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PSA: Download your photos from Canon’s Irista platform by the end of the day before they disappear forever

Back in October, Canon announced it was shutting down its cloud-based photo platform, Irista. Today is the final day the platform will be live, so if you have any photographs still on the platform that you would like to download, you will need to do so by the end of the day, as the platform will no longer be accessible after today.

As noted in our original coverage, all of your photos can be downloaded as a ZIP folder using the ‘Download Your Photos’ link on the Irista homepage. It’s worth reiterating too that none of the tags, photo ratings, titles or albums you have assigned to the images will be downloaded alongside the images.

Articles: Digital Photography Review (dpreview.com)

January 31, 2020
7 of the Best Photography Podcasts to Inspire!

The post 7 of the Best Photography Podcasts to Inspire! appeared first on Digital Photography School. It was authored by Carl Spring.

While this is an article that I want to be educational for us all, it is a bit of a selfish one – I love seeking out new recommendations for podcasts! Rather than position this as the definitive list, I wanted to give you the best photography podcasts that I love to listen to in the hope that some of you may find a new podcast to love in 2020.

However, I also want to hear your recommendations for the best photography podcasts I can check out in 2020!

Podcasts are currently seeing serious investment, with streaming giant Spotify investing over $ 400 million.

This has paid off for Spotify, with their podcast audience doubling in the first half of 2019 alone. With that investment, means more podcasts produced, and the quality is getting higher all the time. This is a serious win for us as Podcast listeners.

For me, at least, Podcasts have made their way into part of my daily routine. Like waiting for the next episode of a TV show, I look forward to hearing the latest episodes of my favorite podcasts each week. I tend to listen to them whilst working, commuting, or just to chill out.

The podcasts I listen to tend to be less gear-based and more based on the story of photographers or how to improve in business. This type of content makes me excited to check out the work of photographers I haven’t before. It also inspires, either for strategies to try, or just visual inspiration from the discovery of new photographers.

Not only are big companies investing, but the quality of podcasts on all levels is better than ever. People are spending serious time in making their podcasts sound great. Gone are the days of what felt like listening to a phone conversation between people. Many modern podcasts are well-produced, great-sounding shows that allow me to imagine my perfect radio station, curated just for me.

The 7 Best Photography Podcasts

Why 7? Well, to be honest, I like to try and listen to one podcast per day. I could give you the top 15, or top 20. If you’re not careful, though, your podcast feed (like my own) will be jammed with episodes or entire podcasts you never get round to listening to.

So, in no particular order, here are my 7 best photography podcasts.

1. Photobiz X

Seen by many as the number one photography business podcast, Photobiz X is also the only podcast on this list with a premium version alongside the free version.

The podcast will give you great tips, whichever you listen to. Premium listeners get more of a deep dive into business techniques and access to the excellent PBX group on Facebook. As a member myself, I find the amount of help and support you get from the premium version worth the price. If you do find yourself enjoying the podcast, you can try it free for 30 days to see if it is a worthwhile investment for you.

This podcast interviews a huge variety of photographers and related business experts that can help you improve your photography business. Previous topics have included selling more wall art, website design, copywriting for your business, and a whole host of other topics.

Andrew, as a host, intuitively asks the questions that you find yourself asking as you listen along. He picks away the guest’s layers to get to the heart of the strategies that make their businesses successful.

Also, every episode has actionable takeaways that you can take and apply to your business. The only issue may be that you have too many ideas to try!

Best enjoyed: Monday morning, setting you up with business inspiration for the week.

2. FujiCast

This is a podcast with two UK-based wedding photographers, whom both shoot with Fuji.

You would think that this would be a pretty niche podcast. However, if you can get beyond the name, what you will find is a funny, beautifully-produced podcast that has a great mix between answering readers’ questions and interviews with photographers.

FujiCast is the perfect listen on a Sunday morning with a cup of coffee.

The tone of the podcast is that of two mates chatting about photography, except these mates are very knowledgeable and regarded as some of the best UK wedding photographers.

Yes, the gear talk that features usually has a Fuji slant, but gear talk isn’t where this podcast sings – it is the interviews and stories of the guests that are inspiring.

Again, one of the best things about this podcast is the community that Neale and Kevin have built. They host regular meet-ups for recordings, etc.

The FujiCast is a great listen that will introduce you to some amazing photographers.

Best enjoyed: Sunday morning after a leisurely breakfast, whilst enjoying a coffee.

3. The Candid Frame

The voice! The Candid Frame begins with smooth Jazz, which leads into possibly the smoothest podcast voice ever in Ibarionex Perello. One of the longest-running podcasts, The Candid Frame, has been running since 2006.

You can tell Ibarionex puts loads of work into researching every guest he interviews. His interview technique, honed over nearly 500 episodes, gives the interviewee the chance to tell their story beautifully. He asks questions that help him (and you as the listener) delve into their photographic journey.

Best enjoyed: Late at night, with a glass of your favorite tipple.

4. He Shoots He Draws

This podcast consists of a photographer and designer who describe their podcast as a chat over a cuppa. Episodes range from twenty minutes to well over an hour.

He Shoots, He Draws, is as laid back as the title suggests. However, that would not do justice to the huge amount of knowledge that both Glynn and Dave bring to each episode.

While bringing the angles of photography and design, this podcast covers a variety of topics with a wide-ranging variety of guests.

Best enjoyed: Tuesday morning, to help you make it through the week ahead.

5. This Week in Photo

This podcast really doesn’t need an introduction, and I am sure it is already on many of your weekly listens. One of the longest-running podcasts (it’s been around since 2008), This Week in Photo has a great mix of roundtable discussions and interviews, so this podcast still feels fresh.

Not every topic will appeal to everyone, but with each episode usually in the 30-45 minute range, I find myself listening along and getting something of interest that stops me from skipping.

I did think about not including this podcast due to it being so popular, but a podcast is like an old pair of jeans. It’s the one you always go back to because it feels so comfortable.

Best enjoyed: On a lazy Saturday, slouching in your favorite pair of jeans.

6. So You Want to Be a Photographer

Gina Milicia is a renowned Australian photographer who has photographed many celebs in her time. (She has also written e-books for dPS including Portraits: Making the Shot, Portraits Lighting The Shot, Portraits: Striking The Pose, 14 Amazing Portrait Recipes, Portraits: After The Shot, and Fast FLASH For Portrait Perfection.)

Her podcast, which she hosts with her friend and photography enthusiast, Valerie Khoo, is exactly the opposite of the type of podcast you would expect from such a high-end photographer. Gina is down to earth, and this podcast is full of advice for those on all levels.

The two hosts bounce off each other, and the enthusiast and expert balance between them really helps keep the podcast accessible to everyone. Episodes are full of great advice for people at differing stages of photography from the beginner looking for inspiration through to those taking a step into making money from photography.

Best enjoyed: On a bad Wednesday in the office. When you have decided that you want out of the 9-5 and want to start getting paid for your photography.

7. Photobomb

This podcast is like listening to two radio personalities with the humor of the naughty kids in class.

Booray Perry and Gary Hughes are a duo who will tend to let their episodes wander off-topic, but in a good way. A perfect example of this is starting a recent episode discussing the new Star Wars movie and which Star Wars films get a raw deal.

Booray and Gary are both experienced photographers with personalities that you will either love or hate. Quick-fire banter between them brings all the news and opinions you need for the week. Booray spent twenty years in radio before becoming a photographer, and that definitely comes through in this podcast.

A great listen in the car or at the gym too.

Best enjoyed: On the daily commute, as long as you are happy with occasionally laughing out loud on public transport.

Bonus podcast: Scenario

I’ve left the most fragile until last. The Scenario podcast by Jessica Mcdermott is made up of only six episodes recorded between November 2017 and March 2018. The only updates since then come in two, 2-minute notes about an update and #PodStrike.

You may be wondering, why would you tell us that this is one of the best photography podcasts and one that we need to listen to in 2020? Simply put, each episode is a beautiful little documentary on a fascinating photography story. There is the photographer who shoots landscapes to send to her pen pals on death row and the story of a photographer who is documenting his brother’s gender transition.

Each episode is beautifully put together and reminds me of a documentary that you would hear on Radio 4 (or NPR for you US-based listeners). Every story is fascinating, and I can see them appealing to many people outside of the world of photography.

Jessica allows each photographer to open up and tell their story, so each episode feels very intimate.

My only wish is that this podcast returns with more episodes. Although maybe it is destined to be these six perfect episodes that should be appreciated just as they are.

Best enjoyed: All in one. Find a weekend and listen to these wonderful stories in one sitting.

Conclusion

So there you go – a podcast for every day.

As I said, these are some of the best photography podcasts and are not meant to be an exhaustive list.

There are so many more I could add here, including more of the usual suspects. I am sure there are many more that you could add as well.

So, as I said at the start, I wanted to throw this out to you as the readers. Let’s hear in the comments below one of the best photography podcasts that everyone needs to listen to in 2020. I look forward to adding a load more podcasts to my list from your recommendations.

The post 7 of the Best Photography Podcasts to Inspire! appeared first on Digital Photography School. It was authored by Carl Spring.

Digital Photography School

January 31, 2020
US Interior Department grounds Chinese-made drones in its fleet citing ongoing security concerns

Yesterday, the United States Interior Department signed an order to ground its fleet of more than 800 drones for non-emergency operations following ongoing concerns of cybersecurity threats.

As reported by NPR, Interior Secretary David Bernhardt didn’t specifically say the fleet of drones were capable of being hacked in the order, but did note that information collected by the drones could potentially be ‘valuable to foreign entities, organizations and governments.’

This new order cements a ‘pause’ Bernhardt ordered roughly three months ago to cease the use of Chinese-manufactured drones for Interior Department business, with the exception of emergency use-cases. In a statement given to The Verge at that time, Interior spokesperson Melissa Brown said ‘the Secretary has directed that drones manufactured in China or made from Chinese components be grounded unless they are currently being utilized for emergency purposes, such as fighting wildfires, search and rescue, and dealing with natural disasters that may threaten life or property.’

No specific companies were mentioned in the initial order, nor yesterday’s, but it’s clear Chinese drone manufacturer DJI is in the crosshairs.

Following yesterday’s order from Bernhardt, Chinese drone manufacturer DJI issued a statement on its website, saying:

‘[DJI] is extremely disappointed by the U.S. Department of the Interior (DOI) order released today which inappropriately treats a technology’s country of origin as a litmus test for its performance, security and reliability […] We are opposed to the politically-motivated country of origin restrictions masquerading as cybersecurity concerns and call for policymakers and industry stakeholders to create clear standards that will give commercial and government drone operators the assurance they need to confidently evaluate drone technology on the merits of performance, security and reliability, no matter where it is made.’

DJI manufactures specific ‘government edition’ versions of its Matrice 600 Pro and Mavic Pro drones, both of which are currently listed in the Interior Department’s fleet. These specific models use special firmware and software to fit the needs of the Interior Department and were previously signed off for use by the Interior Department following a 15-month testing period that concluded with a 53-page report. Other drones in the U.S. agency’s fleet include the Autel Evo, Parrot Anafi, FireFLY Pro/S, 3DR Solo Quadcopter and Pulse Vapor 55TM Helicopter.

DJI’s Matrice 600 Pro drone is just one of the half-a-dozen different drone models in the Interior Department’s drone fleet.

This new order will, like the pause announced back in October 2019, will remain in effect until a subsequent order overturns it, as there is no end-date mentioned. Like the pause back in October, emergency use-cases ‘will continue to be allowed in approved situations for emergency purposes, such as fighting wildfires, search and rescue, and dealing with natural disasters that may threaten life or property,’ according to an Interior Department spokesperson.

Articles: Digital Photography Review (dpreview.com)

January 31, 2020
NASA astronaut Jessica Meir uses Nikon D5 to snap two space selfies

NASA astronaut Jessica Meir caught the public’s attention over the weekend when she published two selfies captured during a spacewalk using a Nikon D5 camera. Meir has shared a number of images from the International Space Station since her arrival in September 2019, though few were as impressive as her full-body selfie captured as a reflection in ISS solar panels.

Fine, visor up this time – but at least the magnificent Earth still makes an appearance too. All #spacewalk #selfies (and other photos) made possible with a Nikon D5 with a 28 mm lens in a protective housing (visible in center of 2nd photo). #SelfieSunday pic.twitter.com/AlmUjvCWDj

— Jessica Meir (@Astro_Jessica) January 26, 2020

Meir shared the images on January 26, tagging them with the #SundaySelfie hashtag. One is a traditional shot of her face while the other image is a full-body shot of Meir in her spacesuit as seen reflected in some solar panels. The Earth is visible as a bright band of light behind her, as are bits and pieces of the space station.

As for the camera, Meir explains that she used a Nikon D5 camera with a 28mm lens and special protective housing that enables the camera to operate in space. NASA ordered a total of 53 unmodified Nikon D5 DSLRs from the camera company in 2017 with the intention of using them for recording ISS activities, as well as vehicular activities and astronaut training.

Articles: Digital Photography Review (dpreview.com)

January 31, 2020
Canon’s annual results show a rough 2019, but tease ‘advanced’ mirrorless camera, lenses for 2020

Canon has published its 2019 fiscal year financial results and presentation. In the documents, Canon highlights how the company has done, shedding light on what we can expect in the coming year, both fiscally and on the development front.

On the financial front, Canon’s Imaging System division recorded net sales of 807.4B yen and a net operating profit of 48.2B yen a decrease of 16.8 percent and 62 percent, respectively, year-over-year. Canon anticipated a dramatic drop-off in both net sales and operating profit, due to ‘market contraction and the intensely competitive environment,’ but the final results are still slightly worse than expected at 14.6B yen and 2.6B yen lower than Canon’s projections as of last quarter.

Echoing CIPA data, Canon notes the interchangeable-lens camera market shrank 15 percent, with entry-level models being the most impacted due to the increasing capabilities and popularity of smartphones. Canon also recognized its own shortcomings, with a note in the presentation saying:

‘Although we have launched two full-frame mirrorless cameras as well as ten dedicated lenses, our lineup is still insufficient.’

Looking forward, Canon remains realistic, saying it ‘expect[s] camera revenue to decline due to the impact of continuing market contraction,’ but feels confident it will ‘put a stop to the decline in profitability, by further enhancing our mirrorless lineup with an advanced feature full-frame model and lenses, and by accelerating review of our business structure.’

Specifically, Canon makes it very clear that it’s working on more advanced mirrorless cameras, saying:

‘In order to recover from our late entry into the mirrorless camera market, we have plans to launch a model that incorporates a newly developed image sensor and image-processing engine that offer even more advanced features. We will work to raise our presence in the mirrorless camera category, leveraging large trade exhibitions around the world. Even amid increasing competition, we will expand sales of higher-end models driven by new products and aim for top market share even in the mirrorless camera market.’

Canon is projecting its net sales and operating profit for the 2020 fiscal year will be 787B yen and 53.7B yen, respectively, which would equate to a 2.5 percent decrease in net sales and an 11.5 percent increase in operating profit, year-over-year. In addition to offering more ‘advance feature full-frame’ mirrorless cameras and RF lenses, Canon’s projected increase in profitability will also likely be helped with fabrication costs now that it appears to have its mirrorless manufacturing facilities up and running.

Canon’s sentiments expressed in the presentation further lend credibility to the ongoing rumors about its forthcoming mirrorless cameras, but certainly fall short of telling the whole story, which we will only find out with time.

Articles: Digital Photography Review (dpreview.com)

January 31, 2020
Magic Plate quick-release plate makes it easy to toggle from landscape to portrait

A new Kickstarter campaign from Silence Corner is seeking funds for ‘Magic Plate,’ a new quick-release plate that enables photographers to quickly switch between landscape and portrait shooting. Magic Plate is CNC machined from aerospace-grade aluminum, is compatible with most Arca gear and includes a 14″-20 UNC screw in addition to a quick-release button and strap slots.

This quick release plate doesn’t need to be removed from the ball head, according to the team behind the product. Instead, users can toggle the camera from landscape to portrait mode by pressing the plate’s quick-release button, rotating the camera and then locking the plate into its new position. The device is more compact than L-brackets and lighter at only 40g (1.4oz).

Silence Corner’s Kickstarter campaign is offering the Magic Plate in Silence Black and Corner Gray color options for pledges of at least $ 55, a 32% discount off the anticipated retail price, assuming the product makes it to market. Magic Plate is expected to start shipping to backers in April 2020.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

January 31, 2020
Tamron 20mm F2.8 Macro sample gallery

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Tamron’s new trio of compact, 1:2 macro prime lenses includes a 35mm F2.8, a 24mm F2.8, and this lens, a 20mm F2.8 for Sony’s full-frame E-mount cameras. We found that the lack of a super-fast maximum aperture is at least partially made up by the impressive close-focusing distance, and the lens is weather-sealed and affordable to boot. Take a look at what this lens can do on a 61MP Sony a7R IV, and catch a glimpse of some Seattle snow while you’re at it.

Articles: Digital Photography Review (dpreview.com)

January 30, 2020
Your Guide to the Fujifilm JPG Film Simulations (with Sample Images)

The post Your Guide to the Fujifilm JPG Film Simulations (with Sample Images) appeared first on Digital Photography School. It was authored by Matt Murray.

When I first bought a Fujifilm Finepix X100 in 2012, I was absolutely stunned by the quality of the images it produced. As the first iteration in Fujifilm’s lineup of excellent fixed-lens compact cameras, it paved the way for the rest of the X-series lineup with its excellent optics and fantastic usability.

What impressed me the most, perhaps, was the quality of the JPGs that the camera produced – they were lightyears ahead of anything I’d seen with other camera systems.

In this article, I will introduce you to the commonly available Fujifilm JPG film simulations, including the characteristics of each one and when you might like to use them.

I still have an X100 – but this is the latest iteration in the series, the X100F.

Fujifilm history of film

Fujifilm has been a leader in the photographic industry for decades. Not only are they world leaders in optics, but they are also the biggest producer of instant film and cameras left in the market.

In the heyday of film, they were also one of the leading brands for the production of 35mm and 120 films, making film emulsions loved by photographers everywhere. Some of these famous film stocks (Acros and Fuji Pro 400 H) still exist.

Fujifilm took their color science know-how from the film days and created a range of film simulations for their digital cameras that feature a very high level of color accuracy and reproduction.

You can easily choose the Fujifilm film simulations via a button on the back of X-Series camera bodies.

Do all cameras have all Fujifilm JPG film simulations?

No, the Fujifilm JPG film simulations available to your X-Series camera depend on the model and the firmware updates you have applied. Although the number of film simulations has grown over the years with the release of new generations of cameras and sensors, new film simulations don’t always roll out to older model cameras.

For example, it is rumored that the newest film simulation launched with the X-Pro 3 – Classic Negative – will be rolled out to cameras, including the X-T3 and X-T30, very soon via a firmware update.

This is part of Fujifilm’s ongoing improvements they make to their cameras and lenses.

How can I shoot with Fujifilm JPG film simulations?

First of all, you’ll need an X-Series camera body. Next, you need to set it up to shoot JPGs.

When you do this, the default setting to shoot with is the Provia film simulation. This setting will be applied to all the JPGs produced until you change it. You can easily do that via a button on the back of your camera body, where you can cycle through all available options.

It’s fun to change the film simulations to see what different effects they give you. Another reason why I love mirrorless cameras is that you can even see the effect each film simulation will have through the viewfinder and on the LCD screen – very helpful.

Can I change the film simulation after I’ve shot a JPG?

No, once you shoot the JPG with that film simulation, you can’t change it. So if you’re only shooting JPGs, make sure you’ve selected one that will complement your subject, or shoot JPG+RAW.

You can even convert RAW images to JPG with Fujifilm JPG film simulations in-camera, but that’s a topic for another day.

Can I apply a Fujifilm JPG film simulation if I shoot RAW?

Yes, there are a couple of different ways you can do this after you have taken an image. The first is using software such as Adobe Photoshop Lightroom. The second is by applying the simulation to a RAW file in the camera after you’ve taken it. This is something that often surprises X-Series users. Yes, you can actually process your RAW files as different film simulations in-camera.

Introduction to the Fujifilm JPG film simulations

Provia

Provia was the name of Fujifilm’s most popular color transparency (slide) film. With its medium contrast and saturation, this is the most neutral film simulation and is suited to most genres of photography. It’s the default film simulation on X-Series cameras and is also labeled as “standard” in the menu.

Left: Isle of Wight RAW file. Right: Provia JPG. There are some noticeable differences over the RAW file, such as higher contrast and more saturation.

Top: Kids in a filed RAW file. Bottom: Provia JPG.

Velvia

Velvia was the nature photographer’s go-to film back in the film heyday. It’s bold colors brought to life the natural world. Velvia’s high contrast and high saturation make it a winning formula for wildlife and landscapes, though it’s one to avoid for portraits.

Left: Isle of Wight RAW file. Right: Velvia JPG. Velvia is showing its rich colors here, with both the greens and the blues highly saturated.

Top: Kids in a filed RAW file. Bottom: Velvia JPG. Skin tones look too saturated and unnatural, so this is best avoided for portraits.

Astia

This is another simulation named after a slide film, in this case, the film that was very popular among portrait and fashion photographers. Astia is known for its softer colors and contrast, giving a more subdued look overall with beautiful tones. I quite often use this simulation for shooting portraits.

Left: Isle of Wight RAW file. Right: Astia JPG. Great tones and colors, though slightly subdued.

Top: Kids in a filed RAW file. Bottom: Asita JPG. Lovely colors and tones, though they are not over the top.

Classic Chrome

This Fujifilm JPG film simulation is not based on a classic film emulsion. Instead, Fujifilm developed it to emulate the look of classic documentary-style photography.

Classic Chrome has lower color saturation and full-bodied tones, giving it a distinctive look. Skies look different with this simulation, as it removes magenta. Reds and greens also appear quite unique.

Many street photographers seem to use this film simulation if they are shooting color for a raw, edgier look.

Left: Isle of Wight RAW file. Right: Classic Chrome JPG. Look at the difference between the sky and the grass in these shots.

Top: Kids in a filed RAW file. Bottom: Classic Chrome JPG.

Pro Neg Hi

Pro Neg Hi is ideal for portraits with slightly enhanced contrast, especially when contrasted against Pro Neg Standard. Modeled after Fujifilm’s most popular print film for portraits, Fuji Pro 400H, it’s the film simulation I most use for portraits (alongside Astia).

Left: Isle of Wight RAW file. Right: Pro Neg High JPG.

Top: Kids in a filed RAW file. Bottom: Pro Neg Hi JPG. I love the colors, contrast, and tones of this film simulation.

Pro Neg Std

This is another of the Fujifilm JPG film simulations that is ideal for portraits. It simulates NS160, a professional color negative film for studio portraiture. It has softer graduations and skin tones, especially when compared to Pro Neg High.

For best results, use it with creative lighting choices, or you may end up with a flat, boring-looking image.

Left: Isle of Wight RAW file. Right: Pro Neg Standard JPG. The tonality of this image is quite soft compared to others.

Top: Kids in a filed RAW file. Bottom: Pro Neg Std JPG. Out of the box, it produces a flatter file with softer colors and tonality.

Acros

Fujifilm’s classic black and white emulsion brought to life digitally with rich details and excellent sharpness. Fujifilm claims that this film simulation matches the tonal range and even the film grain of its analog offering, which is quite impressive.

You even have the ability with the Acros film simulation to apply yellow, red, and green filters in-camera.

The red filter gives more contrast and a dramatic feel. The yellow filter seems more subtle. The green filters seem to work best when photographing people.

Left: Isle of Wight RAW file. Right: Acros JPG.

Top: Kids in a filed RAW file. Bottom: Acros JPG.

Left: Isle of Wight RAW file. Right: Acros JPG with the red filter. Red filters have long been used in black and white photography to increase contrast and make images look more dramatic.

Left: Isle of Wight RAW file. Right: Acros JPG with the green filter.

Monochrome

This was the original black and white Fujifilm JPG film simulation on X-Series cameras until Acros came along. Many people bypass it completely, choosing to create black and white images in post.

As with Acros, there are three variants for this mode; you can add a red, yellow, or green filter.

Isle of Wight RAW file. Right: Monochrome JPG.

Sepia

Sepia gives your image a reddish-brown look to mimic the feel of a vintage photo. I’m not sure why anyone would use this filter, but each to their own.

Left: Isle of Wight RAW file. Right: Sepia JPG.

Conclusion

I hope you have enjoyed this introduction to the world of Fujifilm JPG film simulations. Fujifilm produces the best straight-out-of-camera JPGs from any camera manufacturer. The ability to choose a Fujifilm JPG film simulation, many based on classic film emulsions, is the icing on the cake.

I’ve loved playing around with different looks to my images over the years. The ability to see through the viewfinder or LCD is incredible.

Which is your favorite of the Fujifilm JPG film simulations? Share with us in the comments.

The post Your Guide to the Fujifilm JPG Film Simulations (with Sample Images) appeared first on Digital Photography School. It was authored by Matt Murray.

Digital Photography School

January 30, 2020
5 Ways to Create More Artistic Photos (Fast!)

The post 5 Ways to Create More Artistic Photos (Fast!) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Are you looking to create more artistic photos? Do you feel like your photos need a bit of an upgrade?

You’re not alone.

This type of struggle is one that most photographers feel at one point or another. I’ve felt it myself, which is why I developed several methods for increasing the artistry in my own photography.

And I’m going to share these methods with you today.

So if you’re looking to add a level of creative and artistic flair to your photos, keep reading.

300mm, 1/1250 sec, f/6.3, ISO 200

1. Use minimalism to improve your compositions

Creating more artistic photos can start by changing up your compositions.

Because here’s the thing:

After doing photography for a bit, you start to fall into compositional patterns. You’ll take the same type of photo, over and over again. You may not even realize it.

So in order to take things to the next level…

…you should make a strong effort to break free of your compositional patterns.

One of my favorite ways to do that is with minimalism. Minimalism involves using lots of negative space, while also positioning your subject toward the edges of the frame.

400mm, 1/320 sec, f/5.6, ISO 400

For instance, a minimalistic photographer might take a single plant and place it down at the very top or bottom of the frame, while the rest of the scene stays primarily white:

100mm, 1/125 sec, f/2.8, ISO 320

Minimalism is great, and one of the things I love most about it is how it feels so different from normal compositional techniques. Once you start thinking minimalist, your whole outlook can change.

And your photos will start to look far more artistic.

2. Add split toning to enhance the colors

If you’re looking to increase the artistry in your photos, ask yourself:

How am I doing with color?

Because color is one of the most neglected aspects of photography, despite its important role in most photos.

Color adds contrast, creates harmony and disharmony, and evokes different moods.

(All in a wonderfully subtle way!)

Now, one aspect of improving the use of color in your photography involves looking for interesting color combinations when out shooting.

But you can also make changes after you’ve finished your photoshoots.

More specifically, split toning will allow you to add a bit of mood and contrast to your photos.

Here’s a photo with a bit of split toning to deepen the yellow highlights and the green shadows:

90mm, 1/160 sec, f/9.0, ISO 320

Basically, a split tone just involves putting one color cast in the highlights of your photo and one color cast in the shadows of your photo. Cold shadows and warm highlights are pretty common, so you could easily go with a blue/yellow split-tone combination. But you should also experiment with other possibilities to make things as artistic (and interesting!) as possible.

Note that pretty much every RAW photo editor offers split toning in one form or another. So no matter your preferred post-processing software, you’ll be able to add some color!

3. Decrease the depth of field for a softer look

This is one of my personal favorites for making photos more artistic:

Bringing down that depth of field.

With a shallow depth of field, you can create all sorts of interesting effects: Stunning background bokeh, soft subjects, and even abstract-type images.

50mm, 1/2000 sec, Freelensed, ISO 250

Now, to create a shallow depth of field look, you’ll need to use a lens with a wide maximum aperture (something in the area of f/1.2 to f/2.8 is best). You’ll also want a lens of at least 50mm, and you’ll want to get close to your subject, if possible. The closer you are to your subject, the better the soft-focus effect.

Note that it can be difficult to focus when working at such a wide aperture. So you may need to switch your lens over to manual, in order to ensure you nail focus every time.

To add additional interest, you might try positioning a light source in the background, so that you can create cool bokeh, like this:

90mm, 1/100 sec, f/2.8, ISO 320

I’d also recommend thinking about your subject a bit differently. Don’t envision the subject as a single entity; instead, look for shapes and lines that you can use for a more powerful composition. That way, you’ll be able to use the soft-focus effect for more artistic, abstract-style images.

4. Look at the work of good photographers for inspiration

If you’re the type of person who likes to get out and practice photography, you may grumble at this suggestion. After all, practice makes perfect, right?

But it’s important to realize that it’s hard to know what perfect would mean…

…if you haven’t ever seen it.

That’s why I urge you to look at the work of photographers you admire. Do it all the time. If you like, you can simply look at photographers in your favorite genres.

One of the photographers whose work I view over and over again is Jess Findlay. While he and I gravitate toward different subjects, his work serves as a constant inspiration to me.

Or you can expand your horizons, looking for photographers in many different areas.

(In fact, I like to look at work that’s not in my areas of interest; I find that it gives me fresh ideas that would’ve never occurred to me if I’d stuck to my preferred genres.)

When you look at photography that you like, ask yourself:

What is it that makes this work special? What is it that makes it so artistic?

Then come up with some ideas for incorporating that level of artistry into your own work. Don’t copy blindly, but try to pull out bits and pieces of wisdom that you can use to enhance your own photos.

For instance, if you notice that a photographer likes to shoot from a low angle, start shooting from a low angle yourself.

If you notice that a photographer loves to juxtapose two contrasting subjects, try juxtaposing some contrasting subjects yourself.

Just give it a try. My guess is that you’ll notice improvements in your own photos pretty quickly.

And then you won’t want to stop looking at other photos!

5. Lengthen your shutter speeds for more abstract photos

Here’s a final, practical tip for creating more artistic photos:

Use creatively long shutter speeds.

For instance, photograph moving a flower, but drop the shutter speed way down, so you get a cool blur effect.

And then move your camera around, even as you’re taking the photo. That’ll give you an even more interesting abstract:

100mm, 1/6 sec, f/2.8, ISO 250

Personally, I love doing handheld abstracts with long shutter speeds. Sure, they take a lot of experimentation, but they’re also very liberating. And they’re great for situations where the light is too low to get sharp shots handheld and you don’t want to use a tripod.

Now, to pull off this type of abstract image, you’ll need to put your camera in Manual mode (or Shutter Priority) and drop the shutter speed until it reaches 1/10s to 1s (or longer). Then, as you hit the shutter button, move your camera. I’d recommend aligning the movement with compositional elements in your scene (e.g., if there are trees in the scene, move the camera along the tree trunks).

You’ll end up with some very artistic blurs!

Five ways to make your photography more artistic: Conclusion

Hopefully, you now know a few easy ways to make your photos more artistic.

After all, capturing artistic photos doesn’t have to be hard…

…it just involves changing things up!

So try some of the ideas I’ve suggested, and see how things go. I bet you’ll like the result!

300mm, 1/400 sec, f/6.3, ISO 320

Do you have ideas for creating more artistic photos? Share them in the comments!

The post 5 Ways to Create More Artistic Photos (Fast!) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Digital Photography School

January 30, 2020
Fujifilm pushes out firmware updates for its X-Pro3 and X-T3 mirrorless cameras

Fujifilm has released firmware updates for its X-T3 and X-Pro3 mirrorless camera systems. The X-Pro3 update is rather minor, while the X-T3 update brings a number of substantially improved features.

Firmware version 1.03 for the X-Pro3 fixes an issue wherein the camera could ‘in rare cases’ freeze without warning as well as addresses a problem where ‘the color tone of recorded images is not recorded correctly in AF-C mode and continuous shooting.’ Aside from that, no other details are mentioned in the changelog. You can download the firmware version 1.03 for the X-Pro3 from Fujifilm’s website.

Moving onto the X-T3, firmware version 3.20 improves the autofocus capabilities. Specifically, Fujifilm says it improves tracking performance with eye AF, improves face-detection performance when there are different-sized faces in the same frame, and improves autofocus on foreground subjects. ‘even when there is a mixture of foreground and background subjects within a AF frame.’

Other updates in firmware version 3.20 include the ability to save up to 9,999 images in each folder (a dramatic increase from the current 999 image limit) and fixes for issues with movie autofocus, including ‘focus hunting at the minimum aperture’ and an issue that sometimes caused a black line to appear at the bottom of the frame. Other smaller bug fixes have been addressed as well.

You can find out more information about firmware version 3.20 for the X-T3 and download it on Fujifilm’s website.

Fujifilm has also updated its Camera Remote app for Android and iOS. The update adds support for Apple and Google’s latest operating systems, iOS 13 and Android 10, respectively. You can download Fujifilm Camera Remote in the Google Play Store and iOS App Store for free.

Articles: Digital Photography Review (dpreview.com)

January 30, 2020