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Posts Tagged ‘Video’

Video: How to capture abstract macro photographs using little more than paper and lights

07 Apr

Considering most of the world is well into a few weeks of self-isolation, you’ve probably photographed nearly everything you can in your household, leaving little left to document. Now, it’s time to get really creative and to help make the most of a rough situation is Ben from Adaptalux, who’s shared a 15-minute video showing how you can capture abstract macro photographs using little more than a few lights, a few sheets of paper and a little bit of creative thinking.

Throughout the 15-minute video, Ben walks through a number of different setups and other variations you can experiment with to capture the macro abstract photographs, but the basic tools you’ll need on hand include a camera, a close-up capable lens, a tripod (not necessary, but will very much simplify the process), at least one light source, several sheets of white paper, paper clips (or bobby pins) and a flat surface that’s either transparent or translucent.

While Adaptalux lights are unsurprisingly mentioned in the video, any lights should do and if you have a few gels sitting around, you can get extra creative by mixing up colors.

If you prefer a non-visual explainer, Adaptalux has also published an accompanying blog post on its website that details the process. You can find more tutorials on Adaptalux’s YouTube channel, where it offers up a complete playlist dedicated to ‘Macro Photography Tutorials.’

Articles: Digital Photography Review (dpreview.com)

 
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Things Photographers Will Do For The Perfect Shot (video)

04 Apr

The post Things Photographers Will Do For The Perfect Shot (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

With everything happening in the world at the moment, I thought we could all do with a bit of a laugh. So, I found this video that shows some of the crazy things (and poses) that photographers do to get the perfect shot.

So take a look, and let me know if you have done any of these “moves” to get just the right shot. Let’s face it, most of us will have at least done one of them!

Share with us in the comments section, along with the photo you achieved from your position.

You may also like:

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  • Perspective in Photography – Don’t just stand there move your feet!
  • 5 Great Yoga Exercises for Photographers (with Illustrations)
  • Change of Perspective in Photography – Start from the Top
  • How to Improve Your Photography by Changing Perspective

The post Things Photographers Will Do For The Perfect Shot (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview TV: How to look good and sound great on videos (and video conferences) from home

02 Apr

Lots of people are suddenly working from home. For many, that means creating online videos for others to watch or logging time on video calls. We review some simple techniques to make your videos look and sound great, so you’ll look more professional.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Better audio
  • Coverage
  • Coverage example
  • Better video calls
  • Better live audio
  • Camera angle
  • Lighting
  • Conclusion

For more tips, watch Chris and Jordan’s earlier video about coverage on The Camera Store TV.

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s EOS M6 Mark II finally gets a 24p video mode via new firmware update

01 Apr

As it had assured consumers back in October 2019, Canon has released a firmware update for its EOS M6 Mark II camera that adds a 24p (23.98fps) mode that was inexplicably missing from the camera until now.

Canon has already released firmware for the other camera systems it promised 24p modes for, including the EOS 90D and EOS RP, so the new 1.1.0 update for the EOS M6 Mark II wraps up its response to customer feedback regarding the lack of a 24p mode when shooting video.

In addition to adding the 24p mode, the update also fixes an issue wherein the focus position of the lens returns to the home position if the camera powers off while in ‘Auto Power Off’ is turned on during ‘Interval Timing’ shooting as well as an issue that, ‘in rare cases’ would cause the camera to not focus at the edges of the image area.

The 1.1.0 firmware update is currently available to download (40MB) for both macOS and Windows computers on Canon’s EOS M6 Mark II product page.

Changelog:

Firmware Version 1.1.0 incorporates the following enhancement and fixes:

  1. The option to capture movies in the frame rate of 23.98p has been added.
  2. Fixes the phenomenon where the focus position of the lens returns to the home position if the camera powers off due to the “Auto Power Off” setting during Interval Timing shooting.
  3. Fixes the phenomenon in which, in rare cases, the camera may not autofocus at the edges of the image area.

Firmware Version 1.1.0 is for cameras with firmware up to Version 1.0.1. If the camera’s firmware is already Version 1.1.0, it is not necessary to update the firmware.

When updating the firmware of the camera, please review the instructions thoroughly before you download the firmware.

Notes: You can download the latest version of the instruction manual from our Web site.

Q&A: Preparations for a firmware update: After the downloaded compressed file (.dmg file) is extracted, a firmware folder is created.

*Extracting the downloaded file: The downloaded folder is automatically extracted, and a firmware folder is created. If the download folder cannot be automatically extracted, double-click the folder.

The extracted folder contains the firmware (File name: M6200110.FIR, File size: 37,013,792 bytes) and instructions on the firmware update procedures (a PDF file in five languages: Japanese, English, French, Spanish, and Simplified Chinese).

Before starting the firmware update operations, please confirm the contents of the download, and carefully read through the firmware update procedures.

(The following is the history of past firmware updates) Changes in Version 1.0.1:

  1. Corrects a PTP communications vulnerability.
  2. Corrects a vulnerability related to firmware update.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to make caffenol developer and salt fixer using common household items

31 Mar

Photographer Brendan Barry has published a new video instructing viewers on how to make their own caffenol developer and salt-based fixer using common household items and ingredients. The process is very simple with the most expensive item being the photo paper. The new tutorial follows a video Barry published last week showing how to turn an entire bedroom into a massive camera obscura.

The new video is around 15 minutes long and it guides viewers through the entire process, starting from the ingredients and items needed all the way through the development of a photo captured using Barry’s giant room camera. The recipe is the result of experimentation, according to Barry, who points out that these ingredients may be easier to acquire at the moment compared to more traditional products.

The developer requires washing soda, granulated coffee and vitamin C powder — Barry notes that vitamin C with zinc didn’t appear to have a negative impact compared to vitamin C alone. Ordinary inexpensive table salt is used for the fixer. Mixing the two products requires only a mortar and pestle for grinding the vitamin C tablets, a small container and a measuring cup for mixing the developer and a separate container for mixing the salt fixer. A digital scale is used to weigh some of the ingredients.

Once the developer and fixer are mixed and poured in the trays, the exposed photographic paper is put in the developer for ‘about three minutes,’ according to Barry, who explains that it needs to be left in a bit longer than would be typical with a normal developer. The coffee stain on the paper produces a slight sepia tone in the resulting image, he notes, also explaining that the vitamin C is what produces the contrast in the photo. Leaving out the vitamin C will reduce the contrast.

After the developed paper is rinsed in the tray that contains plain water, it is transferred to the tray with fix, which highlights the one big disadvantage to this process. Barry explains that the photo paper must be left in the fix for ‘quite a long time,’ which equates to around 12 to 24 hours, though the lights can be turned back on after an hour.

Barry demonstrates how to quickly create a positive print from the resulting negative, though he notes that more detailed information on this process is provided in the camera obscura tutorial video from last week.

‘This is obviously just a basic, simple introduction to caffenol and making your own developer and fixer,’ Barry explains. ‘I like to make things as accessible as possible and encourage other people to have a go at these things. Sometimes they can seem a bit intimidating and complicated […] but it’s really, really simple.’

Articles: Digital Photography Review (dpreview.com)

 
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Pet Photography 101 – video

28 Mar

The post Pet Photography 101 – video appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Taking photos of pets can be tricky. In this video, Matt Granger gives you some great tips to get better photos of your furry friends.

1. Establish the scene

Decide on what you want in the scene. Less is generally more, so you may just decide on a nice clean background to really let your pet shine.

2. Use sufficient depth of field and shutter speed.

Ensure you have a wide enough depth of field to get your pet’s entire face in focus. Also, use a fast shutter speed. If your shutter speed is too slow, you may end up with some blur if your pet moves suddenly (and we all know they do!).

Use a flash so that you get enough light into the scene. That way, you can keep your shutter speed fast, and your aperture wide.

Alternatively, consider photographing them outdoors in sunlight to really make their fur and eyes shine.

3. Bribery

You need to get your pet where you want them to be for the shot. To do this, you may need to use a little bribery. This can come in the form of treats.

Have your camera set and your focus ready, and once they get into position, you can fire off some shots knowing that they will be in focus.

4. Get their attention

Once you have bribed them into the position, you need to get their attention so that they look in the direction of the camera.

You know your pet, so use whatever you know will get their attaention – be it their favorite toy, or simply tapping the lens hood.

5. Be patient, and review your shots

Don’t set up a scene that is really unnatural for your pet. Use something that they are used to sitting on so that they are comfortable, and so you are not forcing the scene.

Don’t always expect to get it right on the first attempt. Take many shots to get the one you like.

And, moreover, have fun with your furry friends!

You may also like:

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  • 9 Pet Photography Tips
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  • Five Things You Need to Know Before Starting a Pet Photography Business
  • 8 Tips for Better Pet Photography

The post Pet Photography 101 – video appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Video: How to turn any room in your house into a giant camera

26 Mar

Photographer and DIY camera-extraordinaire Brendan Barry has shared a how-to video showing how you can turn a room in your home into a camera, and how to record the images it creates. Throughout the 30-minute video, he shows whole process from finding a suitable room and picking a lens right through to making the exposure and then creating a positive print. Although he shows the process using black and white photographic paper he also explains how pictures can be made using digital cameras.

‘It’s a bit of fun really’ Brendan explained to DPReview, ‘and a fun way to do something creative if you are confined to the house during this Coronavirus outbreak. I love the process as it playfully breaks down how pictures are made and allows us to see photography in a different way.’

In the video Brendan shows the effects of a series of lenses mounted onto a blacked out window, including a lens from a pair of glasses and a magnifying glass, but says if DPR readers want to get the best possible quality they should be picky about what lens they use. ‘In the video I quickly show a process lens. If you have one, this is what will give you the best results. They are designed to make very big prints and will allow you extra clarity and resolution. They don’t have to be expensive, and decent ones can be found on auction sites. If you measure your wall and find it is 2 metres across you’ll need a 2500mm lens, but you don’t have to make prints that big!’

‘If you are going to use a magnifying glass find a good quality one, not one with a cheap plastic lens – and the bigger the better. If it turns out to be too big you can always reduce the aperture by cutting a circular hole in a disc of card and sticking it over the lens. This will control the amount of light passing through it on a bright day. In the video I show a very roughly cut-out hole, but a smooth and even hole will produce better results. You can also buy great meniscus lenses from Amazing Camera Obscura that are ideal for making a room-sized camera.’

The projected image from the window shown from behind on a sheet of diffusing material

The tutorial shows Brendan mounting a sheet of photographic paper to make a paper negative that, once processed, is then contact printed with another sheet to create a final positive print. ‘I really like this process, and making the contact print while the original negative is still wet creates a beautiful soft look that can’t be got back once the negative has dried. However, if you’d rather shoot using a digital camera you can photograph the projected image from behind, as I show in the video, or you can project the image onto a high quality smooth white surface and photograph that from the front. Position your camera right next to the lens mounted on the window. You won’t be able to shoot it absolutely square-on, but you can fix the distortion in software afterward.’

‘Blacking out the window and mounting the lens only takes about an hour, but there are days of entertainment to be had once you get going.’

Making a room into a camera is one of Brendan’s more straight-forward projects; in the past he’s made a camera from a melon, another from a loaf of bread and one from a slab of cheese. He also has a shipping container that serves as camera and darkroom all-in-one.

You can see some of the other cameras Brendan has made, and how he made them, on his web site.

Articles: Digital Photography Review (dpreview.com)

 
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Next-Level Selfies – 7 Tips for Creative Self-Portraits (video)

21 Mar

The post Next-Level Selfies – 7 Tips for Creative Self-Portraits (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Since one of our “At-Home, 7-Day Challenges” is fun selfies, I thought I’d share this video from our friends over at Cooph who give some fun, creative ideas that will take your selfies up a notch.

So, check out the video, get some ideas, then head over to our 7-day challenge page and share your selfie images with us (or share them right here on this page too), as we’d love to see them.

Enjoy!

You may also like:

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  • Dragging the Shutter for Creative Portraits
  • Expand Your Creativity by Taking Self-Portraits
  • 18 Stunning Self Portraits

The post Next-Level Selfies – 7 Tips for Creative Self-Portraits (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Yes, the Canon EOS R5 Will Have True 8K Video (And Much More!)

20 Mar

The post Yes, the Canon EOS R5 Will Have True 8K Video (And Much More!) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Yes, the Canon EOS R5 Will Have True 8K Video (And Much More!)

When Canon officially announced its next mirrorless camera, the EOS R5, a number of specifications stood out.

The camera promised to right the wrongs of the EOS R/RP pair, by including in-body image stabilization, 20 frames-per-second shooting with an electronic shutter, and dual card slots.

But as impressive as these features seemed, most incredible of all was Canon’s claim that the EOS R5 would offer 8K video.

Note that the current standard for mirrorless cameras is 4K/30p shooting, with cameras offering 4K/60p considered especially suited for more serious videographers.

And while the best of these cameras produce 4K video using the full width of the camera sensor, others are plagued by a crop factor, one that turns wide-angle lenses into standard focal lengths.

Canon EOS R5
The soon-to-be-released Canon EOS R5

Given the current state of the market, 8K video would be impressive. And true 8K video, using the full width of the sensor, would be more than that; it would be groundbreaking, especially considering the fact that Canon has consistently failed to produce true 4K video in its mirrorless bodies. Both the EOS R and the EOS RP, Canon’s current main mirrorless bodies, incorporate a frustrating 1.7x crop.

Even the Canon 1D X Mark III, Canon’s brand new flagship DSLR, can only shoot true 4K/60p video.

So when Canon’s initial announcement included the mention of “8K video capture,” photographers were understandably skeptical. Most thought it was a marketing ploy, and that the 8K capabilities would be significantly hobbled in some way.

In fact, photographers were so vocal in their skepticism that Canon has stepped up to dismiss such rumors.

The imaging company stated in a recent press release:

Canon Inc. confirms the EOS R5’s video capabilities will exceed that of competing cameras on the market. With its ability to internally record 8K using the full width of the sensor at up to 30p, the latest EOS R camera is set to redefine mirrorless with its market-leading features.

Canon goes on to indicate that the EOS R5 will offer Dual Pixel autofocus in 8K, and that the camera will also include “advanced animal AF,” which will allow it to recognize “dogs, cats, and birds.”

If Canon was hoping to make a splash with this announcement, they’ve certainly succeeded. The Canon EOS R5 will undoubtedly be groundbreaking on all fronts, for still shooters and videographers alike.

Now over to you:

What do you think of this announcement? Will you be purchasing the EOS R5? Do you see a need for 8K? Share your thoughts in the comments!

The post Yes, the Canon EOS R5 Will Have True 8K Video (And Much More!) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Video: a BTS look at what goes into making a camera weather-resistant

17 Mar

Dave Etchells, founder and Editor-in-Chief of Imaging Resource, has shared a video and accompanying blog post that dives into the topic of weather-resistance in cameras. In both the video and blog post, Etchells shows off the bespoke system he’s built for testing the claims of manufacturers and chats with a leader at Olympus to get an inside look at what goes into the manufacturing process behind weathersealing a camera.

A close-up shot of the dripper used in Etchells’ current testing rig.

Etchells’ bespoke system, which he says it’s taken him ‘literally hundreds of hours’ to build over the past three years, was conceived after the weather-resistance of the Nikon D850 and Sony a7r III proved to be the tie-breaker for Imaging Resource’s 2017 Camera of the Year Award. In his own words, he wanted to build a ‘test system that would let me rigorously control all the variables, built around an array of timers, pumps, custom-made drippers (coming in what I’ve been calling version 1.5 of the system) and other components.’

His desire for all of this work is explained in two parts:

‘First, to give manufacturers a way to meaningfully market and compete with each other on the basis weather sealing. More than just that though, I want to push them to up their game across the board, making good weathersealing more common for consumers and pros alike.’

To see what goes into the process of weathersealing a camera, Etchells partnered up with Olympus and took a trip to Olympus’s R&D headquarters in Hachioji, Japan, where he met with Takao Takasu, the Imaging Product Development manager for Olympus Corp.’s Research and Development department.

A screenshot from a promotional video showing how Olympus tests its cameras for water-resistance.

After a brief intro, the 12-minute video starts with an interview with Takasu-san, who provides a history of weathersealing inside Olympus camera systems. After that, the video transitions into a walkthrough that shows nearly every weathersealing component inside Olympus cameras, from small gaskets around buttons and dials to protective meshing used throughout lenses.

Both the video and article are a wealth of knowledge on the matter and go to show the lengths to which Etchells will dive into the details to share his knowledge and the insight of his industry contacts with the photography community.

Articles: Digital Photography Review (dpreview.com)

 
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