RSS
 

Posts Tagged ‘Update’

Atomos releases full Ninja V firmware update for recording 5.9K 12-bit ProRes Raw with Panasonic S1H

08 Aug

Atomos has announced the full firmware update for its Ninja V monitor/recorder that enables 5.9K ProRes Raw video capture from a Panasonic S1H.

It’s been just one week since the pre-release beta firmware was released alongside Panasonic’s S1H 2.1 firmware update, but the full version is up and ready to go. The full firmware update enables Ninja V units to record 12-bit ProRes Raw video over HDMI at up to 5.9K/29.97p in full-frame, or 4K/59.94p in Super35. Also new is a 3.5K Super35 Anamorphic 4:3 RAW mode that makes it easier to record footage shot on anamorphic lenses.

To accompany the new recording options, Panasonic has released a new LUT that can be downloaded for free on its website. The Atomos Ninja V firmware update (AtomOS 10.52) can be downloaded from the Ninja V product page, under the ‘Support’ tab.

AtomOS 10.52 press release:

Atomos releases full free Ninja V update to enable 5.9K Apple ProRes RAW recording for the Panasonic LUMIX S1H

August 7, Melbourne, Australia: Atomos is thrilled to announce the dream of ultra-high resolution RAW video from a full-frame mirrorless camera is now a reality. Last week Atomos launched a Pre-Release Beta for Ninja V users to try out on their Panasonic LUMIX S1H. Today Atomos announces the full firmware update for the Ninja V.

From today Ninja V & Panasonic LUMIX S1H users will be able to record:

Simply stunning 12-bit RAW

The Ninja V captures the unprocessed highly detailed 12-bit RAW signal files directly from the full frame sensor of the S1H over HDMI at up to 5.9K/29.97p in Full-frame, or 4K/59.94p in Super35. These unprocessed files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail from the S1H. The resulting ProRes RAW files allow for greater creativity in post-production with perfect skin tones and easily matched colors, ideal for both HDR and SDR (Rec.709) workflows.

Anamorphic RAW

More and more cinematographers are now choosing to shoot with anamorphic lenses and the Ninja V and S1H combination caters to them with the new 3.5K Super35 Anamorphic 4:3 RAW mode. An even bigger world of cinematic opportunities opens up as the Ninja V and S1H can now be used as an A-camera or smaller B-camera on an anamorphic RAW production.

Improved color pipeline

LUMIX S1H ProRes RAW files recorded to the Ninja V can now benefit from an improved color pipeline in Apple Final Cut Pro X. Panasonic have published a new LUT based workflow that allows the enhanced potential of ProRes RAW files captured from the LUMIX S1H to be realised in the NLE software.

Ninja V advantage

The Ninja V allows users to accurately monitor the RAW signal on its daylight-viewable 5” 1000nit brightness HDR screen. Setup is simple when the camera is attached with perfectly tuned color settings applied automatically. Users can then view the RAW image accurately in HDR in a choice of HLG and PQ (HDR10) formats. The Ninja V offers touchscreen access to tools like waveforms, 1-1 magnification and focus peaking, allowing them to perfect their RAW video. The Ninja V then records the ProRes RAW data onto a removable AtomX SSDmini or other SSD drive. When shooting is complete the drive is removed and connected to a computer via USB for immediate offload and editing.

ProRes RAW the new standard

In addition to their ground-breaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW files – simplifying and accelerating file transfer, media management, and archiving. Even with the new higher 5.9K resolution, ProRes RAW files from the S1H can easily be edited on most modern Macs. ProRes RAW is fully supported in Final Cut Pro X and Adobe Premiere Pro along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

This is available immediately; Ninja V users can download the free AtomOS update for their monitor-recorder directly from the Atomos website.

Over the past few months Atomos has created a series of content pieces with the Ninja V and Panasonic LUMIX S1H, from test footage, to setting up your Ninja V and S1H with PhotoJoseph, to hearing from creators like Stuart Morgan and Krzysztof Sieniawski and their experiences with the great combo of Ninja V & S1H. Please see recent examples below.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Atomos releases full Ninja V firmware update for recording 5.9K 12-bit ProRes Raw with Panasonic S1H

Posted in Uncategorized

 

A mysterious firmware update turns the Viltrox 85mm F1.8 lens into an even faster F1.6 prime

07 Aug

The $ 400 Viltrox 85mm F1.8 lens is a popular choice for Sony E and Fujifilm X users due to its compelling blend of performance and value. Owners have remarked that the lens delivers sharp image quality even when shot wide open. It now appears that wide open can be made even wider with a firmware update allowing the lens to become an F1.6 prime.

Photographer Stefan Malloch has published a video tutorial, seen below, which shows how to use the USB port on the lens to update the lens. This update allows the lens to open its aperture wider, changing the maximum aperture from F1.8 to F1.6. With a simple firmware update, you can get an extra one-third of a stop of light gathering capability.

As PetaPixel notes, there are conflicting reports as to the origin of the firmware. Sony Addict reported that the firmware was released officially in China. FujiRumors, on the other hand, reached out to Viltrox and was told that firmware to turn the F1.8 lens into an F1.6 lens had not been released. All this is to say that installing (possibly unofficial) firmware into your lens is a risk with unknown consequences.

Supposing you still want to update your lens using Malloch’s video above, what can you expect from the Viltrox 85mm F1.6 lens? Malloch also published an overview video of the lens, including sample images.

As mentioned earlier, the Viltrox 85mm F1.8 (or F1.6) lens is available as a full-frame lens for Sony E mount or for the APS-C Fujifilm X system. The fast, autofocus-capable prime lens can focus as closely as 2.62′ (0.8m). The lens includes 10 elements across 7 groups, including 1 ED lens element and 4 ‘short-wavelength and high-transparency’ lens elements. The lens has a 72mm filter thread and weighs 636g (1.4 lbs.). You can learn more about the lens on Viltrox’s website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on A mysterious firmware update turns the Viltrox 85mm F1.8 lens into an even faster F1.6 prime

Posted in Uncategorized

 

Open-source photo management app digiKam gets major update to version 7.0.0

29 Jul

Open source photo management software digiKam has been updated to version 7.0.0, an update that has been a full year in the making. The updated digiKam adds a number of new features and bug fixes, according to the team behind the software, including an important update to the software’s face-detection capability, which now utilizes deep learning technology to better detect both human and animal faces.

The neural network model now used for digiKam’s face detection feature can detect faces in a variety of states and arrangements, including profile shots, burred faces, faces partially obstructed by other objects like sunglasses and more. The digiKam team says that testing the updated feature with ‘huge collections’ revealed a high level of accuracy resulting in few false positives.

Though the workflow for this updated face recognition function remains the same, the digiKam team notes that users will need to train the neural network to recognize the faces of the people they often photograph by tagging them in multiple images. In cases where the algorithm isn’t trained, detected faces are instead marked as ‘unknown.’

Other improvements are coming to the face detection tool and related workflow, as well. Users will soon be able to tell digiKam to ignore certain faces using the Reject button. The software will pin Important face tags in the sidebar and automatically assign face tag icons for a faster, more visual workflow. These features, as well as a handful of others, are being worked on over this summer.

Another project underway for digiKam is improvements to the software’s face recognition neural network engine. The algorithm will be updated to implement new face classifiers for faster and more accurate facial recognition, plus it will receive a new face embedding database and more. The code with these changes is expected to arrive sometime this summer, according to the team, which says that’ll likely drop with digiKam version 7.2.0.

Beyond those face recognition changes and planned changes, digiKam 7.0.0 brings LibRaw 0.20, the new version of this library that enables the software to post-process a variety of raw camera files.

With this update, digiKam has gained support for more than 40 additional raw image formats, including ones from cameras like the Sony A7R4, DJI Mavic Air, Ricoh GR III, PhaseOne IQ4 150MP, GoPro HERO7, and more, including several smartphone models. Users can find the full list of supported formats, including the 0.20 additions, on the LibRaw website.

The changes in digiKam 7.0.0 continue from there, including the addition of improved support for the HEIF image format via the use of the libheif shared library, new support for Microsoft Visual C++ with the goal of an eventual Windows Store release, official support for FlatPak Linux bundle, expanded metadata options, a new ‘HTML5Responsive’ theme for the HTMLGallery plugin, new settings for the SlideShow tool and much more.

Ultimately, the digiKam team explains that over the past year, they reached a new and ‘impressive’ level of development for the software beyond what they have achieved in the past. The update is extensive, adding considerable support and new features to what remains a very powerful open-source alternative to commercial photo management software.

As expected, digiKam 7.0.0 is available to download for free with support for Windows, macOS and Linux.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Open-source photo management app digiKam gets major update to version 7.0.0

Posted in Uncategorized

 

Blackmagic Design is hosting a ‘Camera Update’ livestream tomorrow

15 Jul

Blackmagic Design has announced it will be hosting a ‘Camera Update’ livestream on YouTube at 12pm EDT (UTC -4) on July 29 (roughly 27 hours after this article is published).

No additional information about the event has been shared at this time, but if past Blackmagic Design ‘Update’ livestreams are anything to go by, there will likely be new and/or improved hardware on display. Click through to YouTube using the above video embed and sign up to be notified so you don’t miss the announcement.

What would you like to see from Blackmagic Design, tomorrow?

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Blackmagic Design is hosting a ‘Camera Update’ livestream tomorrow

Posted in Uncategorized

 

Leica’s SL2 gets 187MP ‘Multishot’ mode with a new 2.0 firmware update

22 Jun

Leica has released firmware version 2.0 for its SL2 full-frame mirrorless camera bringing with it the much-anticipated ‘Multishot’ mode amongst other features and fixes.

When it was first revealed last November, Leica said its SL2 full-frame L-mount camera would eventually be able to capture 187MP images via a Multishot mode that would appear in a firmware update sometime in 2020. Now, the new feature is here and ready to be put to the test.

When set to Multishot mode the SL2 will combine up to eight images to create a DNG file up to 187MP. To achieve this, the sensor is shifted in half-pixel increments between each of the exposures.

Due to the Multishot mode using sensor-shifting to capture the high-res images, Multishot mode is limited to electronic shutter capture and automatically turns off image stabilization (both BIS and OIS). In addition to the final 187MP image, the SL2 will also save an image at normal resolution (47MP).

Other improvements in firmware version 2.0 include an updated video menu interface, the ability to change the size of the autofocus field using a long tap and a new setting that will automatically rename formatted SD cards to ‘Leica SL2.’ Leica has also addressed a number of bugs including better detection of M lenses when used with an adapter, a fix for artifacts in DNG files when shooting in ‘Continous — Very High Speed’ mode, a fix for the incorrect focus distance values and updates to wireless connectivity that should provide a faster and more stable connection between the camera and connected mobile or desktop devices.

Firmware version 2.0 for the SL2 is free to download on Leica’s website. Installation instructions and further details can also be found on the firmware download page.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Leica’s SL2 gets 187MP ‘Multishot’ mode with a new 2.0 firmware update

Posted in Uncategorized

 

Adobe’s June Creative Cloud update brings improvements, updates to Lightroom, Photoshop and more

17 Jun

Adobe has released its June Creative Cloud updates, bringing with it a number of new features for its cloud-based product suite, including Photoshop, Lightroom and Adobe Camera Raw.

Adobe Photoshop

First on the agenda is Photoshop for desktop. Adobe has updated its Select Subject tool with new algorithms to help it better recognize what’s being selected and alter its selection accordingly. Specifically, Adobe has worked on portrait selection, which will recognize when a person is being selected and more accurately select the subject’s hair and other details using its Sensei AI machine learning technology.

Adobe has also added rotatable patterns, Adobe Fonts auto-activation (no more messages about missing fonts) and an updated Match Font feature that can detect fonts in an image and suggest similar-looking fonts within your library to use in the image.

You can find a detailed post explaining all of the new Photoshop features in depth on Adobe’s announcement blog post.

Adobe Lightroom

Moving on to Lightroom, Adobe has added a new Local Hue adjustment (ACR, Lightroom Classic, Lightroom CC macOS/Windows, iOS and Android), Versions (Lightroom CC macOS/Windows, iOS and Android), Raw defaults (Lightroom CC macOS/Windows, iOS and Android) and ISO Adaptive Presets (ACR and Lightroom Classic).

The new Centered Crop Overlay makes it easier to center a subject in an image.

The Local Hue adjustment makes it possible to edit the color in select areas of an image, the new Versions feature makes it possible to create and edit multiple versions of the same image without needing to duplicate it, Raw defaults makes it so you can apply specific default settings to Raw photographs to make the images reflect the internal picture profile you’ve set in-camera and the ISO Adaptive Presets makes it possible to change how a specific preset looks based on what ISO the image was captured at.

One of the new features in Lightroom CC for macOS, Windows, iOS and Android is ‘Versions,’ which lets you make multiple edits of the same image without having to duplicate the file.

Other new features include Centered Crop Overlay, Watermarks and Lightroom for iPad finally has an Edit in Photoshop’ option for immediately editing the image in Photoshop for iPad (with a reverse option to ‘Send to Lightroom’ when you’re done with your edits).

The ability to export an image from Lightroom for iPad to Photoshop for iPad and back is a very welcomed addition that’s been requested by users for quite some time now.

Lightroom Classic has also received performance improvements. GPU acceleration for image editing came about last year, but these new improvements focus on a smoother experience while scrolling through your library, searching and filtering collections and scrubbing sliders in the Develop module. Adobe says ‘you’ll experience faster scrolling and less stuttering especially while navigating up and down larger catalogs and sifting through longer lists of collections.’

You can see a detailed breakdown of each of the new features and updates in Lightroom on Adobe’s announcement blog post.

Adobe Camera Raw

The new ACR interface more closely resembles that of Adobe’s more recent Lightroom and Photoshop updates.

Adobe Camera Raw (ACR) has also received an update that brings its interface and feature set more in line with Lightroom. In addition to the Local Hue adjustment, ISO Adaptive Presets and center crop overlay, ACR has also moved many of its local tools to the right-hand side of the interface and put its various adjustment in stackable panels, similar to what’s found in Lightroom’s Develop module. You can also choose whether the Filmstrip (image thumbnails) appears on the left-hand side of the interface or on the bottom, underneath the images.

You can find a rundown of all of the new features on Adobe’s ‘What’s new in ACR’ announcement post.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe’s June Creative Cloud update brings improvements, updates to Lightroom, Photoshop and more

Posted in Uncategorized

 

GoPro releases GoPro Labs, a beta update that adds experimental features to your HERO8 Black

06 Jun

GoPro has announced the release of GoPro Labs, a new program that allows GoPro HERO8 Black owners to sign up as beta testers to test out experimental features that haven’t yet made their way into final products. In GoPro’s own words, ‘Think of GoPro Labs as an insider look at innovative features our top engineers are playing with.’

The first release of GoPro Labs includes a pair of features that were first developed via internal [hackathons](https://en.wikipedia.org/wiki/Hackathons: ReelSteady GO optimization and QR Codes for camera control.

Earlier this year, GoPro acquired ReelSteady, a team of FPV drone operators and visual effects experts that have developed some of the most advanced stabilization and image correction software out there for GoPro cameras. Nothing has come from the acquisition as of this time, but the ReelSteady GO optimization in the GoPro Labs firmware update will allow GoPro HERO8 Black owners to optimize the in-camera rolling shutter correction to better work with ReelSteady’s post-production software.

Below is an example video from ReelSteady showing their image stabilization technology at work:

The QR Codes for camera control in the GoPro Labs firmware update is exactly what it sounds like. By creating custom QR codes with embedded commands, GoPro HERO8 Black owners can add new functions to their action cam without the need for Wi-Fi connectivity. Below are a few examples of features you can tweak via QR code:

  • Wake-up timer for remote start capture
  • Save favorite modes as a visual preset/QR code Motion detection start/stop — only capture video when something is happening
  • Speed detection start/stop — use GPS to determine your speed and automatically start capture at a defined speed
  • Camera scripting — e.g. shoot a time-lapse of a construction site but only during daylight hours (and many other detailed camera controls)
  • Personalize your GoPro with owner information Larger chapters for fewer files when taking long video captures — e.g. 4GB chapters will increase to 12GB.

GoPro has created and shared ten pre-built command QR codes with variables, but if you’re feeling adventurous, you can also create your own using GoPro’s list of action commands and settings commands. Additional support can be found on the GoPro Labs community within the GoPro forums.

To show off what’s capable with the new functionality, GoPro showed how the QR code camera control feature was used by GoPro Technical Fellow (and creator of the QR code feature), David Newman, worked alongside Northrup Grumman Corp. to capture the launch of a resupply mission to the International Space Station. Since the GoPro’s had to be set 72 hours in advance and not touched, he teamed up with his daughter to trigger each camera with a QR code before securing them to the launch pad. As the below video attests to, the results worked perfectly, despite none of the action cams having external power or displays.

View this post on Instagram

GoPro rocks. Raw video. Raw audio. Straight from the camera. Just some simple cuts. That’s a wrap! #gopro #antares #northropgrumman #iss #rocket #nofilter #okaymaybetherewasaNDfilter

A post shared by John + Sara (@reedpi) on

GoPro says these features could one day be unveiled alongside a new camera, but also notes there’s a chance ‘these features may never make it to a camera release.’

If you happen to have a GoPro HERO8 Black on hand, you can read through the installation instructions and download the GoPro Labs firmware update on GoPro’s website. Below is a great rundown of the new features from YouTuber DC Rainmaker:

If you end up creating anything interesting with the GoPro Labs firmware, let us know in the comments below or contact us via our feedback form!

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on GoPro releases GoPro Labs, a beta update that adds experimental features to your HERO8 Black

Posted in Uncategorized

 

Capture One teases upcoming Capture One 20 update, including new heal and clone brushes

06 May

Earlier today, Capture One showed off a trio of major new features coming via a free update to Capture One 20 later this month. The announcement came in a live stream, which you can watch the replay of below, hosted by Product Manager Alexander Flemming and Business Development Manager David Grover.

In the live demo below, the first major new feature coming to Capture One 20 later this month is a revised healing brush for retouching images and removing unwanted spots. In the current version of Capture One 20, the healing workflow comprises creating a new heal layer, select your brush and pick a source point. Further, you can only select a single source point per layer.

In the upcoming update, the software will be able to quickly and intelligently select a source point for each instance of using the heal brush on a single ‘Heal Layer’. Per Flemming, there will be no limit to how many different heal points you can have on a single layer nor has the team found any performance issues when utilizing many heal points.

In the livestream, Flemming and Grover shared a few interesting tidbits about how the new healing brush operates. The first time you use the brush on an image, the software caches the entire image, so that all subsequent uses of the heal brush are much faster. Further, the new healing technology is adept at adjusting the luminosity of your source point to match the area you wish to heal or touch up. For example, if an area in the image with the best match for texture is brighter or darker than the area you are trying to heal, the software can match the source area by brightening or darkening it.

In addition to the new healing brush, there’s also a new clone brush. The clone brush works similarly to the new heal brush, but it creates a ‘Clone Layer’ rather than a ‘Heal Layer’. The clone brush creates a pixel-for-pixel clone, rather than replacing a healing area via a source selection. Basically, the clone brush allows you to copy a selected set of pixels from one area of your image to another area.

In this screenshot from Capture One’s presentation, the new clone brush is being used. Image credit: Capture One

Another addition is the new before and after button, which can be found on the toolbar. In prior versions, seeing a before and after comparison was done via a convoluted process whereby you reset the image and then undid the reset. Now you will be able to simply press the before/after button, which creates a sliding before/after split view, showing before on the left and after on the right. This works at all zoom levels and can be used across multiple images. Users will even be able to edit in this view if they so desire. There’s also a secondary before/after mode where you can view the entire image in its before and after state, rather than using a slider.

The upcoming free update to Capture One 20 includes a new before/after view. You can use this view across multiple images at once as well, as can be seen here. Image credit: Capture One

As mentioned, the update is scheduled to arrive by the end of the month. The update will be free for all existing Capture One 20 users, including those who use Capture One Fujifilm and Capture One (for Sony). For more information on Capture One 20, including pricing information for both subscriptions and perpetual licenses, click here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Capture One teases upcoming Capture One 20 update, including new heal and clone brushes

Posted in Uncategorized

 

AVID Media Composer 2020.4 update moves to 64-bit, delivering support for latest macOS and Mac Pro

05 May

AVID has released a new update for AVID Media Composer, its popular video editing software. The new version, AVID Media Composer 2020.4, includes numerous new features, but the biggest one for Mac users is that the software is finally 64-bit.

Apple’s macOS Mojave was the last version of Apple’s operating system to support 32-bit apps. Apple warned software developers for a couple of years that 32-bit apps would no longer be supported with macOS Catalina. As photographers and videographers alike have upgraded to macOS Catalina or purchased new computers such as Apple’s latest Mac Pro which ships with Catalina, they have had to deal with outdated software no longer being supported. Until AVID Media Composer 2020.4, that list of inoperable software included Media Composer.

In addition to being 64-bit, AVID Media Composer 2020.4 also includes a new Universal Media Engine (UME). This new UME speeds up the entire workflow, right from file ingest, by removing reliance on QuickTime. AVID promises that the new UME will be felt via improved performance during importing, playback, editing and exporting files.

Windows users can now create, edit, collaborate on and export Apple ProRes media natively. This includes full encoding and decoding support. However, per Cinema5D, it appears that this may not include support for ProRes RAW files. On AVID’s latest blog post detailing Media Composer 2020.4, there is no mention of ProRes RAW.

“Get a birds-eye view of an entire 128-track sequence with the Timeline Sequence Map, enabling faster navigation without scrolling or changing the view size.” Image and text credit: AVID

The updates in AVID Media Composer 2020.4 are not limited to under-the-hood improvements, the team has also worked on improving the user interface and making the software more efficient. Additions and improvements include a Timeline Sequence Map, which allows for a full view of 128-track sequence, color coding for bin tabs, Titler+ improvements, bulk editing capabilities, multi-select tools, faster sound separation, new 9×16 and 1:1 aspect ratio mask margins, new color space support, additional workspace customization options and much more.

AVID Media Composer 2020.4 includes new bulk edit capabilities. Image credit: AVID

AVID Media Composer 2020.4 is a free update for all existing Media Composer users. If you are a first-time user, perhaps someone who is looking for video editing software for your new macOS Catalina machine, the software is available via a subscription model. You can subscribe on a per-month basis for $ 23.99/month or for a full year for $ 239.00. By opting for an annual subscription, you save just under $ 50. For more information on AVID Media Composer, click here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on AVID Media Composer 2020.4 update moves to 64-bit, delivering support for latest macOS and Mac Pro

Posted in Uncategorized

 

Canon releases $100 firmware update for professional stop-motion photography

05 May

Canon has introduced a new firmware option for EOS R owners interested in high-end stop motion photography. The firmware, which has to be installed at a Canon service center, adds a number of features to make shooting stop motion easier, particularly for those using the Dragonframe animation application. A new version of the EOS R has also been released that has the firmware already installed.

This is a comparison of the new Live View resolution of 1920×1280 (full screen) versus the original size of 960×640 (small inset). The large preview image makes it easier for the animators to have confidence in the shot and can improve the overall quality of the scene.

The main advantage of the new firmware for animators is the increased resolution of the live preview when the camera is tethered via USB. Without the new firmware, the camera outputs an image of 960×640 pixels, but this is increased to 1920×1280 pixels with the firmware installed. This resolution is higher than all other still cameras compatible with Dragonframe, and the extra detail makes checking the image details and focusing much easier. Output live view resolution from the Nikon Z7 and the Sony A7R IV is 1024×680 pixels, for example, while that from the Olympus OM-D E-M lll is 1280×960 pixels.

Seeing Focus Peaking on the full screen allows the animator to precisely capture fine detail and adjust for desired depth of field.

The downside of the update is that HDMI output is disabled, as are display performance options. Manual focus peaking becomes an option over USB but it will no longer work in the viewfinder or on the camera’s rear screen in a number of situations:

  • When an EF-S lens is used
  • When [Multiple exposure] is set
  • When [Cropping/aspect ratio] is set to an option other than [FULL]
  • When the shooting screen is magnified
  • When you keep holding down the shutter button after shooting

The new firmware costs $ 100 plus shipping to have installed on an existing EOS R camera, and the new version of the camera with the firmware pre-installed costs $ 1899 – about $ 100 more than the standard version.

For more information on the firmware see the Canon website, and for more on the animation software see the Dragonframe website.

Press release

Stop Motion Animation Firmware

Supercharge Your Stop Motion Animation

Whether pre-installed on a new EOS R or manually installed on an existing EOS R the new Stop Motion Animation upgrade for EOS R cameras increases your Live View resolution to 1920×1280 from Canon’s normal of 960×640 when connected to Dragonframe stop motion animation software. This makes it easier for animators to confirm focus and movement within every frame.

Larger Live View

Live view is critical to animators creating stop motion animation films. Animators use the remote live view of the camera to review critical details and make decisions within the Dragonframe software. Canon’s Stop Motion Animation firmware increases the Live View to 1920×1280 – helping animators see subtle movement for refined animation.

USB Manual Focus Peaking

Canon has added Manual Focus Peaking over USB to interface with Dragonframe software.

HDMI Output

Important information about EOS R Stop Motion Animation Firmware:
* HDMI output is not available on the EOS R with this firmware installed
* [Disp. performance] cannot be set
* MF peaking will not show up even if [MF peaking settings] is set to [On] under the following conditions:

  • When an EF-S lens is used
  • When [Multiple exposure] is set
  • When [Cropping/aspect ratio] is set to an option other than [FULL]
  • When the shooting screen is magnified
  • When you keep holding down the shutter button after shooting

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon releases $100 firmware update for professional stop-motion photography

Posted in Uncategorized

 
« Older Entries
Newer Entries »