Blog

  • Nikon has Announced the D780, an Update to the Hugely Popular D750

    The post Nikon has Announced the D780, an Update to the Hugely Popular D750 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    nikon-d780-announced

    If you’re an enthusiast photographer wedded to your Nikon DSLR, then you’re in luck.

    Because Nikon has just announced a new DSLR, dropping at the end of January:

    The D780.

    The Nikon D780 comes as a long-awaited upgrade to the Nikon D750, a powerhouse camera that packed a full-frame sensor into an affordable body. The D750 offered full HD video at 60p, excellent low light performance, impressive autofocus, dual card slots, and a tilting LCD, features that won over a slew of photographers back in 2014.

    But can the Nikon D780 build off of the D750’s success? And what can a new midrange DSLR offer in a world where DSLRs are becoming less and less valued?

    In some ways, the D780 doesn’t seem like a big step up from the D750; it offers a full-frame sensor with 24.5 megapixels (compared to the D750’s 24.3-megapixel sensor), a 51-point AF system with 15 cross-type points (specs that are identical to the D750’s AF system, though the D780 packs the D5’s focusing algorithm), and 7 frames-per-second shooting (compared to the 6.5 fps on the D750).

    But in other ways, the D780 more than lives up to expectations. While the megapixel count is nearly identical to the D750’s, the sensor itself is borrowed from the Z6, one of Nikon’s two full-frame mirrorless offerings, and an impressive camera in its own right. This means we can expect a jump in ISO performance, which should excite Nikonians who often find themselves shooting in low light.

    We can also expect significantly improved Live View autofocus, given that Nikon has imported the D780’s 278-point Live View AF straight from the Z6.

    Nikon has Announced the D780, an Update to the Hugely Popular D750

    Not to mention the enhanced video performance on the D780: with 4K video at 30p with a full pixel readout, full HD video at 120p and 60p, and features such as focus peaking, this is the most powerful Nikon DSLR for videographers to date.

    So if you’re an enthusiast photographer who is looking to upgrade to full-frame, or you’re simply looking for a great full-frame option, then the Nikon D780 is worth a look.

    It will begin shipping at the end of January for $ 2300 USD (or $ 2800 with a Nikkor 24-120mm f/4G lens).

    The post Nikon has Announced the D780, an Update to the Hugely Popular D750 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Your Camera’s Metering System Explained

    The post Your Camera’s Metering System Explained appeared first on Digital Photography School. It was authored by Herb Paynter.

    your-cameras-metering-system-explained

    Your camera’s metering system “reads” the light reflecting from surfaces in front of the lens and reports its findings both in the viewfinder and on the LCD display.

    This information serves as a guideline for accurately setting your camera’s exposure controls. It’s quite important that you know what information your camera is providing, and how to best make use of that data if you wish to achieve accurate color.

    Image: f/3.2, 1/60, ISO 3200, Lumix Vario G 12-35/2.8, 17mm, Pattern Metering

    f/3.2, 1/60, ISO 3200, Lumix Vario G 12-35/2.8, 17mm, Pattern Metering

    Your camera’s metering system suggests the amount of light that will be needed to expose middle gray, or typical skin tone in a scene, as measured in the techie term of luminosity. Luminosity is a geeky word that describes light as visual volume.

    That means that the reading taken by the meter reflects (pun intended) the correct exposure setting needed to render either a specific spot, or the average lighting range within an entire scene, with the correct amount of light to deliver a proper exposure.

    The exposure your camera is looking for is referred to as the 18% gray balance. This particular tone is approximately the reflective density of middle gray to human sight. That is the reason why professional photographers usually pack an 18% gray card as a reference in their camera bag.

    Image: f/2.8, 1/3200, ISO 400, Lumix Vario G 12-35/2.8, 32mm, Pattern Metering

    f/2.8, 1/3200, ISO 400, Lumix Vario G 12-35/2.8, 32mm, Pattern Metering

    Colors are seriously influenced by tonality, which is the balance between dark and light tones. The same colors seen in ample light as bright and colorful tend to appear dark and muted in dim lighting. This is quite a natural occurrence that happens with your eye just as it does with your camera.

    Remember, your eye uses the color-insensitive rods to see images in dimly-lit areas because the color-sensitive cones don’t see well in the dark.

    Setting your camera to capture specific lighting conditions requires accurate feedback from your camera’s light metering system.

    Metering systems

    Your camera provides at least two types of reflected light analysis: matrix and spot.

    Some cameras offer several variations of these two systems. The one you choose will make a significant difference in your photo.

    Matrix metering involves light that is averaged or integrated from the entire scene. Spot Metering measures light in a specific part of the scene.

    You should understand the fundamental difference between the way your eyes register light and the way your camera’s metering system measures light.

    your-cameras-metering-system-explained

    First, your eyes…

    When viewing a subject in a dimly-lit area of a scene, your mind tells your eyes where the subject is, and your eyes then focus on that particular area.

    This allows the iris (your eye’s equivalent to your camera’s aperture) to dilate, or open. Then adjusting to the dim light and admitting a sufficient volume of light into your eyes it allows you to see the dimly-lit subject in all its detail.

    In this way, your eyes actually use a “spot metering” system.

    Your camera, on the other hand, must be specifically set to read distinct areas of an image. If your camera is set to Matrix metering, reading a specific spot requires some nimble fingers and quick thinking.

    Some of the trickiest pictures to capture involve extreme lighting contrast, that is, scenes that contain both bright sunlit areas and important detail in the dark shade.

    Spot Metering

    Capturing accurate color when the subject is located in the shadow areas of a scene generally requires setting your camera to Spot Metering and centering the viewfinder on the subject.

    your-cameras-metering-system-explained

    f/4.5, 1/80, ISO 200, Lumix Vario G 12-35/2.8, 26mm, Spot Metering

    Spot Metering concentrates on a small “spot” area in the middle of the viewfinder to evaluate light. You can usually set the size of this “spot” in your camera’s Preferences.

    Spot metering requires your camera to register the light reflecting from a specific area, assuring you that that particular element will be perfectly exposed.

    Matrix Metering

    Matrix metering considers all lighting in the scene as equally important, with greater importance directed toward the center of the frame. Matrix lighting is usually a digital camera’s default metering mode.

    When a scene contains several different areas of light intensity, your camera has to decide on how important that light is to the overall exposure. It delivers a reading that will attempt to capture the full range of light in the scene.

    When a bright light appears in the corner of a scene, that light only proportionately influences the overall exposure in the image. When the center of the frame (as seen in the LCD preview window) is darker, and the outside edge of the frame is lighter, the center portion of the scene (usually being the center of focus), heavily influences the overall exposure, allowing more light to enter the lens.

    The opposite lighting scenario influences the exposure in the other direction, reducing the overall exposure to favor the lighting in the center portion of the frame. DSLR cameras allow this lighting “favoritism” to be overridden, or redirected, by the photographer.

    Matrix metering looks at a scene in segments and makes calculated decisions based on the mix of lighting in the various segments.

    While each camera manufacturer has its own patented (and quite secret) metering configurations, most cameras employ some form of matrix metering as their standard exposure system.

    Image: f/3.5, 1/160, ISO 200, Lumix Vario G 12-35/2.8, 26mm, Matrix Metering

    f/3.5, 1/160, ISO 200, Lumix Vario G 12-35/2.8, 26mm, Matrix Metering

    Cameras cannot expose individual segments of the picture separately, but by keeping stray light from entering your camera’s lens and using your camera’s matrix metering system, the tonal curve (the determination of the middle tone of the scene) can be shifted in such a way as to place more light on the subject.

    Matrix and Spot metering modes allow your camera to measure the color and set the proper exposure even in challenging lighting conditions. Most cameras provide this dual-metering capability and provide very specific controls over exposure even though some camera owners are not aware of it.

    But remember, relying too much on any of your camera’s Auto functions can compromise an otherwise spectacular color picture. If your camera has both Spot and Matrix metering capabilities, it’s better to choose whether the scene, the subject, or a small portion of the subject should determine your camera’s exposure.

    Image: f/5, 1/800, ISO 800, Lumix Vario G 35-100/2.8, 93mm, Center weight-Average Metering

    f/5, 1/800, ISO 800, Lumix Vario G 35-100/2.8, 93mm, Center weight-Average Metering

    Centre-Weighted Metering

    Somewhere between Spot and Matrix Metering is a light metering system called Center-Weighted Metering. This system reads lighting from several points around the frame but gives more preference to an enlarged area in the center of the frame. This form of metering was very prevalent before the more advanced development of Matrix-Metering Systems, and still offers a very viable method of addressing scene lighting.

    Regardless of which system you use, the composite (averaged) light value actually measured by your camera will indicate the equivalent tonal value typically assigned to skin tones.

    Professional photographers use a handheld meter to read the light reflecting from a subject’s face because human skin color is the general tonal value on which all camera exposures are determined.

    Image: f/1.8, 1/2000, ISO 25, iPhone XR,1.8, 4.25mm, Centre-Weighted Metering

    f/1.8, 1/2000, ISO 25, iPhone XR,1.8, 4.25mm, Centre-Weighted Metering

    Pattern Metering

    Always remember that the area which your camera ultimately reads will be captured as a middle-tonal-value. Setting your reading on extremely dark tones will produce those tones as a medium tonal value and thus render lighter tones as very light.

    Extremely light areas will, in turn, be exposed as if they were significantly darker than they actually were. They could completely lose detail in the darker areas of the image. So, be very careful about where you take your readings.

    Conclusion

    Most cameras offer exposure compensation controls that allow the photographer to adjust the overall exposure to override your camera’s metering system. This feature usually provides adjustments, in both increasing and decreasing values, in one-third stop increments. They can be helpful if, and when, the metering system provides consistently under or over-exposed images.

    Learning to control your camera’s metering system and apply the correct mode will deliver more attractive and dynamic results. Take control, and you’ll be very pleased with the outcome.

    The post Your Camera’s Metering System Explained appeared first on Digital Photography School. It was authored by Herb Paynter.


    Digital Photography School

  • ShutterGrip 2 wireless smartphone grip aims to offer camera-like ergonomics

    The team behind smartphone accessory ShutterGrip is back with an updated version of the product called ShutterGrip 2. The new iteration of ShutterGrip has been refined to offer improved ergonomics and appearance, adding a metallic finish and a non-slip grip.

    In addition to its built-in selfie stick, the ShutterGrip 2 features a threaded 1/4-inch tripod mount, integrated hex wrench for tightening the hinge, a cold shoe for mounting accessories, support for both right- and left-hand usage, as well as vertical and landscape modes for different shooting styles.

    ShutterGrip 2 is compatible with Android smartphones and iPhones using Bluetooth 4.0. With an assumed average of 500 button presses per day, the ShutterGrip 2’s battery will last for six months of continuous use or 18 months in standby mode using a CR2032 button battery. Despite its various features, the device is compact at 190mm x 76mm (7.49in x 2.99in).

    The ShutterGrip 2 is compatible with the iPhone 5 and newer models, as well as the Samsung A6+ through the flagship Galaxy S10 and Note 10 handsets. Eary bird units are being offered to Kickstarter backers who pledge at least $ 35; shipping is estimated to start in February 2020.


    Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

    Articles: Digital Photography Review (dpreview.com)

  • SanDisk reveals 8TB SSD prototype and Ultra Dual Drive Luxe 1TB flash drive

    SanDisk has introduced a sleek new flash drive that features an appealing metal body and a very practical dual-connector design. The new SanDisk Ultra Dual Drive Luxe thumb drive will arrive later this year, offering users a large storage capacity in a small form factor.

    As its name suggests, the Luxe drive features both USB-C and USB-A connectors, making it possible to use the drive with the majority of newer smartphones, tablets and laptops on the market. In addition to its high level of durability due to the metal build, SanDisk’s new drive has a slot for attaching the device to a keychain or securing it within a bag using a lanyard.

    According to Engadget, SanDisk will release this model toward the end of 2020; the price hasn’t been revealed at this time.

    In addition to the upcoming flash drive, SanDisk also showcased a prototype portable SSD with a massive 8TB capacity capable of 20Gbps transfer speeds. According to Engadget, the drive is slightly larger than the SanDisk Extreme External SSDs, though it’s still small enough to stuff in a pocket.

    Though it would be the highest capacity portable SSD if it were to come to market, it only exists as a prototype at this time. It’s unclear when SanDisk anticipates launching the product and how much it will cost, though it’s likely to be quite expensive. The company’s existing 2TB Extreme Portable SSD model costs $ 270, for comparison.

    Articles: Digital Photography Review (dpreview.com)

  • Canon Europe confirms its focus is on RF, not EF lenses unless the ‘market demand[s] it’

    Although Canon’s flagship 1DX Mark III DSLR is still on the horizon, it seems as though Canon has stopped research and development efforts for new EF lenses.

    In an interview with Digital Camera World, Canon Europe pro product marketing senior manager, Richard Shepherd, said that while Canon will continue to support EF lenses, the plan is to focus on RF lenses, unless the ‘market demand[s] it.’ Below is the full quote, shared by Digital Camera World:

    ‘As you know, last year we launched the RF mount and EOS R system […] To date we’ve launched ten critically acclaimed lenses, and as it’s a new system we plan to continue this, launching more RF lenses while still fully supporting the EF lens system. And of course, should the market demand it, we are ready to create new EF lenses. But for now, our focus is on RF.’

    While this is the first time we’ve seen detailed confirmation about Canon ceasing development of new EF lenses, it shouldn’t come as a surprise. Canon’s EF mount was released 33 years ago when it replaced the FD mount in 1987. Since then, we’ve seen the rise of digital cameras, the fall of point-and-shoot cameras and now the rise of mirrorless cameras. Canon’s RF system is clearly the future for the company and as such it makes sense Canon would be more interested in investing its capital looking forward rather than behind.

    As of October 12, 2017, Canon said it had surpassed production of more than 130 million EF-series interchangeable lenses—just shy of four million per year since the mount’s inception. The number has inevitably gone up by millions since and you can count on it continuing to rise for many years to come, even long after production has stopped.

    Articles: Digital Photography Review (dpreview.com)

  • Apple’s 2020 iPhone photography contest seeks best Night mode shots

    Shot on iPhone 11 Pro Max in Night mode by Eric Zhang.

    Apple has announced another iPhone photography contest, this one soliciting photos shot using the company’s Night mode feature found on the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. This new contest follows the first ‘Shot on iPhone’ competition announced by the company in January 2019. The new contest is open to submissions through January 29.

    The 2020 iPhone Night mode photography contest opened to submissions on Wednesday, January 8; the five winning images will be announced by Apple on March 4.

    Interested iPhone 11 owners can submit their favorite shots on Twitter and Instagram using the hashtags #NightmodeChallenge and #ShotoniPhone, as well as on China’s Weibo service using the tags #NightmodeChallenge# and #ShotoniPhone#.

    Shot on iPhone 11 Pro in Night mode by Austin Mann.

    Apple is also giving competitors the option of emailing a high-resolution version of their images to its shotoniphone@apple.com; in this case, photographers must use the following file naming convention: ‘firstname_lastname_nightmode_iPhonemodel.’

    Social media submissions should include a note about which iPhone model was used to capture the image in the caption. Apple says contestants can use third-party and Photos app editing tools to edit the images. Submissions must be submitted by 11:59 PM PST on January 29 to be eligible. As well, contestants must be at least 18 years old.

    The company has offered multiple tips on using the Night mode feature, including paying attention to the capture time displayed in the Night mode icon and using a tripod to keep the shots steady. Winning images will be showcased in a gallery on the Apple website, Apple Newsroom and Apple Instagram account; they may also appear in Apple’s digital campaigns, among other promotions.

    The full list of judges and other details can be found in Apple’s announcement.

    Articles: Digital Photography Review (dpreview.com)

  • HP Envy 32 all-in-one PC with built-in wireless charging is an NVIDIA RTX Studio system

    During its time at CES 2020, HP has unveiled its new Envy 32 all-in-in PC with built-in wireless charging and a 31.5-inch 4K HDR600 display. This PC AiO model is offered with up to a 9th-gen Intel Core i7 processor and the NVIDIA GeForce RTX 2080 graphics card, as well as up to 1TB of storage and 32GB of RAM. The Envy 32 has the widest display available in an all-in-one system.

    According to HP, its Envy 32 is the first all-in-one PC to join the NVIDIA RTX Studio program, which means that it is capable of running more than 40 design and creativity apps that feature RTX-accelerated ray tracing and AI-based features. This is particularly useful for filmmakers who engage in real-time high-resolution video editing and photographers who deal with large quantities of high-resolution images.

    In addition to its considerable graphics capabilities, the HP Envy 32 is the first all-in-one PC to feature Advanced Audio Stream and the loudest volume level among AiOs, according to HP. A pair of integrated front-firing tweeters and subwoofers with Bang & Olufsen tuning offer audio even when the PC is turned off, eliminating the need to use an external speaker.

    Other features include an aluminum stand with built-in wireless charging, edge-to-edge display glass, an included multi-device keyboard, heathered acoustic cloth, Nightfall Black matte finish and Dark Ash woodgrain accents. The HP Envy 32 AiO is available from HP, Amazon, Best Buy and other retailers with a starting price of $ 1,599.99.

    Articles: Digital Photography Review (dpreview.com)

  • Answers to Your Most Common Lightroom Questions

    The post Answers to Your Most Common Lightroom Questions appeared first on Digital Photography School. It was authored by Darina Kopcok.

    common-lightroom-questions

    Adobe Lightroom offers ease of use as well as high functionality for novice users and professionals alike. Although many photographers use Photoshop for retouching, they continue to use Lightroom, not only as a global editor but also for its robust organizational capabilities.

    Even if you’ve been using Lightroom for a while, you still may be confused about how to get the most out of the software.

    Certain questions crop up again and again with Lightroom users. Here are some answers to your most common Lightroom questions.

    Answers to Your Most Common Lightroom Questions

    Should I use Lightroom CC or Lightroom Classic?

    Pardon the pun, but this is the “classic” question when it comes to Lightroom, especially with the changes and updates over the last couple of years.

    The current “Lightroom” app was formerly known as Lightroom CC. This is a version that is heavily marketed by Adobe but is not necessarily the best version for the serious photographer.

    Lightroom Classic is what used to be known as Lightroom CC.

    Are you confused yet?

    No worries, because this is the most common Lightroom question!

    The current Lightroom CC stores your photos on their servers and charges you $ 10 per terabyte. If you shoot a lot, this can really add up quickly.

    It also doesn’t offer you full functionality, like the ability to print from Lightroom or export files in any format other than DNG or JPG.

    Lightroom CC also doesn’t contain the Map, Book, Print, Slideshow or Web modules. Essentially, it’s suitable for the entry photographer. Beyond that, you’ll find it won’t give you the full suite of tools you need.

    Lightroom Classic, on the other hand, is the subscription-based model that you get with your photography plan.

    Not only does this version give you great value, but it also provides you with the complete functionality you expect from a post-processing program.

    To find out which version you currently have, just go up to –>Help in the top toolbar and select –>System Info from the dropdown menu.

    Answers to Your Most Common Lightroom Questions

    What color space should I use?

    The conversation about color space is a lot more lengthy than what can take place here, but you should be aware of the differences and those most optimal for what you’re trying to accomplish with your photography.

    The most common color spaces are sRGB and Adobe RGB.

    camera-color-spaces-explained

    sRGB is the defining color space of the digital world. Anything involving digital graphics, whether it be video games or photographs, is built on sRGB.

    If your photos will appear online, you’ll need to use sRGB. If you upload an image in AdobeRGB, it will look desaturated and dull because the browser will convert it to sRGB and do a poor job of it.

    However, if you anticipate your work being professionally printed at all, you’ll most likely need AdobeRGB files. This is a color space developed by Adobe Systems and HP to be compatible with CMYK printers.

    Stock agencies often request files to be upload in AdobeRGB because they can be converted to sRGB. Just note that the reverse isn’t true.

    Both sRGB and AdobeRGB have the same number of colors but the range is narrower in sRGB. AdobeRGB has a 35% wider color gamut, which means prints will be more vibrant and saturated.

    ProPhotoRGB encompasses the largest color space available and is ideal when using Lightroom with other programs like Photoshop to process 16-bit photos. 8-bit cannot use the whole available color range. Prophoto is also ideal if you are printing your photos with a professional printery that uses a printer that can print between 7-10 colors.

    Image: sRGB vs AdobeRGB on a computer screen

    sRGB vs AdobeRGB on a computer screen

    How can I speed up Lightroom’s performance?

    An important factor in keeping Lightroom running smoothly is to set it up for optimal performance.

    One common Lightroom question is how to speed up Lightroom’s performance.

    To start with, as with any software program, you should always make sure it’s updated and that you have enough hard drive space. You need at least 20% free space for Lightroom to run optimally.

    Also, make sure your catalog is optimized. Lightroom continually updates the catalog file, but eventually, the data structure becomes less optimal over time. It has an “optimize catalog” option you can enable to improve performance.

    To access this option, go to Lightroom -> Preferences and click on -> Performance.

    Then click on -> Optimize Performance.

    lightroom common questions-optimize catalog

    common questions-lightroom performance

    Set up Lightroom to back up on a regular schedule, and set it to optimize the catalog following the backup.

    Another tip for improving performance is to import your files as DNG files.

    DNG is short for Digital Negative. It’s a RAW file format created by Adobe.

    When you convert a file into DNG, Lightroom adds Fast Load Data to the file. This results in a partially processed preview that allows Lightroom to render faster previews in the Develop module.

    Adobe claims that a DNG file with Fast Load Data can load up to eight times faster.

    Another benefit of converting to DNG files is that they are smaller files than other RAW formats and take up 20% less space on your hard drive.

    To enable this Fast Load Data under your Lightroom Preferences tab go to -> File Handling and check off Embed Fast Load Data. Make sure you have DNG selected as the file extension.

    Answers to Your Most Common Lightroom Questions

    Should I use one or multiple catalogs?

    Another of the common Lightroom questions is how many catalogs users should use, and often garners much debate.

    Some photographers vehemently proclaim that you should only use one catalog, while others insist one catalog is an accident waiting to happen.

    When you use one catalog, you risk it becoming corrupt from, for example, constant opening and closing the catalog. It’s actually a rare thing, but it has happened to me a couple of times.

    The antidote to this is backing up every day and keeping only the last couple of backups so they don’t clog up your computer.

    Catalogs can be a nice way to organize your images. You can, at the very least, have one for your personal photos and another for professional photos.

    But you can also have one catalog by utilizing Collections. To me, the whole point of Lightroom is to keep you more organized, so this is a large part of the functionality of the program.

    When you have several catalogs, you have to make sure each is properly backed up, which is tedious and adds to your workflow. Also, you cannot have more than one catalog open at a time.

    So, in my opinion, it’s easier to back up and manage one master catalog and that you make the most use out of the Collections feature.

    Where should I save my files?

    The key to success with Lightroom is to keep things as streamlined as possible. It functions as a powerful photo database, but a few missteps can result in a mess.

    One of the most common Lightroom questions is where should I save my files?

    I recommend that you have a hierarchical folder structure where you have a top-level folder, and in that folder, you have a folder for the year, month, and shoot name – in that order. 

    This folder structure will make it easy makes it easy to locate certain photos quickly.

    It will also allow you to easily back up your photos or copy them to an external hard drive by copying the top-level folder

    For example, if you want to back up your entire photo collection to another hard drive, it’s as simple as copying the top-level folder.

    folder-stucture-common-lightroom-questions

    Conclusion

    Despite how user-friendly Lightroom is, it contains a fair amount of complexity. Knowing all the ins-and-outs will help you get the most out of the software program. Hopefully, this article has clarified some of your most common Lightroom questions.

     

     

    The post Answers to Your Most Common Lightroom Questions appeared first on Digital Photography School. It was authored by Darina Kopcok.


    Digital Photography School

  • How to Plan Your Year in Photography so You Can be More Productive

    The post How to Plan Your Year in Photography so You Can be More Productive appeared first on Digital Photography School. It was authored by Simon Bond.

    plan-your-year-in-photography

    It’s always good to have a plan. Having a structure to what you do in life leads to success, and this is also the case in photography. In this article, you’ll learn how to focus your attention on the things that will progress your photography. Read on and discover how best to plan your year in photography. It’s a simple process, and you’ll find when you have a plan those unexpected moments that make a great photo occur for you more often as well.

    Plan-your-year-in-photography

    Knowing seasonal flowers bloom can help a lot.

    Look back to plan your year in photography

    The very first thing you need to be doing ahead of planning your year in photography is to take a look at the past. This will help you in several ways, and these you’ll learn about now.

    • Avoid mistakes – Reviewing your work to see the things you did wrong means you can plan better for the future.
    • Return visit – It’s always good to plan a return visit, perhaps somewhere would look much better in the snow?
    • Improvements – Related to eliminating mistakes, but slightly different. In this case, when you learn a new photographic skill, this can be brought into your work.
    • Knowledge – Looking through all your work from the previous year will give you a lot of knowledge that you can then use in the planning phase for the upcoming year.
    Plan-your-year-in-photography

    It’s always worth a return visit, and the sun sets in a different position in the sky later in the year.

    When is the best season?

    One of the most important aspects of planning your year ahead is thinking about photographs that are seasonal. That doesn’t just relate to the changes in the season either. There can be other factors that can either make or break a photo when it’s taken at a specific time.

    When you plan your year in photography, you’ll need to consider the following factors. Then make a plan to be at the correct location at the right time to take advantage of your planning.

    • Seasons – Spring and Autumn are perhaps the most popular seasons to photograph in, with fall leaves, and flower blossoms popular among photographers. Even in the tropics, the change from dry to wet season can have a dramatic impact on the type of photo you can take. Make sure you know when the monsoon season is!
    • The sun – Where the sun sets and rises changes throughout the year. This change is most dramatic the further away from the equator you are. Plan your photo so the sun is in exactly the right place within your frame. You can use a program like suncalc to do this. One of the most dramatic examples of this is when the sun shines down the blocks in New York during Manhattanhenge.
    • Milky way – As with the sun, the position of the milky way changes through the year. In the northern hemisphere, it begins the year as a pre-dawn photo and ends the year as an early evening photo. More than this, though, you need to think about the moon. The optimum time to photograph the milky way is during the new moon. So, you need to plan month-to-month to photograph the milky way.
    Image: Knowing when festivals will be is important.

    Knowing when festivals will be is important.

    Which trip will you take?

    Unless you’re very lucky, you’ll only be able to plan a few big trips away per year. You may not even be able to do that, but hopefully, you still have time to visit somewhere amazing that’s more local. The big question, however, is where to go, and when?

    Where should you go?

    The location you choose will very much depend on the type of photographer you are. Other factors, like the needs of your family, if this trip is a family vacation, also need to be thought of.

    If you’re a landscape photographer, then visiting places with incredible landscapes will make a dream trip. That means countries like Iceland, New Zealand, or Vietnam might be top of your list.

    On the other hand, if you enjoy street photography, then going to India, and the back streets of somewhere like Calcutta could be for you.

    Think about how you want to add to your portfolio, and then plan your trip accordingly.

    Image: Festivals offer unique moments that don’t present themselves at other times.

    Festivals offer unique moments that don’t present themselves at other times.

    When to go?

    Now the next step is planning when to go. Making a trip somewhere is exciting. For some, it’s often once a year, so you’ll want to get this right. What factors will elevate your photography of a particular location above other peoples?

    • Seasons – Already mentioned, but worth mentioning again. A location can be transformed by fall tree colors. Your time in a location could equally be ruined by a constant monsoon deluge, and perhaps even flooding.
    • Festivals – When you choose a place to visit, do an additional search to see if there are any famous festivals. Festivals offer the chance to take photos that only happen during that festival, offering you the chance for more unique photos.
    • Tourists – Can you go at a time that avoids crowds of tourists? Admittedly if you’re photographing a festival, you’ll be surrounded by lots of tourists. However, at other times, it’s best to avoid peak times. It’s cheaper to travel, and you’ll have an easier time taking photos without crowds in them.
    Image: This photo needed to be taken when high tide coincided with sunrise. Planning is needed for t...

    This photo needed to be taken when high tide coincided with sunrise. Planning is needed for this.

    Try something new

    Every year it’s worth thinking about learning something new. What new photography technique or post-processing workflow will take your photography to the next level? Do you need to buy a course, or attend a workshop to realize this improvement? Here are just a few ideas you could try, if you haven’t done so already.

    • Light painting – The world of light painting is huge. Get a tripod, and try out some of the night time fun yourself!
    • Infra-red – The easiest way to get started with this is through using an IR filter. If you really love it then convert your camera for specific IR use.
    • Lensball – Lensballs have become much more prevalent in recent years. Have you tried this interesting form of photography yet?
    • Digital blending – The best post-processing technique to take your landscape photography to the next level.
    • Cloning – Get creative and try cloning multiple objects into the same photo.
    Plan-your-year-in-photography

    Cloning yourself into photographs multiple times can be fun.

    Make a monthly calendar

    Now you know what you want to achieve in your photography, it’s time to lay it all out in an organized way. That means using a calendar, so you can clearly see where things fit in your plan for the year.

    If you plan to have a project such as the 52-week project, then this would be a great time to lay everything down in terms of what you’re photographing from week to week.

    The spring and autumn seasons can be short in terms of peak conditions, so also plan for that when you’ll be out photographing in the best locations.

    Image: It’s time to plan your year ahead, and make sure you don’t miss those fall photos...

    It’s time to plan your year ahead, and make sure you don’t miss those fall photos!

    How will you plan your year in photography?

    Whether you’re a generally organized person or not, a plan is always a good idea.

    How do you go about planning your year in photography? Are there any tips you would share that will help other members of this community?

    Perhaps it involves committing to a photography project of some description. Here at digital photography school, we’d love to get your feedback, together with any photos you have taken in the last year or plan to take this year.

    The post How to Plan Your Year in Photography so You Can be More Productive appeared first on Digital Photography School. It was authored by Simon Bond.


    Digital Photography School

  • The Insta360 One R is a super-versatile action/360 camera system

    After teasing a modular action/360 camera system last week Insta360 has officially launched the ONE R at CES in Las Vegas today.

    The One R consists of a ‘CPU’ with built-in miniature touchscreen and a battery pack which can be combined with one of three camera/lens units:

    • A 360-degree camera that records at 5.7K resolution
    • A GoPro style action camera with 16.4mm equivalent focal length that can record 4K footage at 60fps and 1080p video at up to 200 fps.
    • A wide-angle module with 1-inch sensor and 14.4mm equivalent focal length that records 5.3K footage at 30fps , 4K at 60fps or 1080p at 120fps. This module was developed with the help of camera company Leica.

    All three modules can record in Raw format and make use of Insta360’s FlowState stabilization, which has been improved for use in low light, as well as H.265 video encoding. They are attached to the CPU and battery ‘lego-style’ via connector pins. Depending on use case the touchscreen can face forward or backwards and installed in the included mounting bracket any of the combos is fully waterproof down to 5m.

    The 360-degree module can be used with lens protection filters which are, like we’ve already seen with selfie-sticks in previous Insta360 models, automatically removed from the footage by software.

    The touchscreen can be used for framing or image/video review and alternatively lets you adjust a range of settings including manual exposure parameters. Most special features are provided through the mobile app or desktop application, however.

    One R users have the choice of letting the app create shareable clips automatically, or dive deep into the controls and edit footage manually.

    The Auto Frame feature automatically frames 360 content using AI-powered image recognition and tracking technology. It lets you pick from a selection of pre-framed shots and all you need to do is trim and export the clips you like best.

    In addition you can create automatically reframed hyperlapses which works best with video of a few minutes in length walking outside in a varied environment. You can choose the landmarks you want to include from a menu or let the app decide for you.

    A new AI-powered tracking algorithm lets track a subject in your 360-degree video either in the app when editing, or in real time by locking onto a target at the start of recording.

    In addition Insta360 has improved the app over previous versions by implementing editing via WiFi without downloading footage to your mobile device, and background downloading which lets you continue working in the app while video files are being transferred.

    First impressions

    We’ve had a chance to play with the new hardware and app before launch and the package looks pretty impressive, especially when considering we were using a pre-production unit.

    Video output quality is not quite there yet (which is why Insta360 has asked us to not post any samples) but the build quality of the hardware looks excellent and gives the system a premium look and feel. Swapping camera modules is easy and fast and despite the small size of the built-in display it allows for easy modification of settings and changing of modes, thanks to a responsive touchscreen.

    The updated mobile app comes with an abundance of features and modes and should cater to anyone, from casual users who want automatically generated highlight-clips delivered to their phone, to advanced videographers who know how to reframe their 360-degree and edit action cam footage manually.

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8744661357″,”galleryId”:”8744661357″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    If the Insta 360 One R will be able to deliver on image quality it’s an extremely attractive option for any creative video maker. It offers the resolution of a high-end action camera and the versatility and ability to reframe clips after shooting that you can only get from a 360-degree camera at a price point that is very close to high-end action cameras.

    Those who want the dynamic range and low light performance of a 1-inch sensor have the option to further expand the system with the optionally available 1-inch module, offering one of the currently most versatile consumer video solutions available.

    The Insta360 ONE R Twin Edition includes the Dual-Lens 360 Mod and 4K Wide Angle Mod and will set you back $ 479.99. The Insta360 ONE R 1-Inch Edition comes standard with the premium 1-Inch Wide Angle Mod and retails for $ 549.99. The Insta360 ONE R 4K Edition comes with CPU, battery and 4K action cam and is $ 299.99. More information is available at Insta360.com.

    Press Release:

    Insta360 ONE R Is an Adaptive Action Cam Co-Engineered with Leica

    AI-powered Auto Frame makes editing 360 video easy.

    Innovative camera maker Insta360 today announced ONE R, an adaptive action cam whose unique interchangeable-lens design enables 360-degree capture, standard 4K wide-angle capture, and use of a groundbreaking 5.3K 1-inch sensor — all with a single device.

    The concept is simple — one battery, one processor and a selection of quick-swapping lens Mods. In an instant, ONE R transforms from a dual-lens 360 shooter to a standard action cam. ONE R currently offers three ways to shoot with three available lens Mods — the Dual-Lens 360 Mod, the 4K Wide-Angle Mod and the 1-Inch Wide Angle Mod co-engineered with Leica.

    The 1-Inch Wide Angle Mod achieves the best performance ever in an action camera, combining a 1-inch sensor with the legendary optical expertise of Leica and 5.3K resolution — in a compact, rugged body backed by Insta360’s signature FlowState stabilization.

    ONE R is available to order today via Insta360.com and select retailers worldwide, including Best Buy.

    The right tool for every job.

    ONE R is designed to give creators, athletes and adventurers a single tool that can adapt to any shoot.

    In terms of creative freedom, nothing beats a dual-lens 360 camera. It unlocks the ability to reframe shots after the fact, ensures that users never miss the action, and enables unique techniques such as drone-like aerial angles. But for scenes in which action is concentrated in one direction, a reframed shot from a 360 camera still doesn’t achieve the same level of quality and resolution as a specialized single-lens shooter.

    These two camera formats have unique strengths and tradeoffs — just as telephoto and wide-angle setups on an SLR camera have equal but opposite strengths. The only way to take advantage of both formats is with an easy, efficient way to switch from one to the other on the fly. ONE R is just that.

    Best quality ever in an action cam.

    ONE R redefines what’s possible with an action cam. Each of its three available Mods unlock breakthrough imaging and quality.

    Dual-Lens 360 Mod: This Mod supports 5.7K capture on two lenses that cover every direction at once. It enables a real-time 360-degree preview on ONE R’s touchscreen, while innovations like Color Plus, HDR video and Night Shot achieve the best color accuracy and low-light performance in any consumer 360 camera.

    4K Wide Angle Mod: Ready for 4K@60fps, this Mod captures crisp, vibrant, stabilized action and supports up to 8x slow mo. Its reversible design lets you flip the touchscreen from back to front in a snap — perfect for getting real-time feedback when filming yourself.

    1-Inch Wide Angle Mod co-engineered with Leica: This Mod achieves a level of quality never before seen in an action cam. The 1-Inch Wide Angle Mod uses a best-in-class 1-inch sensor to capture brilliant 5.3K video and 19MP photos even in complex lighting conditions. Premium performance in a device that’s ready to go anywhere — the 1-Inch Wide Angle Mod is a game-changer.

    Leica worked closely with Insta360 on the optical engineering and industrial design of the 1-Inch Wide Angle Mod, and contributed its unmatched expertise in image quality and color reproduction.

    Smooth moves. Even in the dark.

    The ONE R uses a fully upgraded FlowState stabilization algorithm to achieve gimbal-like stabilization whether you’re shooting in 360 or with a standard wide angle. Using a smart scene-detection algorithm, ONE R outclasses the competition with stabilization that holds steady even in low-light scenes.

    Waterproof whenever.

    ONE R is IPX8 waterproof to depths of 5 meters (16.4 feet) straight out of the box. For those who want to go deeper, a Dive Case enables descents of up to 60 meters (197 feet).

    Voice control.

    Voice control lets you control ONE R with a few simple commands. If ONE R is mounted on a helmet or out of reach, just give it a shout.

    Auto Frame changes the game.

    The best thing about shooting 360 video is that you capture an infinite number of possible angles and edits. The worst thing about shooting 360 video is that you capture an infinite number of possible angles and edits. If only there were some kind of artificial intelligence that could analyze a scene in every direction at once to find the most interesting moments and angles.

    Enter Auto Frame. Insta360 has developed its own computer vision algorithm to identify the best parts of any 360 video and recommend them to creators. There’s still plenty of choice, but the ONE R app’s Auto Frame feature helps you quickly narrow down the shots worth considering and does the reframing for you.

    Deep Track.

    AI-powered computer vision also enables ONE R’s mind-blowing tracking capabilities. When editing 360 video, creators can simply select a subject to follow with a tap. The ONE R app will automatically keep it locked in center-frame. Even if a subject is obscured by an obstacle, ONE R’s algorithm will remember it and start tracking again as soon as it reappears.

    And if you don’t want to wait for post-production to choose your subject, you can also use Deep Track in real time. ONE R’s unique “Point to Track” feature lets you lock onto a subject with the voice prompt “Mark that!”. The next time you connect to your camera, you’ll get an automatically reframed shot that follows your chosen subject — it’s like having a cameraman with you wherever you go.

    No drone. No problem.

    ONE R brings back Insta360’s endlessly fun and versatile Invisible Selfie Stick feature. Easily capture aerial angles and video-game-style third-person views by making your camera grip invisible. Invisible Selfie Stick is only supported when using the Dual-Lens 360 Mod.

    Low light. Done right.

    ONE R offers a range of both hardware and software upgrades to achieve best-in-class low-light performance. New Night Shot mode captures low-light photos that pop, while automatic de-noising preserves detail in low-light video.

    ONE R also supports HDR modes for both photos and video, and creators can take advantage of Color Plus to do an automatic, one-touch color grade that brings out brighter, more vibrant hues.

    When it comes to color reproduction and low-light performance, the 1-Inch Wide Angle Mod co-engineered with Leica is in a class of its own. Its 1-Inch sensor brings out highlights and shadows in vivid detail. Vloggers will be tempted to leave the rest of their kit at home.

    Sounds good.

    Every ONE R build comes standard with two onboard mics and an automatic wind-reduction algorithm that achieves great sound straight off the camera. However, its USB Type-C port and top-mounted Accessory Shoe also allow for easy third-party 3.5mm mic connection.

    Infinite possibilities.

    The ONE R app comes with a range of new editing features designed to help creators take advantage of all its capabilities. The TimeShift hyperlapse effect popularized by ONE X can now be completed with a couple taps, and a new pose-detection algorithm lets creators instantly identify and extract every frame of a clip in which they strike a similar posture — enabling mind-bending stop-motion effects that used to take hours of work.

    New Starlapse mode automatically calibrates exposure settings to capture stunning time-lapses of the night sky — creators just pick a time and a place and hit record. The ONE series’ signature Bullet Time effect has also been upgraded with a smart horizon-leveling algorithm.

    FlashCut auto-editing.

    FlashCut is the ONE R app’s content-aware editing algorithm. First, it finds shots based on a theme set by the creator — like food, travel or pets. Then it combines them on beat into a stylish edit. FlashCut can filter and combine footage captured by any ONE R build — 360 or standard.

    More Mods.

    ONE R doesn’t stop at three Mods. Its unique design enables a huge range of efficient add-ons and upgrades. The standard Battery Base can be swapped for a double-size Boosted Battery Base for extended shooting.

    Meanwhile, Insta360 today also announced the groundbreaking Insta360 ONE R Aerial Edition, which offers a specialized mounting system to make supported drones completely invisible and captures an unobstructed, airborne 360-degree view.

    An Edition for every mission.

    ONE R is all about choice. Creators can purchase exactly the combination of gear that suits their needs. However, Insta360 also offers a range of prepackaged Editions that give creators everything they need to get started with some of the most powerful combinations of Mods.

    Insta360 ONE R Twin Edition brings together two great ways to shoot — the Dual-Lens 360 Mod and 4K Wide Angle Mod — in one convenient package for $ 479.99 USD; Insta360 ONE R 1-Inch Edition comes standard with the premium 1-Inch Wide Angle Mod co-engineered with Leica, and retails for $ 549.99 USD; and Insta360 ONE R 4K Edition offers creators all they need to enjoy the versatile 4K Wide Angle Mod for $ 299.99 USD.

    More details on ONE R can be found at Insta360.com.

    Articles: Digital Photography Review (dpreview.com)