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Posts Tagged ‘Update’

Leica SL gallery update

18 Feb
Image taken using a Minolta M-Rokkor 40mm F2 adapted using the Leica M-Adapter T and processed to taste in Adobe Camera Raw. ISO 2000, 1/125 sec, F2. Photo by Carey Rose

As we move towards completing our full review of the Leica SL, we’ve been toting it around town just about everywhere, from the grit of Pioneer Square to…well, the grit of a dim living room rock show. Whether you want images at ISO 50 or ISO 50,000, we’ve got you covered – including an adapted Minolta M-Rokkor lens to boot. 

See our updated Leica SL sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic cuts stabilizer hum in Lumix G80/85 and GX80/85 with firmware update

11 Feb

Panasonic has released new firmware for its Lumix DC-G80/81/85 and DC-GX80/GX85 camera models that eliminates the whirring noise caused by the in-body stabilization system while in stand-by mode. Firmware version 1.2, in both cases, also reduces the impact of the noise during video recording, which previously would encroach on the audio of scenes shot in quiet situations. Now in stand-by mode the body is silent whereas before it was really quite noisy.

The new firmware also adds Dual IS 2 to the G80/81/85 when the camera is used with the company’s Leica DG Vario-Elmar 100-400mm F4-6.3 ASPH lens. Dual IS 2 is Panasonic’s improved stabilization system that uses the IS features of both body and lens combined to increase the amount and flexibility of the motion compensation.

For more information see the Panasonic update page.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EF 70-300mm F4-5.6 IS II USM sample gallery update

10 Feb

The Canon EF 70-300mm F4-5.6 IS II USM is a full-frame lens, but this budget-friendly, stabilized tele-zoom will likely appeal to owners of APS-C bodies too. So we’ve updated our initial sample gallery, shot on the Canon EOS 5D Mark IV, with some more images captured with the EOS 80D. Check out the full gallery by clicking the link below; to see everything that’s new in a glance, hit the grid view and use the options on the right to filter the gallery by camera body.

See our updated Canon EF 70-300mm
F4-5.6 IS II USM sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Gallery update: shooting basketball with the Sony a99 II

06 Feb

The Sony a99 II boasts some serious sports shooting capabilities including 12 fps continuous shooting with AF-C. That coupled with its impressive AF system and 42MP full frame sensor make the a99 II essentially the only high-resolution/high speed full frame camera on the market. So to get a sense of just how powerful this beast is, we took it to a University of Washington vs University of Southern California NCAA Division 1 basketball game.

See our a99 II sample gallery update

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Articles: Digital Photography Review (dpreview.com)

 
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Capture One Pro 10.0.2 update adds new camera and lens support

04 Feb

Phase One has released an update for its Capture One Pro software, taking it up to version 10.0.2. The update implements various bug fixes for both the Windows and macOS versions of the software, and adds new support for Fujifilm, Panasonic, Nikon, Olympus, and Canon cameras and Tamron, Panasonic and Sony lenses.

In addition to adding support for the new cameras and lenses, Capture One Pro 10.0.2 now fixes a pair of issues in Windows, one involving the Skin Tone white balance picker not working and another bug that affected the Lens Correction Shift feature.

For the macOS version, Phase One has fixed four issues: the same Lens Correction Shift problem found in the Windows application, as well as Open CL errors, an Error Code 19 issue during batch processing, and a bug affecting the Find and Replace Batch Rename feature.

Capture One Pro 10.0.2 now supports the following cameras and lenses:

10.0.2 Camera Support

  • Fujifilm X100F Support
  • Olympus E-PL6 Support
  • Fujifilm X-A3 Support
  • Panasonic LX9/LX10/LX15
  • Panasonic G8/G80/G81/G85
  • Canon M5 Support
  • Nikon 1 J5 Support

10.0.2 Lens Support

  • Sony DT 18–250mm F3.5–6.3
  • Sony 70-400mm F4-5.6 G SSM
  • Panasonic LUMIX G Leica DG Summilux 15mm f/1.7 ASPH
  • Panasonic LUMIX G LEICA DG VARIO-ELMAR 100-400mm F4.0-6.3 ASPH
  • Panasonic LUMIX G VARIO 7-14mm F4 ASPH
  • Tamron SP 24-70mm F/2.8 Di VC USD (EF Canon)

Articles: Digital Photography Review (dpreview.com)

 
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DxO ONE app update adds support for Facebook Live

14 Dec

DxO has announced an update for the iOS app that supports its ONE camera. Version 2.5 of the app will make it possible to use the camera for Facebook Live streaming. When used remotely via Wi-Fi, the app’s Facebook Live integration allows for switching between the ONE’s camera as well as the iPhone’s built-in front and rear facing cameras. Users can also switch between the ONE and the iPhone’s audio feeds, or set the app to switch automatically when the camera is switched. 

DxO estimates that the app update will be available in early 2017.

Press release

The DxO ONE camera to offer the most accessible and flexible pro-quality solution for Facebook Live

Free DxO ONE camera iOS app update revolutionizes Facebook Live broadcasting with a powerful and professional multi-camera mode

PARIS and SAN FRANCISCO—December 14, 2016—DxO, pioneer in digital imaging technologies, announces a major free update to its award-winning DxO ONE pro-quality miniaturized and connected camera for iPhone that will take Facebook Live broadcasting to new heights. The DxO ONE camera iOS app version 2.5 will introduce the world’s first pro-level multi-camera solution for Facebook Live, enabling users to take full advantage of the DxO ONE’s remarkably compact design, outstanding image quality, and integrated internet connectivity while broadcasting to their followers. Available to all DxO ONE users free of charge, the update is expected to be available in early 2017 via the iTunes App Store.

With the update, the DxO ONE app will embrace Facebook Live, providing the ability to quickly and easily create a live stream with only a few taps of the app. When combined with full Wi-Fi remote control, the DxO ONE will operate as a remote broadcast camera, giving users the ability to experiment with camera compositions and placements that are impossible to achieve with the iPhone’s built-in cameras alone. The DxO ONE’s large image sensor and fast lens combine to provide a shallow depth-of-field and natural looking bokeh that lets users live stream with a level of quality that is breathtakingly cinematic.

The DxO ONE Facebook Live solution provides a sophisticated set of controls, including an elegant multi-camera source panel, that lets you preview all three camera views at once—DxO ONE, iPhone front and back—so you can recompose the shot, adjust the lighting, or prepare your subject before going live with any camera view. You become the technical director, as you seamlessly cut between each of the three cameras on-the-fly with a quick tap. Your audio feed can be sourced from the DxO ONE’s internal microphone, the iPhone’s microphone, or set to automatically switch between the two as you cut between cameras. And of course, the DxO ONE app will allow you to name your Live stream and let you connect with the people who care most, whether it’s a select group of personal friends, or your fans worldwide.

“Because it’s so incredibly compact, the DxO ONE has been my go-to camera for pro-quality video whenever and wherever I need it most,” said Nathan Yamniak, Film Director. “Now with the addition of a multi-camera broadcast control panel, and deep support for Facebook Live, it has become for me and my clients the ultimate pro-quality live broadcasting solution.”

Articles: Digital Photography Review (dpreview.com)

 
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Firmware update adds support for K-AF4 lenses to Pentax K-3 and K-50

02 Dec

Ricoh has released firmware updates for its K-3 and K-50 DSLRs which add support for the company’s K-AF4 lenses. K-AF4 lenses electromagnetically control aperture rather than using a mechanical linkage to the camera body. At time of publication, only the 55-300mm F4.5-6.3 ED PLM WR RE uses this system.

The firmware also improves overall camera stability.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic Design announces update to Video Assist monitors

20 Nov

Blackmagic Design has announced a software update to its 5-inch Video Assist and 7-inch Video Assist 4K monitor/recorders. Video Assist 2.3 allows users to load up to six 3D LUTs when monitoring on their devices, making it possible to view output from cameras in a form that approximates the final color grade of the footage.

In addition, the update adds several features to the 5-inch Video Assist that were previously only available 7-inch Video Assist 4K model. These include the ability to record DNxHD and DNxHR files in MXF format, improved compatibility with Avid systems running on Windows, false color monitoring to accurately judge exposure in different parts of the image, and additional options for customizing focus peaking indicators.

Video Assist 2.3 can be downloaded from the Blackmagic website.

Press release:

Blackmagic Design Announces New? Video Assist 2.3 Update

Major update adds new 3D LUTs, focus assist features and improved DNxHD and DNxHR support!

InterBEE 2016, Tokyo, Japan – November 18, 2016 – Blackmagic Design today announced Video Assist 2.3, a major new update for Blackmagic Video Assist customers that adds 3D LUTs to both models. This update also adds features to the 5” Blackmagic Video Assist including improved DNxHD and DNxHR support, false color monitoring, expanded focus options and new screen rotation features. The Video Assist 2.3 update is available for download now from the Blackmagic Design website and is free of charge for all Blackmagic Video Assist customers.

Video Assist 2.3 Update is being demonstrated at InterBEE on the Blackmagic Design booth 8216.

Customers using the Video Assist 2.3 update can now load up to six 3D LUTs when monitoring video on set with their 5” or 7” Blackmagic Video Assist. 3D LUTs have become an important part of digital filmmaking because they transform the camera images into a look that closely approximates the final look the director wants. The benefit of monitoring with 3D LUTs is that the crew can see the footage as the director intends it, and it’s completely non destructive because the original camera footage remains untouched. The six x 3D LUTs can be stored and recalled at any time by the user and this new feature is available on both the 5” Blackmagic Video Assist model and the 7” Blackmagic Video Assist 4K model.

For customers using the 5” Blackmagic Video Assist model, this update adds new features that were previously released only on the 7” Blackmagic Video Assist 4K model.

These new features include the ability to record to DNxHD and DNxHR files in MXF format which improves compatibility with Avid systems running on Windows. In addition, customers can now choose between DNxHD 220, 145 and 45 bit rates, or between DNxHR HQ, SQ and LB formats when recording.

The Video Assist 2.3 update also adds false color monitoring exposure tools to the 5” Blackmagic Video Assist model. False color exposure tools make it easier to properly set exposure in different parts of the image by highlighting specific color ranges of luminance with a solid color overlay. For example, green indicates neutral grey, while pink tones are good references for skin, which is typically one stop over neutral grey. Using false color helps camera operators keep exposure consistent from shot to shot.
In addition, Video Assist 2.3 update also expands the options for focus assist so customers can now choose whether they want to see red, green, blue, black, white or traditional focus peaking indicators. This makes it easier for customers to accurately adjust focus in a wider range of scenes and under a variety of different lighting conditions. Customers will now also have the ability to manually control the screen orientation and turn off the auto rotate feature which makes it easier for customers to use the 5” Blackmagic Video Assist model with handheld gimbals and other equipment designed to move the camera and rig simultaneously.

“Blackmagic Video Assist is perfect for customers that need better monitoring and higher quality recording,” said Grant Petty, CEO, Blackmagic Design. “This new update adds incredible LUT monitoring to both models, and brings some of the same powerful high end features from the 7” Blackmagic Video Assist 4K model to customers that have the 5 inch Blackmagic Video Assist model. We think the massive number of features on the 5 inch Video Assist model is amazing when you consider it only costs $ 495! Thats why Blackmagic Video Assist has become an essential part of every filmmakers toolkit because they help customers shoot and capture higher quality video with everything from DSLRs to older tape based camcorders, and even the latest digital film cameras!”

Availability and Price

Blackmagic Video Assist 2.3 update is available now and is a free download from the Blackmagic Design website.

About Blackmagic Video Assist 4K

Introduced at NAB this year, the Blackmagic Video Assist 4K is a portable all in one monitor and video recorder that can be used to add professional recording and monitoring to any SDI or HDMI camera. It features a bright, high resolution 7 inch screen for checking focus and framing, two high speed UHS-II recorders that work with the latest high performance SD cards for non-stop HD and Ultra HD recording. Blackmagic Video Assist 4K has multi rate 6G-SDI BNC connectors for input and output, HDMI in and out, two extremely high quality XLR microphone inputs for professional audio recording, a built in speaker, DC power, dual slots for two LP-E6 batteries and more.

About Blackmagic Video Assist

Blackmagic Video Assist is a portable professional monitor and recorder that can be used with any SDI or HDMI camera. It features a 5” full resolution HD monitor that helps you get perfect focus and framing, along with a professional ProRes and DNxHD recorder that uses high speed SD cards and saves files compatible with all modern NLE software. Blackmagic Video Assist has multi rate 6G-SDI inputs and outputs via DIN 1.0/2.3 connections, as well as HDMI in and out. It features a single SD card slot for recording HD resolution video. The touchscreen allows settings, histogram, audio meters, timecode display and much more. Blackmagic Video Assist works with DC power and has dual slots for two LP-E6 batteries.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos releases HDR update to Inferno, Flame and Blade recorders

19 Nov

Atomos has announced a new OS update for its Inferno, Flame and Blade series of professional monitor/recorders, with a focus on improving HDR workflows. Atomos’ AtomHDR technology allows users with Log output from their camera to view up to 10.2 stops of dynamic range on the monitor while providing a preview of what graded footage will look like. Atom OS 7.12 adds support for Sony S-Log, FujiFilm Log and Canon C-Log 3 to the list of previously supported Log formats for Panasonic, JVC, Canon, Sony, Red and Arri cameras. The update is available directly from Atomos.

Additionally, Atomos is offering a limited time cash back and trade in program on some of its Flame and Blade products, with total savings of up to $ 500 on the Shogun Flame (normally $ 1695), up to $ 400 on the Ninja Flame (normally $ 1295), and up to $ 100 on the Ninja Blade (normally $ 495). Full details of the program can be found on the Atomos web site, and the promotion ends January 31, 2017.

Press release:

YouTube goes HDR, Atomos HDR upgrade & $ 500 off for content professionals

Melbourne, Australia – 17th November 2016: Timed with the recent announcement by YouTube for HDR delivery, Atomos announces a new OS update to further broaden HDR compatibility and offers a limited time discount to make the HDR upgrade easier this holiday season.

The HDR wave continues to gather pace with YouTube adding to other content delivery platforms such as Google Chromecast ultra, Sony PS4 Pro, Amazon, Netflix and Vudu in bringing HDR transmission and playback to the growing population of people with HDR compatible TV’s, the leading Christmas gift in 2016. Now the race is on for content developers to create HDR content and with that comes the challenge for creatives to move to a new HDR workflow, in particular to get exposure for HDR in the field accurate. Atomos announces new OS and new promotional pricing to make HDR upgrading easier this holiday season;

  • AtomHDR technology across the Inferno, Flame and Blade Series Pro Monitor/Recorders gives users with a Log output from their camera 10.2 stops of dynamic range, along with our patent pending HDR waveform & HDR slider to make setting exposure for HDR delivery precise, yet simple.
  • •New OS 7.12, which is a free download, broadens Log support to include Sony S-Log, FujiFilm Log and Canon C-Log 3 in addition to previous support for Panasonic, JVC, Canon, Sony, Red and Arri log curves.
  • A limited time cash back and trade-in program which gives up to $ 500 cash back on the AtomHDR range. This brings the price of our HDR, High bright monitor-recorders down to non-HDR, monitor only prices;
    • Shogun Flame MSRP $ 1695, down to $ 1395 w/cash back or $ 1195 w/cash back & Shogun trade-in
    • Ninja Flame MSRP $ 1295, down to $ 1095 w/cash back or $ 895 w/cash back & Shogun trade-in
    • Ninja Blade MSRP $ 495, down to $ 395 w/cash back or $ 320 w/cash back & Ninja2 trade-in
  • The flexibility of both SDR and HDR in the one unit. Expose correctly for HDR in the field but grade the recorded log footage for either HDR or SDR delivery. Those with an eye on HDR for the future but delivering SDR now, will benefit greatly with less noise in their footage by exposing their log footage away from the noisy end of the sensor.

“We are super pumped about YouTube and others move to HDR. They see what we see, HDR is the next big advancement for consumers around the world in imaging” said Jeromy Young, CEO and Co-founder of Atomos, “Now creative filmmakers and photographers alike need AtomHDR in the field to make sure they expose correctly and don’t screw up their shoot before finishing!”

The new pricing & functionality targets a move across to HDR, but the AtomHDR platform does not exclude SDR/Rec709 workflows. It in fact improves it! Exposing Log for HDR = cleaner SDR images ensuring you expose in the cleanest part of the sensor. The 1500 nit high-bright panel also improves SDR workflows making outdoor monitoring a breeze. The Atomos award winning AtomHDR monitors are best in class both now and the future.

For details on the cashback and trade in offers go to: https://www.atomos.com/offers/hdr-upgrade

Shogun Flame and Ninja Flame free OS update can be downloaded from https://www.atomos.com/firmware

Articles: Digital Photography Review (dpreview.com)

 
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Olympus E-M1 Mark II real-world samples gallery and Iceland gallery update

13 Nov
Straight-out-of-camera JPEG – check out the Raw processed image in the gallery. Olympus 25mm F1.2 Pro, ISO 1600, 1/250 sec, F1.2. Photo by Carey Rose

As Olympus’ top-end flagship, the OM-D E-M1 Mark II isn’t small for a Micro Four Thirds camera, but it’s built to be incredibly tough and has room for some impressive technology on the inside and abundant, customizable controls on the outside.

We soaked it at a frisbee match, cranked the ISO at a rock show, took it to the streets and the studio, and tried out the new High Res Shot mode (we even tried it with a live subject with questionable success). Take a look at how the camera’s handled a variety of situations as we continue to work through our forthcoming review.

We’ve also gotten preliminary Adobe Camera Raw support, and have updated our previous Iceland gallery with some new Raw conversions.

Articles: Digital Photography Review (dpreview.com)

 
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