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Posts Tagged ‘Video’

Sony’s new flagship FDR-X3000 action cam shoots stabilized 4K video

09 Sep
The new Sony X3000 both offer image stabilization, with the X3000 (left) shooting 4K and the (center) Full HD. Both are sold in optional kits with the new, smaller live-view remote.

Sony has announced that the 4K-capable flagship FDR-X3000 action camera (previously announced in Japan) will go on sale in North America, along with the Full HD FDR-AS300 action camera. Both makes use of Sony’s Balanced Optical SteadyShot image stabilization (BOSS – yes, really), which can be used when shooting 4K video on the X3000 and Full HD on the AS300. 

Stabilized 4K footage from an action camera is a very big deal. Of the cameras included in our recent 2016 Action Camera roundup, only one is capable of stabilized 4K, and it’s an adventure tracker, not an action camera.

Both the X3000 and AS300 also feature new Zeiss lens designs, and utilize 8.2MP BSI Exmor R CMOS sensors with full sensor readout and no pixel binning. The models feature identical designs, and are smaller than previous Sony action cameras. The user interface has also been vastly improved.

The X3000 will be sold body-only for $ 400 and kitted with a new 30% smaller live view remote (X3000R) for $ 450. The AS300 will be sold body-only for $ 300 and kitted with the new live view remote (AS300R) for $ 450. Both will be available in North America in late September.

Press Release:

Sony Announces new Flagship 4K and HD Action Cams with Superior Image Stabilization

New 4K and HD POV Cameras Feature Balanced Optical SteadyShot® Image Stabilization, Live-View Remote, 4K Time-lapse Capture and other professional capabilities

SAN DIEGO, Sept. 9, 2016 – Sony Electronics, a worldwide leader in digital imaging, has today introduced their first POV cameras to feature the innovative Balanced Optical SteadyShot (B.O.SS) image stabilization technology, the FDR-X3000R 4K*  model and HDR-AS300R Full HD model.

The flagship feature of the two new cameras – Balanced Optical SteadyShot* – is an advanced form of image stabilization where internally, the camera’s lens and sensor are joined and moved together to compensate for camera shake caused by excessive motion, whether shooting handheld with optional accessories or during a fast-paced sporting activity. This is a particularly effective technology when paired with a POV action camera design as it ensures captured video footage is smooth and stable – even in 4K or high-frame-rate shooting modes.

Advanced Movie-Making Capabilities

The versatile new FDR-X3000R and HDR-AS300R Action Cam feature a new ZEISS® Tessar lens with significantly less lens distortion than previous models3. They are also equipped with a new back-illuminated Exmor R® CMOS sensor with large pixels designed for 16:9 aspect ratio video plus a powerful BIONZ X™ processor, ensuring that video quality remains consistently strong across all settings.

The new cameras utilize full pixel readout without pixel binning technology to produce exceptionally high resolution and accurate colors in both 4K (FDR-X3000R only) and Full HD videos. This allows them to read and process data from all of the sensor’s pixels, producing highly detailed video content with minimal noise and ‘jaggies’ in a variety of formats including the high data stream XAVC S™ codec (100Mbps in 4K and 50Mbps in Full HD) 4. The FDR-X3000R can also shoot 120p in Full HD and HDR-AS300R can shoot 120p in HD for impressive slow-motion footage 5. Both cameras offer a new angle of view adjustment, with a 3x smooth zoom or preset “wide”, “medium” and “narrow”6 settings. This allows shooters to get even closer to the action during movie recording, and reducing barrel distortion common with wide view POV cameras.

FDR-X3000R and HDR-AS300R each have a built-in stereo mic7 with wind noise reduction to reduce the impact of wind interference on overall audio quality, and are equipped with stereo microphone input for advanced recording.

LiveView Remote and User Interface

Sony’s new Action Cam models will be offered in a kit with a compact Live-View Remote8 that is about 30% smaller than previous9 version. The remote, with a mountable design, acts as an extension of the camera and allows users to see what is being recorded when the camera is not accessible. The remote has the ability to control various functionalities including shooting settings, start/stop recording, power on/off and more. It also features an “auto display off” mode that turns off its LCD screen display automatically during shooting in order to save power of both camera and remote.

The versatile remote accessory can be attached to various optional accessories such as Finger Grip (AKA-FGP1), Shooting Grip (VCT-STG1) or Handlebar Mount (VCT-HM2) using supplied mount adaptor, or worn as a wristband using supplied belt. Users can also utilize Sony’s PlayMemories Mobile™ application – available for both Android and iOS – to control the new Action Cam with a smart device10.

Based on extensive feedback from athletes, filmmakers and more casual users, the new cameras and Live-View Remote feature a more in-depth user interface and menu system, with a rich indication of camera settings that makes it easier to navigate menus and customize settings as needed. The new models also offers “Wi-Fi high power mode”, which extends to communication distance between the camera and Live-View Remote11 for more flexible shooting.

Additional Feature Enhancements

The FDR-X3000R and HDR-AS300R both include a unique Time-lapse Capture feature that shoots still images in pre-set intervals that can later be transformed into a stunning 4K time-lapse movie utilizing the Action Cam Movie Creator software12. The Action Cam App13 can also create time-lapse movies in Full HD.

Built-in GPS inherited from previous models3 is available, allowing location tracking and speedometer to be added to the video file when Action Cam Movie Creator is used. This also allows GPS Data Overlay on video to read your speed data and generate another video file14 that includes your route, speed information, etc.

Additionally, an updated version Sony’s own in-built movie creator – Highlight Movie Maker15 – is available in the new cameras. The innovative feature, which now utilizes face detection technology, automatically assembles footage into a video highlight package and pairs it with custom music for the ultimate viewing experience.

For the more advanced user, there are an expanded scope of manual controls and setting adjustments including white balance, and auto exposure shifting. Loop recording is also available, allowing users to maximize usage of available memory card space to ensure they get the exact shot they are looking for.

The FDR-X3000R and HDR-AS300R have a splash-proof body and are waterproof with supplied Underwater Housing (MPK-UWH1) 7 that is certified down to 197 ft. / 60m in depth. A new range of accessories for Action Cam has also been announced, including the Finger Grip (AKA-FGP1) that is an ideal travel accessory as it enables flexible one-handed shooting and the MC Protector (AKA-MCP1) for extra protection from lens scratches and dirt.

Pricing and Availability

The new Sony FDR-X3000 will be sold as body only for about $ 400 US ($ 550 CA), and will be offered as a kit (model FDR-X3000R) with the new Live-View Remote for about $ 550 US ($ 700 CA).

The new Sony HDR-AS300 will be sold as a body only for about $ 300 US ($ 400 CA) and will be offered as a kit (model HDR-AS300R) with the new Live-View Remote for about $ 450 US ($ 550 CA).

The new AKA-FGP1 finger grip will be sold for about $ 25 US ($ 40 CA), and the AKA-MCP1 lens shield will be sold for about $ 35 US ($ 50 CA).

All products will be available in North America in late September at authorized dealers.

Notes:

1) 3840 × 2160 pixels.
2) Distortion in image quality or out-of-focus may occur when used in close proximity to vibrating motors and engines. Image results can be improved by using Action Cam with optional accessory Motor Vibration Absorber for X3000/AS300 (AKA-MVA).
3) FDR-X1000V, HDR-AS200V.
4) A micro SDXC/SDHC Class 10 or higher is required for XAVC S recording. Micro SDXC/SDHC UHS-I U3 or higher is required for 4K 100Mbps recording.
5) Requires post-processing for slow-motion movie
6) Medium and narrow are not available in 4K, time-lapse capture, and high speed recording.
7) Recorded sound level is lower when using supplied Underwater Housing (MPK-UWH1).
8) Not sold separately. Included only as part of the FDR-X3000R, HDR-AS300R or HDR-AS50R.
9) Previous model is RM-LVR2.
10) Camera on/off control requires Bluetooth 4.0 compatible smartphone or tablet (iPhone/iPad or Android ver.5.0 or later) with PlayMemories Mobile ver. 5.5 or later.
11) The Live-View Remote may not be able to turn the camera on/off depending on the physical environment and the communication distance. The communication distance will be dependant on the physical environment and connected device.
12) Requires version 5.1 or later for Windows and 3.1 or later for Mac.
13) Requires version 2.0 or later of the application. Available for Android and iOS.
14) Requires version 5.2 or later for Windows and version 3.2 or later for Mac.
15) Requires a smartphone or tablet with PlayMemories Mobile ver.5.1 or later for the operation. Not available in XAVC S 4K, XAVC S HD 24p, and high speed recording modes.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei Nova phones offer 4K video and OIS at mid-tier pricing

02 Sep

Chinese manufacturer Huawei has taken IFA 2016 as an opportunity to launch a completely new series of devices. Nominally the Nova and Nova Plus are mid-range smartphones, but considering the premium looks and some of the camera specifications they could easily be mistaken for top-end models.

The Nova’s metal body features what Huawei calls a multi-curve design, 2.5D glass screens and diamond cut edges. The back plate comes with a brushed hairline finish and at 1.8mm the bezels of the 5″ full-HD display are very thin. Inside, a Qualcomm Snapdragon 625 chipset is coupled with 3GB of RAM and a ‘high-density design’ of the electronic components means that the battery capacity could be increased by 20%. 3020 mAh sounds like a lot for a device of this size and, according to Huawei, should be good for two days of normal use.

Also included is a USB Type-C connector and fingerprint reader. In the camera department the Nova features a 12MP BSI CMOS sensor with 1.25 um pixel size and on-sensor phase detection. The lens is constructed from six elements and comes with optical image stabilization. In video mode, the camera is capable of recording footage at 4K resolution. The front camera features an 8MP sensor and a range of ‘beautification functions’.

The Nova Plus is very similar but comes with a larger 5.5″ display, a 16MP image sensor with 1.12 um pixel size and a 3340 mAh battery. The Nova Plus will be priced at €429 in Europe. The Nova is 30 Euros cheaper. Pricing information for other regions has not been provided yet.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the XC15 4K video camera

02 Sep
The Canon XC15 camera with included MA-400 microphone adapter, which provides support for XLR inputs.

Canon has announced the new XC15 camera, a 4K UHD camcorder in a compact body.

Though it’s clearly a follow-up to the company’s XC10 model, introduced in 2015, Canon is positioning the XC15 very differently. When the XC10 was announced Canon presented it as a camera that could bridge the gap for those who needed to shoot both video and stills, emphasizing its 12MP still capture capability. In contrast, the press release for the XC15 doesn’t even mention still photos, instead positioning the camera as a high quality, compact 4K camcorder oriented at news and video production, possibly as a B-camera to a Cinema EOS model. Canon hasn’t yet provided detailed specifications, but like the XC10 it uses a 1” CMOS sensor and a 10x optical zoom lens, which appears to be the same 24.1mm-241mm F2.8-5.6 (equivalent) lens found on the XC10.

It appears that Canon is making an effort to respond to one very specific area of feedback from many of its video users: the need for XLR microphone support. The camera ships with Canon’s MA-400 microphone adapter that provides XLR-input compatibility.

The XC15 will be available in September for $ 3000.00

Press Release:

Canon’s New Lightweight, Compact XC15 4K UHD Video Camcorder Ideal for News and Video Production

XLR Microphone Input Provides Audio Support in Addition to High-Quality 4K UHD Video Capture

MELVILLE, N.Y., September 1, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the XC15 4K Video Camcorder, a 4K UHD digital video camcorder for professional use that achieves high-image quality with a lightweight, compact body.

The new Canon XC15, which builds on the XC10 4K UHD digital video camcorder announced in April 2015, enables shooting with an external microphone through an XLR input and features the selection of visual-expression “Look” modes, including modes that allow it to match the look of other Canon professional cameras, making it ideal for use as a “B”-camera as well as for media and video-content productions.

The Canon XC15 ships with the MA-400 microphone adapter that, when attached, enables shooting with XLR-input microphones used in a wide range of media and content-creation applications. As a result, the camcorder supports the production of content that combines both high-image quality and high-sound quality with reduced noise. The MA-400 is also compatible with the EOS C300 Mark II camera.

Thanks to its high-sensitivity one-inch CMOS sensor and DIGIC DV 5 image processing platform with high calculation-processing power, the new XC15 is capable of capturing high-image quality and low-noise 4K UHD video. Additionally, the camcorder features a compact, lightweight body design, measuring approximately 5.0 x 4.1 x 4.8 inches (WxHxD) and weighs approximately 2.1 pounds while also sporting a 10x optical zoom lens ¹, which facilitates shooting in confined spaces and environments that demand mobility.

The Canon XC15 4K UHD professional video camcorder is scheduled to be available in September 2016 for a list price of $ 3,000.00.* For more information, please visit usa.canon.com

† Based on weekly patent counts issued by United States Patent and Trademark Office.

* Availability, prices and specifications subject to change without notice. Actual prices are set by individual dealers and may vary.

All referenced product names, and other marks, are trademarks of their respective owners.

¹ Body and Lens Only

Articles: Digital Photography Review (dpreview.com)

 
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Video: Getting our hands dirty with the Canon EOS 5D Mark IV

26 Aug
 
Want to learn about the highlights of the Canon EOS 5D Mark IV in 138 seconds? We certainly thought you might, so we put together a video with everything you need to know.

Read more about the 5D Mark IV

Articles: Digital Photography Review (dpreview.com)

 
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NASA combines exposures on the fly to create high-speed 3D HDR video

09 Aug
Credit: NASA

NASA has successfully tested a camera that uses multiple frames of different exposures to create HDR video. The demo of a rocket test shows that the dynamic range provided is enough to capture plumes of exhaust fire and the surrounding area at the same time. The High Dynamic Range Stereo X, or HiDyRS-X, camera is capable of recording a collection of different exposures using very high frame rates which it then combines to create individual frames of HDR video – in 3D.

The idea is to be able to capture the extremely wide range of brightness values during a rocket test so that the rocket itself and the flames of the plume can be seen and studied simultaneously – not something that traditional capture methods can do.

NASA says that the trial, using the Space Launch System Qualification Motor 2 test, allowed its scientists to study elements and behaviors they had not been able to see before. As with many critical moments in photography things didn’t go completely smoothly for the photography team during the unrepeatable engine test. The camera’s automatic timer failed to start the recording so the team had to intervene manually, and then the vibrations of the rocket itself caused the camera’s power cable to fall out.

The HiDyRS-X camera was developed as a part of a scheme to allow young engineers to come up with concepts and lead projects to create new hardware to help with NASA’s space programs. The project won one of the Early Career Initiative grants in 2015 and was led by structural dynamist Howard Conyers from the Stennis Space Center in Hancock County, Mississippi.

For more information on the camera and the test visit the NASA website.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram Stories launch as ‘disappearing’ photo and video slideshows

03 Aug

Instagram has taken inspiration from Snapchat and launched a new feature called Stories. With Instagram Stories, users can capture numerous videos and photos, alter them with stickers, drawing tools, and by adding text, then post them to a single ‘story’ slideshow that won’t clutter up followers’ feeds. Once 24 hours pass, these story posts will disappear.

Instagram Stories are only visible to followers when the account is set to private; likewise, users can block specific followers from seeing their stories. Though story posts do not allow comments, users can swipe up to see which followers and accounts have viewed the content. Instagram users can feature parts of their stories on their profiles, as well.  

Stories posted by the people you follow are accessible via a bar at the top of your content feed. The profile photo of users with new story content will be visible with a colored ring around it in this bar. Tapping on the profile photo will pull up the story and navigate the user back and forth within the story, while swiping will jump the user to a different story altogether.

Instagram says the feature will be rolling out to iOS and Android users across the globe over the next few weeks.

Via: Instagram Blog

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh releases THETA+ Video app for Android

30 Jul

Ricoh’s Theta series S 360° cameras come with several accompanying apps. While the Theta S app is used for shooting and reviewing 360° images and video, the Theta+ and Theta+ Video apps were developed for editing images and video respectively. The Theta+ Video app for iPhone was released last year, now Ricoh has launched an Android version as well.

Like the iPhone variant, Theta+ Video for Android allows you to edit 360° standard and time-lapse videos. Functions include trimming, color adjustment, cropping and the insertion of music tracks. Users can also select from from four types of view formats: Mirror Ball, Little Planet, Equirectangular, and Rectilinear.

As usual, edited videos can be shared to a range of social networks. On Facebook and YouTube they can be viewed in their full 360° glory while on some other platforms cropping is required. Theta + Video for Android is available as a free download from the Google Play Store now. 

Articles: Digital Photography Review (dpreview.com)

 
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Video explains Kubrick’s use of innovative camera tech when shooting Barry Lyndon

30 Jul

Legendary director Stanley Kubrick was known to be obsessed with cameras and pushing the limits of cinematic technology, with much of his technical awareness stemming from his days as a stills photographer. A new video essay by the British Film Institute now explains his use of different lenses to create the movie Barry Lyndon, which won an Oscar for its cinematography.

We’ve written before about the famous Carl Zeiss Planar 50mm F0.7 lens (originally developed for NASA) that he used, but the BFI essay also discusses how he used it. It also looks at his use of zoom shots and the meanings he hoped to convey with them.

Many scenes in the movie were shot in natural light and very dim candlelight to authentically portray the look and feel of the 18th century. In the very low light conditions Kubrick had to shoot with the superfast F0.7 lens’ aperture fully open, resulting in an extremely shallow depth-of-field. This required re-thinking the way such scenes were staged and demanded reduced actor movement, to avoid mis-focus, but the director felt this helped convey the stilted 18th century atmosphere.

The video essay can be viewed on the British Film Institute’s Facebook page.

Articles: Digital Photography Review (dpreview.com)

 
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Slow motion video shows glass shattering at 343,000 fps

21 Jul

YouTube channel ‘The Slow Mo Guys’ has posted a new video showcasing its fastest frame rate content to date: 343,915 fps, to be precise. The duo behind the channel, Dan and Gav, used a Phantom v2511 camera to record glass Pyrex dishes shattering with speeds starting at 28,546fps. At its fastest frame rate, the camera captured the glass shattering at a rate 13,756 times slower than real time.

At the fastest frame rate, the Phantom camera recorded for a duration of 5.1 seconds and during that time captured 19.5 hours’ worth of video footage. 

If you’re having trouble sleeping, you can check out the full 19+ hour slow-motion shatter video here. 

Via: Bokeh

Articles: Digital Photography Review (dpreview.com)

 
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New resolution: how much progress has the Fujifilm X-T2 made for video?

18 Jul

4K video capability was one of the big surprises in the X-T2’s specification. We’ve taken a closer look at how the camera operates in movie mode and added a sample video to our First Impressions Review.

Only beta firmware exists at present, so there’s no F-Log mode available yet, and the operation may yet change, so we explain where the X-T2 has improved and how it could be made still better.

As well as our (beta) video sample, we’ve also expanded our still image sample gallery.

Articles: Digital Photography Review (dpreview.com)

 
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