Furthermore, we have announced the development of M.ZUIKO DIGITAL ED 150-400mm f/4.5 TC1.25x IS PRO earlier this year to be launched by next year. Customers can follow our break-free campaign on various channels and worldwide.

    Out of everything that has been said, I find this statement to be the most reassuring, but I don’t think it puts the speculation entirely to rest. Olympus’s “no plans to sell the business” line doesn’t sound as firm as it could (compare it to a possible “we won’t be selling the business”), and plenty of companies have launched products right up until the end.

    What seems most plausible to me is that Olympus is keeping its options open. So while we shouldn’t be surprised if Olympus’s camera division continues to function, it shouldn’t come as a shock if Olympus announces the sale or shutdown of its camera business, either.

    So I’d like to know what you think. Do you find Olympus’s statements to be reassuring? Do you think Olympus will continue to manufacture cameras? For the Olympus photographers out there, are you worried? Let me know in the comments!

    The post News: Olympus Denies Rumors of Camera Division Shutdown appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • 2019 Black Friday and Cyber Monday camera gear deals

    Love it or hate it, the deals weekend of the year is here, at least for our American readers. Between Black Friday, Small Business Saturday (yes, that’s a real thing) and Cyber Monday, there are deals aplenty.

    We’ve scoured the web for discounts and have rounded up the best cameras, lenses and major accessories deals we could find. We’re going to try our best to update this article throughout the weekend, but if you see a deal that we’ve missed, paste it into a comment. If you’re posting a non-US deal, that’s great! Just flag it clearly.

    Please note that the ‘SAVE’ figures below represent discount from original MSRP and we make no guarantees that the discounts listed will be available across the entire holiday weekend. If a deal has expired, let us know in a comment and we’ll remove it from this list.

    We’re focusing on deals from three major US online retailers in this article, and if you choose to shop via the Amazon links below, you’ll be supporting DPReview in a small way.

    Happy holidays!


    Canon

    Canon EOS R Camera Body (+ accessory kit) SAVE $ 500
    $ 1,799, normally $ 2,299 (Adorama, Amazon, B&H)

    Canon EOS Rebel T7i Camera Body (+ accessory kit) SAVE $ 150
    $ 599, normally $ 749 (Adorama, Amazon, B&H)

    Canon EOS Rebel T6 with 18-55mm IS & 75-300mm (+ accessory kit) SAVE $ 350
    $ 399, normally $ 749 (Adorama, Amazon, B&H)

    Canon EOS M100 with 15-45mm and 55-200mm STM (+ accessory kit) SAVE $ 400
    $ 549, normally $ 949 (Adorama, Amazon, B&H)

    Canon PowerShot G7 X Mark II (+ accessory kit) SAVE $ 100
    $ 599, normally $ 699 (Adorama, Amazon, B&H)

    Canon EF 70-200mm F2.8L IS III USM with Tripod & head SAVE $ 300
    $ 1,799, normally $ 2099 (Adorama) B&H also has the lens for $ 1,799, without the tripod.

    Canon Speedlite 430EX III-RT SAVE $ 100
    $ 199, normally $ 299 (Adorama, Amazon, B&H)


    Fujifilm

    Fujifilm X-Pro2 Body SAVE $ 400
    $ 1,299, normally $ 1,699 (Adorama, Amazon, B&H)

    Fujifilm X-Pro2 with XF 23mm F2, Graphite (+ accessory kit) SAVE $ 700
    $ 1,599, normally $ 2,299 (Adorama, B&H)

    Fujifilm X-T20 with XF 18-55mm F2.8-4 R (+ accessory kit) SAVE $ 200
    $ 799, normally $ 999 (Adorama, Amazon, B&H)

    Fujifilm X-E3 Body, Black (+ accessory kit) SAVE $ 200
    $ 499, normally $ 699 (Adorama, Amazon, B&H)

    Fujifilm XF 80mm F2.8 R LM OIS WR Macro (+ accessory kit) SAVE $ 250
    $ 949, normally $ 1,199 (Adorama, Amazon, B&H)

    Fujifilm XF 8-16mm f2.8 R LM WR (+ accessory kit) SAVE $ 200
    $ 1,799, normally $ 1,999 (Adorama, Amazon, B&H)

    Fujifilm XF 100-400mm F4.5-5.6 R LM OIS WR (+ accessory kit) SAVE $ 200
    $ 1,699, normally $ 1,899 (Adorama, Amazon, B&H)


    Nikon

    Nikon D850 Body SAVE $ 500
    $ 2,796.95, normally $ 3,296.95 (Adorama [includes Nikon MB-D18 Battery Grip and FP Zoom Li-on X R2 TTL Flash], B&H [includes free accessory kit])

    Nikon D750 Body: SAVE $ 700
    $ 996.95, normally $ 1,696.95 (Adorama [includes Slik Pro II 4-section tripod and ball-head], B&H [includes free accessory kit])

    Nikon D610 (with 50mm F1.8G AF-S Lens, MB-D14 Battery Power Pack, WU-1b Wireless Mobile Adapter)
    $ 1996.95 (Adorama)

    Nikon D3500 Body with NIKKOR 18-55mm and 70-300mm (+ accessory kit): SAVE $ 450
    $ 396.95, normally $ 846.95 (Adorama, Amazon, B&H)

    Nikon Z50 with 16-50mm F3.5-6.3 VR & 50-250mm F4.5-6.3 VR: SAVE $ 150
    $ 1,196.95, normally #1,346.95 (Adorama, Amazon, B&H)


    Olympus

    Olympus OM-D E-M1X Body SAVE $ 400
    $ 2,599, normally $ 2,999 (Adorama, Amazon, B&H)

    Olympus OM-D E-M1 Mark II SAVE $ 400
    $ 1,299, normally $ 1,699 (Adorama, Amazon, B&H)

    Olympus OM-D E-M10 Mark III SAVE $ 250
    $ 399, normally $ 649 (Adorama, Amazon, B&H)

    Olympus M. Zuiko Digital ED 300mm F4.0 IS PRO SAVE $ 200
    $ 2,299, normally $ 2,499 (Adorama, Amazon, B&H)


    Panasonic

    Panasonic Lumix DC-GH5 Body (+ accessory kit) SAVE $ 700
    $ 1,297.99, normally $ 1,997.99 (Adorama, Amazon, B&H)

    Panasonic Lumix DMC-G85 with 12-60mm OIS & 45-150mm (+ accessory kit) SAVE $ 550
    $ 697.99, normally $ 1,245.98 (Adorama, Amazon, B&H)

    Panasonic Lumix G9 Body (+ accessory kit) SAVE $ 500
    $ 997.99, normally $ 1499.95 (Adorama, Amazon, B&H)

    Panasonic Lumix G Leica DG 12mm F1.4 ASP (+ accessory kit) SAVE $ 300
    $ 997.99, normally $ 1,297.99 (Adorama, Amazon, B&H)

    Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2 (+ accessory kit) SAVE $ 400
    $ 1,197.99, normally $ 1,597.99 (Adorama, Amazon, B&H)

    Panasonic G Leica DG Vario-Elmarit 12-60mm F2.8-4 (+ accessory kit) SAVE $ 200
    $ 797.99, normally $ 997.99 (Adorama, Amazon, B&H)


    Ricoh

    Pentax K-1 Mark II Body (+ accessory kit) SAVE $ 300
    $ 1,696.95, normally $ 1,996.95 (Adorama, Amazon, B&H)

    Pentax KP Body (+ accessory kit) SAVE $ 500
    $ 696.95, normally $ 1,096.95 (Adorama, Amazon, B&H)

    Ricoh WG-60 (+ accessory kit) SAVE $ 80
    $ 196.95, normally $ 276.95 (Adorama, Amazon, B&H)


    Sony

    Sony Alpha a7 III (+ accessory kit) SAVE $ 200
    $ 1798, normally $ 1998 (Adorama, Amazon, B&H)

    Sony a7R II with FE 28-70mm F3.5-5.6 OSS SAVE $ 500
    $ 1,498, normally $ 1,998 (Adorama, B&H)

    Sony Alpha A6500 (+ accessory kit) SAVE $ 200
    $ 998, normally $ 1,198 (Adorama, Amazon, B&H)

    Sony Alpha A6000 with 16-50mm and 55-210mm OSS (+ accessory kit) SAVE $ 400
    $ 598, normally $ 998 (Adorama, Amazon, B&H)


    Please note, DPReview is a wholly-owned subsidiary of Amazon. We are editorially-independent of our parent company and this article was put together entirely and exclusively by DPReview’s editorial staff.

    Articles: Digital Photography Review (dpreview.com)

  • Why You Should Hire a Professional Photographer

    The post Why You Should Hire a Professional Photographer appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

    why-you-should-hire-a-professional-photographer

    Photography is more accessible now than ever. Advances in technology – particularly mobile phone cameras – have made it possible for almost anyone to create the type of art that would have been entirely out of reach a decade ago. However, there are still some situations that are best suited by hiring a professional photographer.

    It’s like doing a DIY project: you might have a garage full of tools and some experience under your belt, but if you really want to get the job done right, you need to call in a pro.

    Why You Should Hire a Professional Photographer

    So why should you hire a professional photographer?

    Before getting too far, I want to make sure I don’t give the wrong impression. Most of the time, you probably don’t need to hire a professional photographer to get good pictures. But, there are situations where you and your gear just can’t quite cut it.

    Even people who shoot photos for a living need to hire a professional photographer from time to time! There are plenty of reasons for putting your own camera aside and asking a professional to deliver the results you need.

    Experience matters

    While it’s true that almost any camera today can produce outstanding results, great photos are about more than just a camera. Professionals know this, which is why their websites and social media posts aren’t about what cameras they have or what accessories they use.

    A professional photographer understands concepts like lighting, locations, and editing and how to use them to make the types of images that stand head and shoulders above what most people can get.

    Image: This isn’t just two kids on a bridge. There’s a lot of education, research, pract...

    This isn’t just two kids on a bridge. There’s a lot of education, research, practice, and refinement that made this picture possible.

    I recently did a photo shoot at a picturesque location in my town. Even though I had done many sessions at this same park, I made sure to arrive early to ensure I had everything in order. When the clients arrived, one of them really wanted to take pictures at a popular spot. I listened to him and assured him we could get some shots there, but I had another place in mind to start with.

    The place he had in mind was virtually unusable due to harsh overhead sunlight. I had preselected another location nearby with great colors and much more even lighting and recommended we start there first.

    After we got plenty of shots that I was sure would be winners, we went to the place the client suggested and took some more pictures. Once there, I made sure to put everyone in the shade of a large oak tree to evenly light them.

    Then, through careful editing of the RAW files in Lightroom, I achieved some pretty solid photos.

    Why You Should Hire a Professional Photographer

    I have seen this happen time and time again with similar results. For most people lighting and composition, not to mention technical settings like aperture size and shutter speed, aren’t really things they notice or even know about.

    Professionals are keenly aware of these factors that can add layers of complication to the simple act of taking a picture. They know how to deal with them, how to plan accordingly, and how to improvise when necessary to get the best results.

    This type of thought process doesn’t automatically happen with the purchase of a camera. It takes years of experience, including learning from mistakes and failures, to get things right. Anyone can learn these skills but it takes time and dedication. In the meantime, if you’re someone who just wants to get great photos it can be worth it to hire a professional photographer.

    Image: I knew right where to stand, what camera settings to use, and how to look for the light in or...

    I knew right where to stand, what camera settings to use, and how to look for the light in order to get this picture at an engagement session.

    A mobile phone can take good shots on Portrait Mode, but it won’t help you know where to stand to get the best lighting, a pleasing background, and bring out your best smile.

    Professionals photographers can do all of this and much more.

    One analogy that works well here is cooking. Anyone can look through a cookbook, buy some ingredients, spend a bit of time in the kitchen, and end up with a meal that tastes pretty good.

    Professional chefs take the same ingredients and produce culinary creations that delight your taste buds and challenge your notions of consuming food. It’s not a matter of having the ingredients, but knowing just what to do with them in a way that no cookbook or YouTube video can explain.

    Experience counts with cooking, and it also matters with photography.

    Image: This picture might seem simple, but getting what the clients wanted was no easy task. It requ...

    This picture might seem simple, but getting what the clients wanted was no easy task. It required knowledge of lighting, posing, exposure settings, and even a ten-foot ladder.

    Professionals have the right gear

    There’s a popular saying in photography: The best camera is the one you have with you. That’s true to a certain extent, but if your goal is to get a specific type of photo, there are certain cameras, lenses, flashes, and other gear that are best suited to the task. These often cost thousands of dollars and can be the difference between images that are adequate and awesome.

    Consider the 70-200 f/2.8 lens. These are expensive, heavy, and impractical for casual individuals who enjoy snapshots with their phones. And while you could spend the equivalent of a few month’s rent or car payments on one of these lenses, you might be better off forking over a fraction of that amount to a professional instead.

    Image: A photo like this is simply not possible with a cell phone or a basic kit lens.

    A photo like this is simply not possible with a cell phone or a basic kit lens.

    This lens is just one example out of many, but the point is, professional photographers have researched the right gear for the job. It’s similar to how many people have a basic toolset at home. However, a professional mechanic has a garage full of specific sockets and drivers, as well as impact wrenches and other tools that are ideally suited to specific tasks.

    Some people can probably do a basic oil change in their driveway, but serious work requires serious knowledge and an expensive set of tools to match.

    The same is true for photography. When you want pictures that make you and your loved ones look your best, it sometimes takes expensive high-end gear to make it happen. And professional photographers have just the right camera gear to get it done.

    Why You Should Hire a Professional Photographer

    It’s about more than just the photos

    There’s a line in the 1999 movie Office Space that really hits home for photographers. It’s during an exchange between Stan, the manager of a restaurant called Tchotchkes and one of his servers.

    “People can get a cheeseburger anywhere,” he says. “But they come to Tchotchkes for the atmosphere and the attitude.”

    The scene is meant to be somewhat satirical, but Stan’s mantra rings true for photography.

    Anyone can take a camera, point it at a subject, press the shutter, and end up with some good pictures. They might even be great pictures. But when you hire a professional photographer, you are not only getting photographs, but an entire experience to go along with it.

    It’s about an experience

    Photographers create fun, energetic, exciting events that go far beyond simply providing a photo to hang on the wall or share online. I know photographers who have been shooting the same clients for over a decade because their sessions are about creating, not just images, but memories.

    Image: I spent an evening doing photos for a family several years ago. When the mother brings it up...

    I spent an evening doing photos for a family several years ago. When the mother brings it up now, she talks not just about the pictures, but how much fun they all had during the photo session.

    Professional photographers create experiences that clients will share with friends and family. When people talk about photos from a session, wedding, or important event, they talk about the photographer almost as much as the photos!

    They share stories of how the photographer made their kids laugh, treated people with respect and kindness, listened to their requests, and made them feel like the most important people in the world.

    These are the kind of experiences that get people coming back to professional photographers. Moreover, it’s something that holding a mobile phone on a selfie stick can’t replicate.

    On the flip side, when people have a bad experience related to service, they will often share that with others even more than a positive experience. Professional photographers know this, which is why they take great care to pay attention to their clients, create memorable photography sessions, and keep them coming back for years on end.

    Image: This young woman wanted to bring her dogs to her senior photo shoot. It was a lot of fun! We...

    This young woman wanted to bring her dogs to her senior photo shoot. It was a lot of fun! We all had a good time, even the four-legged furry friends.

    Why you should hire a professional photographer: Conclusion

    I’ve seen people balk at the price of a professional photography session, and I completely understand that reaction. It can seem impractical or downright silly to spend anywhere from a few hundred to a few thousand dollars on a professional photographer.

    That money could pay for a lot of camera gear, and even some educational courses to help you learn how to use it! But there’s a reason people pay that kind of money for professional photos, and you will probably be pleasantly surprised at the value you really get for your money.

    Image: The same couple from the engagement photo above. They enjoyed the session so much they asked...

    The same couple from the engagement photo above. They enjoyed the session so much they asked me to shoot maternity photos two years later.

    What about you? What kind of experiences have you had with professional photographers? Hopefully, you walked away from your photo sessions feeling like you got a great value for your money. I’d love to hear your thoughts in the comments below.

     

    The post Why You Should Hire a Professional Photographer appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


    Digital Photography School

  • 7 clichéd photography gifts to avoid (and what to buy instead)

    7 clichéd photography gifts to avoid this season

    What follows is a list of seven of the most common cliched gifts likely to be received by photographers this holiday season, based on informal polling around the DPReview office.

    If you’re thinking about giving that special photographer in your life one of these items, we implore you, consider our alternatives. No one needs another damn camera lens mug.

    Camera lens mug or shot glass

    There’s nothing worse than stumbling upon a Canon 70-200 F2.8 for a bargain price in a second-hand store only to discover it’s actually just a stupid mug. Damn you, lens mug. Damn you.


    It’s a camera lens – wait, no. It’s a mug! How novel! But the thing is, every photographer on planet Earth already has one of these. And the truth is, most of them are pretty crappy when it coms to their primary function: transporting beverages and keeping them warm. And woe unto you if you leave it in your car cupholder, only to come back and find a brick through your window and your imitation 70-200mm F4L mug missing. It’s happened.

    Rather then gift a piece of junk that’ll likely get pushed to the back of the cabinet or end up filled with pens, how about gifting that special photographer some nice coffee, or tea? We’re a hard-working bunch and will likely appreciate the caffeine. Better yet, throw in a decent-quality mug or vacuum thermos. We’ll think of you every time we sip.

    Camera or photography-themed clothing

    Do you love photography? Great, keep it to yourself! (or at least off your shirt). Also if you need a Pix 2015 Tee, just say the word. We’ve got loads.


    I don’t know many photographers that feel a strong urge to walk around in clothing that advertises their profession or hobby. So kindly hold off on buying the cheesy T-shirt with the silhouette of a camera on it that says ‘I shoot people,’ or that other one that says ‘Everyone’s a photographer until…’ with an image of a mode dial set to ‘M.’ We’ll stick to dressing in all black or in geeky photo vests, thank you very much.

    But seriously, rather than getting photographers cheesy apparel that’ll likely end up in the donation bin, get us a nice article of clothing, like a soft sweater, a thermal layer, or some camera-friendly gloves to keep warm this winter.

    See also: Photography-themed cuff links, lapel pins, tie clips and watches.

    Smartphone camera accessories

    I don’t know about you, but I’d rather just reach for a Ricoh GR III than carry around the clunk-master above.


    There’s a whole market for add-on accessories like lenses and grips, meant to improve the experience and/or output of your smartphone’s camera. The truth is, most photographers would rather reach for a dedicated camera than bulk out their phone. After all, the appeal of the smartphone camera is that it’s always on you because it’s pocketable.

    So instead of gifting something that’ll likely get left behind, give that special photographer a smartphone accessory they’ll actually use: a decent USB power pack for charging on the go (and many can often top up the batteries in newer cameras as well). It may be the tube sock equivalent of tech gifts, but it’s an item anyone can genuinely appreciate.

    Thrift store camera finds

    Sure she looks pretty, but the electronics are fried, the focus ring won’t turn and there’s something strange growing in the viewfinder… not exactly the most useful gift.


    Nothing beats unwrapping something like a Yashica Electro-35 and being told ‘I found this at Goodwill and thought of you’, only to find that it has a seized up focus ring and mold in the finder. Here’s the thing: When it comes to shopping for cameras on the second-hand market, knowledge is power and research is king.

    While a classic fixed-lens rangefinder sure looks great, there’s a risk that it’s really just a moldy paperweight. Don’t be the person that gifts a moldy paperweight. If you’re serious about getting someone a second-hand camera, awesome! We’ve put together two lists of reliable and affordable film cameras that are easy to acquire used. Check them out here and here.

    ‘Inspirational’ photo books and/or how-to’s

    Skip the lame photo how-to books and cheesy inspirational ones and instead opt for something that shows off a celebrated shooter’s work.


    Inspiration is obviously a very important part of the creative process. However, there are a ton of lackluster supposedly inspirational photography books on the market. The same can be said for photography how-to books: there’s a lot of them out there, but many are out-of-date and / or dull.

    So rather than pick any old photography-related book, I implore you to do a little research. Find out who that special someone looks up to photographically and purchase a photo book by that person. If you’re unsure who their favorite ‘tog is, put on you sleuth hat and check their Instagram ‘following’ list. Chances are they probably follow some of their favorite shooters. If you’re still unsure, go for a classic like ‘The Americans’ by the late Robert Frank or ‘Street Photographer’ a collection of images by the late Vivian Maier.

    A stylish or overly-technical camera strap or camera bags

    If you wouldn’t feel comfortable picking out a pair of underwear for the photographer in your life, don’t get them a bag or strap either.


    Camera straps come in all sorts of shapes, sizes and materials. Some are woven, others are leather, rope or neoprene. Some offer quick-releases and / or neck-padding and/or length adjustments, others do not. So how do you choose the right strap this season? You don’t.

    Photographers are very particular about their straps and trying to pick one out for that special someone is not unlike buying them a pair of pants – only they can tell whether the fit and feel are right. It’s worth noting camera bags and backpacks fall into a similar category of ‘definitely don’t buy unless you’re absolutely sure.’

    But if you insist on purchasing a camera strap this holiday season, the Peak Design Slide offers a good balance of features, weight-capacity and price. We’re also fans of CAM-IN’s leather and rope straps.

    The photographers’ work printed on something

    OK, maybe we’d be happy with a Belvedere mug.


    Receiving a personalized gift is nice, but generally speaking, most photographers don’t want to be gifted framed prints of their own work to hang on the wall (we’ll do that ourselves, if there’s a picture we’re particularly proud of), nor do they want their photos printed on items like a throw pillow, a blanket or a coffee mug. It’s a little crass to so blatantly show off your own pictures.

    Instead, most of us would much prefer a print of someone else’s work to hang on our walls and inspire us. Legendary photo agencies like Magnum and VII often do $ 100 signed, small-sized print sales. And other famous photographers’ work like the late Ansel Adams can be found for sale directly through their estate’s official website.

    In conclusion

    Honestly, if you can’t think of anything else, just get us a big roll of gaffer tape.


    There you have it, seven clichéd photography-related gifts to avoid giving this year and what to give instead. We hope this list inspires you to better understand that special photographer in your life and their desires. And don’t worry if you’ve given some of these gifts in the past, we all make mistakes. Maybe this year you can make up for it.

    To our fellow photographers: If you’ve been on the receiving end of another lackluster photo gift that we missed, let us know in the comments. We’ll add to this article as we see fit.

    Articles: Digital Photography Review (dpreview.com)

  • Samsung Galaxy A80 teardown reveals complex camera swivel mechanism

    The Samsung Galaxy A80 is a Snapdragon 730-powered mid-range phone that would not stand out much from the crowd if it weren’t for its pretty unique camera swivel mechanism. Like the Asus ZenFone 6 and other swivel phones the A80 only has only one camera that can be used as both a main shooter and selfie camera.

    Youtuber JerryRigEverything has now put the A80 through a detailed teardown process and discovered that the swivel mechanism is quite a complex piece of engineering that uses a stepper motor with a threaded shaft for raising and lowering the camera module.

    At the peak of the extension the rotation of the camera is triggered through a clever gearing system. The camera ‘carriage’ is also running on rails at the side of the phone for smooth movement.

    The camera module itself features a 48 MP main camera with 1/2″ sensor, a 12mm-equivalent ultra-wide and a depth-sensing time-of-flight camera for bokeh simulation.

    JerryRigEverything concludes that the A80 is one of the most over-engineered phones he has seen but that it’s quite difficult to take apart, and especially to put back together again, with many more screws to remove and reinsert than on more conventional devices.

    No matter your opinion on the swivel design, it’s quite amazing to see how much engineering can be squeezed into the tiny body of a smartphone these days.

    Articles: Digital Photography Review (dpreview.com)

  • News: Tamron Announces E-Mount Prime Lenses for a Great Price

    The post News: Tamron Announces E-Mount Prime Lenses for a Great Price appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    News: Tamron Announces E-Mount Prime Lenses for a Great Price

    Last month, Tamron announced three Sony E-mount lenses:

    • The 20mm f/2.8 Di III
    • The 24mm f/2.8 Di III
    • The 35mm f/2.8 Di III

    These new E-mount lenses expand the range of glass for Sony mirrorless shooters while making the Sony full-frame lens lineup more affordable for those who can’t justify Sony prices.

    In other words: If you’re thinking of switching to Sony but don’t want to pay a premium for full-frame E-mount glass, you have a way in. Each of these lenses is debuting for an ultra-low price of $ 349 USD; compare this to some of Sony’s full-frame E-mount lenses, and you’ll understand why these Tamron offerings are so exciting.

    Of course, there’s always a question of optical quality. Can a sub-$ 500 USD lens really be equivalent to Sony’s current 24mm and 35mm glass? The answer is undoubtedly “No,” but not everyone requires the sharpest, fastest, most perfect lenses money can buy. And Tamron has proven themselves to be very capable lens manufacturers in the past, making me think that these lenses will be optically satisfying, even if they can’t go toe-to-toe with some of Sony’s fastest primes.

    According to Tamron, we should expect “superb high-resolution performance,” and that “these lenses can be used with complete confidence for a wide range of applications from casual family snaps to serious professional photography.”

    While these are bold words from Tamron, I wouldn’t dismiss them out of hand. Plus, Tamron has made sure to include some extra features that make these lenses impressively flexible. For instance, the lenses themselves are relatively small, which makes them ideal for walkaround shooting and travel photography. And all three lenses also offer 1:2 close-focusing capabilities. This won’t get you to true macro magnifications, but you’ll be able to capture some gorgeous close-ups, even as you use the lenses for more general wide-angle photography.

    Speaking of wide-angle photography:

    For me, the main drawback of this announcement is the lack of focal length diversity. While lenses in the 20-35mm focal length range are undoubtedly useful for a broad range of Sony photographers, I’d have liked to see a telephoto in the mix.

    Here’s the bottom line:

    For hobbyist and enthusiast photographers who like to work with lightweight wide-angle primes but don’t require f/1.2-f/1.8 apertures, these Tamron lenses are definitely worth a look. The 24mm f/2.8 is available for pre-order, while the 35mm f/2.8 has begun to ship. The 20mm f/2.8 should hit the shelves in January.

    What do you think of this announcement? Are you interested in these lenses? Would you have preferred different focal lengths? Share your thoughts in the comments!

    The post News: Tamron Announces E-Mount Prime Lenses for a Great Price appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Black Friday and Cyber Monday Photography Deals

    The post Black Friday and Cyber Monday Photography Deals appeared first on Digital Photography School. It was authored by Darren Rowse.

    Black Friday Cyber Monday Photography Deals

    It’s that time of the year – if you’re looking for a good deal, then you’re sure to be on alert for the next few days! Here at dPS we save our best deals for our dPS Holiday Deals over 12 days in December. But in the meantime, here’s a great saving on one of our most popular collection of eBooks.

    Save 70% on our Black Friday Cyber Monday Portrait Photography Bundle

    Black Friday and Cyber Monday Photography Deals

    Tens of thousands of photographers from all around the world have significantly improved their portrait photography with this series by Gina Milicia. This is your chance to own all 5 eBooks plus some great bonuses:

    In this bundle you get Gina’s

    • 5 portrait photography eBooks
    • 14 recipes for amazing portraits
    • 67 printable portrait posing guides
    • 12 bonus Lightroom presets

    All up it’s worth $ 123 but today it’s yours for just $ 37!

    That’s a SAVING of $ 86 (70% Off).

    Check out full details on the books and bonuses now

    LEARN MORE

    More deals from our partners

    And some of our trusted partners have deals of their own too, for which we receive an affiliate commission.

    Photzy always have great deals and if you’ve previously missed out on their famous Snap Cards you can get them for 87% off and the newer Action Cards set for 88% off right now on their Black Friday Deals page.

    If you recently did our Landscape and Nature Photography course, then definitely check out Johny Spencer’s “Ultimate Lightroom Workflow Bundle”, just $ 37 (save 53%). You’ll get:

    • 80 Lightroom Workflow Presets
    • 10 videos and case studies
    • Member-only discounts on 3 Colors products
    • The original RAW files so you can edit along with the videos

    Or save 71% on Picture Correct’s Photography Tutorial eBook. An in-depth eBook on how to capture amazing photography anywhere. Over 250 pages of photography tips & tricks from industry insiders. 

    Looking for Photography Gear Deals?

    We took a quick look at what Amazon is offering. We get a commission if you buy anything through our links below, at no extra cost to you.

    There is a big sale happening in their Camera, Photo and Video section. Their specials are changing all the time so do check back later to see what else they’ve added. Or take a look at our most popular digital cameras and gear page for some hints as to what others are buying. Many of the cameras listed there are currently on sale at Amazon too.

    Also, B&H Photo’s Black Friday Deals can instantly save you $ 600 on a Canon EOS 5D Mark IV DSLR Camera Body with Accessory Kit or $ 700 on an Apple 27″ iMac with Retina 5K Display (Mid 2017), plus many more deals!

    Happy clicking!

    The post Black Friday and Cyber Monday Photography Deals appeared first on Digital Photography School. It was authored by Darren Rowse.


    Digital Photography School

  • Olympus updates its lens roadmap with three new lenses due out in 2020

    Olympus has released an updated version of its M.Zuiko Digital lens roadmap that adds three new lenses to its Micro Four Thirds System lineup.

    In addition to its previously-announced lenses, the new roadmap confirms three new lenses: the ED 12-45mm F4.0 Pro standard zoom lens, ED 100-400mm F5.0-6.3 IS super-telephoto zoom lens and ED 150-400mm F4.5 TC1.25x IS PRO lens super-telephoto zoom lens.

    A product image from Olympus showing off the impending ED 150-400mm F4.5 TC1.25x IS PRO super-telephoto zoom lens.

    Olympus doesn’t elaborate further on any of the new lenses other than saying the detailed specifications will be ‘officially announced in 2020.’ Olympus also says an ‘additional PRO telephoto zoom lens of an unspecified focal length will also join the M.Zuiko family,’ although no timeframe is given for its release.

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: This is how you set up Sony’s ‘Real-Time’ autofocus tracking

    Sony’s ‘Real-Time’ autofocus promises to track almost anything you throw at it, but it’s not enabled by default. The words ‘Real-Time’ don’t even appear in the camera’s menu. In this video, Chris shows us how to set up this very useful feature.

    Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • Tracking in Auto mode
    • Tracking modes
    • Animal eye-AF
    • Conclusion

    Articles: Digital Photography Review (dpreview.com)