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Posts Tagged ‘Travelling’

Tips for Pre-Planning City Photography When Travelling

26 Oct

You have finally arrived. After all the planning and decisions you are in one of the most beautiful places in the world. You have rested, and now you’re ready to go out to see what you can photograph.

You look around and realize you’re overwhelmed, and you’re experiencing sensory overload. You can’t figure out what to photograph, as there are too many options, and you don’t know what will make a good image.

leannecole-city-manhattan-skyline

Manhattan at dusk from Brooklyn Park

This is a common problem when you find yourself somewhere that has so many amazing places to look at, and to photograph. It happened recently in New York to someone I was travelling with. She couldn’t work out what to do and how to approach where she was. She felt lost in a world of so many beautiful things to take photos of.

If you find yourself in a similar situation, here are some tips to help you get past that.

Figure out what you want to see

Think about why you have travelled to this destination. There have to be reasons why you wanted to go there. It might be a good idea to do some research and get an idea of what you would like to see ahead of time.

Make a list

Once you have that, the next thing to do is to make a list of the places you want to visit. For example let’s say you are in New York City. Some examples of places to visit and things to do include:

  • Empire State Building
  • The Flatiron Building
  • Walk over the Brooklyn Bridge
  • Times Square
  • Take a ride on the subway
  • Explore Central Park
  • Pay your respects at the 9/11 Memorial

Of course a city like New York is full of amazing places to go and photograph, these are just a few.

Work out on a map, or, if you have internet access, Google Maps, where they all are and how many of them are near one another. You don’t want to see them all on the same day, so divide them up over a few days.

What is the best time of day to shoot your chosen locations?

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The Flatiron Building in New York just after sunrise.

It’s good to see where they are on the map as well for orientation. Can you see where they will be according the position of the sun each day? Take the Flatiron Building for example, would it be better to photograph it in the early morning, or in the late afternoon. Early morning during the sunrise could give you a lovely colour in the sky, but it will also mean that there will be less people around. If you are anything like me and don’t like people in your photos, then early morning can be the best time to see and photograph places.

Then again, if you want to photograph Manhattan after walking over the Brooklyn Bridge then late afternoon is going to be a better time. You get the sunset and then the lights coming on in the city.

The number of people at these places is also something to consider. New York is full of tourists, though many popular cities around the world are the same, so you need to think about whether or not you want them in your images. You can get photos without them, but that can take patience.

How are you going to photograph your chosen spots?

This is the part that can baffle a lot of people. Once you have narrowed down what you want to take photos, next you have to decide how to do it. There are several options, these might help you decide.

It is very easy to walk up to a building, hold the camera up to your face, click, and then you’re done. That is often what you see tourists doing, the “I’ve been here and done that” type of image, but as photographers we usually want more than that. You can get a lot more from a location- here are some tips to help you get better images:

1 – Photograph everything

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A close-up of the clock at Grand Central Station or Terminal

With the age of digital, not having to worry about how much film is going to cost to buy or process, you really can photograph everything. If something catches your eye, then take a photo of it.

Don’t analyze why, just do it. You can think about things too much, but keep in mind that you are there to take photos and it doesn’t matter, just snap away.

2 – Focus on the details

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Detail of the Flatiron Building in New York.

Sometimes if you just look for the little things, the shape of a door, or some ornate decoration above a window, it can make a big difference.

Old buildings are great for giving you lots of details. They were often built using heaps of ornamental decorations around doors or windows. Besides taking photos of the whole building or location, think about smaller things, and how a close-up of a certain aspect can help give more of an idea of what it looks like.

If you look at the Flatiron Building, first you see the oddity of its shape, how it is placed within its environment, and then you start to see the stonemason’s work on the sides. It is covered in lacework and small sculptures.

New buildings don’t have the type of stonework as the older ones, but you can still get some interesting images. Often instead of small things, the buildings themselves are one large shape. It can be good to find that shape and the best way to take an image of it.

Take the new World Trade Centre, or, as it is commonly called, the Freedom Tower. It is an incredible shape which stands out all over the city. There is no denying it when you see it. Look at its form, and see if there is anything unique about it.

3 – Consider its position in the environment

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Looking through Manhattan Bridge to the Empire State Building.

The situation of the object you are photographing can help tell the story of it. Look around and see what else is there. Is it a busy street? Do people use it a lot? Is there a strange juxtaposition of what it is and where it is located?

Central Park is so big, yet it seems almost a contradiction to see it inside a city of steel and glass. It can be seen as an escape, yet in certain places you can see the city above the line of trees.

4- Look inside

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The staircase and ceiling in the New York Public Library.

There are many buildings that you can also photograph inside. Just make sure you have permission to do so first.

Once inside don’t use the flash on your camera, it will give your a strange look and, if it is a big room, will have little affect. Most public buildings frown on the use of flash as well.

Once you go into a building you will need to make your ISO higher, so don’t forget to raise it when you go inside.

Staircases are wonderful to photograph in both directions. Old buildings often have wonderful light fittings and very ornate ceilings, try to capture those.

leannecole-city-central-park

New York appearing above the trees in Central Park and the Bow Bridge.

Before you head out the door

Remember what you want to do when you are out taking photos. If you make a list of what you want to photograph, or a summary of this list, then you will get what you want.

If you are going to the Flatiron Building your list might look like this:

  • From across the street and straight on
  • From the left looking down the side street
  • Do the same on the right
  • Stand at the bottom and look straight up
  • Zoom-in on some of the different details on the building
  • Move to one side and have the building on the left or right and then show the street it is on

This can be a good way to get the shots you want. You don’t want to get back home and wish you had done something else.

If you think about all of these aspects of travel photography then it should help you to get over your feelings of being overwhelmed. It will help you focus on what you want to photograph, and how you want to see the city through your camera.

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The post Tips for Pre-Planning City Photography When Travelling by Leanne Cole appeared first on Digital Photography School.


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Finding Balance Between Photography and Friends When Travelling

18 Sep

If there is one common thing that gets photographers fired up and excited, it’s the prospect of travel. Just like most other artists, you need your creative fire stoked and it’s hard to beat a walkabout to some exotic foreign land (or even a Cow Safari).

The new surroundings, different cultures, or new experiences are the perfect excuse to charge your batteries, clean your lenses and format those memory cards (you do format your cards before you use them, right?).

Colonial architecture in a historical Mexican town

Exotic lands just might be the ideal catalyst to get the creative juices flowing.

If you’re wandering out into the world solo, you have full photographic freedom to choose where you go and how much time you spend there. However, you may often find yourself with accompaniment on these excursions in the form of friends, your significant other, or family. The more obsessive of a shutterbug you become, the more challenges you are going to face, in order to strike a balance between being selfish for your own passions, and trying to appease everyone.

I can’t tell you how many times I’ve wandered off into the photographic zone, and inadvertently ignored my traveling companion. Once I realize, I glance around thinking they probably abandoned me, only to see them half asleep on a bench or standing hands on hips, not looking happy.

If your travel partner (s) are as psyched about photography as you are, read no further, you have it made. Unfortunately this isn’t usually the case so we need to muster up some diplomacy to keep things running smooth.

The trade-off

While traveling, whether with a significant other or friends, one method that will help you reach that middle ground is to make a conscious effort to take photos of them along the trip, in exchange for you being able to wander around a little more, or spend some extra time shooting. Of course this doesn’t necessarily have to be a spoken exchange, but often it will just work out this way.

Capture photos of traveling companions

Capturing some fun shots of your traveling companions goes a long way towards striking the balance between photography and sharing the experience.

To make this work well, you need to actually put some time, effort, and thought into the shots. You can’t just snap a quick shot of them by the doors of an old church, then spend an hour on various compositions of the doors themselves. Get a remote flash and use it off-camera to get some nice lighting and flattering portraits. Have them pose in interesting positions and underexpose some shots to create cool silhouettes.

The concept is to not only get some memorable shots of them in the exciting places you’re traveling to, but to engage them in your process, and make them feel like they’re not traveling alone.

Careful planning

Although a big part of traveling is embracing surprises and the discovery of new things, a little diligence in planning can help you get the shots you want without sacrificing your relationships.

Using a city map to plan the day

A little forethought and planning can help make adventures run smoother.

If you think ahead about the places you want to photograph and when the light will be best, you can work up an itinerary that can flow more smoothly without waiting around for the light. Want a sunset shot on the coast or golden hour light for that cityscape panorama? Think about planning for dinner on the water, and showing up a little early or find a rooftop bar for a drink.

There are apps that can help you with this planning such as Stuck On Earth or even Google Earth.

Breathing room

While traveling or going on vacation with others can be a blast, there’s nothing wrong with splitting up sometimes. Especially on long trips, it can be a strain on relationships to spend every waking moment together, and a couple hours of solo-exploring can be a nice respite.

Solo adventure

A few hours of splitting up to pursue varying interests can work wonders.

Again, if you can figure out how to plan this ahead of time, all the better. Maybe there is some cool architecture near a shopping mall or an outdoor market that can provide activities for all involved.

Go with the flow

Then there is, of course, the path of least resistance. If you are willing to sacrifice the time-consuming or contrived shots, you can always wing it and see what happens. This is also the default position you might find yourself in anyways – after all, plans are made to be broken.

This approach can also be a good exercise in picking up your pace, and developing a keener eye. Maybe this entails ditching the tripod at the hotel, and venturing out with only one lens (tragic, I know). Be resourceful instead; find a firm surface and use the self-timer for dark shots, and use a zoom lens or challenge yourself to rely on a fixed focal length lens for your compositions.

Life is all about compromises. It’s important to keep in mind that not everyone shares the same passions, and you should do your best to try and see the situation through your travel partners’ eyes.

“Learn the wisdom of compromise, for it is better to bend a little than to break.”

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The post Finding Balance Between Photography and Friends When Travelling by Jeremie Schatz appeared first on Digital Photography School.


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Video Tutorial How to Manage Your Lightroom Catalog While Travelling

07 Jul

Last week I shared one of Serge’s videos on some of the new features of Photoshop Creative Cloud (CC). Serge is a French photographer in Paris and was recently doing a workshop with our very own dPS writer Valerie Jardin. So I’ve approached Serge and hopefully he’ll be doing some videos just for you on dPS shortly.

Until then he has many helpful videos already, you can search through his YouTube library. I found this one and thought I’d share it as this is something that comes up a lot on my travel tours and workshops about travel photography. How to manage your Lightroom catalog while travelling or on the road. You should get some good tips from this – have a watch.

Need more Lightroom help? Try these:

  • How to Convert Photos to Black and White in Lightroom
  • Mastering Color in Lightroom using the HSL Tab
  • Save Tons of Editing Time with Lightroom Presets
  • The Triangle of Color Adjustments in Lightroom

The post Video Tutorial How to Manage Your Lightroom Catalog While Travelling by Darlene Hildebrandt appeared first on Digital Photography School.


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