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Posts Tagged ‘Video’

This video shows that everyone takes the exact same Instagram travel photos

02 Feb

After reading our recent coverage on Instagrammers hurting an iconic tree in New Zealand just to snap the same photo everyone else has already taken, photographer and videographer Oliver KMIA decided to put together a short video with a single, tongue-in-cheek purpose:

I wanted to show how people take the same picture over and over again while traveling.

The result is Instatravel, a video slideshow made out of thousands of Instagram travel photos that look pretty much identical. All of the typical tropes are covered: the passport photo, the pretty girl leading you by the hand, the airplane wing, and all of the most iconic landmarks being photographed from the same old locations in the exact same way.

We can’t decide if the video is funny or depressing, so we’ll let you do that. Alternatively, this is probably a good video to reference the next time you find yourself tempted to take one of these cliché travel shots. We’ve all done it, but a few seconds of hesitation might just yield something a bit more unique.

Articles: Digital Photography Review (dpreview.com)

 
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Video: The ultimate Godox studio flash guide

01 Feb

If you are confused by the massive range of flash heads produced by Chinese manufacturer Godox, you’re in luck. Professional photographer Robert Hall has produced a very useful video that aims to explain the differences (and similarities) between them all.

In the video, Hall goes through the functions of five ranges of heads, points out who they are designed for, and then talks about each of the 17 models Godox produces in all, covering the features each of the heads do and don’t have. He includes an amazing amount of detail and specification, making clear what you get with each model. He even provides a spreadsheet that lists prices, output, recycle times and flash duration, as well as other features and physical characteristics.

The video has information on the DP, SK, QS, GS and QT studio and portable heads, and if you can’t take all the information in quickly enough Hall has written a lot of it in the video’s description.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm’s new X-A5 adds phase-detect AF and 4K video capture

31 Jan

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Fujifilm has introduced its budget-friendly X-A5 mirrorless camera – the follow-up to the X-A3. The 24MP APS-C sensor (which uses the traditional Bayer color filter, rather than X-Trans) X-A5 appears to address the weak spots of its predecessor, namely sluggish performance and a so-so autofocus system. The updated processor on the X-A5 is 1.5x times faster, according to Fujifilm, and its phase-detect AF system should do a better job with subject tracking.

Fujifilm boasts of better scene recognition and color/skin tone reproduction, and battery life has increased to an impressive 450 shots/charge (CIPA standard). The X-A5 also has Bluetooth for easy pairing and image transfer, up to 5 minutes of 4K video capture (albeit at 15 fps) and two new Advanced Filters: Fog Remove and HDR Art. A jack for an external microphone has also been added.

The X-A5 will be bundled with the new XC 15-45mm F3.5-5.6 OIS Power Zoom lens for $ 599 and will begin shipping in early February. Color choices include silver & black, silver & brown and silver & pink.

Press Release:

FUJIFILM ANNOUNCES THE NEW X-A5 – THE LIGHTEST CAMERA-ZOOM LENS COMBINATION IN THE X SERIES LINEUP

Featuring an enhanced sensor, newly developed zoom lens, the latest Bluetooth® technology, and 4K video recording, the X-A5 delivers outstanding image quality and ease of use

Valhalla, N.Y., January 31, 2018 FUJIFILM North America Corporation is excited to announce the new FUJIFILM X-A5 Digital Camera Body with XC15-45mm Lens Kit, the lightest camera-zoom lens combination within the X Series lineup. With a host of new and improved features, the X-A5 kit debuts the new FUJINON XC15-45mmF3.5-5.6 OIS PZ, the first electric powered zoom lens for X Mount digital cameras. Available in three colors of synthetic leather, the X-A5 is equipped with the latest Bluetooth® technology for quick and easy image transfer and allows for a broader range of video capabilities with its 4K output.

“The X-A5 packs Fujifilm’s renowned image quality and exciting fun features in a compact, lightweight body,” says Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “We are excited to bring a user-friendly camera that can capture great images, to the market at an affordable price.”

Featuring an Enhanced Sensor and Color Reproduction Technology

The X-A5 features a powerful 24.2MP APS-C sensor equipped with phase detection autofocus and a newly developed image processing engine with a processing speed 1.5 times faster than that of previous models. Combined with Fujifilm’s renowned color reproduction technology, the X-A5 achieves outstanding image quality and outperforms previous models in its scene recognition accuracy and skin tone reproduction, making it perfect for portraits.

The X-A5 is the first in the X-A series to feature phase detection pixels, and an intelligent Hybrid AF system that focuses twice as fast as previous models to ensure capture of swiftly moving subjects. With an ISO sensitivity range now up to ISO12800 and extended sensitivity range up to ISO51200, camera shake and noise are significantly reduced even in low-light conditions.

New Compact and Lightweight Electric Powered Zoom Lens

The new X-A5 introduces the first electric powered zoom lens for X Mount cameras, the FUJINON XC15-45mmF3.5-5.6 OIS PZ. With a minimum working distance of just 2 inches, this lightweight and compact lens is great for achieving clear close-up shots while making the photographic experience easy and comfortable. Capable of capturing crisp, intricate textures, the XC15-45mmF3.5-5.6 OIS PZ is ideal for food and macro photography. Starting at a wide angle, this smooth electric-powered zoom also allows for great freedom in composition framing.

The new XC15-45mmF3.5-5.6 OIS PZ lens will also be available for standalone purchase as a portable addition for existing X Series users.

Equipped with 4K Video Capabilities

The X-A5 features a variety of 4K video capabilities. Utilizing the Burst Function, users are able to shoot 15 frames per second in 4K image quality, ensuring that photo opportunities are never missed. Offering an HD video function to record videos up to quad speed for slow motion clips and a Multi Focus Mode which stacks 4K quality images and automatically changes the depth of field setting, the X-A5 is the perfect companion for a wide range of creative captures.

Bluetooth® Pairing Technology for Easy Image Transfer

Featuring the latest Bluetooth® technology, the X-A5 allows for automatic transfer of images and videos to paired smart devices using the free “FUJIFILM Camera Remote” app. The camera is compatible with Instax Share™ Printers to instantly transfer and print images directly from the camera.

Film Simulation Modes and Improved User Interface for Ease of Operation

The X-A5 allows for artistic expression through Fujifilm’s unique Film Simulation Modes that boast the company’s advances in color reproduction. Offering eleven different modes, users can add a creative twist to their images. In addition, the camera offers seventeen variations of Advanced Filters including the new “Fog Remove” and “HDR Art.”

An improved user interface allows for superior ease of use. The large LCD screen uses new touch-panel GUI, facilitating intuitive operation and is capable of rotating 180 degrees, making the X-A5 perfect for taking high quality self-portraits. When the panel is rotated 180 degrees, the Rear Command Dial switches to the Zoom and Shutter Release function and automatically activates the Eye AF function for sharp focus on the subject’s eyes. Additionally, the Portrait Enhancer Mode allows for users to select from three levels of skin tone enhancement with easy touchscreen operation.

FUJIFILM X-A5 Key Features:

  • 24.2MP APS-C CMOS sensor and newly developed processor equipped with phase detection AF system
  • FUJINON XC15-45mmF3.5- 5.6 OIS PZ wide angle electric-powered zoom lens with minimum working distance of 2”
  • 3” (approx. 1,040K-dot) high resolution LCD touchscreen using new touch-panel GUI can be tilted to 180°
    • Portrait Enhancement Level, Touch AF in Movie Mode, Advanced Filter Select
  • Standard output sensitivity of ISO200 – ISO12800
    • Extended output sensitivity: ISO100 – ISO51200
  • 4K video recording up to approx. 5 mins
    • Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p; continuous recording up to approx.14 mins
    • HD 1280 x 720 59.94p / 50p / 24p / 23.98p; continuous recording up to approx. 27 mins
    • High Speed Movie 1280×720 1.6x / 2x / 3.3x / 4x
  • Bluetooth® version 4.1 low energy technology
  • In-camera RAW processing
  • New Advanced Filters: “Fog Remove” and “HDR Art”
  • Wi-Fi® image transfer and remote camera operation
  • Improved battery life for still images – approx. 450 frames
  • Improved start-up period:
    • 0.4 sec., when High Performance mode set to ON
    • 0.8 sec., when High Performance mode set to OFF
  • Photos can be sent to instax SHARE printers using the free instax SHARE App (iOS and Android)
  • Accessories include:
    • Li-ion battery NP-W126S
    • AC power adapter
    • Plug adapter
    • USB cable
    • Shoulder strap
    • Body cap
    • Owner’s manual

Availability and Pricing

The new FUJIFILM X-A5 Camera Kit will be available on February 8, 2018 in the U.S. and Canada for USD $ 599.95 and CAD $ 749.99.

The new standalone XC15-45mmF3.5- 5.6 OIS PZ Lens will be available on March 15, 2018 in the U.S. and Canada for USD $ 299.95 and CAD $ 379.99.

Fujifilm X-A5 specifications

Price
MSRP $ 599 (with 15-45mm PZ lens)
Body type
Body type Rangefinder-style mirrorless
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-12800 (expandable to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, Normal
File format
  • JPEG (Exif Ver 2.3)
  • RAW (Fujifilm RAF format)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes
Manual focus Yes
Number of focus points 91
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program AE
  • Shutter Priority
  • Aperture Priority
  • Manual
Built-in flash Yes
Flash range 5.70 m (at ISO 200)
External flash Yes
Flash modes Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander
Flash X sync speed 1/180 sec
Drive modes
  • Single
  • Continuous
  • Self-timer
Continuous drive 6.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
Remote control Yes (Wired or via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-W126S lithium-ion battery & USB charger
Battery Life (CIPA) 450
Weight (inc. batteries) 361 g (0.80 lb / 12.73 oz)
Dimensions 117 x 68 x 40 mm (4.61 x 2.68 x 1.57)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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The VEGAS Pro video editor is now available by subscription, costs $17 per month

26 Jan

In an attempt to attract new videographers and video editors, Magix is making its VEGAS Pro video editing software available on a subscription basis. The program, which Magix bought from Sony in 2016, costs $ 600 (£500) to buy outright, but the subscription model gets you access from just $ 16.67 (£12.42) per month under the moniker VEGAS Pro 365.

The company is offering the new VEGAS Pro 365 application on a 3-month or 12-month subscription contract, with access to all the features of VEGAS Pro 15 and SOUND FORGE Audio Studio 12—the company’s latest audio editing application. The VEGAS Pro 365 model also comes with access to online educational materials, to help newcomers understand how the program works.

Magix says that the 365 version won’t replace its perpetual license option—imagine the uproar if it were—but is simply a way to make the application more accessible to a wider range of videographers. A 12-month commitment will get you the $ 16.67 per month price quoted above, while a 3-month subscription works out to $ 20 (£15.00) per month.

For more information, read the full press release below or visit the Vegas software website.

Press Release

VEGAS Pro 365 subscription now available: Get started with professional video editing at only $ 16.67/month

January 18th – VEGAS Creative Software adds a first-of-its-kind video and audio production package to the award-winning VEGAS Pro product line. The subscription-based-offering VEGAS Pro 365 is priced from $ 16.67/month.

Focused on the first-time users, this new version offers a complete video and audio editing solution with all the features of VEGAS Pro 15 and SOUND FORGE Audio Studio 12, along with online training courses to learn VEGAS Pro.

The existing versions and 30-day trial version of VEGAS Pro continue to exist.

“With VEGAS Pro 365, we want to make it easier for aspiring video creators and enthusiasts to access professional video and audio production software. With flexible terms and additional services, we seek to fulfil a long-standing demand of our VEGAS Pro fan base” says Gary Rebholz, Product Owner.

For video editors, the new software package includes all the latest features of VEGAS Pro with high-end plug-ins and online training courses to learn to use VEGAS Pro. Users now also have full access to the audio editor SOUND FORGE Audio Studio to add high quality sound to their projects. Video projects can be edited offline within the subscription just like with the perpetual license. Projects also remain fully accessible to users even after expiration and can be easily imported and edited by other versions of VEGAS Pro. All components of the package stay up-to-date with the latest feature and product updates.

After taking over the video editing software VEGAS Pro from Sony Creative Software in 2016, MAGIX has since then released two new versions, VEGAS Pro 14 and 15. The additional offer of VEGAS Pro 365 now makes the product even more accessible. “We will continue to offer and update perpetual licenses of VEGAS Pro. What we want is an additional complete package customized to the needs of first-time users” says Rebholz.

More detailed information can be downloaded here:
http://www.vegascreativesoftware.com/gb/vegas-pro-365/

About VEGAS Pro:

In May, 2016, MAGIX acquired the VEGAS Pro product line, along with other video and audio products. The choice of video and audio professionals the world over, VEGAS Pro continues to provide the essential tools needed to edit and composite video, record, edit and mix multi-channel audio, and render and convert to a variety of formats for streaming or delivery via a DVD or Blu-ray disc. From independent filmmakers, to YouTube artist and broadcast video producers, VEGAS Pro stands ready to be your creative partner.

Articles: Digital Photography Review (dpreview.com)

 
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This video explains the science behind how camera drones fly

26 Jan

The folks at WIRED have put together a great video for the science nerds among us—and I do have a feeling there are a few. The video, which is part of WIRED’s Dot Physics series, explains the physics behind drone flight; in other words: how that new DJI Mavic Air and quadcopters like it are able to hover, move in three dimensions, and rotate all by changing the speed at which various propellers spin.

This explains why your quadcopter doesn’t need any other sort of physical controls, just four propellers—two spinning clockwise, two spinning counterclockwise—that change the rate at which they spin based on signals from your remote control.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to make an HDR image using Microsoft Excel… seriously

22 Jan

Photographers have many different kinds of software for producing high dynamic range images, but Microsoft Excel probably doesn’t make your list of photo editing apps. Well… be prepared to change your mind.

On the off chance you don’t know what Microsoft Excel is, it’s a spreadsheet application that’s primarily used for business application. But in May of last year, Columbia University computer science student Kevin Chen showed that is was also capable of producing an HDR photo using some complicated math and a couple dozen GBs of RAM.

Before coming to Columbia, Chen worked as an intern at Apple, working on camera technology. It was that experience—understanding the math behind digital photography in general and high dynamic range imagery specifically—that allowed him to implement the “system of linear equations” that is typically used in HDR imaging.

After turning the original photo grayscale, and using each cell in Excel as a different “pixel”, he was able to implement this math (and zoom way out) to reveal his final product. Here is the color before and grayscale after:

Sure, you probably don’t want to make Excel your primary HDR processing software. But Chen’s presentation reveals something that is easy to lose sight of when you’re processing digital files and working with photographs: as far as your computer is concerned, it’s all pixel values and math.

Check out the full presentation up top, and then head over to Chen’s website if you want to know more about the young computer scientist.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Watch a YouTuber disassemble his Canon 1D X Mark II to see what’s inside

19 Jan

Photographer and filmmaker Peter McKinnon’s Canon 1DX Mark II recently took a tumble while he was out on an ATV ride. But rather than let this obviously traumatic experience scar him, he decided to use it as an opportunity. Before sending his camera to Canon for repair, he decided to disassembled the $ 6,000 DSLR himself… on video.

The teardown takes viewers through the careful process of removing the camera’s front and back, something McKinnon at one point describes as potentially “the dumbest thing I’ve ever done.” Not to put too fine a point on it, because we like Peter, but we totally agree with him.

Fortunately, everything ultimately ends well. McKinnon successfully disassembles and then reassembles the 1DX Mark II before sending it to Canon for repair. The camera maker even provided McKinnon with a loaner unit to use while his own camera was in the shop.

It’s a neat video that gives you a peek inside the very expensive and advanced DSLR, but we definitely don’t suggest you ever try this at home. As McKinnon notes in the video, disassembling a camera like this voids whatever warranties are covering it. In other words, if you’re curious to see what’s inside, watch this video… don’t try it yourself.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Using a $50 lens on a $12,500 5K RED cinema camera

18 Jan

YouTuber Potato Jet recently had a ridiculous idea (not out of character…): what would happen if you slapped a super-cheap 50mm photography lens onto an ultra-expensive cinema camera? That’s how we ended up with this video, in which he pairs a beautiful 5K RED cinema camera with Yongnuo’s 50mm F1.8 knockoff of Canon’s already-cheap nifty fifty.

As best we can tell—Potato Jet doesn’t reveal what camera he’s actually using—the cinema camera in question is the Scarlet-W RED Dragon 5K. That camera body alone retails for $ 12,500 on the RED store. On the other end of the spectrum, the Yongnuo nifty fifty knockoff retails for under $ 50, and even if you go for the official Canon version, you can usually find it for around $ 100 (or $ 125 brand new without any discounts).

So, can the RED camera redeem what is pretty widely accepted as a lackluster lens? Or does the lens ‘ruin’ what is otherwise a glorious camera body?

You can watch the video above—starting at around 0:46—to see the sample footage for yourself, but Potato Jet’s conclusion is surprisingly positive. Sure, the Yongnuo falls far short of almost any other 50mm F1.8 lens you could adapt, and getting focus with so little focus ring travel was a nightmare, but it turns out RED’s ultra-high quality sensor can still capture good quality footage in a variety of challenging situations, even behind such mediocre glass.

So, did we learn anything? No, not really. But if you’re like us, you’re still curious what that final footage looks like. Go ahead, hit play… we won’t tell anyone.

Articles: Digital Photography Review (dpreview.com)

 
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LG’s 34-inch 5K UltraWide Nano IPS HDR600 monitor is a 4K video editor’s dream

08 Jan

LG has just released a couple of impressive new monitors, both of which take advantage of LG’s so-called Nano IPS technology and boast VESA’s DisplayHDR-600 badge, meaning they support the HDR10 standard and max out at at least 600 nits brightness for small patches or bright flashes (but only 350 nits full screen, long duration). That is a seriously impressive feat for a liquid crystal panel.

Unfortunately, LG has stayed pretty tight-lipped about these monitors, which will be debuted officially at CES in January, but here’s what we do know about them.

34-inch 5K UltraWide Nano IPS HDR600 Monitor (34WK95U)

The 34-inch 5K UltraWide is the real eye catcher, a monitor that takes aim at video editors who want to edit 4K footage at native resolution and still have room for editing panels on either side of the screen. Boasting a 21:9 aspect ratio and resolution of 5120 x 2160, the monitor could ostensibly replace a 2-screen setup with a single panel.

Combine that resolution with the fact that VESA have given this monitor its DisplayHDR-600 designation, and you’ve got a truly HDR-capable IPS monitor, something LG only managed to achieve thanks to its Nano IPS technology and possibly some other trickery (more on that later…).

As for color reproduction, Nano IPS technology manages to squeeze 98% of the cinema-grade DCI-P3 color space into the 4K monitor below. It stands to reason, then, that this same technology would bring similar results to the 5K UltraWide, but we’ll have to wait for LG to confirm this. The HDR-600 badge means the monitor has to at least hit 90% DCI-P3, but it’s likely the 5K UltraWide hits a higher percentage than that.

Finally, the monitor also features a Thunderbolt 3 port that, according to LG, “enables the transmission of 5K resolution images at 60Hz with a single cable.”

The LG 5K UltraWide 34WK95U will be on display at CES in Las Vegas in a couple weeks’ time, where we hope to find out more technical details. LG hasn’t released official pricing and release date details, but the monitor has been spotted online with a price tag of $ 1,500 and expected release date of May 2018.

32-inch 4K UHD Nano IPS HDR600 Monitor (32UK950)

Speaking of “the other monitor”… slightly overshadowed by the 5K UltraWide release, the 32-inch 4K UHD 32UK950 monitor might actually be the better fit for photographers.

It, too, feature Nano IPS technology and the HDR-600 badge from VESA, but in a 4K UHD panel (3840 × 2160). It’s a bit more boastful on the color front. No, you’re not getting that crazy-wide aspect ratio, but you do get confirmed 98% coverage of the cinema-grade DCI-P3 color space. And then there’s the connectivity:

LG model 32UK950 features the first Thunderbolt™ 3 docking display to support 4K daisy chaining, allowing a set-up of dual 4K monitors. This LG monitor can connect to Thunderbolt™ 3 notebooks like Macbook Pro via a single active Thunderbolt™ 3 cable – no charging adapter or unsightly USB cables required.

This monitor’s single Thunderbolt™ 3 cable transmits 4K content and sound while providing enough charge to power a 60W notebook, simplifying any work space.

This monitor, too, will be on display at CES in January. And like its UltraWide sibling, LG hasn’t officially announced pricing and release date; however, it too has been spotted online with a price tag of $ 1,300 and expected ship date of May 2018.

Technical Dive: Nano IPS

Nano IPS could be a huge leap forward for monitor technology. IPS panels are typically limited to a static contrast ratio of around 1000:1, leaving a lot to be desired in the HDR space. Ideally, you’d want at least 4000:1, especially if you’re editing HDR footage.

Nano IPS seeks to get around this liquid crystal limitation by “applying nanometer-sized particles to the screen’s LED to absorb excess light wavelengths.” This, according to LG, greatly enhances the intensity and purity of on-screen colors for a more accurate and life-like viewing experience. It’s likely this is actually quantum dot technology at work, and it might also improve the monitor’s static contrast ratio, but we’re waiting for confirmation on both these fronts. We doubt these monitors will achieve anywhere near the static contrast ratios the ‘light modulating cells’ Panasonic recently developed allow its newest displays to achieve.

Our Technical Editor Rishi Sanyal is very excited by the general evolution of computer monitors with technology trickled down from TVs. Wider color gamuts are very welcome not just for video but photography as well, as current printing technology can generate colors well outside of the old sRGB standard. The real trick is to also get brightness and contrast up (and, yes, glossy displays with tightly sandwiched layers and AR coatings, since matte surfaces tend to kill contrast). But we have no idea if NanoIPS or local dimming is what LG is using to get the contrast to HDR-600 levels here. Ideally, computer monitors and reference displays wouldn’t use local dimming (unless it’s ‘full array’)… but…

As AnandTech pointed out last week, that HDR-600 badge requires a black level of no more than 0.1 nits, a feat which VESA believes is impossible without using local dimming. And yet, LG doesn’t even mention contrast a single time in its press release, to say nothing of static contrast, local dimming, or pixel-level backlight control (unlikely).

For now, we’re left excited and intrigued, but not entirely satisfied. One thing’s for sure though, the computer monitor field is getting very interesting, and we intend to keep a very close eye on it moving forward.

Press Release

New LG Monitors Boast Premium Picture quality and Performance, Improved Versatility

Unparalleled Viewing Experience with Vibrant Nano IPS Technology and Thunderbolt™ 3 Connectivity

SEOUL, Dec. 21, 2017 — At CES 2018 in Las Vegas, LG will introduce upgraded models of its popular monitor lineup with Nano IPS technology that take color reproduction capabilities to a new level. In response to customer feedback, LG added support for HDR600 with even higher dynamic range of peak brightness and new connectivity options with full Thunderbolt™ 3 compatibility.

LG’s new 32-inch UHD 4K monitor (model 32UK950) is the first to offer LG’s advanced Nano IPS technology. Nano IPS technology involves the application of nanometer-sized particles to the screen’s LED to absorb excess light wavelengths. This greatly enhances the intensity and purity of on-screen colors for a more accurate and life-like viewing experience. This LG monitor can display 98 percent of the DCI-P3 color spectrum, comparable to monitors used to master Hollywood blockbusters. Ideal for media prosumers seeking superb color reproduction with its support for HDR 600 LG 32UK950 users will experience high dynamic range of peak brightness of 600 candela (cd/?).

LG model 32UK950 features the first Thunderbolt™ 3 docking display to support 4K daisy chaining, allowing a set-up of dual 4K monitors. This LG monitor can connect to Thunderbolt™ 3 notebooks like Macbook Pro via a single active Thunderbolt™ 3 cable – no charging adapter or unsightly USB cables required. This monitor’s single Thunderbolt™ 3 cable transmits 4K content and sound while providing enough charge to power a 60W notebook, simplifying any work space. With its beautiful signature Edge-ArcLine Stand and stunning 4-Side Edge Borderless Design where the picture literally drops off the edge, there is no mistaking this LG monitor for anything else.

Expected to be another hot item at this year’s CES, LG’s 34-inch UltraWide monitor (model 34WK95U) delivers a broad range of accurate colors and viewing angles at a surreal 5K resolution (5120 x 2160 pixels). LG’s very first 21:9 5K UltraWide monitor is loaded to the maximum with a hefty amount of screen real estate and eye-popping colors. This ultimate 5K viewing experience is geared towards users who multitask extensively, such as video editors, photographers and software and app developers.

Model 34WK95U supports Nano IPS technology, fantastic color reproduction capabilities and HDR600. In addition, model 34WK95U features a Thunderbolt™ 3 port, which enables the transmission of 5K resolution images at 60Hz with a single cable. The Thunderbolt™ 3 interface is ideal for power laptop users who desire fast video, audio and data transfers without the need for a separate AC adapter. With its elegant, stunning profile, this LG monitor turns heads even when powered off, with its 4-Side Edge Borderless Design and gorgeous slim Edge-ArcLine Stand addition to its refined image.

“Most of us spend hundreds of hours in front of monitors every month and yet it’s one of the least likely products to get upgraded when higher productivity is desired,” said Chang Ik-hwan, head of LG’s IT business division. “With these latest premium monitors from LG, we wanted to communicate that LG is absolutely committed to delivering the best possible screen resolution and the best user experience on a desk or workspace.”

Another attention grabber from LG will be LG’s latest QHD gaming monitor (model 34GK950G), which offers premium picture quality with Nano IPS technology and high-speed G-Sync technology.

All this and more can be experienced personally at LG’s booth (#11100) in Central Hall of the Las Vegas Convention Center during CES 2018.

Articles: Digital Photography Review (dpreview.com)

 
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2 Video Tutorials – Tips for Better Winter Photography

06 Jan

If you live in the Northern Hemisphere you may be in a snow-covered land at this time of year. So here are some videos to help you get out and do some winter photography and make some stunning images.

15 Winter Photography Ideas

Don’t know what to photograph in the winter? Here are 15 ideas to help you get started.

5 Winter Photography Tips and Hacks

Now that you have some ideas of what to photograph in the winter, here are some tips on how to go about it including:

  1. How to properly expose for snow.
  2. Eliminating the blue cast.
  3. Use a tripod.
  4. Be careful with Chromatic Aberration.
  5. Freeze the snowflakes and make sure the scene is sharp.

The post 2 Video Tutorials – Tips for Better Winter Photography by Darlene Hildebrandt appeared first on Digital Photography School.


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