RSS
 

Posts Tagged ‘Year’

Top 10 sample galleries of the year: #9 is the Fujifilm GFX 50S

16 Nov

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3125129958″,”galleryId”:”3125129958″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

We’re counting down our top 10 most popular sample galleries of 2017. Images in each of these galleries have been viewed more than 1 million times – and it’s no coincidence that the products featured are also some of our favorite pieces of gear released this year.

Sliding in at our #9 spot is the Fujifilm GFX 50S medium-format camera. We first got our paws on this digital beast while at the CP+ 2017 tradeshow in Japan (check out the other cool products we saw there). In fact, much of the above sample gallery was shot in the streets of both Yokohama and Tokyo, Japan. You can read all about that experience right here.

The GFX 50S is truly a fascinating camera – it represents Fujifilm’s entrance into the digital medium format market, while maintaining the ethos of APS-C X-series cameras. Find out why we gave it a gold award in our review.


Top 10 most popular sample galleries of 2017:

#10: Sigma 14mm F1.8 Art
#9: Fujifilm GFX 50S
#8: To be revealed on 11/17
#7: To be revealed on 11/18
#6: To be revealed on 11/19
#5: To be revealed on 11/20
#4: To be revealed on 11/21
#3: To be revealed on 11/22
#2: To be revealed on 11/23
#1: To be revealed on 11/24

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Top 10 sample galleries of the year: #9 is the Fujifilm GFX 50S

Posted in Uncategorized

 

Gear of the Year 2017 – Barney’s choice (part 1): Leica M10

11 Nov

My choice for Gear of the Year is a pricey camera with niche appeal. The Leica M10 is not a camera that many people are likely to buy, when compared to other major DSLRs and mirrorless products released in 2017. Leica knows that, and trust me – Leica is fine with it. The M10 probably isn’t a camera that will suit the majority of photographers, either – even those with the funds required to purchase one.

The M10 is a curious beast: a highly evolved throwback, which combines some very old technology with a modern 24MP full-frame sensor to offer a unique user experience with some unique quirks. It’s awkward, tricky to master, and lacks a lot of the bells and whistles common even in much cheaper competitors, but I love it all the same.

I could have taken this picture with pretty well any camera. But I took it with the Leica M10, because that’s what I had with me. (I didn’t promise you an exciting story).

There is a certain magic to Leica rangefinders, which is hard to properly explain. A lot of their appeal comes down to the quality of construction, which is obvious the moment you pick one up. While other brands have thrown their efforts behind high-tech mass-production (with admittedly impressive results), Leica has never aspired to market saturation and still makes its M-series cameras in much the same way as it always has done; relying heavily on manual processes, and the accumulated years of experience of its small workforce in Wetzlar, Germany (with a little help from electronics suppliers in Asia and a facility in Portugal).

A lot of Leica rangefinders’ appeal comes down to the quality of construction

I’ve been pretty cynical about some of Leica’s digital imaging products in the past (I still can’t get excited about the TL-series, for instance, despite the considerable improvements that have been made to that system since its introduction) and I make no secret of it. In the days of hybrid autofocus and 4K video, the M10 is clearly an anachronism.

But…

The M10 and current 35mm F1.4 Asph., makes a powerful and unobtrusive combination. Many DSLRs and ILCs are technically more versatile, but few are as discreet while still offering a full-frame sensor.

Ironically, the M10 has won a place in my heart (and my camera bag) precisely because it isn’t trying too hard to be something that it isn’t. In contrast to the slightly bloated Typ. 240, the stills-only M10 is stripped back to the essentials. Presenting almost the same form-factor as the M6 TTL and M7, and an identical footprint to the original M3, the M10 is noticeably slimmer than previous digital M-series rangefinders while offering a simpler digital interface and tweaked image quality. In fact, with the M10 I can comfortably shoot at ISO 12,800 and higher without worrying about banding, or any particular image quality gremlins. The sensor isn’t quite up there with the best 24MP sensors on the market, but it’s more than good enough.

It’s been a long, strange year but as 2017 draws to a close, the M10 is probably the camera I’ve used most. While undoubtedly not as versatile as (say) a Nikon D850, the M10 does have the advantage of being considerably more convenient to travel with.

I still get a bit uncomfortable carrying what amounts to almost a year’s rent around my neck

I’ve done a lot of traveling this year, and the M10 has been with me almost everywhere I’ve gone. I love that I can fit a full-frame camera and lens outfit covering 28-90mm into a small Domke F6 shoulder bag without feeling like I’m going to pull my arm out of its socket. I still get a bit uncomfortable carrying what amounts to almost a year’s rent around my neck, but – touch wood (or rather, hand-laquered wood soft shutter release) – nothing bad has happened yet.

This started out as an attempt to quickly ‘de-bling’ a chrome M10 for my recent trip to the jungles of central Mexico. I might have got a bit carried away. Watch out for the ‘Britton Special Edition Jungle M10’ and remember – you saw it here first.

Partly that’s because I’m careful about who I point my camera at (and where I do it) but partly it’s because a black M10 in a black half-case, accessorized with some carefully applied black electrical tape, doesn’t actually draw much attention. The eye-catching chrome version looks absolutely beautiful by comparison, but it’s the kind of beautiful that makes me nervous.

The whole process of taking someone’s picture is less confrontational than it might be with a larger and louder camera

I’m not a huge proponent of candid portraiture, but the subtle click of the M10’s shutter means that even for casual snapshots of friends and family, the whole process of taking someone’s picture is less confrontational than it might be with a larger and louder camera.

The flip-side is that it’s also harder to use. For all of the smug chin-stroking of whiskery old salts who cut their teeth on M3s and M2s back in the Good Old Days, the suggestion that M-series rangefinders are as functional – or as practical – as SLRs “just as long as you know what you’re doing” is nonsense. I still shoot film occasionally and I love it, but compared to a 24MP full-frame sensor, even the finest-grained film is a pretty low-resolution medium. I’m much more prepared to let minor focus errors or even camera-shake slide when I’m flipping through scans from my film cameras than I am when examining digital files at 100% in Lightroom.

One of my favorite lenses on the M10 is actually one of the oldest that I own: the tiny 1950s-vintage Nikkor 2.8cm F3.5, attached via an LTM-M adapter. At F4, the center is sharp enough for this kind of (slightly) off-center composition, with just enough out of focus blur fore and aft for some subject separation. Newer Leica and 3rd party 28mm lenses are unequivocally sharper, but they’re also much bigger. This portrait was taken using Live View to ensure off-center sharpness using this vintage lens.

The M10 can turn out excellent results, but truly accurate focusing and composition can be extremely challenging – even for those with long experience of shooting with rangefinders. Yes, there’s always Live View, but on this point I tend to agree with the whiskery old salts: you don’t buy a rangefinder to use Live View (which doesn’t mean that I never do, because like every good whiskery old salt, I am also a hypocrite).

Perversely though, its inherent trickiness is one of the reasons I enjoy shooting with the M10 so much. Compared to an auto-everything DSLR or mirrorless camera, it’s very challenging. When I capture an image that I really like, I appreciate it more because I feel like I’ve worked harder to get there.

Leica M10 real-world samples

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

Unless otherwise noted images taken with no particular settings at full resolution. Because our review images are now hosted on the ‘galleries’ section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6037658348″,”galleryId”:”6037658348″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Gear of the Year 2017 – Barney’s choice (part 1): Leica M10

Posted in Uncategorized

 

These are the winners of the UK’s Landscape Photographer of the Year contest

02 Nov

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9057334703″,”galleryId”:”9057334703″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

The winners of the 2017 “Take a View – Landscape Photographer of the Year” contest have been announced—a competition that aims to find the best images of the UK from photographers around the world. This year’s winner of the top prize and title was Benjamin Graham with a nicely uncomplicated view of the dunes at West Wittering in West Sussex.

The competition, which is in its 11th year, has a prize fund of £17,000. £10,000 goes to the Landscape Photographer of the Year, £1,000 to the winners of the four adult categories and the youth prize, and £500 to second placed images in the adult categories.

This year’s winners are:

Landscape Photographer of the Year
Benjamin Graham

Classic view
Rachael Talibart

Living the view
Paul Fowles

Urban view
George Robertson

Your view
Neil Burnell

Youth winner
Andrew Bulloch (15)

The competition also had prizes from sponsors Network Rail (Jon Martin wins a trip to photograph the Forth Bridge in Scotland) and VisitBritain (Graham Niven), and from Fujifilm for the best print, Lee Filters and The Sunday Times. For a full list of winners and to see all the winning images visit the Take a View: Landscape Photographer of the Year website.

The winning images and those in the shortlists will form a book as well as a free exhibition that will be held in London’s Waterloo station from November 20th, 2017 through February 4th, 2018.

Press Release

Landscape Photographer of the Year 2017

The Winner is Announced

A photograph of the UK’s stunning coastline wins the top prize for the third year running, as Benjamin Graham’s image of the dunes at West Wittering in West Sussex becomes the eleventh winner of the overall title: Landscape Photographer of the Year. The judges chose Benjamin’s image from thousands of entries celebrating the richly diverse landscape of the UK.

Winning the top prize of £10,000, Benjamin was attracted by the ambiguity of the scene:

“As well as its minimal simplicity, I particularly like the indeterminate scale of the image. The double S-curve could be two metres long or two thousand… It was actually about twenty.”

Charlie Waite, one of Britain’s leading landscape photographers and founder of the Awards spoke about the winning image:

“Benjamin’s image has a hypnotic and contemplative quality that acts as an antidote to turbulent times. When at the coast, we often just stand and gaze out to sea and seem to gain some kind of spiritual well-being from doing so. This image suggests the same emotional experience and the composition leads the eye on to infinite calm.”

From flower fields and land patterns to romantic castles and historic bridges, the winning photographs in the ‘Take a view – Landscape Photographer of the Year Awards’ not only display the talent of their creators but also inspire visitors to explore and discover the wonders of the British countryside.

The Young Landscape Photographer of the Year title has been awarded to Andrew Bulloch, whose image of an urban skatepark set against a backdrop of the Northern Lights shows a meeting of the man-made world with one of nature’s most fascinating phenomena.

For the third year, the Awards are being held in association with VisitBritain and the GREAT campaign to showcase the diversity of amazing moments and experiences that can be only be had on a trip across Britain. The VisitBritain ‘Home of Amazing Moments’ Award was offered for the photograph judged to best capture the spirit of the campaign. The winning image, by Graham Niven, of an early morning boat trip on Loch Garten in the Cairngorms is taken from a viewpoint that allows the viewer to feel involved and part of the ‘amazing moment.’

VisitBritain/VisitEngland Chief Executive, Sally Balcombe said:

“As Graham’s spectacular image shows, Britain’s diverse and stunning scenery offers a visual feast in which the viewer can imagine themselves at the centre of the experience. It is a fantastic example of how images stir our emotions and fire our imaginations, motivating and inspiring us to explore new locations and landscapes.”

Congratulations also go to the winners of this year’s other Special Awards. The Network Rail ‘Lines in the Landscape’ Award was won by Jon Martin for his view of a train crossing Barmouth Viaduct over the River Mawddach in North Wales (right) and ‘Poppies in a field of linseed’ by Julian Eales, won The Sunday Times Magazine Award. Will Milner wins the Adobe Prize for his photograph of Durdle Door at night, Mark Cornick receives the Fujifilm Print Prize for his architectural view of a London building and Rachael Talibart’s seascape at Birling Gap in East Sussex is awarded the LEE Filters Prize.

The exhibition of winning entries will again be held on the Balcony at Britain’s busiest station, London Waterloo, giving thousands of visitors the chance to see the very best of the British countryside in the very heart of the capital. Opening on Monday, November 20th, the exhibition is hosted by Network Rail and will run for twelve weeks, closing on February 4th, 2018, before heading off on a tour of selected stations countrywide. Admission is free.

All the winning and commended photographs from the competition can be found in the Awards book ‘Landscape Photographer of the Year: Collection 11’ by AA Publishing, which is available now.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on These are the winners of the UK’s Landscape Photographer of the Year contest

Posted in Uncategorized

 

Adobe will release the last update to Lightroom 6 ‘towards the end of the year’

27 Oct

The countdown to the end of Lightroom as a standalone product is officially ticking, and the deadline is drawing near. Earlier today, Adobe released a fresh compatibility update for Lightroom 6, but in addition to adding support for cameras like the Nikon D850 and Fuji X-E3, Adobe also answered a burning question in the release notes: Is this the last upgrade of Lightroom perpetual product?

The answer, it seems, is no… but that last upgrade will arrive “towards the end of the year.” Here is Adobe’s answer in full:

As we align our investments in the direction of supporting our subscription-based products, the last version of Lightroom 6 will be coming out towards the end of the year. If there is a camera not supported in Lightroom 6, you can use the DNG converter before importing your images into Lightroom 6.

Once that final upgrade goes live, Lightroom 6 will become an ‘unsupported’ product, and if you intend to keep using Adobe Photoshop Lightroom you’ll either have to subscribe to CC or deal with the less-than-ideal workflow described above… while you can. It might not take too many operating system upgrades before unsupported LR6 breaks entirely.

Not everybody is happy about this state of affairs… as Senior Reviewer Richard Butler pointed out last week:

RIP Lightroom 6: Death by Subscription Model

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe will release the last update to Lightroom 6 ‘towards the end of the year’

Posted in Uncategorized

 

Kodak will bring back Ektachrome film this year, start selling it in 2018

13 Sep

Kodak first announced its plans to bring Ektachrome 35mm film back from the dead in January at CES. But if you were worried that the announcement was just a lot of marketing hype, you have nothing to fear: it seems the resurrection of Ektachrome is proceeding apace, with full production scheduled for 2018.

This news broke over Twitter, of all places, thanks to an inquisitive Kodak fan named Karen Wink. She asked Kodak what the ETA on the Ektachrome comeback was, to which Kodak replied:

If you’re a fan of the old film, it won’t be long before you can get your hands on a fresh roll of 36 exposures in the 35mm format.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Kodak will bring back Ektachrome film this year, start selling it in 2018

Posted in Uncategorized

 

Canon beats Nikon to get EISA’s Pro DSLR award for 3rd year running

17 Aug

Canon’s EOS 5D Mk IV has won the European Imaging and Sound Association’s (EISA) Professional DSLR of the Year award, making this the third year in a row that the brand has beaten Nikon to the top spot in the professional camera category. Neither company, though, managed to come out as well as Sony, which won a total of six titles for is compact system range.

One of Sony’s titles was the prestigious European Camera of the Year award—a prize the company hasn’t won in nine years—which went to the a9.

Sony’s other awards included Prosumer Compact Camera of the Year for the a6500, Compact Camera of the Year for the RX100 V, Superzoom Camera of the Year for the RX10 ll, Compact System Lens for its FE 100mm f/2.8 STF GM OSS and Professional Compact System Lens for the FE 70-200mm F2.8 GM OSS.

Other notable lens awards went to Sigma for the 135mm f/1.8 DG HSM Art, and to Tamron’s 150-600 f/5-6.3 Di VC USD G2 and the 18-400mm F3.5-6.3 Di II VC HLD. Panasonic’s Lumix DC-GH5 won Photo & Video Camera of the Year, while Prosumer DSLR of the Year went to Nikon’s D7500.

While this was the first year non-European countries were able to take part in the awards process, the Photography Expert Group remained entirely populated by magazine editors from Europe. For more information see the EISA website.

Photography awards in full:

EISA CONSUMER DSLR CAMERA 2017-2018
Canon EOS 77D

EISA PROSUMER DSLR CAMERA 2017-2018
Nikon D7500

EISA PROFESSIONAL DSLR CAMERA 2017-2018
Canon EOS 5D Mark IV

EISA CONSUMER COMPACT SYSTEM CAMERA 2017-2018
Fujifilm X-T20

EISA PROSUMER COMPACT SYSTEM CAMERA 2017-2018
Sony 6500

EISA CAMERA 2017-2018
Sony 9

EISA COMPACT CAMERA 2017-2018
Sony RX100 V

EISA SUPERZOOM CAMERA 2017-2018
Sony RX10 III

EISA PHOTO & VIDEO CAMERA 2017-2018
Panasonic Lumix DC-GH5

EISA INSTANT CAMERA 2017-2018
Fujifilm Instax SQUARE SQ10

EISA DSLR LENS 2017-2018
SIGMA 135mm F1.8 DG HSM | Art

EISA DSLR ZOOM LENS 2017-2018
Tamron SP 150-600mm F5-6.3 Di VC USD G2

EISA PROFESSIONAL DSLR LENS 2017-2018
Canon EF 16-35mm F2.8L III USM

EISA COMPACT SYSTEM CAMERA LENS 2017-2018
Sony FE 100mm F2.8 STF GM OSS

EISA PROFESSIONAL COMPACT SYSTEM CAMERA LENS 2017-2018
Sony FE 70-200mm F2.8 GM OSS

EISA COMPACT SYSTEM CAMERA ZOOM LENS 2017-2018
Olympus M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO

EISA PHOTO INNOVATION 2017-2018
Tamron 18-400mm F3.5-6.3 Di II VC HLD

EISA PHOTO DISPLAY 2017-2018
EIZO ColorEdge CG2730

EISA SMARTPHONE CAMERA 2017-2018
Huawei P10

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon beats Nikon to get EISA’s Pro DSLR award for 3rd year running

Posted in Uncategorized

 

The breathtaking winners of Nat Geo’s Travel Photographer of the Year 2017

02 Aug

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Sergio Tapiro Velasco/National Geographic Travel Photographer of the Year

Grand Prize and 1st Place, Nature: The power of nature

Powerful eruption of Colima Volcano in Mexico on December 13th, 2015. That night, the weather was dry and cold, friction of ash particles generated a big lightning of about 600 meters that connected ash and volcano, and illuminated most of the dark scene. On last part of 2015, this volcano showed a lot of eruptive activity with ash explosions that raised 2-3 km above the crater. Most of night explosions produced incandescent rock falls and lightning not bigger than 100 meters in average.

National Geographic has announced the winners of its coveted Travel Photographer of the Year 2017 competition.

The grand prize and 1st place in the Nature category was awarded to Mexican photographer Sergio Tapiro Velasco, whose stunning photograph of the erupting Colima Volcano, complete with lightning strike, beat out over 15,000 entries from photographers in more than 30 countries.

In addition to the $ 2,500 prize that all category winners receive Velasco will also receive a ten-day trip for two to the Galápagos Archipelago with National Geographic Expeditions.

Check out the full winners gallery at this link.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Hiromi Kano/National Geographic Travel Photographer of the Year

2nd Place, Nature: To live.

Swans who live vigorous even in mud.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Tarun Sinha/National Geographic Travel Photographer of the Year

3rd Place, Nature: Crocodiles at Rio Tarcoles

This image was captured in Costa Rica when I was travelling from Monteverde to Playa Hermosa. As you cross over this river, you can stop and peer over the edge of the bridge. Below, reside over 35 gigantic crocodiles, relaxing on the muddy banks of the river. I wanted to capture the stark difference between the crocodiles on land and in the water. In the murky waters, the body contours of these beasts remain hidden, and one can only truly see their girth as they emerge from the river.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Norbet Fritz/National Geographic Travel Photographer of the Year

1st Place, Cities: Levels of reading

The modern interior of the city library in Stuttgart. With its wide-open space in the central, where natural light comes from through the windows on the top, it has a very unique atmosphere, where you can broaden your knowledge.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Andy Yeung/National Geographic Travel Photographer of the Year

2nd Place, Cities: Walled City #08

The Kowloon Walled City was the densest place on Earth. Hundreds of houses stacked on top of each other enclosed in the center of the structure. Many didn’t have access to open space.This notorious city was finally demolished in 1990s. However, if you look hard enough, you will notice that the city is not dead. Part of it still exists in many of current high density housing apartments. I hope this series can get people to think about claustrophobic living in Hong Kong from a new perspective.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Misha De-Stroyev/National Geographic Travel Photographer of the Year

3rd Place, Cities: Henningsvær Football Field

This football field in Henningsvær in the Lofoten Islands is considered one of the most amazing fields in Europe, and maybe even in the world. The photo was taken during a 10-day sailing trip in Norway in June 2017. We arrived to Henningsvær after a week of sailing through the cold and rainy weather. Upon our arrival, the weather cleared up. I was really lucky that the conditions were suitable for flying my drone, and I managed to capture this shot from a height of 120 meters.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by F. Dilek Uyar/National Geographic Travel Photographer of the Year

1st Place, People: worship

This photo was taken in Konya. Willing Dervish in an historical place of Sille Konya Turkey.

The ‘dance’ of the Whirling Dervishes is called Sema and is a symbol of the Mevlevi culture. According to Mevlana’s teachings, human beings are born twice, once of their mothers and the second time of their own bodies.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Julius Y./National Geographic Travel Photographer of the Year

2nd Place, People: Interesting moment.

Museum visitors curiously watching Rembrandt’s painting ” Syndics of the Drapers’ Guild” where it gave the illusion that the people on the paintings too are curiously watching the visitors.

National Geographic Travel Photographer of the Year 2017 Winners

Photo and caption by Rodney Bursiel/National Geographic Travel Photographer of the Year

3rd Place, People: Under The Wave

I recently traveled to Tavarua, Fiji to do some surf photography with pro surfer Donavon Frankenreiter at Cloudbreak. I’m always looking for new angles and perspectives. The usual surf shots have all been done so we decided to get a little creative. Makes you look twice.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The breathtaking winners of Nat Geo’s Travel Photographer of the Year 2017

Posted in Uncategorized

 

Beautiful images from the Astronomy Photographer of the Year 2017 shortlist

30 Jul

Astronomy Photographer of the Year 2017 shortlist

A Battle We Are Losing © Haitong Yu (China)

The Milky Way rises ominously above a small radio telescope from a large array at Miyun Station, National Astronomical Observatory of China, in the suburbs of Beijing. The image depicts the ever-growing light pollution we now experience, which together with electromagnetic noise has turned many optical and radio observatories near cities both blind and deaf – a battle that inspired the photographer’s title of the shot. The image used a light pollution filter (iOptron L-Pro) and multiple frame stacking to get the most of the Milky Way out of the city light.

The Royal Museums Greenwich has announced the shortlist for its ninth annual Insight Astronomy Photographer of the Year competition. Thousands of entries were received from over 90 countries; winners will be announced on September 14th.

Here are just a handful of the more than 130 images that made the shortlist – head to the Royal Museums Greenwich site to learn more about the competition.

Astronomy Photographer of the Year 2017 shortlist

A Brief Rotation of Mount Olympus © Avani Soares (Brazil)

A series photos of Mars taken between 1 June and 3 July 2016 showing Mount Olympus in three different positions. Mount Olympus also known as Olympus Mons is the tallest volcano in the Solar System. The features on the surface of Mars as seen from Earth change rapidly, as seen in the contrast between the central photo, made during the opposition (when Mars is at its closest to the Earth), and the photo on the left, taken 33 days later.

Astronomy Photographer of the Year 2017 shortlist

An Icy Moonscape © Kris Williams (UK)

A lone stargazer sits atop the peak of Castell-Y-Gwynt (Castle of the Winds) on Glyder Fach Mountain in Snowdonia, North Wales, beneath a starry night sky during freezing temperatures in mid-winter. The lunar-like landscape was formed through a process called freeze-thaw weathering: water seeps into cracks in the rock, freezing and expanding as ice forms, eventually cracking the rock over hundreds and thousands of years.

Despite the full cloud and fog on the night the photographer set up his one-man tent in the snow and began the long wait of 15 hours of darkness in -10°C temperatures but the sky clearing for a mere 20 minutes, was all the time needed to capture this shot.

Astronomy Photographer of the Year 2017 shortlist

Aurora over Svea © Agurtxane Concellon (Spain)

The purples and greens of the Northern Lights radiate over the coal mining city of Svea, in the archipelago of Svalbard. The earthy landscape below the glittering sky is illuminated by the strong lights of industry at the pier of Svea.

Astronomy Photographer of the Year 2017 shortlist

Beautiful Trømso © Derek Burdeny (USA)

The aurora activity forecast was low for this evening, so the photographer remained in Tromsø rather than driving to the fjord. The unwitting photographer captured Nature’s answer to a stunning firework display as the Northern Lights dance above a rainbow cast in the waters of the harbour in Trømso made for a spectacular display, but did not realize what he had shot until six months later when reviewing his images.

Astronomy Photographer of the Year 2017 shortlist

Crescent Moon over the Needles © Ainsley Bennett (UK)

The 7% waxing crescent Moon setting in the evening sky over the Needles Lighthouse at the western tip of the Isle of Wight. Despite the Moon being a thin crescent, the rest of its shape is defined by sunlight reflecting back from the Earth’s surface.

Astronomy Photographer of the Year 2017 shortlist

Eastern Prominence © Paul Andrew (UK)

A large, searing hedgerow prominence extends from the surface of the Sun on 29 August 2016. There are a number of different prominence types that have been observed emanating from the Sun, and the hedgerow prominence is so called due the grouping of small prominences resembling rough and wild shrubbery.

Astronomy Photographer of the Year 2017 shortlist

Fall Milk © Brandon Yoshizawa (USA)

The snow-clad mountain in the Eastern Sierras towers over the rusty aspen grove aligned perfectly in front of it, whilst our galaxy the Milky Way glistens above.

Astronomy Photographer of the Year 2017 shortlist

Ghostly Sun © Michael Wilkinson (UK)

The Sun photographed in Calcium-K light, depicting the star’s inner chromosphere. In the colour-rendering scheme used, the surface is shown as negative, with the sunspots as bright spots, but the area outside the limb is shown with increased contrast, highlighting a surge on the western limb, and several small prominences. Although the Sun is shown entering a quieter phase, a lot of activity is still taking place, illustrating just how dynamic our star is.

Astronomy Photographer of the Year 2017 shortlist

Hustle and Peaceful © Prisca Law (Hong Kong)

Taken from The Peak, the highest mountain on Hong Kong Island, the image shows the hustle and bustle of the city in contrast to the peaceful starry sky. The haze above the beautiful landscape reminds us that light pollution prevents us from enjoying an even more stunning sky view. Along the coastline the sharp, vibrant light signifies the fast-paced life of cities that many of us have become accustomed to.

Astronomy Photographer of the Year 2017 shortlist

Ignite the Lights © Nicolas Alexander Otto (Germany)

After a long hike from his small cabin to Kvalvika, Lofoten Islands in Norway, the photographer arrived at the slopes above the beach around midnight. During the hike the auroral display was relatively weak, but when he made it to the beach the sky ignited in a colourful spectacle of greens and purples framed by the mossy, green landscape. The image is stacked from six different exposures to combat high ISO and thermal noise in the foreground. The sky was added from one of these exposures.

Astronomy Photographer of the Year 2017 shortlist

ISS Daylight Transit © Dani Caxete (Spain)

The International Space Station (ISS) whizzes across the dusky face of the Earth’s natural satellite, the Moon, whilst photographed in broad daylight. Shining with a magnitude of -3.5, the ISS was illuminated by the Sun at a height of 9º on the horizon. Like the Moon, the ISS receives solar rays in a similar way during its 15 orbits of the Earth a day, making it possible to see it when the Sun is still up. This is a real shot, with no composite or clipping in the process.

Astronomy Photographer of the Year 2017 shortlist

Moon Rise Reflections © Joshua Wood (New Zealand)

An unexpected shot of the Moon rising over the glistening ocean off the Wairarapa coast, bearing a remarkable resemblance to the Sun. As the photographer was capturing the sunset over Castlepoint, he looked over his shoulder to see the Moon rising behind, reflecting off the wide expanse of the Pacific Ocean, and it became the new subject of his image.

Astronomy Photographer of the Year 2017 shortlist

Mr Big Dipper © Nicholas Roemmelt (Denmark)

A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending.

Astronomy Photographer of the Year 2017 shortlist

Near Earth Object 164121 (2003 YTI) © Derek Robson (UK)

On 31 October 2016, Near Earth Asteroid 164121 (2003 YT1) made a close encounter with Earth at 3 million miles. This Apollo asteroid with an orbital period of 427 days was discovered by the Catalina Sky Survey on 18 December 2003. The photographer’s first attempt at imaging the asteroid was done with a camera on a fixed tripod, controlled by Astrophotography Tool software.

The asteroid moved so fast I could see it moving on the live screen. The negative image is a stack of 56 cropped images created using PIPP and Deep Sky Stacker software and was processed with IrfanView and Photoshop for scientific content rather than cosmetic appearance.

Astronomy Photographer of the Year 2017 shortlist

NGC 2023 © Warren Keller (USA)

Lying in the constellation of Orion, at a distance of 1467 light years from our planet is the emission and reflection nebula NGC 2023. Most often photographed next to the famous Horsehead Nebula, the photographer has instead given NGC 2023 the spotlight in order to try and bring out all of the wonderful detail seen across its diameter of 4 light years, making it one of the largest reflection nebulae ever discovered. Partner Steve Mazlin is the lead processor on this one for SSRO.

Astronomy Photographer of the Year 2017 shortlist

NGC 7331 – The Deer Lick Group © Bernard Miller (USA)

NGC 7331 is an unbarred spiral galaxy found some 40 million light years away from Earth, in the constellation Pegasus. Of the group of galaxies known as the Deer Lick Group, NGC 7331 is the largest, and can be seen dominating the image whilst the smaller galaxies NGC 7335, NGC 7336, NGC 7337, NGC 7338 and NGC 7340 drift above it.

Astronomy Photographer of the Year 2017 shortlist

Orion’s Gaseous Nebula © Sebastien Grech (UK)

Lying 1,300 light years away from Earth, the Orion Nebula is found in Orion’s Sword in the famous constellation named after the blade’s owner. The Orion Nebula is one of the most photographed and studied objects in the night sky due to the intense activity within the stellar nursery that sees thousands of new stars being created, which also makes it a relatively easy target for beginners. The nebula is thought to measure about 24 light years across and have a mass 2000 times that of our Sun.

Astronomy Photographer of the Year 2017 shortlist

Reflection © Beate Behnke (Germany)

The reflection in the wave ripples of Skagsanden beach mirrors the brilliant green whirls of the Aurora Borealis in the night sky overhead. To obtain the effect of the shiny surface, the photographer had to stand in the wave zone of the incoming flood, and only when the water receded very low did the opportunity to capture the beautiful scene occur.

Astronomy Photographer of the Year 2017 shortlist

Scintillating Sirius © Steve Brown (UK)

The seemingly pop art inspired canvas of the rainbow of colours exhibited by the brightest star in our sky, Sirius. These colours are obvious to the naked eye and more so through the eyepiece of a telescope, but are difficult to capture in an image. To do this the photographer had to somehow ‘freeze’ each colour as it happened by taking a series of videos at different levels of focus and then extracted the frames from each video to make up this composite image.

By capturing the star out of focus, the light from Sirius was spread out over a larger area, which resulted in the colours it displayed being more obvious. The image is made up of 782 different frames at different levels of focus. There is a single frame of a focused Sirius in the centre of the image.

Astronomy Photographer of the Year 2017 shortlist

Sh2-249 Jellyfish Nebula © Chris Heapy (UK)

Lying in the constellation of Gemini, IC443 is a galactic supernova remnant, a star that could have exploded as many as 30,000 years ago. Its globular appearance has earned the celestial structure the moniker of the Jellyfish Nebula. Pictured to the upper left of the Jellyfish Nebula is a much fainter background area of nebulosity, which is actually a large cloud of mostly molecular hydrogen gas and dust.. ‘The Jellyfish’ is a convoluted tangle of gaseous filaments rapidly expanding away from the initial explosion.

Professional observatory data shows that what we are actually seeing are two lobes superimposed on each other, but from this angle one appears as the head of the jellyfish (to the left) and the other lobe (to the right) as the dangling tentacles. It is illuminated by a few young blue embedded stars and criss-crossed by tendrils of dark dust clouds lying between us and the bright nebula.

Astronomy Photographer of the Year 2017 shortlist

Shooting Star and Jupiter © Rob Bowes (UK)

A shooting star flashes across the sky over the craggy landscape of Portland, Dorset, as the planet Jupiter looks on. The image is of two stacked exposures: one for the sky and one for the rocks.

Astronomy Photographer of the Year 2017 shortlist

Solar Trails above the Telescope © Maciej Zapior (Poland)

Taken with a solargraphy pinhole camera, the image charts the movement of the Sun over the Astronomical Institute of the Czech Academy of Sciences, Prague with an exposure of half a year (21 December 2015–21 June 2016). As a photosensitive material, regular black-and-white photographic paper without developing was used, and after exposure the negative was scanned and post-processed using a graphic program (colour and contrast enhancement).

The exposure time was from solstice to solstice, thus recording the solar trails above the telescope dome and the rainbow of colours of the trails are the result of the sensitivity of the paper changing as it is exposed to different temperatures and humidity.

Astronomy Photographer of the Year 2017 shortlist

Star Track in Kawakarpo © Zhong Wu (China)

The stars beam down on to the Meili Snow Mountains, also known as the Prince Snow Mountains – the highest peaks in the Yunnan Province, China. It is world-renowned for its beauty and is one of the most sacred mountains in Tibetan Buddhism. The moonlight striking the top of the mountains appears to give them an ethereal quality.

Astronomy Photographer of the Year 2017 shortlist

Starburst Galaxy M82 © Bernard Miller (USA)

The starburst galaxy M82, also known as the Cigar Galaxy, gleams five times brighter than our galaxy lies some 12 million light years away from Earth in the constellation of Ursa Major. In a show of radiant oranges and reds, the superwind bursts out from the galaxy, believed to be the closest place to our planet in which the conditions are similar to that of the early Universe, where a plethora of stars are forming.

Astronomy Photographer of the Year 2017 shortlist

Super Moon © Giorgia Hofer (Italy)

The magnificent sight of the Super Moon illuminating the night sky as it sets behind the Marmarole, in the heart of the Dolomites in Italy. On the night of 14 November 2016, the Moon was at perigee at 356.511 km away from the centre of Earth, the closest occurrence since 1948. It will not be closer again until 2034. On this night, the Moon was 30% brighter and 14% bigger than other full moons.

Astronomy Photographer of the Year 2017 shortlist

The Blue Hour © Tommy Eliassen (Norway)

The setting crescent Moon and Mars gaze over Saltfjellet, Norway as the Northern Lights appear to emanate from the snowy landsape. The Aurora Borealis were an unexpected guest in the shot as the Sun was only about ten degrees under the horizon meaning the early display came as a surprise.

Astronomy Photographer of the Year 2017 shortlist

The Lost Hour © Andrew Whyte (UK)

The radiant, concentric star trails seemingly spinning over a lone stargazer against the glowing purples and pinks of the night sky during the hour when the clocks ‘spring forward’ to begin British Summer Time. With time so intrinsically linked to celestial activity, a one-hour star trail seemed the perfect metaphor. Through the use of long exposures, the trails depict the rotation of the Earth on its axis centring on the north celestial pole, the sky moving anti-clockwise around this point.

Astronomy Photographer of the Year 2017 shortlist

The Road Back Home © Ruslan Merzlyakov (Latvia)

Noctilucent clouds stretch across the Swedish sky illuminating a motorcyclist’s ride home in this dramatic display. Noctilucent clouds are the highest clouds in the Earth’s atmosphere and form above 200,000 ft. Thought to be formed of ice crystals, the clouds occasionally become visible at twilight when the Sun is below the horizon and illuminates them.

Astronomy Photographer of the Year 2017 shortlist

Winter Ice Giant Uranus © Martin Lewis (UK)

The distant ice giant Uranus, the seventh furthest planet from the Sun, some 2.6 billion kilometres (at its closest) away from our own planet is entered into the competition for the first time. Found in the constellation of Pisces, here it can be seen surrounded by its five brightest moons: Ariel, Miranda, Umbriel, Titania and Oberon.

Taken on an exceptionally still night in late December, an infrared filter was used to further improve the viewing and to bring out the planet’s belt and cloud details. As the planet lies so far away and appears so dim to us on Earth, Uranus seems to be tiny at 3.7-arcseconds across.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Beautiful images from the Astronomy Photographer of the Year 2017 shortlist

Posted in Uncategorized

 

Announcing…our mid year sale! Starting with ebooks and posing guides for $9

28 Jun

If you’ve been eying off one of our photography eBooks, courses or presets packs – this week you’re in luck because today we kick off our mid year sale where we’ll be offering you some amazing discounts on dPS products as well as some special offers from our partners.

If you’re subscribed to our newsletter you’ll get notified of each of the deals as they come out but while you’re reading this – let me tell you about todays deal.

DEAL 1: All dPS eBook are just $ 9 USD

To get our mid year sale started, we’re offering all our ebooks and posing guides at just $ 9 each.

That’s up to 80% off what yo’d normally pay!

There are 23 eBooks and posing guides to choose from on everything from understanding the basics of your camera to portrait lighting as well as how to use natural light and improving your post production of your landscapes and much more.

Here are 3 of our most popular ebook guides:

  • Going Pro. Normally $ 49, get it today for just $ 9 (USD)
  • Living Landscapes. Normally $ 19, today just $ 9 (USD)
  • Portraits: Making the Shot. Normally $ 19, today just $ 9 (USD)

But that’s just scratching the surface of what is on offer – be sure to checkout all 23 titles here to find the guide that will take your photography to the next level.

Whether you pick up just one of our titles or pick the whole library – this is a fantastic way to invest in your photographing learning – but don’t wait long – this deal only lasts another 30 hours so don’t delay.

The post Announcing…our mid year sale! Starting with ebooks and posing guides for $ 9 by Darren Rowse appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Announcing…our mid year sale! Starting with ebooks and posing guides for $9

Posted in Photography

 

National Geographic highlights early ‘People’ entries to Travel Photographer of the Year 2017 competition

12 May

Travel Photographer of the Year 2017: People entries

National Geographic’s Travel Photographer of the Year competition is open once again for entries, and its editors have shared a few of their favorite early contenders in the ‘People’ category. Submissions are being accepted until June 30th, and a Grand Prize win will get you a ten-day trip for two to the Galápagos Archipelago with National Geographic Expeditions.

Photo and caption by Brandon Kusher / National Geographic Travel Photographer of the Year Contest

Slam Dunk. A basketball player flies high through the air attempting a slam dunk in which he puts the ball between his legs first!

Travel Photographer of the Year 2017: People entries

Photo and caption by Akiomi Kuroda / National Geographic Travel Photographer of the Year Contest

M. Portrait of Miho

Travel Photographer of the Year 2017: People entries

Photo and caption by Jobit George / National Geographic Travel Photographer of the Year Contest

Bridging Generation. A beautiful photo of a father and son sitting in white traditional attire with beautiful blue sky on the day of Eid al-Fitr in a mosque in New Delhi, India. The photo shows the beautiful bond which these two generation have been building up in a very simple and lovable manner.

Travel Photographer of the Year 2017: People entries

Photo and caption by Lorraine Yip / National Geographic Travel Photographer of the Year Contest

Retro Ride. Traveling through Cuba in a vintage 1950 Chevrolet with a speedometer which no longer works. We were passing by the city of Camagey known for its winding streets. The modern American Hawaiian hula figure and yellow taxi cab sign on the dashboard adds to the time travel-esque element of the classic Chevrolet, set against the backdrop of an old and perhaps dilapidated , but not forgotten, Cuba.

Travel Photographer of the Year 2017: People entries

Photo and caption by Hua Zhu / National Geographic Travel Photographer of the Year Contest

Old and Young. This photo was taken in a small village in Wuyuan, China. It estimates that there are about 250 million countryside people living in the big cities. Many young people are making money in the cities, leaving their parents and kids at their hometown.

Travel Photographer of the Year 2017: People entries

Photo and caption by Pradeep Raja / National Geographic Travel Photographer of the Year Contest

Ramadan Prayers. This is a shot of women praying inside Istiqlal Mosque, Jakarta which is the biggest mosque in Southeast Asia during the month of Ramadan.

Travel Photographer of the Year 2017: People entries

Photo and caption by Lauren Breedlove / National Geographic Travel Photographer of the Year Contest

Lady Havana. During a recent visit to Cuba, I encountered this bold woman on the street while strolling around Old Havana. Something about her just struck me, like her eyes held a million stories. Not having any cash on me, I borrowed some change from a friend and approached the woman with it, asking to take her photograph. She nodded and posed like a boss, stogie and all.

Travel Photographer of the Year 2017: People entries

Photo and caption by Mattia Passarini / National Geographic Travel Photographer of the Year Contest

Tibetan’s soul smile. This monk was running back to his room after the afternoon prayer. I was chasing him trying to get a nice shot, but he kept covering his face. In Chinese i called after him: (pai yi zhang ba) “just one shot!” He looked back and started to laugh..
Tashi Lhunpo Monastery, Tibet

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on National Geographic highlights early ‘People’ entries to Travel Photographer of the Year 2017 competition

Posted in Uncategorized