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DNP Photo launches new dye sublimation printer with mobile support and more

28 Jan

DNP Photo has released its new QW410 compact dye-sublimation photo printer featuring a 4.5in print head, 5.9kg (13lbs) weight and relatively small dimensions at 20 x 19.6 x 24cm (8 x 7.75 x 9.5in). When compared to the maker’s DS-RX1HS and DS620A models, the QW410 has 28% and 35% lower power consumption, respectively.

The model offers a number of key features, including a lay-flat printing function that reduces print curl, support for glossy and matte photo paper, an optional wireless accessory that add supports for directly printing from Android, iOS, Windows and macOS, as well as print speeds as fast as 19 seconds for 4 x 6in prints.

The QW410 features a 300 x 300 dpi resolution and support for the following print sizes:

  • 4 X 6in
  • 4 X 4in
  • 4.5 X 8in
  • 4.5 X 4.5in

Photographers who need to print photos while away from the office can pair the QW410 with an optional portable battery for use without an outlet. DNP Photo also offers an optional carrying bag. The photo printer is available to purchase from several retailers like B&H Photo in the USA, Canada, and Latin America for $ 469.

Articles: Digital Photography Review (dpreview.com)

 
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Autel pushes back EVO II launch to March after discovering pre-production bug

28 Jan

Autel’s three EVO II drones were set for a late January release, but due to a last-minute software bug the engineering team discovered during production, Autel has confirmed to DPReview that its EVO II drones will likely be pushed back to a March release.

The bug, which ‘could limit flight performance under normal operation,’ according to an email sent to us and copy shared on Autel’s social media accounts, is being addressed on the production line, rather than needing to be fixed by consumers as a day-one software update. Due to the combination of this delay and the Chinese New Year, Autel is estimating that the first units should hit shelves in March, although it notes ‘this is not a set date or time frame,’ as ‘things can always change.’

The post, which is shared in its entirety below, thanks interested customers for their patience as the 18-member Autel team works to get units out as soon as possible.

You can read our original Autel EVO II series coverage for more information about the impending drones and keep up to date with the latest developments via Autel’s Facebook, Instagram, Twitter and YouTube channel.

Hello Everyone!

First, we want to thank all of our fans and followers. It doesn’t matter if you just follow one of our social channels, or if you fly our products every day. Your support and enthusiasm have always kept us going here at the Seattle office.

With the announcement of EVO II at CES, the response has been absolutely crazy. This community is exploding, and we thank you for your patience with us as we are still trying to catch up on responses. We also want to be as transparent as possible and give you all periodic updates on the status and availability of EVO II. That way you have the most up to date information straight from us and not just rumors.

Our goal at CES was to get the initial units of EVO II (8k) into the hands of dealers by the end of January. Unfortunately, during production, we found a bug in our software that could limit flight performance under normal operation. Instead of shipping the hardware with a known issue and forcing users to perform day 1 updates, we have decided to delay the rest of production and shipments until we have resolved the issue. Our projected timeline is to have EVO II available for purchase in March. This is not a set date or time frame, and things can always change. But with the information we have today, that is our goal.

The team in Seattle is very small and we are adding channel support as we can. We are looking to start up our website newsletter again in the next few weeks. So for any future updates, please check our website, the official social channels, and emails coming directly from us.

We thank you for your patience. If you have any questions please do not hesitate to get a hold of us at support@autelrobotics.com

Thank you all again and fly safe!

Articles: Digital Photography Review (dpreview.com)

 
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Photography Gear You Will Need for Different Types of Photo Shoots

28 Jan

The post Photography Gear You Will Need for Different Types of Photo Shoots appeared first on Digital Photography School. It was authored by Lily Sawyer.

photography-gear-you-will-need

Have you ever wondered if there is specific photography gear that you will need for different types of photoshoots?

dps-photography-gear-you-will-need-for-different-photoshoots

It has now been over a decade since I started shooting professionally. Over the course of that time, I have often been asked for advice on what camera to buy to take professional images. Now, if you’re into photography, I think you’d agree with me that this is the wrong question to ask. There are far more important factors to consider when taking an amazing image rather than the latest shiny camera.

My answer to the above question is always the same: it’s not the camera (given that camera manufacturers churn out new models year in year out). But instead, it’s two other things – the lens and the photographer.

dps-what-gear-to-bring-for-different-photoshoots

A camera is no good if the photographer doesn’t know how to use it properly to achieve the image they have in mind. Equally, what good is a new latest-tech camera if the lens used for the purpose is not the correct lens? An example being, using an ultra-wide lens to capture a portrait.

Therefore, the better question to ask is, “which is the appropriate lens to use for a particular photoshoot?”

dps-photography-gear-you-will-need-for-different-photoshoots

In other words, it is crucial that you, as the photographer, match your gear to the needs of the photoshoot. This will enable you to achieve the image you have in mind.

This article discusses the photography gear you will need for different types of photoshoots.

However, I know that we each have our own ways of doing things and our own preferences, so bearing this in mind, what I have written below are suggestions and based on what I do as a photographer.

What’s in my gear bag depends on what I’m shooting. I have a variety of photography bags for this reason. As a side note, it is worth investing in proper photography bags to protect your gear.

The Staples

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But first, the staples. If you are (or want to be) a professional photographer, this is my recommended minimum photography gear you will need.

For photoshoots, always carry at least 2 camera bodies, ensuring you have one for back-up in case something happens to the other one.

Make sure you sync the times for both cameras, and that the settings are the same.

Also, fully-charge your batteries in both cameras. My cameras are all full-frame. If you have a camera with a crop sensor, this changes the way you capture your images. Here is a helpful article on the difference between full-frame and crop-sensor cameras.

On top of the camera and lenses, I always bring at least 2 flashguns with me and make sure I have spare batteries (or fully charged if they are rechargeables). I use a diffuser cap with my flashguns and generally use these to bounce light both indoors and outdoors rather than directly at the subjects unless I’m shooting backlit.

1. Family photoshoot

dps-photography-gear-you-will-need-for-different-photoshoots

In general terms, the ideal set of lenses for a family photoshoot includes a wide, medium, and a long range of lenses.

My preference is for prime lenses, as they are usually small and handy, and give me sharper and cleaner images.

Good prime lenses can be heavy and also a little expensive. I carry the 35mm f/1.4G, 85mm f/1.8G (also available in 1.4G) and the 105mm f/2.8G. Because these are used on a full-frame camera, the lenses capture their expected focal range accordingly, that is, that a 35mm lens has a 35mm effective field of view. If your camera has a crop sensor with a crop factor of 1.3x for example, then the 35mm will have an effective field of view of a 46mm, the 50mm will have the 65mm and the 105mm will be 135mm. Therefore, you would then need to consider more wiggle room when shooting.

These are important to bear in mind, especially when shooting in small spaces indoors.

The 105mm gives not only a long-range but also macro capability. I like having a macro lens with me, which works wonderfully to capture details.

You can also have zoom lenses in your bag instead of primes. Zoom lenses can be very versatile. For example, the 24-70mm lens will allow you to capture wide and medium-range images with just one lens.

However, they are a little bulky in comparison to primes, especially if the lens is professional and has a fixed aperture. That would also mean better optics, and it would be heavier too.

If you just want to use one lens that covers this range, then there is the 24-105mm Canon lens option.

2. Event Photography

dps-photography-gear-you-will-need-for-different-photoshoots

For events such as birthday parties, product launches, conferences, and suchlike, my preference is to go for zoom lenses rather than primes. Events are usually fast-moving, and I don’t have the time to keep changing lenses.

Often I will have both cameras on me with a double rapid strap. One camera will have the 24-70mm, and the other has the 70-200mm. These are usually sufficient.

I always carry a macro with me, though, just in case. However, with both bulky zooms that cover wide to long-range, I use my nifty 60mm micro lens for extreme close-up and macro shots.

In addition to the above, I also carry with me wireless transceivers that enable me to shoot with off-camera flashes.  Transceivers are wireless transmitters and receivers that enable you to control your flash remotely. This also means you need stands for the flashes. So, carrying a monopod and a gorilla pod, or a tripod if you need more stands.

3. Weddings

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If I’m shooting a wedding alone, I pack all the above minus the 35mm and the 50mm as the zooms already cover these focal ranges. 

Needless to say, I pack my entire arsenal and the kitchen sink when shooting weddings with a second photographer, as with two of us, more gear and back-ups are needed. That means at least four camera bodies, at least six lenses, a minimum of four flashes (sometimes six), and all the transceivers and stands required. 

I have written an article on wedding photography gear you will need when starting out on here.

4. Portraits

dps-photography-gear-you-will-need-for-different-photoshoots

Portrait photography is a specialty that requires a different set of lenses.

For flattering images of a person, I would always use the 85mm for headshots, the 50mm for medium shots, and the 35mm for full-body shots.

You may not need to use all three, so plan ahead of what you might be shooting, so you don’t bring unnecessary gear.

Again if you want the zooms as opposed to the primes, you could always use the 24-70, 24-105, and the 70-200. Just make sure that you shoot within the range mentioned above as a guide.

Longer focal ranges compress the background resulting in a more flattering look compared to using a wide lens. For example, if you use the 24mm, you are shooting so close to the person, you will end up with image distortions.

Depending on the portrait session, I may or may not use off-camera flashes which would require the transceivers. A small reflector is also really handy for portraits, especially when controlling shadows. I have written an article on gear essentials for portrait photography when starting out here.

5. Landscape

dps-photography-gear-you-will-need-for-different-photoshoots

Landscape photography is the opposite of portrait photography, and the lenses and accessories required are different.

You would need wide lenses, such as a 16-35mm or a 24mm to capture wide, expansive shots. You may also want to invest in a telephoto to capture long landscapes with great background compression if you are shooting mountains, for example.

If you plan on doing long exposure photography to achieve soft, blurred waterfalls and waves, you will also want to invest in a tripod and some filters, such as ND and graduated filters. This will enable you to reduced the amount of daylight coming into your lens so that you can slow your shutter speed down without completely over-exposing your image. You would also need a cable or remote shutter release so that you don’t introduce camera shake by pressing the shutter button.

To find out more about landscape photography, read these helpful articles here.

6. Travel

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When speaking of travel, my only experience in this type of photography is family holidays. For professional travel photography, read these articles.

If you are just after good holiday photos that capture memories of your family, then I can help with that. I have tried various holidays with only one lens. One time I just took the 85mm. Another time, I took just the 35mm, the 50mm on another holiday, and, more recently, the 60mm. Following on from these experiences, my personal travel lens is now the 60mm.

The 50mm is also a favorite.

7. Product

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Occasionally, I do some product photography. My go-to lenses for these are the 24-70 and the 60mm micro.

I use off-camera flashes and transceivers and some flags. When shooting small items in a white seamless background, using a white lightbox will help you achieve this easily.

For more tips on product photography, read this article.

8. Interiors

dps-photography-gear-you-will-need-for-different-photoshoots

For interior photography, my go-to lenses are the 24-70mm and the 50mm. You can read more in-depth as to why I use the 50mm here and how I use the 24-70mm especially for shots of an entire room scene.

dps-what-gear-to-bring-for-different-photoshoots

I hope this article and the further links provided have helped you think through what photography gear you will need for different types of photoshoots. If you have any suggestions to add, write them on the comments below.

The post Photography Gear You Will Need for Different Types of Photo Shoots appeared first on Digital Photography School. It was authored by Lily Sawyer.


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OnePlus promises major video improvements on its future smartphones

28 Jan

Earlier this month smartphone manufacturer OnePlus hosted on Open Ears Forum, an event designed to gather user feedback, in New York City. This time around the focus was on smartphone videography and attendees included OnePlus users with varying degrees of video experience, from casual users to video shooters that use smartphones as a work tool.

Now OnePlus has published its own comments from the Q&A sessions held at the event and committed to improving video quality and features on its existing products as well as upcoming models. The most important points include exposure and color consistency across all camera modules, LUT options in editing and a video night mode. You can see the full list below:

  • Exposure / color / white balance shift and consistency across all cameras
    Tuning all the cameras to have the identical exposure, white balance is our first priority and main goal.
  • Auto focus consistency
    We weren’t be able to reproduce the issue reported by the OEF attendees in our lab, but an upgrade both on hardware and software for auto focus will come in 2020.
  • Skin tone consistency
    Skin tone improvement is one of our top priorities. It will improve via future system updates.
  • Sharpness: Sharpness needs improvement across all scenarios
    We are trying to find the new balance between sharpness and noise.
  • Super stabilization: Support for 4K recording; Reducing noise and improving low light quality.
    There are hardware limitations, but 4K super stabilization will be supported in some of our future devices.
  • Dynamic range: Subject is lit but background is too dark
    We have been working on video HDR, which will solve these dynamic range problems.
  • Light flickering
    We’ve heard a lot of feedback about this, and we are working on de-flickering solutions to reduce this issue.
  • Panning shots are not smooth: Improve panning shots stabilization and smoothness
    So far, we weren’t be able to reproduce this issue in our lab, but smoothness and video are part of our key improvement points for 2020.
  • Faster camera
    Again, this is one of our main goals in 2020. Faster shutter requires updates from system, application, as well as the animation. It will constantly be improved via future updates.
  • Lens feature-parity: 1080P and 4K should be supported in all three lenses, allowing to switch between lenses while recording
    This is due to a hardware limitation in current devices, but we’re exploring ways to make it possible for future devices.
  • Limited 4K record length
    Having considered overall performance and temperature, we will not change current limit, but will keep working on optimizing this in the future.
  • Single handed use: Difficult to reach the top bar for features; Single hand zooming
    This is very important feedback for us, and we’ve already been discussing solutions with the design team.
  • Video editing
    We plan on completely updating our Gallery app’s video tools, so many of the features requested during the OEF will be supported. For color grading or LUT options, we will have news soon.
  • Pro video mode
    Pro video mode will be put into backlog, since our high priority is improving default video quality and use experience across the board.
  • Depth of field for tele camera recording (optical)
    We have already been researching and working on this feature, and the current quality has not reached our standard to release.
  • Zoom-in time-lapse
    We have some similar ideas for time-lapse as well, they are already in future product plan.
  • Reverse recording video
    Less frequent user scenario, so we’ve put into backlog. Our main focus in video is basic quality and user experience for all users.
  • Night mode for night video
    This is something we believe to be very interesting, we have already been researching and working on it.
  • AR emoji and stickers recording
    We still haven’t found a killer scenario for AR in video. There are some third-party apps that already offer interesting sticker features, so this isn’t a big priority for now.
  • Social media mode: Directly to twitter, crop ratio for Instagram, etc.
    We believe the image quality in third-party apps is of high importance and has a higher priority. We have been working on this, these features are planned after image quality improvement.
  • Light painting mode
    We decide not to follow on light painting effect due to a narrow user scenario.
  • 2 cameras recording at the same time: Wide and ultra-wide; rear and front
    This is already supported by current platform and cameras, but we are looking for user scene to fully take advantage of this feature.

It’s a long list and we’ll have to see if the OnePlus engineers will manage to implement all of the features and improvements in it. In any case it’s good to see manufacturers interact this closely with its customers and vowing to make improvements that users are asking for.

Articles: Digital Photography Review (dpreview.com)

 
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Xiaomi asks users which camera manufacturer it should collaborate with

28 Jan

Collaborations between smartphone camera manufacturers aren’t anything new. We’ve seen Leica labels on Huawei phones, the Zeiss logo on Sony and Nokia handsets and Motorola used to offer a Hasselblad-branded camera module for its Moto Z series. It’s often difficult to tell if the teamwork is mostly marketing-driven or actually happening on an engineering level but one thing is clear: smartphone manufacturers like the logo of a big-name camera brand on their devices.

Chinese company Xiaomi has so far (as far as we know) worked without the help of a big name in the camera business, but it appears this could be about to change. The company launched a survey on the Chinese social media platform Weibo, asking users which camera company it should collaborate with.

Image: Weibo

Options included Hasselblad, Canon and Nikon. The ‘vote’ was won by Hasselblad. There is, of course, no way of knowing if we’ll see a Xiaomi phone with Hasselblad-branded camera anytime soon but out of three camera manufacturers, it would be the most logical choice. It’s the only one with previous experience in the mobile business (through the Hasselblad True Zoom module) and has previously collaborated with other manufacturers in the camera category. In any case, we’d hope a company like Xiaomi does not base strategic business decisions solely on social media surveys.

Articles: Digital Photography Review (dpreview.com)

 
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Video: 20 couples poses in under 10 minutes

28 Jan

Adorama has published a new video featuring photographer Pye Jirsa as he teaches photographers more than 20 couples poses in less than 10 minutes. This is the second part of Jirsa’s Couples Crash Course; the first part introduced five foundational couples poses that ‘every photographer should know.’

This is part of the ‘Master Your Craft’ photography tutorial video series published on the Adorama YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
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Florian Ledoux’s arctic photos illustrate the effects of climate change

27 Jan

Florian Ledoux’s arctic photos illustrate the effects of climate change

About this photo: This image of people rowing through chunks of glacial ice was a semi-finalist in Red Bull’s Illume competition.

Chances are, if you follow what’s happening in the world of photography, you’ve already seen at least one image taken by French photographer Florian Ledoux. His work has won multiple awards, has been published in major magazines including National Geographic, and was recently on display at the Louvre Carrousel in Paris. Ledoux took a big risk, several years back, and left his 9-to-5 job to pursue photography full-time. His involvement with the Arctic Arts Project is what made his images stand out to an international audience.

I got a chance to interview Ledoux and discover what inspired him to start documenting the effects of climate change. Florian will be leading a guided photo tour through East Greenland next September. To learn more, contact him through his Facebook page.

What inspired you to get involved in the Arctic Arts Project?

I love the polar regions of the planet for their immense landscape and nature, which remains wild and almost untouched by human activity. You can sail, hike, and explore for several days or weeks without witnessing any sign of human presence. The scale of those landscapes where incredible species live is what draws me there. I was deeply touched while I took my first journey above the Arctic Circle when I was ten years old, with my parents, and this feeling is something that is still growing in intensity as I explore further.

As I got into photography, it came naturally that my work has to serve science and conservation. The Arctic Arts Project aims to work together with scientists and conservationists. The main idea is that they have the data and we have images to combine to better communicate to the public and leave a stronger impact. In March, for example, Jason Box and other researchers published a meta study gathering 35 years of data on climate change in Greenland — from temperature increases to sea ice loss, from shifts in the tundra to land ice loss.

Two months later, in May, Arctic Arts Project photographers went to Greenland to see exactly how those changes are playing out in real time. We captured images of early flora bloom, of dissolving sea ice, and the ice sheet melting. The Arctic Arts Project presented the findings from our May expedition to Greenland to the IUCN (International Union for the Conservation of Nature). Here is a video of the presentation, if you’d like a better look at what we found and some thoughts on the changes in Western Greenland and the world.

What message would you like to convey to people who don’t believe climate change is real, based on your observations?

Nature is everything to me, it is the place where I feel connected to the rest of the world. Nature is the place where it all makes sense, the place where we find all the answer about life. It feels like it is where it all began! These are our origins. Not only do we come from nature, but we are part of this complex ecosystem – the mysterious equation called LIFE.

When I find myself in the remote Arctic, co-existing in harmony with the wildlife that calls it home, I know that this is where everything makes total sense. I know it because I feel it deep within myself. It is a deep vibe that consumes my body and soul in its entirety. At this moment, the urge to create an image that I would remember for the rest of my life with a strong message to protect it comes naturally to me.

What inspired you to incorporate a drone into your workflow?

The bird’s eye perspective a drone provides has become a major part of my work. It started as I was always seeking a new way to show our planet. Drones are a revolution, allowing us to capture images that wouldn’t have been possible with and helicopter. Drones are also much more eco-friendly.

I believe in, and aspire to bring, a new perspective of capturing wildlife we already know well from traditional photography. I believe these images allow us to observe and document patterns from a new angle and approach, revealing the animals in their entirety as well as in a wider habitat and landscape, in a way not before possible. Using a drone has provided a new way of learning about the white Northern part of our planet. Drones need to be used with care and ethics, especially when it comes to documenting wildlife. The same principles apply for a normal wildlife photographer, no one should run toward the animal or disrupt their habitat.

Any final words of advice?

Air Iceland Connect changed my life. In June 2017, I got an opportunity to embark on a sailing expedition from Greenland to Nunavut. Many of us have this life where we are stuck in a 9-to-5 job with excuses not to do things we love. So I quit! I quit my stable life, quit my job, I quit holding myself back, and feeling trapped with not being who I would like to be. I followed my heart, my passion. I now have the most beautiful life I could imagine. In the end, all I want to say is this: Live and don’t let anybody tell you that it is not possible to follow your dreams.

Crabeater Seals resting on the ice in Antarctica

About this photo: Here is a group of crabeater seals resting on the ice in Antarctica early in the morning after a feed during the night. They mainly haul out onto the packed ice in early Spring where they form small family groups consisting of a male, female, and pup. According to some studies, most haulouts are shorter than 24 hours without change through the seasons. However, the timing of haulouts shifted during the study period. After midwinter, the pattern shifted with haulouts starting in the morning and ending in the late afternoon.

Gear and specs: DJI Phantom 4 Pro +; f/7,5; ISO: 400; Shutter Speed: 1/1000 sec

Polar bear leaping the ice during summer in Canada

About this photo: It has been a year seen the Canadian government and Nunavut agreed on creating a Marine Protected Area in the Lancaster Sound called Tallurutiup Imanga. It is also a year that I captured this beautiful image of the polar bear leaping the ice with its message on climate. Since then, the image has traveled a lot all around the world.

I am so grateful to everyone that understands the importance of my work, to help conservation efforts in the Arctic. I believe visual images connect us to nature, it helps us to better understanding the planet where we live and make the right decisions. My hope for dear future generations is that you will be able to witness what we see now.

In 2016 only 4.7% of the Arctic’s marine areas were protected. Hopefully, the target of 10% by 2020 will be reached but progress is too slow. Polar bears need the ice not only to hunt but to rest and live.

Gear and specs: DJI Phantom 4 Pro+; f/8; ISO: 100; Shutter Speed: 1/640 sec

Glacier calving in Antarctica last December

About this photo: I have seen beautiful things in my life but I have never seen such a thing as crazy as Antarctica, a place so hostile, so powerful but so fragile. When I lose the words, moved by this beauty of the world, the photos to come will take over what I can not articulate.

This expedition was amazing, with its ups and downs, extensive hours of work, short nights, 11,250 photos taken, 1TB of video stored, a furious sea on our way back, but what images I managed to capture!

Gear and specs: Nikon D5 with 60-600mm 4.5-5.3 lens; f/6.5; ISO: 360; Shutter Speed: 1/1000 sec

A polar bear at the edge of the ice during summer in North Canada

About this photo: Where am I going next, asked a guy when I met him on my journey in 2017? There was almost no ice left in the Lancaster Sound and the area. As the sea ice declines, industrial activities such as fishing, shipping, mining, and drilling are expected to expand Northward. But I believe in a world where humans are able to learn from nature and reconnect with it. I believe in a world where polar bears will still be among us and will not be just a memory from the past.

Gear and specs: DJI Phantom 4 Pro+; f/8; ISO: 800; Shutter Speed: 1/100 sec

Huge iceberg from the glacier of Ilulissat in Disko Bay, West Greenland

About this photo: This image was captured in Ilulissat, Greenland, on an expedition last December. I am honored to be part of the Arctic Arts Project team. I joined three other incredibly talented photographers to work together on capturing images in this region. In light of new scientific findings on the effects of climate change in the Arctic, our team also traveled to Western Greenland during the Arctic springtime, as several critical elements of change are evident only during this time frame.

Gear and specs: Nikon D5 with a 60-600mm 4.5-5.3 lens; f/8; ISO: 640; Shutter Speed: 1/2500 sec

The sun sets on icebergs that calve from Sermeq Kuuatdleq in Ilulissat

About this photo: It was a magical night but hard work as I was trying to fly blindly in the thick mist. This was one of the last sunsets in the area before a long period of the year. It set the sky on fire while my drone was navigating through the large piece of icebergs that calve from Sermeq Kuuatdleq in Ilulissat.

Gear and specs: DJI Phantom 4 Pro+; f/4.5; ISO: 100; Shutter Speed: 1/120 sec

Gentoo penguins collecting rocks

About this photo: Gentoo penguins are ground-nesting birds. They collect rocks from the beach that they bring on the hill to build the nest, or sometimes give it to their neighbor. The way back from the beach is long and other penguins will come and try to steal it when they arrive close to the colony.

Gear and specs: Nikon D5 with a 60-600mm 4.5-5.3 lens; f/8; ISO: 360; Shutter Speed: 1/640 sec

Aerial view of the sea ice in formation on the East Coast of Greenland during winter

About this photo: Here is an aerial perspective of the sea ice formation in East Greenland. This image won 3rd prize at the international contest of drone photography, 2017, organized by National Geographic and Dronestagram.

Gear and specs: DJI Phantom 3; f/2.8; ISO: 131; Shutter Speed: 1/25 sec

Crabeater seal resting on the fast ice of Antarctica in December

About this photo: This is a crabeater seal resting on the fast ice of Antarctica in December. The crabeaters do most of their feeding at night (typically between 9:00 – 10:00 pm). They can dive as deep as 430 meters although feeding dives are usually around 30 meters.

Gear and specs: Nikon D5 with a 60-600mm 4.5-5.3 lens; f/10; ISO: 300; Shutter Speed: 1/800 sec

Articles: Digital Photography Review (dpreview.com)

 
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News: Irix Offering 15mm f2.4 Lens with Edge IFH-100 Filter Holder Combo

27 Jan

The post News: Irix Offering 15mm f2.4 Lens with Edge IFH-100 Filter Holder Combo appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

irix-15mm-f2-8-lens

If you haven’t heard of Irix, you should check out their products; the lens company combines fresh, modern designs and stellar optics to create some amazing third-party lens options.

And until February 14th, Irix is offering an equipment combo deal:

When you purchase the Irix 15mm f/2.4 Blackstone, you can pay just one extra Euro and receive the Irix Edge IFH-100 filter holder (normally 69 Euros in value).

Irix produces the 15mm f/2.4 Blackstone lens for three camera mounts: Canon EF, Nikon F, and Pentax K. It’s a fast prime lens that has received raved reviews, which makes it a perfect choice for landscape or architecture photographers looking to add an optically-impressive prime to their bag, not to mention astrophotographers.

The Irix 15mm f/2.4 is a manual focus only lens, which means it isn’t optimal for fast-paced genres such as street photography. But street photographers rarely shoot at ultra-wide focal lengths anyway, and all the photographers that would actually appreciate a 15mm prime probably work in manual focus most of the time.

One more thing you’ll appreciate about the Irix 15mm f/2.4 is the build quality. Irix is unique among lens manufacturers in that it offers two versions of the 15mm f/2.4: A rugged “Blackstone” lens, and a less rugged “Firefly” lens.

While the optics in the two versions are identical, the Blackstone is perfect for photographers who frequently take their gear into rough situations and who don’t have time to baby their equipment.

As for the Irix Edge IFH-100:

It holds 100mm square filters, including Irix’s hard and soft graduated neutral density filter lines. And it’s billed by Irix as “the lightest filter holder in its class.”

The Irix Edge IFH-100 should mount on lenses with a diameter between 52mm and 95mm.

So if you’re interested in grabbing a high-quality wide-angle prime, as well as a square filter holder, then take a look at Irix’s offer.

But act fast, because the deal expires 14th Feb 2020!

The post News: Irix Offering 15mm f2.4 Lens with Edge IFH-100 Filter Holder Combo appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Video: Five reasons you still need vintage lenses in 2020

27 Jan

Photographer and filmmaker Mark Holtze has shared a video explaining ‘5 Reasons Why You Need Vintage Lenses in 2020.’

Throughout the eight-minute video, Holtze highlights five particular reasons vintage, manual lenses still make sense despite increasingly-impressive lenses manufacturers are making nowadays. Holtze says in a comment beneath the video ‘I could have made a list of top 100, but honestly…nobody is sitting through 90 mins of this,’ so eight minutes it is.

Not all of the reasons will make sense for all photographers or filmmakers, but each is valid in their own way. You can find more videos from Holtze on his YouTube channel and keep up with his work on Instagram and Twitter.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Overcoming the 5 Biggest Photography Fears

26 Jan

The post Tips for Overcoming the 5 Biggest Photography Fears appeared first on Digital Photography School. It was authored by Tim Gilbreath.

overcoming-photography-fears

“Most inventors and engineers I’ve met are like me. They’re shy and they live in their heads. The very best of them are artists. And artists work best alone…” – Steve Wozniak

While fear can affect anyone and cause undue stress in their daily lives, creative people (including photographers and other artists) are often introverted and can be susceptible to fear more than others.

Whether it is simply a hobby, passion, or profession, photography involves proficiency in both the artistic and technical realms, creating a perfect environment for anxiety and fearfulness to form.

But like with most other things in life, knowledge is a powerful ally. Learning what anxiety-inducing things you might deal with, as well as what you can do to alleviate them, can help you with overcoming photography fears. It also allows you to better and more confidently enjoy the craft.

Let’s take a look at 5 of the biggest fears we might encounter as photographers.

1. Interacting with people

This is something I can definitely speak to personally. Many of us have difficulty being comfortable interacting and communicating with others for several different reasons. It could be anything from simple shyness or a lack of confidence, or in my case, social anxiety disorder, where fear of social interaction can cause physical symptoms and impede daily life.

Because photography is something we choose to do, we can also choose our level of involvement and what facets of the hobby (or job) we participate in.

For me, I know that I don’t always feel comfortable communicating with people. Because of this, I don’t do many portrait sessions as I know that communicating in real-time with the client is necessary to produce photos that they will love.

overcoming-photography-fears

Many photographers deal with the fear of interacting with clients. (50mm, f/4, ISO 100, 1/250 sec)

Instead, my photography focuses on landscape and nature scenes, which lets me be comfortable while enjoying my work. I take on the odd portrait job when I feel ready to do so.

Of course, many of us want to learn to embrace that fear and conquer it. The best way to do this is to expose yourself to the thing that makes you uncomfortable. Learn what about it makes you feel that way until you no longer have the same fear for it.

Work on becoming more comfortable around people on a small scale, so that you’ll be ready to speak confidently to your clients.

Know your gear well, and be knowledgeable about the particular service you’re providing. This will give you something stable to hold onto while interacting with your customers.

2. Shooting in public

Street photography is a popular form of photography, and some of the biggest names in our hobby dabble in it, at one time or another.

However, it also exposes the photographer more than some other forms and can make us feel nervous and vulnerable. This is because many people don’t care to have their photograph taken. Knowing that can make the photographer reluctant to open themselves up and capture the beautiful moments they see before them, for fear of being called out or confronted.

Many street photographers deal with these issues by using gear that is better suited for those situations. Small, light, and inconspicuous mirrorless cameras and smaller lenses are readily available. These make the photographer and their actions less visible. It allows them to be more comfortable and focus on making great images.

Fishermen walking down a long fishing pier.

Shooting in public, in view of others, is another common fear of photographers. (50mm, f/8, ISO 400, 1/640 sec)

It is also helpful and important to know the rules and laws regarding photographing people in public or other spaces. That way, if someone does confront you or question what you’re doing, you’ll be well-prepared to answer them.

The bottom line is to respect everyone’s wishes, whether it’s a legal issue or not. If someone is uncomfortable with you photographing them, be a decent person, and just stop. You don’t have to delete the images or anything that extreme, as they are your images, but don’t continue photographing them. An upset subject isn’t going to make for a good photo anyway.

At the end of the day, keep in mind that there are thousands of people out there right now, taking pictures of daily life, people, places, and events. Chances are, you’ll go out and enjoy the experience without any problems, and you’ll bring home some unique images.

3. Rejection and failure

This is a common fear for many people, and unfortunately, it is one that we all experience at times. Rejection of your work or failure to produce work that you consider great will be a commonplace occurrence throughout your relationship with photography. Even the great ones dealt with rejection at times, and they often used these failures to learn more and make adjustments to be even better.

Although there is nothing you can do to completely avoid rejection or avoid producing an imperfect image, you can certainly learn to cope with it and overcome photography fears.

A photographer sets up a shot with difficult lighting.

Conquer your fear of failure by tackling challenging situations. (iPhone, 4mm, f/2.2, ISO 640, 1/4 sec)

Firstly, don’t try to block out the emotions that come with rejection or failure. You need to know what it feels like and embrace that feeling. It will make you stronger, and you will be better for it.

Keep in mind that failure is an exception, not the norm.

Also, remember that repetition is the key to improving.

Tackle some challenging situations, such as a dark and challenging lighting scenario. Go through the possible solutions and execute them until you’re confident that you can solve that problem in a dynamic, on-demand environment.

And, talk to someone.

Talk to anyone who knows you and understands how passionate you are about your craft. Friends, family, and colleagues who lift you up and encourage you can provide tremendous help. They can remind you that rejection can happen to anyone, and is a learning tool to improve your skillset.

4. Cameras and gear

The title of this section might need a little explanation. Of course, we’re talking about the fear of using your cameras and gear, not fear of your camera itself! That would be weird.

The equipment we use can come in various levels of complexity. Regardless of your familiarity with cameras in general, it may inadvertently become another source of anxiety.

Fortunately, the days of being stuck with nothing more than a printed manual are gone (isn’t it nice when we still see them, though?). The current digital age allows us to learn everything we need to know about our cameras from many sources.

Blogs like Digital Photography School, digital manuals and online resources from camera manufacturers, Forums such as Reddit, and YouTube all provide endless means of learning about the ins and outs of your equipment.

A photographer takes a picture of a beach scene.

Knowing your camera and other gear inside and out can help bolster your confidence. (50mm, f/4, ISO 100, 1/640 sec)

The bottom line is, the more you know about the equipment you’re using, the more confident you’ll be in the field or studio. The more informed you are about the camera, the less an arising problem will shake you.

Learn all you can as early as you can. Like one of my favorite old sayings goes, knowledge is power.

5. Knowledge of business and marketing

Last in the tips for overcoming photography fears is our knowledge of business and marketing. Many of us have a fear of the business side of our passion for photography.

If you intend on working as a professional (meaning you make any amount of money off of your photography, regardless of your time input), you are going to need to understand the basics of how business works.

You need to know how to price your products and services, and how to interact with clients on all levels.

Again, through the wonder of technology, the internet is a treasure trove of information (often free) that can give you a good background and bolster your confidence with knowledge.

Many people feel that it’s tough to get a good working understanding of how small business works without taking classes or even having a business degree.

Fortunately, that’s not the case. A quick Google search will reveal many free blogs and other resources that can help you, and many of these are even specific to the business side of photography.

dPS has a great e-book on Going Pro – Making Money from Your Photography.

Fear not, my friends

Overcoming your photography fears may not seem simple, but I hope this article has helped you identify some of your fears and worries when it comes to being a photographer. Maybe it even pointed you in the right direction of overcoming those photography fears.

Remember, this is your passion, and you do it because you love to, not because you have to.

At the end of your day, there is nothing to be afraid of, because you’re doing something that makes you happy.

Are there other fears you experience that we didn’t cover here? Sound off below and share them with the rest of us. You’ll probably be surprised to find how many other people feel the same way!

The post Tips for Overcoming the 5 Biggest Photography Fears appeared first on Digital Photography School. It was authored by Tim Gilbreath.


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