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Posts Tagged ‘Video’

Lightroom Tricks: How to Process Video in Lightroom Classic CC

03 Jul

Video? Wait…what? Isn’t this Digital Photography School? Yes, it most certainly is and yes you indeed read the title of this article correctly. I’m about to show you how easy it is to actually process video right inside of Adobe Lightroom Classic CC.

Now, this isn’t exactly a true hack (no Matrix stuff here) but it is a way for you to “work around” some of the limitations of Lightroom when it comes to processing your video files.

A possum and a movie camera 1943

By Australian War Memorial collection from Canberra, Australia (A possum and a movie camera 1943) [No restrictions], via Wikimedia Commons

Lightroom has always been able to support limited video editing in the Quick Develop module but not in the processing powerhouse that is the Develop Module. Many photographers today tend to work with some type of video format in addition to their photography ventures. I happen to run my own YouTube channel which means I shoot quite a bit of video as well as working in straight photography.

Lots of wedding and event photographers split their time between making images and recording video. Furthermore, aerial photography and video have exploded lately with the increased commercial availability of drones. This means there are a lot of photographers out there with video files that need to be processed quickly. If you’re in a pinch, being able to use Lightroom to easily process a quick video is invaluable.

Alright, enough of building it up. Let’s get down to business and learn how to use Lightroom process video files.

Import the Video

The process of importing a video file into Lightroom is exactly the same as any other image file. Once the video file is imported you have the ability to view and play the video in its entirety right inside of the Library  Module.

This is where the problem with video processing in Lightroom begins. Once you try and switch to the Develop Module you’re confronted with this…

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Conventionally, this is as far as you can go with your video file. If you stop here you’re limited to the Quick Develop buttons at the top right.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

You do have the ability to apply presets here but these are an end unto themselves. Meaning, you can’t adjust the video appearance using the adjustment sliders in the Develop Module. Or can you? Yes, you can, as a matter of fact. And this is where the gentle hacking begins.

Capture a Frame

To begin your Lightroom trickery, and therefore the editing of your video, you first have to capture a frame of the video. This essentially becomes an image file and you’ll use this image to apply your edits that will eventually be transferred to the video. To obtain the frame capture, simply click the small frame icon below the video and select Capture Frame.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Now you have what is really just a screenshot from the video. The new frame capture appears immediately after the video in the film strip (see red arrow below).

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Process the Frame Capture

To process your frame capture you first need to switch over to the Develop Module from the Library Module. It’s easy to think that you somehow need to augment your workflow since you’re processing a frame capture. This is not the case.

Process this image captured from the video just as you would any other normal photo. Keep in mind though that you are only able to save the following edits for transfer to your video.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Only the adjustments not greyed out below are available to copy over to video files.

Here’s the breakdown:

  • Treatment and Profile
  • White balance
  • Exposure
  • Contrast
  • White clipping
  • Black clipping
  • Vibrance
  • Saturation
  • HSL
  • Split Toning

Yes, unfortunately, there will be no Clarity, Sharpening or Vignetting applied to your video in Lightroom. But look at that list! Of special interest is the tone curve which will give you amazing control over the look of your video. For this example, I’ve made some fairly extreme edits for the sake of demonstration.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

You may be thinking “Okay, but how do I get those edits onto the video?” You’re in luck. I’m about to show you how, and it’s incredibly easy.

Sync the Edits

The magic happens when you synchronize the edits you’ve just made to your frame capture with the video file you’ve imported. In truth, you can sync the edits from any image you have in the Lightroom catalog but the most predictable method is by using a still from the actual video you’re processing.

To sync the processed frame capture and the video, first, you need to switch back to the Develop Module. Then use Ctrl/Cmd+click to select both the video file and the frame capture from the film strip.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Next, it’s just a matter of clicking the “Sync Settings” button at the bottom right.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

That’s it! All of your edits are instantly transferred from the frame capture to the video.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Export the Video

Once all the editing is over, the method to export the video file is just as simple as importing. Simply choose the destination, file naming and quality settings for the video. You can even add your own watermark.

Lightroom Tricks: How to Process Video in Lightroom Classic CC

Final Thoughts….

Is processing your videos in Lightroom the ideal method? I don’t think so. Is it an easy and effective way to apply some creative edits to your video file? Absolutely.

I actually process most of my videos in this manner and then export them to another program to finish the cutting and final processing. Lightroom gives us the ability to apply most of the same processing power to our videos, with a few limitations.

If you’re like me and constantly on the go, being able to stay in a familiar photo processing program like Lightroom is a welcomed alternative to more involved video processing software. Try it for yourself if you need an easy way to process your video clips!

The post Lightroom Tricks: How to Process Video in Lightroom Classic CC appeared first on Digital Photography School.


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NVIDIA researchers can now turn 30fps video into 240fps slo-mo footage using AI

20 Jun

NVIDIA researchers have developed a new method to extrapolate 240fps slow-motion video from 30fps content using artificial intelligence.

Detailed in a paper submitted to the Cornell University Library, NVIDIA researchers trained the system by processing more than 11,000 videos through NVIDIA Tesla V100 GPUs and a cuDNN-accelerated PyTorch deep learning framework. This archive of videos, shot at 240fps, taught the system how to better predict the positioning differences in videos shot at only 30fps.

This isn’t the first time something like this has been done. A post-production plug-in called Twixtor has been doing this for almost a decade now. But it doesn’t come anywhere close to NVIDIA’s results in terms of quality and accuracy. Even in scenes where there is a great amount of detail, there appears to be minimal artifacts in the extrapolated frames.

The researchers also note that while there are smartphones that can shoot 240fps video, it’s not necessarily worth it to use all of that processing power and storage when something that will get you 99% of the way there is possible using a system such as theirs. ‘While it is possible to take 240-frame-per-second videos with a cell phone, recording everything at high frame rates is impractical, as it requires large memories and is power-intensive for mobile devices,’ the researchers wrote in the paper.

The research and findings detailed in the paper will be presented at the annual Computer Vision and Pattern Recognition (CVPR) conference in Salt Lake City, Utah this week.

Articles: Digital Photography Review (dpreview.com)

 
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Apple releases four new iPhone X mobile photography video tutorials

20 Jun

Apple released a new batch of mobile photography tutorial videos this week, each briefly demonstrating how to perform various camera actions using the flagship iPhone X. The OLED-equipped iPhone X features dual rear 12MP cameras coupled with optical image stabilization and optical zoom.

The four new videos were published on June 14 and guide iPhone X users through the following functions: shooting with the backlight, shooting in burst mode, recording in slow motion, and creating panoramas.

Apple semi-regularly updates video tutorials for its products, and previously released a batch of similar mobile photography instructional videos for the iPhone 8. A full playlist of Apple’s mobile photography video tutorials, including those covering older iPhone models, is available here. The four newest videos are below.

Via: Light Stalking

Articles: Digital Photography Review (dpreview.com)

 
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Adobe announces Project Rush, a cross-device video editing application

20 Jun

Adobe has announced development of Project Rush, a cross-device video editing application that consolidates the entire video creation workflow, from shooting to social media sharing. According to Adobe, Rush is intended to provide a more streamlined and intuitive user experience for creating videos, as well as to provide a powerful video solution for mobile users.

In contrast to traditional video creation workflows, which often require switching between specialized programs, Rush aims to put the entire workflow into one, integrated application. It supports shooting, editing, audio optimization, motion graphics, and video sharing, and provides a simplified interface for editing, color correction, audio, and titling.

Adobe says the tools available in Rush are based on the same underlying technology as some of its pro apps, including color correction technology from Premiere Pro and audio technology from Audition. Integration with Adobe Stock will provide access to free motion graphics templates which can be customized by users.

Project Rush will work across mobile and desktop platforms, and will include the same feature set in both versions. Projects will synchronize between devices using Adobe Creative Cloud.

Recognizing that a great deal of video content is now shared through social media, Rush will automatically optimize video for a variety social media platforms, as well as manage publication and scheduling of content to those platforms. Adobe did not specify which platforms will be supported.

Rush will be available in mobile and desktop applications, with both versions supporting the same feature set, meaning users will have the same tools at their disposal no matter which device they’re using. Projects will sync between devices using Adobe Creative Cloud.

Although Project Rush is unlikely to replace pro-level tools for larger productions, it may prove useful to those who don’t need the power of a dedicated non-linear editor, or those who prefer a workflow that doesn’t involve multiple programs.

Adobe did not provide a release date or pricing for Project Rush, but since it’s designed to sync across Creative Cloud it’s likely to require a Creative Cloud subscription to fully utilize its features. If you want to try Rush for yourself, you can apply to join the public beta here.

We’ll be taking a look at Rush in the near future and will share our impressions once we’ve had a chance to give it a spin.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to take your photos to the next level with sub-framing

16 Jun

At some point in your photography career, you’ve probably come across the phrase ‘frame within a frame.’ While it might sound like nonsense, what it’s referring to is a composition technique referred to as sub-framing.

In his most recent video, YouTuber George Tomlin breaks down the concept of sub-framing and explains how it can be used to bring an otherwise unlikely scene to life.

As he explains in the seven-minute video, sub-framing is the practice of shooting through objects to frame a subject within the frame of the image—thus the term ‘frame within a frame.’ Rather than simply explaining how it works, Tomlin uses a 3D rendering to show how a particular scene in a made-up cityscape can yield multiple sub-framing opportunities.

In one of the four examples he shares, he shows how shooting through the windows of a vehicle can not only make the image more interesting from a composition standpoint, but also give a bit more context to the scene.

After he gets through the examples of sub-framing opportunities in the 3D scene, he turns to his own work to show off how he’s recently used sub-framing. The examples aren’t shining ones, necessarily, but they do work as solid foundations to build upon in your own work.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Diving into the demise of Kodak

14 Jun

The story isn’t new to anyone in the world of photography. Kodak, once the undeniable leader of the industry, has since been turned into a sad shell of its former self.

What isn’t so clear is how exactly Kodak went from photo giant to a name that can be licensed and slapped on seemingly anything and everything if enough money is thrown its way.

As part of its Company Declines series, YouTube channel Company Man has shared a biography of sorts detailing the demise of Kodak. Throughout the 12-minute video, the narrator provides a brief history lesson of Kodak and its beginnings before diving into what we now know as the decline that ultimately led to bankruptcy in January 2012.

As the video notes, Kodak’s downfall can’t simply be attributed to its efforts to eschew digital photography, as seems to be the consensus in most circles. Instead it was a matter of Kodak not putting enough emphasis on digital camera technology when the time came around, the narrator argues.

Ultimately, there are more factors than we’ll even know behind the demise of Kodak. But this biopic of sorts does a great job summarizing the problem and looking at it from a different perspective.

Articles: Digital Photography Review (dpreview.com)

 
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Video Tips: How to Photograph Lightning

08 Jun

Storms and bad weather doesn’t mean you have to stop shooting and go indoors. In fact, sometimes you can get more dramatic images in bad weather. So in this article, we’ve found two video tips to help you learn how to photograph lightning.

Adorama TV – Shooting Lightning

In this video, Mark Wallace gives you the 8 steps he uses to photograph lightning.

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Here are the 8 steps Mark recommends:

  1. Set your camera to Manual Mode.
  2. Set your shutter speed to 30 seconds.
  3. Select an aperture of f/10.
  4. Set the ISO to 100.
  5. Shoot in RAW format.
  6. Set your focus on manual mode, and focus just shy of infinity.
  7. Use a wide-angle lens.
  8. Put your camera on a tripod.
  9. BONUS: Use a remote shutter release to trigger the camera.

Lightning Photography Tutorial

Next, photographer Pecos Hank has a great tutorial on photographing lightning.

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He covers some of the same tips as the first video, and a few others as well such as the opportunity to also make a time-lapse of your lightning photos.

For other storm photography or chasing tips read:

  •  7 Things I’ve Learned from Photographing Storms
  • 5 Incredible Storm Photographers and Their Best Images

So get out there and photograph some lightning, but stay safe!

The post Video Tips: How to Photograph Lightning appeared first on Digital Photography School.


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Parrot launches Anafi, a foldable 4K drone that shoots HDR video

07 Jun

Parrot, a French drone company known for its Bebop drones, has unveiled its latest consumer drone, the Anafi. Both on paper and in photos, this consumer-centric drone appears to be a direct competitor to DJI’s Mavic Air.

Its fold-out design is almost identical to the Mavic Air. It weighs just 0.7 pounds (320 grams) and folds up nice for slim packing in your bag. At the core of the drone is a 21-megapixel camera on a 180-degree tilt gimbal that shoots 4K HDR video at 30 fps or 1080p HDR video at 60 fps. For image stabilization, the Anafi features two-axis optical stabilization, while software compensates for the third axis.

The battery life of the Anafi is rated for 25 minutes, which seems par for course in the compact drone market. For comparison, the Mavic Air is also rated for a 25-minute fly time. Additional batteries, which are charged via USB-C, can be purchased for $ 99. The compact drone features a 2.5 mile range and has a top speed of 32 mph.

The Anafi comes with a physical controller alongside an all-new smartphone application to control the drone—FreeFlight 6. The updated app includes a slew of new shooting modes, including AI-based tracking, selfie capture, slow-mo capture, hyperlapse video and automated video modes for capturing landscapes. One downfall is your smartphone will need to be tethered via USB-A cable to the controller—apparently it’s needed to stream the full-quality video to your device.

The Anafi will retail for $ 699 and will be available starting on July 1st, although you can pre-order one now to secure your spot.. $ 700 is still a lot for a consumer drone, but compared to the $ 800 Mavic Air, it’s a slightly better value, if you don’t mind a few inconveniences.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot RX100 VI: Video overview

07 Jun

The Sony Cyber-shot RX100 VI, is a 1″-type compact camera with a 20.1-megapixel Exmor RS stacked CMOS sensor and a 24-200mm equivalent F2.8-4.5 zoom lens. We’ve been shooting with one since it was announced yesterday, and have prepared a brief overview video from the launch event in New York.

Learn more about the Sony Cyber-shot RX100 VI

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: How to get correct exposure when shooting video

27 May

Have you experienced frustration when using your camera to shoot video? Confused about T-stops, ND filters and the right shutter speed to use? This week, Chris and Jordan take a break from gear reviews to discuss the things you should know to get proper exposure when shooting video. Get some practical tips and learn about Chris and Jordan’s exposure square… or is that an exposure trapezoid? Tune in to find out.

You may also want to read our article, A photographer’s intro to the world of video, for more useful tips.

A photographer’s intro to the world of video

Finally, make sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.

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Articles: Digital Photography Review (dpreview.com)

 
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