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Posts Tagged ‘Video’

How to Create Sun Flares Using Luminar 4 and Photoshop (video)

23 May

The post How to Create Sun Flares Using Luminar 4 and Photoshop (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Anthony Turnham, you’ll learn how to create sun flares using Luminar 4, either standalone or as a plugin in Photoshop.

This effect can be a great addition to any landscape photo or portraits, especially if you feel your image is lacking something special. This effect can possibly give your image extra life and dynamic.

Anthony takes you through this tutorial in an easy-to-follow way, making it easy for you to create your own sun flare.

Try out this technique and share your resulting photos with us in the comments section.

Do you have other methods for creating sun flares? Share those with us too!

You may also like:

  • How to Easily Make Images ‘Pop’ with these Luminar 4 Tips
  • How to Use the Luminar 4 Pro Tools Panel
  • Portrait Editing with Luminar 4 – Using Artificial Intelligence
  • Luminar vs Lightroom: Three Reasons Luminar is Better (and Two Reasons It’s Not)
  • Easy Color Grading With LUTs and Luminar 2018
  • Tips For Editing the Colors in Landscape Photos Using Lightroom (video)
  • Editing Gently: 3 Tips for Processing Realistic Landscape Photos

The post How to Create Sun Flares Using Luminar 4 and Photoshop (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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ProRes Raw video capture delayed for Lumix S1H, but firmware v2.0 still set to ship next week

23 May

Videographers waiting to be able to record 5.9K ProRes Raw video footage from the Lumix S1H to their Atomos Ninja V will have to wait a bit longer as statements from both camera and recorder manufacturers have confirmed that while the expected firmware release will go ahead on Monday, May 25, Raw video won’t be included.

Atomos says a technical issue is the cause and that the delay will be ‘slight,’ while Panasonic concentrates on the other new features firmware v2.0 will bring to users. Both companies say they’re working together to rectify the problem.

There’s no indication what the problem is, but only that it cropped up in beta testing and that both companies want to ensure recording quality is at its best before the firmware is released. A new release date for the raw video feature will be announced ‘shortly.’

Firmware V2.0 for the Panasonic S1H adds ProRes Raw video capture capability when paired with an Atomos Ninja V recorder.

While the v2.0 firmware won’t have its headline feature when released on Monday, it will still offer these new features:

LUMIX S1H Firmware Version 2.0 (*RAW video data output function is not included.)

  • Down converted output over HDMI during [6K]/[5.9K]/[5.4K] video recording is available.
  • In Creative Video mode, it is now possible to disable the operation of starting/stopping video recording by pressing a shutter button.
  • In Creative Video mode, it is now possible to set [Rec Quality (My List)] from the control panel.
  • The value of noise reduction in [V-Log] in Photo Style has been expanded to [-1], designed to suppress ghosting or afterimages that could have previously occurred in some situations.
  • It is possible to prevent the enlarged view window of MF Assist to be output over HDMI.
  • There were cases where colour banding appeared in 4:2:0/10-bit video recording in some situations. This bug has been minimised.
  • There were cases where the REC RUN time code did not count up when the video was not recorded on an SD Memory Card but was recorded on an external device over HDMI. This bug has been fixed.
  • It is now possible to set [AF+MF] in AFC mode.
  • It is now possible to assign functions to the lens’ Fn buttons when the Panasonic LUMIX S PRO 70-200mm F2.8 O.I.S. (S-E70200) is mounted.
  • It is now possible to assign function to the Fn buttons of Sigma L-Mount interchangeable lenses.
  • When attaching a lens using the Sigma MC-21 mount converter and [Image Stabilizer] > [Lens] is set to ON , Body I.S. (Image Stabiliser) suppresses roll movement.
  • [Backlight Illumination Period] has been added to the menu of Status LCD. [ON1] prevents the LCD backlight to be turned off.
  • It is now possible to select the card slot to save the JPEG images developed by in-camera RAW processing.
  • [0.5 SEC] has been added for an option of [Duration Time (photo)] in [Auto Review].
  • [Off (Disable Press and Hold)] can be assigned to the Fn button. It disables operation when the button is long-pressed.
  • The Fn button can be used for checking aperture effect while the button is pressed.
  • To prevent improper operation, touch-control is disabled for [Delete All] operation in playback mode. Only cursor buttons can be used for [Delete All] operation.
  • There were rare cases where the camera froze during [Segmented File Recording] or during recording at 400 Mbps under a particular set of conditions including the type of SD Card used. This phenomenon has been improved.
  • Aperture and shutter speed can be controlled using front/rear dials when the rear monitor is set to OFF.
  • There were cases where F stop value control failed depending on the maximum F stop value when non-Panasonic L-Mount lens is mounted. This bug has been fixed.

The new firmware will be downloadable for free via the Panasonic Japan support pages.

Atomos press release:

Atomos Ninja V and LUMIX S1H RAW firmware delay

The firmware updates enabling the much-anticipated Atomos Ninja V and Panasonic LUMIX S1H RAW over HDMI combination have unfortunately been slightly delayed from the original 25th May release schedule, to ensure the highest possible level of RAW recording.

An unforeseen technical issue has come to light in the final rounds of beta testing that needs rectification prior to shipping. The companies are working together to complete the development as soon as possible. We apologise to our mutual customers waiting for the functions this release enables.

Please note that Panasonic will be releasing Ver 2.0 firmware on May 25th with various improvements to camera functions, however will not include the planned RAW HDMI output feature. Atomos will release its Ninja V AtomOS for LUMIX S1H HDMI RAW in-line with Panasonic’s RAW output firmware.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe updates Creative Cloud video and audio apps, adds GPU-accelerated encoding, ProRes RAW support and more

20 May

Adobe has released updates for a variety of its software products, including major updates to Adobe Premiere Pro. Adobe Premiere Pro version 14.2 includes GPU acceleration for encoding on Windows, promising export speeds up to five times faster than encoding performed using only the CPU.

For Nvidia and AMD GPUs which support hardware encoding, the new versions of Premiere Pro, Media Encoder, After Effects and Audition on Windows promise vastly improved performance when exporting files. Of the new update, Adobe senior engineering manager Manish Kulkarni says, ‘With new support for NVIDIA GPUs on Windows, exports are hardware accelerated leveraging the power of the GPU to make Premiere Pro more powerful and keep video creators productive and nimble.’

‘This graph shows encoding speeds gains using hardware-based encoding with an NVIDIA RTX 5000 GPU. With the addition of AMD and NVIDIA support on Windows, hardware encoding is now available across all modern macOS and PC systems.’ Image and caption credit: Adobe

Adobe has also introduced ProRes RAW support in Premiere Pro and After Effects on Windows, a very welcomed change that’s been a long time coming. The graphics workflow in Premiere Pro has also been enhanced through the addition of an improved Pen tool with better support for Bezier curves. This will allow users to more easily create lines and shapes.

Further, in After Effects, motion graphics artists have new tapered shape strokes to use when creating animations and designs. There are also new repeating concentric shape parameters and Mask/Shape cursor indicators.

In addition to faster encoding through hardware acceleration on Windows, users can also expect faster Auto Reframe across all devices. Utilizing its artificial intelligence, Adobe Sensei, Auto Reframe now automatically reformats and repositions video across varying aspect ratios. Speaking of aspect ratios, Adobe Premiere Rush users will now be able to automatically resize projects to the 4:5 aspect ratio frequently used for Facebook and Instagram videos.

‘Auto Reframe in Premiere Pro uses Adobe Sensei AI to reposition video within different aspect ratios. The feature is now twice as fast.’ Image and caption credit: Adobe

On the workflow side of things, Adobe has added support for audio files within Creative Cloud Libraries, which allows users to save, organize and share audio assets for easier access through the CC Libraries panel. For macOS users, automatic audio hardware switching has been added to After Effects, Media Encoder, Audition, Character Animator, Prelude, Premiere Pro and Premiere Rush. This means that when changing audio devices, Adobe applications will now automatically switch to the current hardware.

Improving software performance and stability is Adobe’s top priority. Alongside today’s updates, Adobe has published a new blog post outlining the various efforts the company and its engineers have made over the past year. Further, as many performance updates depend upon the user’s hardware, Adobe has also expanded its research into crash reports and how users are taking advantage of the company’s suite of software. If you are interested in learning more about the performance gains introduced with today’s update and becoming part of Adobe’s expanding public beta program for future updates, be sure to read the new post.

Articles: Digital Photography Review (dpreview.com)

 
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Tips For Editing the Colors in Landscape Photos Using Lightroom (video)

16 May

The post Tips For Editing the Colors in Landscape Photos Using Lightroom (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Nigel Danson, you’ll gain some invaluable tips for editing the colors in landscape photos using Lightroom.

While Nigel uses Lightroom Mobile to show you his editing tips, these tips also apply to Lightroom classic.

The features that Nigel discusses to improve the colors in your landscape photos include the:

  • Temperature slider
  • Contrast Slider
  • HSL Panel
  • Split Toning Panel
  • Curves Panel
  • Gradient Adjustments
  • Calibration panel

So try out some of these tips for editing the colors in landscape photos using Lightroom and share your results with us in the comments section! Furthermore, if you have some tips for editing colors in landscape photos, please share those with us too.

You may also like:

  • Create Stunning Photos in Lightroom
  • Create Amazing Sunrise Photos with these Easy Lightroom Editing Tips
  • Landscape Editing Techniques for Fine Art Photography Using Lightroom
  • Four Lightroom Tips to Enhance Your Landscape Photos
  • Living Landscapes

The post Tips For Editing the Colors in Landscape Photos Using Lightroom (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Ricoh video details the next flagship Pentax APS-C DSLR

15 May

In a video published on YouTube, Ricoh has announced details of its upcoming flagship Pentax APS-C DSLR. The company was originally going to make tshe announcement at CP+ 2020, but the show was cancelled due to the coronavirus. A prototype of the camera was shown at an event in the Netherlands last fall.

According to Ricoh, the most notable feature on this as-yet-unnamed camera is its entirely new optical viewfinder, which uses a special glass that ‘excels in refraction’. The company is targeting a magnification of 1.05x (0.7x 35mm-equivalent), which is the same as on the full-frame K-1. An eye sensor below the viewfinder automatically dims the LCD panel, and the eye cup protrudes further away from the back of the camera than previous models. The shape of the pentaprism is a bit different, as well.

Ricoh claims that autofocus subject tracking has been improved, without providing further detail.

A battery grip will be available for the camera, which will share the same dials and AF joystick as the body.

Ricoh says that despite the coronavirus delaying the introduction of the camera, the company hopes that it will still ship on schedule by the end of the year.

Articles: Digital Photography Review (dpreview.com)

 
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Could your Canon camera transform video calls? We test EOS Webcam Utility

15 May
Looming. Yes, of course a Canon EOS-1D X Mark III will offer better image quality than the junk camera that’s built-in on my laptop. But for your sake, I hope you have a smaller compatible EOS camera laying around.

Canon recently announced the EOS Webcam Utility beta: software that will convert several of its recent cameras into webcams. All you need is a USB cable and a PC running Microsoft Windows 10. Since we’re all stuck inside right now, and our laptops all have horrible built-in webcams (and no, not even a shiny new Apple Macbook Pro includes anything at all decent), we figured we’d take a quick look at the software to see if it’s any good.

I happened to have Canon’s EOS-1D X Mark III handy, although I’ll be the first to admit it’s not the most practical camera for this type of use (my personal M100 isn’t supported, and as expected, didn’t work when I tried it). Still, in the end, I’m pleased to say the 1D worked pretty darn well.

The software installation went smoothly. After you run the installer, you just restart your computer, power on your camera, set your desired exposure, white balance and autofocus settings (you can’t control them from the computer), and then plug it in via USB. I expected to have to open a dedicated Canon app to check compatibility, but you only need to open your videoconferencing app of choice, go to video settings and select ‘EOS Webcam Utility Beta’ from a dropdown list where your existing webcam lives.

You may find, as I did, that the difference in image quality is pretty striking.

I think the fact that the internal webcam makes it look like I’ve shaved much more recently than I actually have is a mark in its favor. I guess I could slather some Vaseline onto the front element of the Canon lens for a similar effect, though then you wouldn’t be able to see my cat-themed mousepad in all its glory. 1D X III photo captured using a 24mm F2.8 lens at F2.8.

My test computer is my well-specced HP Envy 13 ultrabook with an 8th gen Intel i7 and a dedicated graphics processor, and so it’s clear that good core specs don’t mean you automatically get a good webcam. (And yes, I wiped off the lens before giving this a go.) For more flattering results I could definitely raise my laptop a fair bit and make sure that the lighting is better, but I’ll admit that I’m still impressed at the difference a ‘real’ camera makes.

In my testing, I was able to get the EOS-1D X III working with Zoom as well as Skype, though for some reason, I had to uninstall and reinstall Skype (downloaded from the actual Skype site) to get the camera to show up as an option. It still doesn’t work with our work videoconferencing service (Amazon Chime – full disclosure, DPReview is an editorially independent subsidiary of Amazon), and I haven’t been able to test Microsoft Teams yet.

After re-installing Skype on my computer, it worked great; Chime, not so much.

Canon’s software is still in beta, and I fully expect compatibility and reliability to improve in the coming weeks and months. I think the bigger question is, if you are so fortunate to be able to work remotely during the pandemic, how good do you really need your webcam to be?

As I mentioned in an image caption earlier, the level of detail the EOS-1D X III captures relative to my built-in webcam means I’ll need to shave a bit more regularly (this is probably a positive thing overall, I’ll admit). I’m also in the midst of moving house, so my workspace is messy and I don’t want that to be visible, though a different lens would help somewhat. Plus, some software (like Microsoft’s Teams) can blur backgrounds already, and Zoom lets you insert in a virtual background of your choosing.

If it’s important to you or you have a smaller-sensor Canon camera that won’t convincingly blur backgrounds, you can continue use your camera with Zoom’s ‘virtual background’ feature. Depending on your workplace, I recommend you use this feature with either caution or reckless abandon.

I will say that Canon’s Dual Pixel AF kept my face in perfect focus throughout my testing, so if you are into real bokeh more than the computational alternatives, using something like a 35mm F1.4 lens doesn’t mean your face will be a blur; just your surroundings. But the biggest barrier is likely to be just making sure you can work around the camera. In my case, that proved difficult.

For my current setup, I would have to move my desk away from the wall quite a bit or get a different mounting mechanism for the 1D X III to be a viable permanent webcam. Admittedly, I could get a compatible compact option like the Canon PowerShot G5 X II and a tiny Gorillapod and still get way better results than my laptop’s built-in camera (or I could even use a Sigma fp, which has a similar webcam feature). But at the end of the day, it’s all extra stuff to have on or around your desk. If your office area is anything like mine, it’s already pretty crowded.

Lastly, during a real-world test, a roughly 50-minute Zoom call drained more than 50% of the battery on the 1D X III I was using. Dedicated webcams that draw their power from your computer won’t have this issue, and other Canon cameras that charge over USB will presumably present less of a problem.

In the end, I have to applaud Canon for making the effort to create this software quickly enough to allow locked-down workers to take advantage of it. It’s free, it’s valuable, and it could really benefit a ton of people out there with minimal effort. It may not be the best solution for everyone, but for at-home workers that still need to keep up professional appearances, this is a fantastic option.

Editor’s note: An earlier version of this article mentioned that the EOS Webcam Utility beta was incompatible with Skype. Further experimentation showed this not to be true. The article has been updated and we regret the error.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Turn almost any mirrorless or DSLR camera into a high-end Zoom webcam on macOS

13 May

Fuji X-Photographer Kim Farrelly recently published a video explaining how to use a mirrorless or DSLR camera as a webcam with Zoom without using a capture card. The tutorial is only applicable to macOS, enabling photographers who are now working from home to utilize the camera hardware they already own rather than having to purchase a standalone webcam, which are increasingly hard to find.

Though the tutorial may seem a bit intimidating to users who are less tech-savvy, it’s fairly simple. Firstly, users are advised to check whether their camera supports tethering and live view, something that can be done on the Capture One website.

Assuming the camera does support these functions, the user must first download Zoom followed by XCODE from Apple onto their computer using the following command in the Terminal application:

  • xcode-select –install

After Xcode is installed, use the following command in terminal to open up access to use external cameras with Zoom:

  • sudo codesign –remove-signature /Applications/zoom.us.app/

The path in the second line of code must be the same as the path where Zoom is installed on the Mac. By installing Xcode and executing these two lines of code, Farrelly explains that Zoom will be able to use external webcams — or, in this case, a mirrorless or DSLR camera.

The process requires two additional applications called Camera Live and CamTwist, in that order, as well as a USB cable for tethering the camera to the computer. Farrelly explains that Camera Live version 13 works “100%” with his Fuji X-T2, but it’s unclear whether this version is needed for every camera model.

Farrelly walks viewers through this entire process, including some notes and links in the video’s description on the processes that will ‘piggyback’ each application so that the camera can ultimately be used as a webcam for Zoom video calls. Viewers who experimented with the process also dropped some additional tips, such as adding a zoom effect in CamTwist in order to remove the black bars from the video feed.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Laowa 12mm T2.9 Zero-D Cine review – Do you need an ultra-wide for video?

07 May

Ultra-wide lenses pose special challenges when shooting video, but can create dramatic effects. We review the Laowa 12mm T2.9 Zero-D Cine lens, which shares the same optical formula as the company’s 12mm F2.8 lens for full frame cameras.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Using ultra-wide lenses for video
  • How the Cine version differs from the standard Laowa 12mm F2.8 Zero-D
  • Lens breathing
  • Distortion
  • Sharpness
  • Sunstars and flare
  • Do you need an ultra-wide for video?
  • Which version should you get: Stills or Cine?
  • See you next time!

Articles: Digital Photography Review (dpreview.com)

 
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Creative Photography Exercises to do at Home (video)

03 May

The post Creative Photography Exercises to do at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

If you are stuck at home and bored, why not try some of these great creative photography exercises to get you upping your photography skills and relieving your boredom at the same time?

You can do so with this great video from our friends over at Cooph, who have gone to the effort of compiling some of their great at-home creative photography exercises into one video.

Some of the techniques include:

  1. Photography with Food and drinks – using things like coffee, avocados and more.
  2. Kitchen Views – inside the fridge, using your sink, dishes and cutlery. Using your cupboards as black boxes. Explore food coloring and dish soap.
  3. Make funky installations – use projections from your computer onto people or objects and photograph them. Use colored gels on your camera or lighting gear.
  4. Office visions – Use a lens ball and text, use office items in an unusual way. Draw your own props to photograph.

So try out some of these exercises and share your results with us in the comments below!

You may also like:

  • 7 Ideas for Creative Lens Ball Photography
  • Stunning Photo Ideas Using Coffee
  • 6 Methods to Create Dynamic in Your Photography
  • Challenge Yourself by Photographing One Object
  • 5 Fun Tips for Photographing Water
  • 10 Photography Projects You Can Work on From Home
  • Stuck at Home? – Ways Still Life Photography Can Keep Your Skills Sharp
  • 10 Things You Can Photograph in Your Home
  • Exploring Your Home with Close-Up Filters
  • The dPS At-Home 7-Day Photography Challenge – Week Four

The post Creative Photography Exercises to do at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Video: How one photographer turned his backyard shed into a camera and darkroom

29 Apr

Photographer and DIY camera extraordinaire Brendan Barry has used his time in lockdown to create a camera and darkroom out of a shed in his yard.

Throughout the above 22-minute video, Barry summarizes the build process, showing what was required to turn his compact shed into an all-in-one photo room and the process required to capture the image and make the resulting prints. As you might expect from such an ambitious project, it took a good bit of time to get everything sorted out and even more time to dial in the capture and printing process.

A close-up screenshot from the video showing off the massive 1016mm (40″) F5.4 aerial reconnaissance lens used in the build.

‘In [the video] I talk through the build and operation of the shed camera, bring together a number of the processes I experiment with and shares some of the materials and approaches I use in my practice,’ says Barry in an email to DPReview. Barry specifically notes he used ‘RA4 colour reversal, B&W paper negs contacted to positives and shooting with direct positive paper, both with normal chemistry and with caffenol’ to capture and make prints of the images captured with the ridiculous rig.

While this is technically possible to do at home, it will require plenty of power tools, spare wood you might have sitting around, a generous amount of gaff tape and an insanely large lens (a 1016mm [40”] F5.4 aerial reconnaissance lens in Barry’s case).

We’ve featured Barry’s previous projects before, including his 101 Park Avenue skyscraper camera, his shipping container camera and his guide to turning any room in your home into a camera. This shed project might not be his most grandiose project to date, but it certainly required a healthy dose of elbow grease and equal amounts of patience.

You can find more of Barry’s work on his website and keep up with his latest endeavors on his Instagram profile.

Articles: Digital Photography Review (dpreview.com)

 
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