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Insta360 One R Review: An Action Camera With a Twist

13 Nov

The post Insta360 One R Review: An Action Camera With a Twist appeared first on Digital Photography School. It was authored by Suzi Pratt.

The Insta360 One R debuted in February 2020 and was touted as an all-in-one modular action camera that can transform from a 4K wide-angle camera into a 360 camera – or even into a one-inch camera with an ultra-wide Leica lens.

Insta360 One R review with mods
From left to right: The Insta360 Core Module attached to the 4K Mod, the 360 Mod, and the One-Inch Leica Mod.

The Insta360 One R is supposed to be the ultimate action camera alternative to GoPro models and the DJI Osmo Action. But how does this camera hold up in practice, and does it deliver on its promise of being the ultimate all-in-one action camera?

Read this Insta360 One R review to find out!

Recent firmware updates

When the Insta360 One R first came out, some initial reviewers reported technical problems with the camera, such as bugs and low external microphone sound quality. Fortunately, Insta360 responded very quickly to these problems by issuing several firmware updates. A recent firmware update (version 1.2.13) came out in September 2020 and fixed many of these issues.

So if you read a previous negative review of the Insta360 One R, it’s worth revisiting the camera, since improvements have been made over the past few months.

How the Insta360 One R works

Unlike other action cameras, the Insta360 One R is made of 3 pieces: the Core Module with a touchscreen live view display, the camera module, and an 1190 mAh lithium-ion battery base that holds the two Mods together.

The Camera Module can be swapped out for one of three different options: the 5.7K 360 Mod (7.2mm focal length, f/2.0), a 4K wide-angle Mod (16.4mm focal length, f/2.8), or a One-Inch Mod (14.4mm focal length, f/3.2). The touchscreen block can also be attached to the screen facing forward or backward, which is useful for vlogging situations.

The camera’s battery base can be charged via a USB-C cable. It takes roughly 65 minutes to charge fully. You can also get an optional double battery base hub for faster charging. Battery life is rated at about 70 minutes while shooting at 4K/60p. There’s a single micro-USB card slot, and the camera accepts memory cards up to 256 GB.

Which Mods should you get?

There are several different ways to purchase the Insta360 One R.

The Insta360 One R Twin Edition is the most popular option, as it comes with both the 5.7K 360 Mod and the 4K wide-angle Mod. If you want to add the One-Inch Mod, you can purchase it separately to add to your Twin Edition set.

Alternatively, you can buy the Insta360 One R 1-inch edition if you don’t want the extra two Mods. In practice, I found the 360 Mod and the One-Inch Mod to be the most used of the three.

Photo and video capabilities

Like most action cameras on the market, the Insta360 One R can shoot both videos and photos (JPEG and DNG format). The recent September firmware update introduced PureShot, a new AI-powered shooting mode for creating HDR-like photos when editing images via the Insta360 smartphone app.

But while the photo modes on the Insta360 One R are good, the camera excels at video.

Insta360 One R review
Image taken with the Insta360 One R and the 4K Mod before Pure Shot was added.
Insta360 One R sample image
Image taken with the Insta360 One R and the 4K mod after Pure Shot was added.

Note that image quality and resolution depend on which Mod you use. The 4K wide-angle Mod is equivalent to 16.4mm at f/2.8. It produces 12-megapixel photos, as well as videos at up to 4K/60p, plus high-definition slow motion at 1080p and 200fps.

The Dual-Lens 360 Mod is equivalent to 7.2mm at f/2.0. It produces 18.4-megapixel photos, as well as videos at up to 5.7K/30p, though it can also shoot 100fps at 3K.

The One-Inch Leica Mod uses a 14.4mm equivalent wide-angle lens. It can shoot at up to 5K/30p, as well as 4K/60p.

Insta360 One R sample photo
Taken with the Insta360 One R using the Leica One-Inch Mod.

Compact size, but…

Despite there being many pieces to this camera, it is very compact when it is assembled. The size and weight of the Insta360 One R is comparable to your average action camera.

However, there are a couple of drawbacks to the modular nature of this camera.

First, it takes time to take the camera apart if you ever need to swap out the lens or rearrange the position of the touchscreen.

Second, although there is a nice rubber protective sleeve for the 360 Mod, no carrying case for the camera Mods is included, so you’ll have to come up with your own solution.

Action-ready

Since the Insta360 One R is an action camera, it is waterproof up to five meters and can withstand most rugged conditions, though you’ll want to make sure that your Mods are tightly snapped together and assembled in the included mounting bracket before throwing it in the water.

For those wanting to dive even deeper, there’s an optional Dive Case that lets you submerge the camera at up to 60 meters.

Speaking of the bracket:

You’ll have to use it if you want to add a GoPro-like connection point for sticking the camera on a handle or tripod. No tripod or GoPro mount is built into the camera itself.

Insta360 One R sample photo
Sample image taken with the Insta360 One R and the 4K Mod.

Usability

The Insta360 One R can be controlled via the Core Mod’s touchscreen display, or by connecting to the Insta360 smartphone app via Bluetooth. I found the touchscreen display to be the fastest and easiest way to control the camera.

Touchscreen responsiveness is excellent, but the menu differs from that of other action cameras and is not the most intuitive. That said, it’s easy to use once you learn where all of the features are.

Digital lenses for “zooming”

One of the best features of the Insta360 One R is the ability to use built-in digital lenses. You can choose from ultra-wide, wide, linear, and a narrow field of view when shooting both photos and videos. This adds some flexibility to the otherwise fixed lens on the Camera Mod.

Ability to add an external mic

The internal microphones on the Insta360 One R are okay, but there is a lot of noise when you are moving with the camera. If you plan to vlog with this camera and/or want the very best sound, using an external microphone is your best option.

Like other action cameras on the market, the Insta360 One R does not have a built-in mic jack, but you can add one by purchasing a mic jack adapter. This tiny adapter does not add much bulk or weight to the camera, though it can be easy to misplace. Using an adapter lets you add an external microphone such as a shotgun mic or a wireless mic to enhance sound.

When using an external mic, there’s a handy icon that appears on the camera’s display to verify that the mic is connected. Early reviews reported that external mic levels were too low, but that problem has been corrected as of the September 2020 firmware update.

Insta360 One R review
The Insta360 One R with the optional 3.5mm mic adapter and Joby Wavo Mobile microphone.

Image quality and color

Considering that this is a first-generation camera, the image quality for both videos and photos is impressive.

However, as mentioned previously, the Insta360 One R is a video camera first, and that’s where its strengths are concentrated. You can shoot in a flat video mode and apply your own LUT or color grading in post-production. Or you can choose from a color profile built into the camera. New in the recent firmware update is a Vivid color profile, as well as AquaVision, which uses AI to color-correct video shot underwater.

Related to video quality, the Insta360 One R now records video as a .MP4 file as a default. This makes it easier to edit the videos in your video editing software of choice. Prior to the September firmware update, the camera only recorded in a proprietary .INSV video file, which could only be read by the Insta360 Studio app.

Video stabilization

The Insta360 One R provides silky-smooth video footage via FlowState Stabilization, meaning you don’t need to use a gimbal with this camera.

Just note that the stabilization is added in post-production. This means that you must import the video footage into the Insta360 Studio app to enable stabilization, and then export it into your video editing software of choice. This extra step can be a workflow hurdle if you prefer using a single application to edit your videos.

On the plus side, Insta360 has released updates that allow you to add stabilization via Adobe Premiere or Final Cut X. In my experience with Final Cut X, this integration is laggy and not quite usable, but that will likely be fixed in a future firmware update.

Insta360 One R
Sample photo taken with the Insta360 One R and the 360 Mod.

Use it as a webcam

Also new as of the September firmware update:

The Insta360 One R can be used as a webcam when connected to a Mac or PC. In this work-from-home age of Zoom calls and FaceTime, this is a pretty cool feature, especially since the webcam can be used with the 360 Mod to show a split-screen effect of your surroundings.

When using the 4K wide-angle Mod, the webcam also has an automatic face-tracking effect that can follow you as you move around a room. These features are best demonstrated in video format, but they add an extra layer of fun to otherwise monotonous webcam experiences.

Zero bugs

During my month of vigorously using the Insta360 One R, I was pleased to experience no bugs or glitches when using the camera. It was very responsive and did exactly what I asked it to with no delays or problems. While I might’ve just gotten lucky, this was a welcome seamless experience, given the bugs that tend to be present in other action cameras (e.g., GoPro).

High quality and affordable optional hardware

In addition to the camera Mods, there are lots of useful Insta360 One R accessories that may be worth buying, depending on how you plan to use the camera. The fast-charging hub or boosted battery is a good add-on to ensure that you have enough power for a full day of shooting. Also, the Invisible Selfie Stick is handy, not only for shooting 360 videos, but also for regular use as a handgrip or selfie stick.

There are also dive cases for the 4K Mod and the 360 Mod to dive even deeper (up to 60 meters), rugged lens protectors for the 360 Mod lenses, and an aerial Mod to add the Insta360 One R to a drone.

Insta360 One R review
The Insta360 One R with the Invisible Selfie Stick and Bullet Time tripod.

A few drawbacks

Like any other camera, the Insta360 One R comes with a few drawbacks to consider:

If you need a mount, you must use the Insta360 One R in a case

The Insta360 One R must be placed in a mounting bracket to use it with a tripod. This can be cumbersome when trying to place the One-Inch Mod in the bracket and doing a lens Mod change.

(Here’s a quick tip for working with the One-Inch Mod: Unscrew the lens to get it to fit!)

Certain features are only unlocked when editing in the app

The Insta360 One R can shoot time lapses, star lapses, and can even use a cool feature called Bullet Time that produces a drone-like circling effect on a subject. There are also some creative video editing effects that can be applied to videos in post-production. However, the resulting videos cannot be previewed on the camera. You must use either the Insta360 phone app or the Insta360 Studio app to get the desired effects.

This can be a drawback if you would rather use your own editing software of choice and not deal with an intermediary step.

Insta360 One R desktop editing program
Insta360 Studio desktop editing program

An uncertain future

Even though the Insta360 One R isn’t even a year old, it’s still fair to question its future. Will this first-generation camera get an update? If so, what’s the timeline, and will the update take full advantage of the modular camera setup?

Ideally, you could reuse certain Mods and not have to buy them again when a newer version comes out. But since this is a first-gen camera, it’s hard to say what direction the company will go in.

Insta360 One R Review: Conclusion

Future speculation aside, the Insta360 One R delivers on its promise of being a unique, all-in-one action camera.

The ability to go from a wide-angle lens to a 360 lens using the same camera is extremely convenient, and other action camera companies should take note.

You can purchase the Insta360 One R here for just under $ 500 USD.

The post Insta360 One R Review: An Action Camera With a Twist appeared first on Digital Photography School. It was authored by Suzi Pratt.


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SKOUT is a hands-free camera carrying solution that unlocks with a twist

27 Jul

Vancouver-based camera harness manufacturer Cotton Carrier has launched a Kickstarter campaign to crowdfund a new chest-style camera mounting system called SKOUT.

The design, which looks like a lightweight version of Cotton Carrier’s current offerings, is a one-size-fits all solution that’s said to be ‘the world’s most comfortable, secure, and accessible, Sling-Style camera [harness].’

The standout feature of the SKOUT is its patented ‘Twist & Lock’ mount that attaches and detaches your camera from the anodized aluminum hub with a simple twist.

Attaching the SKOUT seems fairly simple. After wrapping it over one shoulder, there’s a single strap that wraps around your torso and snaps into place on the front, securing the entire system. The shoulder strap is padded, so even heavier camera systems shouldn’t put too much stress on your body.

Hidden inside the system is an internal stash pocket that could fit a small phone or a few credit cards. There’s also an included weather guard so your gear stays safe and dry in less than ideal environments.

The Kickstarter campaign still has 13 days to go, but it’s already beat its CA$ 8,000 (approximately USD$ 6,135) goal five times over. There are still a few early bird specials available, which will get you a single SKOUT system for CA$ 64 (approximately US$ 49). The first batch is expected to ship out November 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Throwback Thursday: doing the twist with the Nikon Coolpix 950

03 Feb

Few cameras in the early days of consumer digital photography are as legendary as the Nikon Coolpix 950. This graphic pulled from the DPReview archives says it all:

In case you’re wondering, the answer was ‘yes’. It earned a ‘Highly Recommended’ award, with site founder Phil Askey calling it an ‘important camera at an important time for digital photography.’

The thing about the Coolpix 950 that grabbed the most attention was, of course, its rotating lens (or was it the body that rotated?). It wasn’t Nikon’s first camera to use that design: the original Coolpix 900 has that honor. 

The lens was reasonably fast (F2.6-F4), though its equivalent focal length of 38-115mm didn’t make it a great choice for wide-angle shooters (and forget about selfies which, thankfully, didn’t become a fad for another 15 years or so.) Nikon did offer accessory lenses for the 950: a telephoto adapter that doubled the focal length, a wide-angle adapter that dropped it to 24-72mm and a fisheye adapter with a 183° field-of-view.

The CP950 had a whopping 1/2″, 2.1 Megapixel CCD, which saved those 1600 x 1200 images to a CompactFlash card. Nikon made a lot of noise about the camera’s autofocus system, boasting that it had 4,746 steps, allowing it to be ‘unerringly accurate.’ The CP950 could shoot continuously at a speedy 1.5 fps and featured Best Shot Selector, a feature which Nikon cameras offered for many years, which took three shots in a row and picked the sharpest one. Another feature that was a big deal then was automatic file numbering.

The Coolpix 950 had a magnesium-alloy frame and feels as solid as a modern-era enthusiast camera.  As you can see, it had a built-in flash. What you can’t see is that it also had a flash sync terminal, and Nikon sold a flash bracket for off-camera Speedlights.

As with most cameras those days, it had an optical viewfinder along with a 2″, 130k-dot LCD that doesn’t look very good in 2017. The physical controls and menus may have been competitive then, but they’re baffling now.

The CP950 was priced at $ 899 back in 1999, which is just under $ 1300 in 2017. That would make this Coolpix one of the most expensive fixed-lens cameras on the market. While it’s hard to imaging paying that now, back in ’99 the Coolpix 950 was definitely worth the price.

Read DPReview’s Coolpix 950 review

Articles: Digital Photography Review (dpreview.com)

 
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Lensbaby Twist 60 real-world sample gallery

06 Aug

Lensbaby’s Twist 60 is all about the bokeh. It promises appealing subject/background separation with Petzval-like swirly bokeh, offering an F2.5 maximum aperture. The Twist 60 is part of Lensbaby’s Optic Swap system and is currently offered for Canon, Nikon and Sony E mounts. We just couldn’t resist taking it out for a spin  — and we have to confess that we stuck mostly to wide open apertures in order to get the full swirly effect.  Take a look at our samples below, and stay tuned for more thoughts on swirly bokeh!

Articles: Digital Photography Review (dpreview.com)

 
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Swirly bokeh: Lensbaby announces Twist 60 lens

12 Apr

Lensbaby has announced the Twist 60, a new lens for creative photography. From what we can see, the Twist 60 is all about bokeh. The 12 aperture blades and a maximum aperture of F2.5 should give a soft, well-rounded bokeh with good separation of the subject from the background, but the real ‘twist’ is just that – the twist. Specifically the twisty, swirly bokeh. Lensbaby claims the lens is modeled after Joseph Petzval’s Classic 19th-century design, giving photographers the ability to introduce and control that distinctive circular bokeh that is unique to Petzval-type lenses.  

We are interested to see how this lens performs, as it is almost half the price of similar lenses recently announced and it is available (via the Lensbaby Optic Swap System) in a wide variety of mounts.

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The Twist 60 is available for pre-order starting April 12, 2016 and is currently offered in Canon, Nikon, and Sony E mounts. It is priced at $ 279.95/£196 for the full lens or $ 179.95/£126 for the Twist 60 Optic (for use with other Lensbaby Optic Swap System lenses).


Press release:

Lensbaby’s New Twist 60 Lens Exudes Pure Magic of Vintage Photography

Company’s love of old lenses inspires new creativity with classic image elements optimized for full frame photographers
 
Portland, OR – April 12th, 2016 – Lensbaby, makers of award-winning creative effects lenses, optics and accessories, today announced the availability of the Twist 60 lens. Twist 60 helps creative photographers find their visual voice by seeing the world differently.
 
This metal-bodied 60mm f/2.5 lens with gold anodized accents creates powerful portraits, spotlighting subjects by freeing them from their background and surrounding them with swirly blur and enhanced vignette. The brighter the aperture, the greater the swirl and the greater the vignette.
 
“Twist 60 embodies our love of old lenses and their unique ways of helping photographers discover creative possibilities,” said Craig Strong, Lensbaby Co-Founder & Chief Creative Officer. “True to an 1840 design by Joseph Petzval, this lens reveals striking separation between subjects and their background, a quality that modern lens designs lack.”
 
Twist 60 Lens specs:
? 12 blade f/2.5-22 aperture
? 60mm focal length
? Twisty, swirly blur
? Recommended for use on full frame cameras
? Available in Canon EF, Nikon F, and Sony E mounts
? 4 elements in 3 groups
? Filter threads: 46mm
? Black anodized body with gold anodized aperture ring
? Minimum focus distance – 18”
 
Availability
Twist 60 lens retails for $ 279.95 and is available via pre-order beginning April 12, 2016 (shipping May 5th, 2016). Twist 60 Optic will also be sold separately for use with other Lensbaby Optic Swap System-compatible lenses. It retails for $ 179.95. For best results, when using it in a tilting Lensbaby such as the Composer Pro, photographers should shoot with Twist 60 pointed straight ahead. Lensbaby products are available at lensbaby.com, B&H, Adorama, and from select specialty photo stores worldwide.
 
About Lensbaby
For over a decade, photographers have relied on Portland, Oregon based Lensbaby to help them break free of routine, tinker, and open themselves up to unexpected results – dancing, playing and delighting in what’s possible with a creative lens and their imagination.

Lensbaby makes award-winning creative effects lenses, optics and accessories that follow this philosophy, including the Velvet 56, a versatile portrait and macro lens; their unique Optic Swap System, which lets photographers swap their optic and tilt their lens for limitless effects; and mobile lenses that transform everyday smartphone photography. Lensbaby products are sold and distributed worldwide. For more information, visit www.lensbaby.com

Lensbaby Twist 60 specifications

Articles: Digital Photography Review (dpreview.com)

 
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Worlds on End: Geometrically-Rotated Photos Twist Landscapes

13 Jul

[ By WebUrbanist in Art & Photography & Video. ]

reflected landscape

In a smooth and simple motion, a single section of each image in this series is utterly transformed, this piece rotated until it sits precisely upside down with respect to the original scene.

reflected urban setting context

While some feature more complex shapes, in general the process is extremely straightforward and geometry recognizable: squares or circles, centered horizontally (and sometimes vertically) in the frame, turned precisely 180 degrees.

reflected forest mountainside

reflected black white trees

reflected cityscape at night

Victoria Siemer lives in New York City but graduated upstate – reflecting both country and cities, her modified pictures span both natural and urban landscapes but share common themes and methods. What began as a college thesis about fragmentation of self and emotions has morphed into a larger series of shots and prints.

reflected waves surfs up

reflected forest walk

reflected fragmented animal

reflected angular approach

While her surrealistic approach includes everything from universes in coffee cups to cliffs suspended in space, this particular group of works is compelling as much for its quiet directness as anything. Without a clear message or meaning, it is up to the viewer to interpret the results and put these fragmented images back together in their mind’s eye.

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[ By WebUrbanist in Art & Photography & Video. ]

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A Twist on the 365 Project: One Second a Day Video Project

02 May

Extra photos for bloggers: 1, 2, 3

Doesn’t it feel like 2012 was just a couple weeks ago?

Maybe your New Year’s resolution was to start a 365 Project where you snap a photo every day.

Well, what if we told you that you can make a time-lapse of your life by taking a one second clip every day? That’s what Photojojo pal, James Bernal did for the all 366 days of 2012.

Think about how awesome yours would look — it’d be a 6-and-a-half minute mosaic of your year!

James put together an awesome guide detailing how to shoot, what to shoot, and how to keep going when you’re ready to set the camera down.

A Guide to Shooting One Second a Day

p.s. Win a traveling photo booth! We’re giving away an Instax camera & more with Brit+Co. Enter to win right here.

p.p.s. Even moar giveaways! Our pals at SnapKnot (the wedding photographer directory) are giving away a Nikon D800 or Canon 5D Mark III. Here’s how to enter.

Why it’s cool:

First, watch this. The one second a day video James made of his 2012.

2012 in 366 Seconds from James Bernal on Vimeo.

Sometimes, we take our days for granted. A project like this will help you reflect on your life as it happens.

Imagine being able to look back on any day and instantly remember what you did, who you met, what you learned, or how you felt.

While you’ll be able to have a really nifty video time capsule of your life and a fun way to share your year with others, it can also be an ingenious and powerful way for you to be able to remember what you’ve accomplished over the year and how you want to make it even better.

Undertaking this project will also improve your camera skills. For real! Keeping your eyes peeled for your one second each day, you’ll be sizing up the world for good moments and you’ll naturally want to attempt new shots to keep it fresh.

When to Start:

paint-sm While you might think you missed the boat with starting off your project on January 1st, 2013, the truth is, this is about your life and you can start your project anytime!

You can start it on your 27th birthday, the first day of your round-the-world trip, a random Tuesday, on your first day of college, or Chinese New Year!

There’s also no rule for how long it should be, so you can keep this up for 3 months or a whole year or even keep doing it for the rest of your life!

Tools For Putting it all Together:

paint-smA Camera.
Or even better, all the cameras. You can use any camera that’s able to take video, and preferably at least 720p so you can share it with the rest of the world.

You don’t have to stick to one camera either, so don’t be afraid to use different ones as long as their quality is as good as your main camera. Nowadays, most smartphones, point and shoots, and GoPros can shoot in glorious HD!

An Editing Program.
You’re going to need to put this puzzle together somehow! Some editing programs have more bells and whistles than others but you won’t need to get too over your head.

All you really need is to put your clips in order and find a sweet song to make it all flow together nicely. Our suggestion – iMovie and Windows Movie Maker are free and work just fine.

If you’re planning on using an iPhone exclusively as your one and only camera, then there’s now a recently launched app that helps keep you organized and edit all your footage together! It’s called One Second Everyday.

STEP 1: GET TO SHOOTING

paint-sm Get out there and shoot your one second clip everyday! Take your camera everywhere. Yeah guys, everywhere.

You never know what you’re going to encounter once you walk out your door. Take it to work, parties, the beach, school, the DMV, wherever.

Document the first time you tried a churro, your walk in the park, that bike ride over the Brooklyn Bridge, or maybe the impromptu dance party that erupted while you were waiting for the bus.

Take a Step Backward!
It’s easy to get so wrapped up in being a cinematographer that you forget to take a look around you and give us a little more context about where you are.

paint-sm

If you’re pointing your camera at a delicious pizza you’re about to eat, it could be even more interesting if you take a couple steps backwards (but watch your step!) and show us you’re eating a pizza … at the Grand Canyon.

Get Creative.
We’re not gonna lie, taking a memorable video of each and every day is going to be a tough workout for your eyes and brain, but hang in there. We know you can do this!

Try out new angles and different techniques, or maybe throw in a one second time-lapse in there if you’re pretty handy with that stuff. Don’t forget to hand your camera to others from time to time so you can also make a cameo in your video!

Sticking with this project, you’ll naturally become more creative with your shots when you’re forced to come up with something new every single day.

Get a reminder.
There might be days you’re so busy you forget all about your project. Don’t let up! Put an alarm or a reminder on your phone to make sure you remember to snap a video of something each day!

STEP 2: GET UP AND GO OUTSIDE

paint-sm Seriously, you guys, keep shooting.

There are 86,400 seconds in a day. More than a few of those are gonna be totally worth getting on tape!

Everything is fair game.
From your awesome roadtrip, to the C- you got on your biology test, to that flat tire you had to change (in the snow!), everything is worth documenting.

It’s natural to want to remember all the good times but don’t be afraid to point your camera at some of the less-than-stellar moments. It’s all part of the story of your life and every moment is equally important.

Don’t Stop.
This is the most important tip.

You’re gonna get tired of shooting a second a day, and you might want to skip a day. Don’t give up.

Even if you think there’s nothing interesting happening, go outside and make something happen. There’s always something worth documenting, even if it’s just you walking your dog (especially if it’s a particularly awesome dog).

I also found it helpful to tell my friends about my project and they were crucial in keeping me motivated. They’d even ask “Hey, can I be your one second clip today?”

STEP 3: DOWNLOAD YOUR FOOTAGE

paint-sm As the days fly by and you fill up your memory cards with footage, you’re gonna have to start downloading your footage to your computer.

It’s going to be a little different from computer to computer, but it’s pretty simple. Make a main folder, and organize your clips in a way you can easily keep track of what’s where.

More importantly, stay organized. Seriously, guys, 365 different video clips are as unruly as a bag full of puppies (although not as cuddly and definitely not as cute).

You’re gonna have a much easier time if you regularly organize your clips into folders for months over the course of your project. It would also be a really good idea to make a backup of all your footage so you don’t lose all your work in case an elephant stomps on your computer.

Step 4: START EDITING

paint-sm Import your clips into iMovie (free) or Final Cut Pro if you’re a Mac fan. If you’re running windows, try Windows Movie Maker (free) or Adobe Premiere.

Most movie editors are laid out with a little area for all your clips and another area called a timeline. The timeline is where you’re gonna be placing your clips and organizing them.

Editing is a lot like solving a puzzle – you’re moving all your clips around into the right order by date. While you rearrange the clips where they belong, you can start ‘trimming’ them down to 1 second each.

Those fun kids over at Vimeo have a couple good lessons to help get you started on whatever editing program you’ve got!

  • Editing with Windows Live
  • Editing with iMovie
  • Trimming & Cutting with iMovie

STEP 5: THROW A PHAT BEAT ON IT

paint-smJust like photography, music is a universal language. Go through your music library and find a bumpin’ song that you can add to your video!

Was there a song that was your jam while you were shooting this project? If Polka is your thing, that’s cool too! Try out a couple different songs and see which one sets the mood you’re going for and really goes with the flow of your movie.

STEP 6: THE HOME STRETCH

Add some titles, effects, and finishing touches to your video.

Hit the export or share button and upload it to Youtube or Vimeo, so you can showcase your masterpiece to the world!

Wanna see more examples? Here are two more of our favorites!

Brittany Bravo’s 2012.

Cesar Kuriyama’s Year 30.

1 Second Everyday – Age 30 from Cesar Kuriyama on Vimeo.

Take it further

  • Watch Cesar Kuriyama’s TED talk all about the making of video (above). It’ll inspire you!
  • Get more advanced with your video editing, try a time-lapse.
  • Learn how to make a stop-motion video!
  • Check out our guide to Project 365, the inspiration behind the one second a day video

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