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Posts Tagged ‘Video’

How to Take Floating Photos – Levitation Photography [video]

26 Jan

The post How to Take Floating Photos – Levitation Photography appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this great video from, Dunna Did It, you will learn how to create Levitation photography. That’s right, you’ll learn how to take floating photos!

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What you need:

  1. Camera to shoot with
  2. Tripod
  3. Photo Editing software

How to create levitation photography:

  • Set up your object that you are photographing.
  • Put your camera’s settings to the required settings based on your lighting and room.
  • The trick is to take one photo holding it with your left hand, and then one holding it with your right hand.
  • Be sure to turn on you turn Grids ON in your camera.
  • Line up your camera in the same spot for each shot using your grid.
  • Use manual focus for each shot because you want the focus to be exactly the same for each photo.
  • Hold your camera with one hand and line it up to your grid, focus and take the photo.
  • While still holding it, reach with your other hand and grab the opposite side (keeping the camera in the same position). Let go with the other hand, and take the 2nd photo. Try this as many times as you need to.
  • Choose and edit your best photos in Lightroom (or the editing program of your choice).
  • Once you have the two you want to combine, jump to Photoshop (press cmd+E mac, ctrl+E win) and choose Edit in Photoshop.
  • Go to the image held with the left hand and double-click the layer in the Layer Palette to make it an editable layer.
  • Then choose Cmd+A to select all, then Cmd+C to copy.
  • Jump to the other image, double click the layer in the Layers Palette to make the layer editable.
  • Then choose Cmd+V to paste the other image you copied into the new image.
  • Lower the opacity of the top layer to about 36% so you can see how well you can line them up.
  • Move the top layer until it is lined up.
  • Next, we want to take the top layer and delete to parts we don’t want.
  • Put a layer mask onto the top layer and select your Brush Tool (use a soft brush by turning down the hardness).
  • Change your foreground color in your toolbar to black to paint out areas of the layer mask.
  • Paint out the areas you don’t want. To fine-tune, make your brush smaller and continue to paint out areas you don’t need.
  • Check all your lines around your image to ensure they line up.
  • Do any further edits you want and you are done!

You may also find the following articles helpful:

How to do Digital Blending in Photoshop to Create a Composite Photo

How to Create A Simple Composite: Photoshop Creative

How to Make a Composite Wine Bottle Image using Photoshop Layers

Preparing your Model and Background for a Successful Composite

How to Shoot and Create a Composite Image for a Product Advertisement

A Guide to Create Eye-Catching Composite Images

 

The post How to Take Floating Photos – Levitation Photography appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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New Samsung Exynos chipset supports 8K video, up to five camera modules

26 Jan

Samsung announced its Exynos 9820 chipset, which will likely power the company’s 2019 flagship smartphones, including the Galaxy S10, late last year. Now Samsung has unveiled additional detail on the new processor in a press release.

Of course, it’s the new chipset’s imaging capabilities of interest and on paper it looks like the Exynos 9820 won’t disappoint. It will be able to manage up to five camera modules. It’s already known at least one version of the Galaxy S10 will likely come with a triple-camera on the back. This leaves enough processing power for a front dual-camera as well.

In addition devices equipped with the chipset will be able to record 8K video using a 10-bit HEVC codec. This doesn’t necessarily mean such high-res video will be standard on the Galaxy S10 at launch, but it’s good to know any Exynos 9820-equipped devices will be future-proof in terms of video and an 8K mode could possibly be activated via firmware update.

On the display side of things the new chipset can manage 4K displays with HDR10+ and dynamic tone mapping.

Non-imaging highlights include a tri-cluster setup with a mix of Samsung custom cores and ARM designs, a Mali-G76 12-core design that is 40% faster than last year’s GPU, a neural processing unit (NPU) that is seven times faster than the previous version and a 8nm LPP process, which requires 10% less power than the 10nm LPP process from last year.

More detail can be found on the Samsung website.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Portrait Photography in Overcast Weather [video]

25 Jan

The post Tips for Portrait Photography in Overcast Weather appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Julia Trotti, you’ll learn tips for portrait photography in overcast weather that can give you more even, soft light on your models.

Overcast weather can be a great time to do portrait photography because the light is soft and doesn’t create as many of the harsh shadows that bright midday sunlight creates.

If you are doing a shoot with a model and the weather is overcast, keep in mind the following tips:

1. Make the most of it by using locations you normally wouldn’t

Keep in mind, depending on the type of overcast weather it is, you may still get some shadows if it is a bright overcast day.

If you find there is not quite enough light getting to your model’s eyes, ask them to bring their chin up a little to capture the light on their eyes.

Bear in mind that the direction your model is facing also has an effect on the light and contrast to the background.

Shoot in a few directions at the start as test shots to decide which is the best angle for light.

When photographing on overcast days, you may want to find a location that has a pop of color so that your images are not flat. Green locations such as gardens and forests work well. If in a location that is not as vibrant in color, consider dressing your model in colorful clothes.

2. Be mindful of including the sky in your photos

When the sky is dark and overcast, it can add great drama. However, if it is a bright overcast day, the sky can look blown out. In this case, use varied composition and camera angles to eliminate distracting over-blown white sky (unless your purpose is to have high contrast between your model and background).

3. Keep an eye on your camera settings

When overcast, your scene may be quite a bit darker, and your camera settings need to reflect that. Also, depending on your location, you may need to tweak your camera settings too.

If you want to capture sharp hair in windy conditions, use a faster shutter speed to avoid motion blur on your models’ hair. If you want to show the effect of some slight motion, use a slower shutter speed.

You may also find the following articles helpful:

6 Portrait Lighting Patterns Every Photographer Should Know

13 Tips for Improving Outdoor Portraits

10 Ways to Take Stunning Portraits

How to Create Awesome Portrait Lighting with a Paper Bag an Elastic Band and a Chocolate Donut

How to Pose and Angle the Body for Better Portraits

The post Tips for Portrait Photography in Overcast Weather appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Astro HQ releases Liquid 3.0 video engine for Luna Display and Astropad Studio

25 Jan

Astro HQ has announced the release of Liquid 3.0, the latest version of its video engine for Luna Display, Astropad Standard and Astropad Studio. The updated software brings accelerated GPU support with up to four times better GPU performance over the previous version. As well, Liquid 3.0 slashes latency and screen refresh rates for up to two times faster responsiveness.

Astropad is a product that comes in Standard and Studio variants, both designed to transform an iPad into a full graphics tablet compatible with a Mac computer and any macOS app. Luna Display, meanwhile, is a small dongle-based system that turns an iPad into a small, portable second screen for Mac computers.

Both products utilize Astro’s Liquid video engine, which is Astro’s own proprietary technology. The company said in its announcement today that it focused on GPU performance optimization and latency reduction in its latest engine update. Product owners must update both the Mac and iPad software from their respective app stores to use the new engine.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Old projector lens adapter to A7 III body surprisingly makes for beautiful photos, bokeh

24 Jan

In pursuit of something different Mathieu Stern, who runs the Weird Lens Museum website, has adapted an old projector lens to fit on the front of his Sony a7 lll.

The lens he used is a Rollei 90mm f/2.4 MC that would have originally been fitted to a 35mm slide projector. Mathieu says he found the lens without its projector in a yard sale, and paid $ 5 for it. In the three minute video above Mathieu shows the lens in action and a number of photos captured in the sun that seem to have well controlled flare and low contrast.

As the lens has no iris the aperture can’t be varied from F2.4, but based on the results he attained, that doesn’t appear to be a problem. Mathieu discovered the lens fit perfectly into a M52 helicoidal tube which then allowed him to vary the apparent length of the lens so he could focus at a normal range of distances.

The helicoidal tube has an M42 screw mount, so all he needed to do then was find an M42 to Sony E mount adapter so the whole kit would fit on his a7 lll. Sure, it’s not the most elegant solution, but it got the job done. Below is a gallery of images captured with the setup and shared with permission from Mathieu.

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To find more of Mathieu’s work, head over to his website and YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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Video: ‘The Terrible History of Photographs’ as told by puppets

20 Jan

There are plenty of videos on YouTube that dive into the history of photography. But few will make you laugh like this one will.

This tongue-in-cheek video, created by YouTube channel Glove and Boots, shares The Terrible History of Photographs using puppets, a la Sesame Street.

The video comes in just under five minutes and in that time both Glove and Boots (as well as their gorilla friend) explain a very basic, cynical look at how photography got to where it is today and the terrible, no good, awful technology that camera before smartphones.

Articles: Digital Photography Review (dpreview.com)

 
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Easy to Create Fake Underwater Photography Hack [video]

18 Jan

The post Easy to Create Fake Underwater Photography Hack appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this handy tutorial by Raj K Photo, you’ll learn to take impressive underwater-style photos without the need to get underwater! And, even better, this DIY hack costs less than 50pounds.

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What you will need:

  • Clear Acrylic Sheet
  • Wood
  • Woodscrews
  • Duct Tape
  • Multi-Purpose Sealant

You can make it to whatever size you want.

What to do:

  1. Cut wood to size.
  2. Screw in the ends but be sure to drill some holes first to stop the wood splitting.
  3. Draw an outline of the frame onto the acrylic.
  4. Place the acrylic onto the top of the wood frame, lining the outline you just drew up with the frame. It acts as a guide so you know where to put the screws.
  5. Use a drill bit to make pilot holes in the acrylic along each side. Use around 6 screws, evenly placed apart. Screw the screws in but be sure not to screw too quickly or hard so as to not split your acrylic.
  6. Flip the frame over and peel off the protective film.
  7. Take your sealant and seal all the gaps between your wood and the acrylic surface.
  8. Leave to dry for 24hrs.
  9. As a further layer of protection, add duct tape around the sealed areas.
  10. Remove any remaining protective film and clean surface.

Photographing your model using your new underwater hack

  1. Find a place to prop it up so that you can lay it face down with water inside. Ensure that it is secure.
  2. Lay your model underneath.
  3. Set an LED light above so that it is shining through the water onto your model. That way you can get an idea of how the shot will look.
  4. Place the flash units (one with a blue gel to look like water) in position above the model.
  5. use a reflector to bounce some light back to your model.
  6. Wet your model’s hair and have the model keep their head slightly off the background to make it look like it is floating.
  7. Take your photos!

You may also find the following articles useful:

5 Tips for Underwater Photography Without Spending a Fortune

5 Tips for Underwater Photography with a GoPro

Surreal Underwater Shipwreck Photo Shoot

Introduction to Taking Great Underwater Photos

The post Easy to Create Fake Underwater Photography Hack appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Sony a6400 first impressions video

17 Jan

Our intrepid team is in San Diego, for the launch of the new Sony a6400. In this short overview video, Carey, Chris and Jordan talk through the main specifications of the new camera, and what they might mean for photographers and videographers.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Articles: Digital Photography Review (dpreview.com)

 
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Video: Shooting landscapes on the Fujifilm GFX 50R with Nigel Danson

13 Jan

Photographer Nigel Danson recently had a chance to use the new Fujifilm GFX 50R for one of his landscape shoots. In this video, he shares his thoughts on the benefits and challenges of using a medium format camera like the GFX 50R for his work. Additionally, he shows us a few prints made from the camera.

For more great content from Nigel, please visit his YouTube channel.

Visit Nigel Danson’s YouTube channel

  • Introduction
  • Ergonomics
  • Handling
  • Looking at the images
  • Would I get one?
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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Man v Dust: video highlights trials of Leica’s in-house sensor cleaning service

12 Jan

The International Leica Society has posted a video of a camera sensor being cleaned at the Leica service centre in the Wetzlar factory in Germany.

The video, taken by member Hari Subramanyam on his iPhone, shows the process of checking for dust on the sensor of his M (Typ 240) and then its removal. Well, that was what it was supposed to show, but after 20 minutes and 25 seconds the video finishes with the dust victorious and the Leica service engineer frustrated and wishing he wasn’t being recorded.

The engineer starts by cleaning the mount of the camera before using a vacuum cleaner to suck dust and debris from the shutter blades. Once that is done the in-camera dust checking function is used to detect a number of dust spots. The rubber-on-a-stick Pentax Sensor Cleaning kit is used to remove the dust as the engineer explains the process needs patience and can take anything from ten minutes to an hour.

We don’t get to see the sensor finally dust-free, as it takes a few goes and the cameraman has less patience than the engineer, but the video shows some useful steps in the process.

Articles: Digital Photography Review (dpreview.com)

 
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