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7 Tips – How to Add Depth and Dimension into Your Photos

29 Dec

Photographers have the same dilemma that painters have faced for centuries – how to show a three-dimensional subject in a two-dimensional frame. When you add depth it helps create a sense of place and draw the viewer into your images. It also shows a deeper understanding of the principles of composition in photography.

The techniques and tips listed in this article will help you convey a stronger sense of depth in your photos.

1. Use leading lines

One of the easiest ways to convey depth in an image is to use a wide-angle lens and include lines that move from the bottom of the frame to the top. This technique is used mainly in landscape and architectural photos.

how to add depth and dimension in composition

The lines don’t have to be obvious. Take this photo as an example.

The rocks form natural lines that lead the eye from the foreground to the island on the horizon.

how to add depth and dimension in composition leading lines

In the image below, the waterways in the middle distance take the eye through the photo to the distant mountains. They are meandering, rather than straight, which helps give the image a more organic feel that fits well with the theme of landscape.

how to add depth and dimension in composition

2. Use perspective

This photo demonstrates how lines can add depth in a different way.

how to add depth and dimension in composition - perspective

The buildings form converging lines that disappear towards the horizon, creating a sense of depth very effectively. This technique is similar to an artist’s use of perspective. I’ve added lines so you can see how it works.

how to add depth and dimension in composition - perspective

3. Think foreground, middle ground, and background

Most photographers are familiar with the rule of thirds, but when it comes to conveying a sense of depth it is helpful to break the photo up into a different set of thirds – the foreground, middle ground, and background. What you’re looking for is a way of connecting the three that pulls the eye through the photo. Having three distinct zones in the image helps create a sense of depth, three dimensionality.

Leading lines are one way of doing this, but lines are not always present in a scene. When that happens you need to look for something else. Often, that simply means including something interesting in the foreground.

For example, in this photo, there are some buildings in the background, a concrete jetty in the middle, and the edge of another jetty in the foreground. I included the last one deliberately to help create a sense of depth.

how to add depth and dimension in composition

Here’s another example below. Including the rocks in the foreground creates a composition with three distinct zones (foreground, middle ground, and background) that the eye moves through, creating depth in the image. It helps that the wide-angle lens that was used makes the rocks seem quite large in comparison to the distant cliffs.

Depth and composition

4. Use aerial perspective

Another technique that helps convey a sense of depth is aerial (or atmospheric) perspective. This is where the atmospheric conditions make things in the distance appear hazy. When you see this occur, it is a good idea to see if you can find a way to include it in your composition. In this photo, taken in Beijing, you can see that the trees in the distance on the left side are obscured by atmospheric haze.

how to add depth and dimension in composition  - aerial perspective

This is reinforced by the converging lines formed by the walls. The two techniques are working together to show depth in the image.

how to add depth and dimension in composition  - aerial perspective and lines

5. Shoot through something

The techniques explored so far work best with wide-angle lenses. The nature of a telephoto lens is that it puts distance between you and the subject, which leads to a flatter perspective that doesn’t show depth as well as a wide-angle lens. But there are different techniques you can use with telephoto lenses to create a sensation of depth.

One method is to shoot through something that is between you and the subject. In the photo below, the subject is the setting sun. I shot through grass (and focused on the grass, throwing the sun slightly out of focus) to add a sense of depth to what otherwise could have been a very flat image.

how to add depth and dimension in composition  - telephoto

The photo also makes a good use of another technique, including shadows in the frame, to reinforce the depth.

You can also use this technique with portraits. I created the portrait below by shooting through the branches of a tree.

Depth and composition

6. Use selective focus

Both of the photos shown for the previous technique also use selective focus. That’s where you deliberately set a narrow aperture and focus on the subject, throwing the background out of focus. It’s especially effective with portraits, as the blurred background helps separate the model from the background, in turn creating a sense of depth. The following portrait was taken at f/2.0 with the lens focused on the model’s eyes.

Depth and composition

7. Convey depth through color

It’s also useful to think about what happens to colors in the background when you use a telephoto lens with a narrow aperture to make a portrait. When the background is out of focus, colors merge into each other. A good contrast between the colors in the background and those the model is wearing also helps convey depth.

For example, in the next portrait the use of color is very subtle. The background is nearly white, without any distracting colors. It is out of focus and doesn’t distract from the model’s face. His sweater is the most colorful part of the photo, and helps separate him from the background.

Depth and composition

You can take this idea to its extreme by using off-camera flash fitted with an orange gel. When you do this, the model is lit by orange light (from the gelled flash), but the background is lit by colder ambient light. This technique works well at dusk when the ambient light has a natural blue color.

In the example below, the model was lit by single Speedlite fitted with a 60cm softbox and a CTO (Color Temperature Orange) gel.

Depth and composition

Your turn

These seven tips should help you create stronger photos with more depth. What other ideas do you have for creating and adding depth into your photos? Please let us know in the comments below.


If you enjoyed this article and would like to learn more about composition then please check out my ebook Mastering Composition.

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5 Top Tips for Incredible Headshots Every Time

21 Dec

Headshots are arguably the unsung heroes of the photography world. They’re everywhere, from social media profiles and advertisements to portfolios and hanging on the walls of the home. These carefully crafted images didn’t take themselves, though.

If your headshot skills are a little wanting, there are a few tips you could take to improve your game. If you’re after magnificent snaps, for personal or professional reasons, follow these steps for a perfect shot every time.

1. Let the eyes be the stars

Eyes headshot tips Eyes headshot tips

As cliché as it may sound, eyes really are the windows to the soul. By creating a clear focus on them, this is a world of opportunities that can instantly draw in the attention of a viewer. If you want to capture a certain emotion it’s easy to do so.

Depending on the intended use of the images, you can convey a specific message. Want to create a professional looking photo? Focus on welcoming eyes that encourage contact. After a serious acting portfolio? Concentrate on targeting a stern appearance stemming from the eyes.

Don’t be afraid to experiment with different poses, eye positioning, and lighting. After a few shots, you’ll know exactly what to do.

2. Think about light

Light headshots

It may sound rather obvious, but light can create a number of different variations of the same photo. The best photographers know how to use light to their advantage and create excellent works of art.

Again, this is largely dependent on the purpose of the shoot. Natural light and the outdoors are great for showcasing a genuine feel. Natural light can be powerful for achieving real-life situation photos. It will also allow you to grab an honest and genuine aura of the person.

Light headhsots

Artificial or studio light is an exceptional tool for providing a highly professional end result. You’ll be able to inject light where you see fit, creating a photo that screams professionalism. This is probably the better option for taking corporate headshots as it allows for a uniform lighting pattern amongst a team.

3. The lens is key

Lens headshots Lens headshots

You’re probably very familiar with your lenses but with so many available, it can sometimes be difficult to know which one will work for each shot. Generally speaking, headshots aim to achieve two things. Compliment the subject and grab a clear and concise image.

Even the best lenses on the market are vulnerable to distortion if used in the wrong way. Mid to wide angle options are best avoided, as headshots are taken within a fairly close range to the subject (they will create facial distortion).

Using a 90mm or longer telephoto lens will let you capture a stunningly clear image, with the added benefit of slimming the face, which most subjects would be thrilled with.

4. Capture the mood with your background

Backdrop headshots

Pathetic fallacy works on so many levels. Primarily used as a literary term for setting a mood or humanizing elements, the same criteria can be applied to the camera.

If your shoot is outdoors, you don’t have to do too much to convey the message. Typically speaking, you wouldn’t capture a happy face in the rain unless you were doing a contrast shoot. You’d wait until the weather brightens up and use the environment to further enhance the purpose of the image.

Backdrop headshots

Healthy trees and plants have lively connotations; a park can showcase a playful personality. There are literally thousands of ways you can use a backdrop to strengthen your headshots. Just be careful that the attention isn’t taken away from the subject, though.

5. Live the shoot as a director

Director headshots

As a photographer, you’re essentially the director of a film split into still photographs. This might not be completely for your benefit, but you’re the one who knows exactly how it should be done.

Of course, it’s important to listen to the subject’s requirements, but from there you are the captain. Dictate how the shoot goes. Explore different angles. You are the professional after all.

You’ll be working together to achieve the end goal. With your direction, knowledge, and experience, you’ll both get the best possible results.

Director headshot tips

It’s easy once you know how

Headshots are among the trickiest photographs to capture. A demand for perfection is there almost every single time. With so many variants to take into account, what works for one shoot may be completely wrong for another.

With a little thought and by leaning on your expertise, you’ll get incredible results. You’ll produce your best work and the subject will be more than happy. Everybody wins.

Please post any questions or share your images in the comments section below.

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4 Beginner Tips for Doing Architecture Photography

20 Dec

The first thought you will want to steer clear of is that architecture means buildings, as it actually encompasses most man-made structures. Architectural photography involves capturing an image of a physical structure in an aesthetically pleasing way for your viewers. Here are a few tips to consider if you are just getting into this category of photography.

architecture photography tips

1. Gear Up

In any genre of photography, the right gear makes the difference and this also holds true for architectural photography.
If you want to get an entire structure or room into your frame or opt for a dramatic composition, pack a wide-angle lens in your bag.

architecture photography tips

Keep in mind that there will be times when even a wide angle lens may not be adequate to capture an enormous structure or a sense of place – here the knowledge of shooting panoramic images can come in handy.

architecture photography tips

On the flip side, you may not want to show everything and just focus on some interesting details. Pack a zoom lens to capture those details which help to convey the more ornate and interesting characteristics of architecture.

arnos-vale-entrance-architecture

architecture photography tips

Also, a telephoto lens allows shooting your subject from further away and can help a building’s walls and lines appear straighter (with less distortion).

2. Compose Yourself

Interesting architectural photography benefits from good composition. While distortion can add drama and lend to that artistic feel, buildings leaning backwards or looking too distorted can be less appealing. Always consider your angles and how you want to convey your subject.

architecture photography tips

Photographers who specialize in architectural photography find themselves correcting skews in the post-processing phase or invest in a tilt-shift lens to avoid distortion in the first place.

If you are starting out and want to play around with the dramatic feel, you can shoot from lower or higher angles to maximize the disfigurement. Remember while doing this can be interesting, it is recommended to reduce the effect so that it is not too distracting.

architecture photography tips
Move around and try different angles – shoot straight up, get closer or further away, go low to the ground or higher than the building if possible and see what enhances your architecture.

3. Lighting

A major challenge with architectural photography is that you have no control over the position and orientation of the subject (especially when it comes to buildings), so most times you have to make the most the available light.

architecture photography tips
One of the most interesting (and recommended) lighting options for buildings is when light falls on its side and front (side-front lighting). This angle of lighting provides a decent amount of illumination and can cast interesting shadows across the face of a building, which gives it a more three-dimensional look. So scout out your location at different times and see how the light and shadows change the look and feel of your image.

architecture photography tips
Be wary with strong back lighting when shooting buildings since it can create uniform dark surfaces, unless you are going for that silhouetted look. Again the time of day comes into play and if the structure itself has lights, it adds to the photo.

architecture photography tips
Alternatively, you can shoot at night. Many buildings and cities are designed with night time in mind. Even bridges, sculptures, and windmills can be interesting pieces to photograph after dark. Look for color and the way the buildings are lit and use a tripod!

4. Time Investments

As noted there is little control over large-scale lighting on existing grand architecture, so work with the light that is already there. You can do this effectively by investing time to determine what light is most flattering.

architecture photography tips nighttime

Does the building look better in the morning sun or at sunset? How about at night – is it lit or does it make a great silhouette? Are there interesting reflections in the daytime or a lot of texture to capture? Remember that different times of the day and varying weather conditions can change the mood of your architecture.

architecture photography tips light

Conclusion

Architectural photography is interesting and can be quite exciting. Give yourself time to see architecture from alternate angles, at different times of the day and study it long enough to know what you want your end result to be. Invest the time – it can be worth it.

What is your favorite type of architecture to shoot? Please share some of your shots and techniques with us in the comments below..

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Tips and Resources for Doing Android Phone Photography

20 Dec

Everywhere you go in the world today you will find someone, or many people, with their phones in the air capturing what they see. They all have a camera with them because they have their phones and can photograph everything they see. Phones have had cameras in them for quite a few years now, but slowly over the years they have improved and today many phones are amazing.

However, when you look around at phone photography there does seem to be an emphasis on iPhones and their cameras. While this article isn’t about which is better, it is important to remember that when it comes to phones Android has a much larger market share and therefore more people are using Android phones and their cameras.

Android phone photography tips

The camera user-interface for the Samsung Galaxy S7 Edge.

For this reason, this article is going to concentrate on Android photography, as there are many who seem to think that everything is made for the iPhone and if they don’t have one they are missing out. That really isn’t the case and since beginning research for this article so many things have come to light.

Phone

Not all phones are the same, nor are the cameras in them. If you are serious about using it for photography, then it would be good to do your research and get one that has a good camera.

While Samsung has had some bad press lately over the debacle with the release of the Note 7, it has to be remembered they are still good phones and the camera in the Galaxy S7 Edge is said to be the best still camera (inside a mobile phone) on the market. It is very clear and the photos have an amazing quality. This is the one I use.

Get one that matches your needs

The camera, as with most, has lots of different settings and modes so you can find one that will be suitable for the type of photography that you are shooting.

If your intention is to use your phone a lot for photography then be sure to select on that has what you need. Also, make sure that it is easy to get the photos from the phone to your computer. In today’s phone market, though, that is easier than ever.

Android phone photography tips

Some food photography with the Samsung Galaxy S7 camera.

Apps for photography

We live in a world of apps. There seem to be apps for everything. Whether they are good or not is another story.

If you go to the Google Play Store and search for cameras you will be given an overwhelming choice. You can get apps for image sharing, doing effects, making selfies, collages, and so on. The list seems endless. Just the popular results give you over 200 choices.

Android phone photography tips

Photos taken with the Instant Camera App.

Most of them are free, so if you are unsure which ones to use you can install them, try them out, and if you don’t like one then just uninstall it. The reviews and number of stars can be a good indicator, especially for ones that you have to pay for. If you have to spend money, then you want to make sure it is a good purchase. Having said, though, many of them don’t cost a lot.

I purchased Instant, which imitates the type of image you would get with a Polaroid camera. After playing around with it for a bit I discovered that there are lots of filters in the app to create many different effects. It is set up for you to shake or blow the image for it to be revealed, like the original Polaroids. Even though you know you don’t need to do it, it almost seems irresistible to not shake or blow on it.

Android phone photography tips Instant app Polaroid.

Taking photos with the Instant Camera App.

Retro camera app

Another one that you can try out is the Retro camera. It’s free and comes with several different cameras. If you press the camera icon in the app you can scroll through and find different ones. I quite like the Xoloroid one and the Fudgecan.  This app does not seem to have the filters, but you can choose to either take colour or black and white images with it.

Android phone photography tips retro camera

The Retro Camera app as it is taking an image.

They are great fun to play around with and I do suggest you try many apps. You might even fall in love with one.

Android phone photography tips retro app

Using the cameras within the Retro Camera app you can get a variety of results with each of the different options.

Lenses to attach to your phone

Lenses for mobile phones have been around for a while, but there does seem to be the impression that they are only for iPhones. I thought the same thing too. But, there are many lenses available for you to attach to your Android phone.

Lensbaby has lenses for the iPhone. When asked why didn’t they do them for Android the answer was simple. They did, but people didn’t seem interested and they didn’t sell. Perhaps the reason they didn’t sell well, was because people didn’t know about them. Well, now you do.

It is unknown how many lenses there are for Android, but apparently, a lot of the ones for iPhones can also be used on Androids. They use a magnetic ring that sticks over the top of the camera on the back of your phone. Some rings are better than others, and some don’t work very well.

Lensbaby

There are three phone lenses from Lensbaby and they all do different things. Along with them is an app for your phone that helps you take photos.

  • The Lensbaby LM-10 is a two-way lens, meaning you can turn it around and use the opposite end as well. The sweet spot is in the center for both ends, but one end will let you get closer than the other. It is a bit like reversing the lens on your camera.
  • LM-20 has a bigger sweet center spot and lets you take more normal images.
  • LM-30m this is very sharp in the middle and gives a crazy effect around it. Some say the photos are mind-bending, and can too strange. You do have to think about where you would use this lens. It isn’t suitable for everything.
Android phone photography tips Lensbaby LM-10

Lensbaby Lenses

The magnetic ring that sticks to the camera is great and doesn’t come off when you take the lenses off. However, it can be hard to focus using it and if you leave it on, the camera can move so it may need readjusting next time.

One thing that is quite good is that you can take it on and off a bit. I’ve done it up to four times and often leave it stuck to the back of the phone until I need it, and then move it over the camera when I’m ready to shoot.

Android phone photography tips lenses

Macro photo taken using the Lensbaby LM-10

Lensbaby app

As previously stated, Lensbaby also has a free app that you can download that lets you have a lot more control over the images. You can move the sweet spot around, or lock it to one position. Be aware that the LM-10 does reverse the image when you are taking it, so you need the app so you can reverse the view so it appears right way around.

Overall the lenses are great and are small enough to carry around in your pocket or bag when you’re out. I use them a lot for macro photography.

Android phone photography tips Lensbaby

Three images, the first taken with the Lensbaby LM-20, the second two taken using the LM-30 lens.

Photojojo

Another company that has produced lenses is Photojojo. You can buy all five or just a couple of them. They have standard lenses, but they also have some special effects ones as well. They are the only company that I saw with a polarizer, which could be very handy for some situations.

Here is a list of what they have:

  • Fisheye
  • Superfisheye
  • Polarizer
  • Wide/macro
  • Telephoto lens
Android phone photography tips Photojojo

Photojojo lenses

They are all good but the super fisheye is probably the one I’ve played with the most. It is very wide and distorted. You will get your hand holding the camera in the shots you take with this lens. The other lenses are much what you would expect.

The Photojojo lenses come with the magnetic rings to attach to your camera, but they don’t stick very well and when you remove the lens, the ring often comes off as well. If the lens is a bit heavy, like the super fisheye, when you angle the phone down it will just come off, along with the ring.

Android phone photography tips Photojojo lenses

Photos taken with the Photojojo lenses, the super fisheye.

I’ve been using the Lensbaby rings with the Photojojo lenses. Sometimes you have to move the lens or the ring around, but you can get them to work together if you are patient.

Photo editing apps

When you start taking photos with your phone the next progression is to start sharing them with the world on social media places like Facebook or Instagram. You could just post them straight up, use the filters that come with Instagram, or you can do some fine tuning of the images photo editor apps.

If you do a search for photo editors in the Play Store you will be given many choices. As it was for the cameras, you need to go through and see which ones you think will work for you and your purposes. We are going to look at two here.

Snapseed

Snapseed is a photo editor app that has been around for a while. It is free and fairly easy to use. While it does have some filters that you can just add to your image, it also has quite a few adjustments as well. Often, that is all you need to do, just do a few tweaks and the photo is ready to be saved.

As with any software that allows you to make changes to your images you always have to save it. On your phone, Snapseed will make a new gallery for your new saved edited images. You will end up with two of every image, the original and the edited version. When you are sharing, make sure to choose the one from the Snapseed gallery.

leannecole-androidphone-snapseed

The photo on the left was taken with my phone and then processed in Snapseed on the right.

Lightroom Mobile

To get Lightroom Mobile for your phone you have to be a subscriber to Adobe for Photoshop CC and Lightroom CC. It comes as part of the package. Once you are a subscriber you can download the app and sign in.

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It doesn’t work like Lightroom CC on your computer, rather is very similar to other photo editing apps like Snapseed. It is easy to navigate around and figure out. Again, save everything you do and it will export it into a Lightroom gallery for you on your phone.

If you don’t subscribe, then don’t do it just to get this app. Snapseed is probably just as good, and if you don’t like it there are lots of other editing apps. Ask around and I am sure you will get a list for a lot of them. One thing that is great is the ability to install them, and if you don’t like, just uninstall.

Android photography round-up

Taking photos with your phone can very enjoyable and just because you have an Android that doesn’t mean you can’t take photos just as well as those with iPhones. Don’t let Apple users tell you your phone isn’t as good. Now you know that you can take good photos just as good, maybe even better.

In the end, it comes down to the person holding the camera (you) and how good you are. Have faith and share your photos. I would love to see them in the comments section below.

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4 Tips For Doing Eye-Catching Landscape Photography

20 Dec

Landscape photography is everywhere today and for good reason – the world is beautiful! However, because landscape photography is so popular, it can be difficult for your photographs to grab the eyes of your desired viewers. While there’s no way to predict exactly what image will stand out in the crowd, you can use these four techniques to give your photography the edge when it comes time to grab some eyes.

Landscape Photography

#1. Define your vision

As a photographer you are not only taking a photograph, you are sharing a vision – your vision. It’s important to remember this concept every time you’re capturing an image. This is important because if you are aware of why you’re attracted to a scene, and why you want to share it with others, the easier it will be for your viewers to connect with what you saw.

This does not mean that you have to stick with the same definition of vision through every photograph you take. Instead, you should try to adapt and evolve your vision each time you go out to take photographs. Letting your experiences influence the choices you make in your photography will allow your photography to express your individuality as a person.

#2. Perspective

Landscape Photography

It’s easy to see a beautiful landscape and take a photograph of what you see, but that is often not enough to grab the eye of your viewer. After you’ve defined your vision for a specific photograph it’s time to answer some questions about the perspective you wish to convey.

Do you want to photograph from a low angle or from above the scene? Are you thinking of using a super wide-angle lens or would your scene be better suited for the compressed look of a telephoto? You can even begin to think about what type of post-production techniques you will use. Will it be HDR, black and white, vibrant and saturated, or muted?

Each photograph you take is going to be unique in its answers to these questions. There’s no one-answer-fits-all solution here, it’s just a matter of finding out what works and learning from experiences over time.

#3. Be purposeful in the choices you make

Landscape Photography

If you’re going to overexpose a photograph, have a reason why. If you’re going to post-process an image using the HDR technique be sure do it because it makes sense, not because you want it to be HDR. Making purposeful decisions in your photography will make every photograph you take better.

In regards to post-production in general, be sure to use it as a tool to elevate your great photographs to the next level, and not to save your misfires from the trashcan. Post-production is not what makes a photograph great, it can only enhance an already great photograph allowing it to stand out, above the crowd.

#4. Subject matter, light, and the basics

Landscape Photography

Finally, a boring landscape, shot in bad light, with the wrong techniques is not going to win any love from the peanut gallery so brush up on the basics first. Learning how to photograph in the right lighting conditions, how to properly use a tripod, and how to achieve the perfect exposure of your scene will allow you to create more eye-catching photographs.

What else?

Do you have some other tips for achieving eye-catching landscape photographs? Share them with us in the comments below!

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5 Tips for Shooting Glass to Enhance Your Street Photographs

20 Dec

As any studio photographer will tell you, photographing translucent and reflective objects like glass for product work can be an ordeal. It’s not impossible, but it sure isn’t easy, with plenty of variables and tricky reflections to minimize and avoid.

Naturally, you can imagine my foray into street photography was both a welcome change and a culture shock. Stepping out of the studio and into the realm of street photography, I went from an incredibly controlled environment to anything but! That’s when I began to view glass in a different light. Yes, the very bane of many a studio photographer’s existence can actually be a street photographer’s blessing.

Shooting through glass

Photographing through glass lends unique perspectives, like this photo of a gecko hanging upside down on a glass enclosure.

There aren’t many fixed objects that pose opportunities as readily to a street photographer as glass. As photographers, we all (mostly) use glass in our lenses as its inherent properties focus light and correct optical aberrations, allowing us to record sharp images. Glass surfaces in the street, however, present a variable and volatile abundance of opportunity. It can soften, reflect, highlight, disguise, frame, and transpose. Glass constantly changes with the environment yet it behaves as a physical barrier between the photographer and subject, allowing for a degree of ease between the two.

For the sake of this article, I’ve narrowed the benefits of glass to only the most obvious and dramatic – color, pattern and texture, reflections and depth, glass as a physical barrier, framing and finally, distortion and perspective. Okay, so I combined a few points, but you’ll soon see that glass isn’t just for selfies and reflections. Shooting through glass can actually change up your practice and give you a whole new perspective on street photography.

1 – Color

photography-through-glass05

The saturated red of the glass between the subject and I adds a sense of voyeurism.

Color greatly influences how a viewer reads an image. Shooting through colored glass is a great way of adding atmosphere to your photographs without post-production. Red glass, like that found on decals or nightclubs, suggests a sense of intimacy or passion, whereas blue could suggest an aquatic or daylight setting. Color eludes to the time of day a photograph was taken and a highly saturated image can also take on a surreal appearance, distancing the viewer from the photograph and creating a feeling of voyeurism. Try photographing subjects through tinted feature walls at late-night shopping malls or through the aged glass of old windows.

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2 – Pattern and texture

Using pattern and texture in a photograph explores how an image feels as well as how it looks. Textural images appeal to our sense of touch and it allows photographers to form greater connections with an audience. Photographing textured, semi-opaque and reinforced glass divides an image into smaller sections. This prompts a viewer to dissect an image in pieces to gain a greater understanding of the whole.

Different textures are great for images with organic and inorganic subject matter too. Creating juxtapositions that draw attention to subjects that are usually discounted creates engaging subject matter. Texture also affects the way light interacts with glass, softening the subject matter behind it and emphasizing form and shape over content.

photography-through-glass04

The rough, reinforced glass in the foreground of this image highlights the soft, organic form of the plant in the background.

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3 – Reflections and depth

Want to add context to a portrait but running low on legroom? Reflective glass windows are a great way to add depth to a photograph. Reflections in glass create a greater sense of atmosphere and give the viewer more information about an image. The characteristics of reflected light add tonal variety to a photograph, drawing a viewer in for a closer look. The closer you are to a glass surface, the less it will reflect, try stepping back or shifting the camera angle. Stepping back also has the added bonus of minimizing your chances of disturbing a potential subject.

photography-through-glass02

This photograph features a woman inspecting an eel in a shop window, but also includes a reflection of the street, adding depth and a greater sense of context.

4 – The invisible wall

In my time as a street photographer, I’ve noticed an interesting psychological phenomenon. When I’m photographing subjects through transparent panes of glass – people are much more at ease. Photographing people through a glass window or panel seems to add a degree of separation. My theory is that when there is a physical barrier between you and the subject, people subconsciously feel more comfortable. Glass reduces noise and light, creating a physical partition that lures people into a sense of security.

I find that when separated by a pane glass people are more likely to look directly into the lens too, allowing their curiosity to run a little freer behind a physical partition. Some of the most natural street portraits I have taken have been through glass partitions and windows. Train rides offer an excellent opportunity for unencumbered street photography.

photography-through-glass12

Taken from a train window, the subject and I had a bit of a stare-off before I took this shot.

Also taken from a train window, this child was watching my train leave the station. I was quick enough to place my camera against the glass to capture her looking back at me.

5 – Framing and perspective

Emphasizing the photographer’s point of view can lend a voyeuristic atmosphere to an image. Framing is the use of shapes in the environment to guide the viewer’s eye to a point in a photograph. Photographing through glass partitions or windows emphasizes that you have captured a moment without prompting a subject, like looking through a keyhole.

Viewing a subject photographed from above feels different to viewing a photograph taken from below. One great way to take advantage of glass’s transparent nature is to focus on various animals’ attraction to transparent surfaces. Inhabitants of urban landscapes such as lizards, frogs, spiders, snails and insects all negotiate glass surfaces with ease.

A photographer with a keen eye can exploit these opportunities to capture unique perspectives of our fellow city-dwellers. Like humans, animals seem more at ease with a wall of glass to separate them from potential predators, allowing you the chance to capture a more natural photograph.

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Distortion

Light traveling through glass often behaves in surprising and interesting ways. If light touches even the most minute curved surface it refracts, distorting anything viewed through it. Planning a shot in front of a pane of glass can yield fascinating and surrealistic photographs.

Try experimenting with different thicknesses of glass at varying degrees of curvature. Aquariums and aquatic displays are good for honing this technique because the water inside the glass containers amplifies the distortion. Holding variously shaped prisms over the front of your lens can yield some surprisingly effective and interesting results too.

photography-through-glass08

Conclusion

Transparent, opaque, tinted, laminated, textured, reinforced… there are endless varieties of glass and each presents a unique opportunity for you as a photographer. Although I’ve tried to list a few of the more dramatic ways to use glass in street photography, the potential is limitless and exciting.

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They key to taking great street photographs is to be open to opportunity and quick on the shutter button. With limited time to capitalize on the moments that are presented to you, focusing on surfaces like glass that can yield fascinating results quickly and is a fool-proof way of enhancing your craft.

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How to See and Photograph Light – 6 Tips to Help you Take Better Photos

13 Dec

I was teaching a class recently and someone asked me how they could have made a particular set of landscape images better. Should they have used a different aperture, shutter speed, etc.? “You couldn’t have made those photos any better because the light was terrible.” I explained. You must learn to see and photograph light to take better photos.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Blossoms at dawn, Paris.

There are times when interesting photos can be made in bad light. But I will unequivocally say that in most cases (as there are always exceptions to the rules, right?) when you have boring light you will have boring photos.

Interesting light transforms any subject. It reveals and enhances the subject’s natural qualities. In many ways, it brings your subject to life. If you follow only one piece of advice in photography it should be this:

“Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.” George Eastman.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Moonset on the Seine.

In this article, I am going to explore light in many forms, but it’s not a technical article. This is about the how you compose with light, how its different forms affect your subject, the emotions that light communicates, and how when you really chase light you’ll learn to create more compelling and memorable images.

In every single one of these photos, I will say that the subject is the light. The light might be subtle, or very obvious, but what compelled me to snap that shutter was what the light was doing. Here are some tips to get you more involved with capturing the mesmerizing qualities of light.

1) Notice light

“It’s not what you look at that matters, it’s what you see.” Henry David Thoreau

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

This first step seems like a stupidly simple piece of advice right? I mean who doesn’t notice light? Most people notice the obvious aspects of light – it’s a sunny day, it’s stormy, it’s twilight. There is so much more to light, though. It’s a rich, varied and complex entity. Light is creating hundreds of different effects all around us all the time.

The first piece of advice I always give to all my students is – look for what the light is doing and look for light sources. You’re out and you see a beautiful shaft of light on a wall. Ask yourself – where is it coming from? Is it direct or is it being reflected off of something? Is it bouncing off the wall and doing something else?

As you move around light alters – as you enter a square, go under a tree, move behind a building – it’s bouncing and reflecting off so many things. Light is being filtered through leaves, through different urban and natural materials. It’s this constantly changing aspect that you need to become very familiar and intimate with. Light is always changing – as clouds drift across the sun, as the hours pass, as weather systems move.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

See the shadows on the clouds?

Become a light detective

There are, of course, many times when the light is super flat. We have many days in London where cloud cover is very dense and the light is very flat and gray. Or back in California, where I grew up, in the height of summer at midday the light is hard and almost flat in its piercing white intensity. Then you have to work harder to look for alterations in light. But like life itself, change is something we can consistently rely on.

You’ll also start to notice that when the light outside changes, it also changes the light inside. A drop in the vibrancy of the light outside will make the light inside seem warmer and stronger.

Becoming a good photographer is like becoming a light detective. What is light doing to your subject? What is it revealing about your subject?

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Los Angeles downtown at dawn.

2) Use light to create emotion in your images

“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense and is thereby a true expression of what one feels about life in its entirety.” Ansel Adams

For me, light always creates an emotion, a feeling, or a sense of mood. It doesn’t have to be a strong feeling or even a positive one, but it does have to create an impact with me that goes beyond the initial pleasingness to the eye. I am constantly searching to capture a feeling in my images. Light is a very powerful way to communicate emotions.

So I want you to look at the light in the following photos and ask yourself – how do they make me feel? Light can be a powerful and dramatic element in your photos, creating a deep feeling of awe, about the grand beauty of the world.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Dawn over the Grand Canal Venice, Italy.

Light enhances the subject

Of course, the photo above would have been interesting without the dramatic sunrise, after all, it is Venice and the subject is incredible. What the beautiful light adds, though, is a big pop of color, adding a layer of depth and enhancing the awe-inspiring feeling of these amazing buildings. The dramatic color and light matches and enhances the dramatic subject.

It doesn’t have to be big subjects, though. This simple shot of pretty flowers would be quite boring if it didn’t have this lovely dappled light on it. It’s simple but very evocative. If you are starting out, or trying to refresh your basic skills, focusing on detailed shots like this, and what light is doing to the elements in the world around you, is a fantastic way to start playing with, and capturing the magic of light.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Tulips in bloom Istanbul Gulhane park

I have mentioned interesting and beautiful light. So what is interesting light? Well, to me it’s any light that communicates an emotion, a feeling, or a mood. It’s light that makes you feel something. Even if that’s melancholy.

How to See and Photograph Light

Lone tree on a foggy morning on Hampstead Heath London, at dawn.

I shot the photo above on a cloudy autumnal morning. The light was very diffuse, very subtle, but it was still pretty and interesting to me. It matched the location I was in – the wild heathers and grass along with the stark leafless tree standing alone.

Can you see how the light emphasizes the natural qualities of the tree? How the amazing wild branches, stripped bare, almost like someone’s mind going crazy, are enhanced by the soft light?

In the photo below, to me, the light is offering an amazing feelingof foreboding.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Dark days ahead, London.

3) What is the color of light?

“Light, that first phenomenon of the world, reveals to us the spirit and living soul of this world through color.” Johannes Itten

Color from light is produced when white light is split by a prism into the colors of the rainbow. You also get artificial effects created by the myriad of things that light reflects onto and bounces off.

For me, color is the second most powerful force in my photography, and getting a sense of the color of light is a great way to start using light and color in your compositions.

Compare the color of the light in the following three images.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Dawn over Death Valley, California

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Sunrise over the Bosphorus, Istanbul Turkey at dawn.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Near Hackney Wick station London at dawn.

Light is always full of color – even if it’s piercing white. And it’s doing something to the color of your subject.

4) Light can make even dull and boring subjects interesting

“In the right light, at the right time, everything is extraordinary.” – Aaron Rose

Interesting light doesn’t have to just be natural, or even beautiful. Light of all kinds creates mood and feeling within a photo. Your aim is to ensure that the light helps to create a story of some kind for your image, that it tells you something about what it’s like to stand right there, where you were.

How to See and Photograph Light

Hotel room, Madrid, Spain.

Above is a great example of harsh light that usually I wouldn’t go near – but it works in this photo because it works well for the subject. I rarely take photos using such unflattering hard lighting. But in a grim hotel room in Madrid, it enhances the feeling of loneliness that the twin (disconnected) beds give off, with the bleak looking paint color. That burst of light wraps up the photo into a nice melancholy package. See, even horrible light can be interesting (in the right circumstances)!

Then you also have the issue of beautiful, gorgeous light making rather dull subjects suddenly quite interesting.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Gas pumps for boats in Venice, at dawn.

Without the rich blue light, this would not be an interesting photo. Plus what gives it another layer of interest are the pops of artificial light.

This following photo has a fascinating subject. But imagine this scene on a gray, drab Parisian morning, when all you want to do is dive into a cafe and eat several pains au chocolat?

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

A dawn Idyll on the Seine, Paris.

The light is bringing everything to life – the gray stone buildings, the grayish-green water, the black and browns of the boats. This would be a totally boring photo without that magical light and sky.

5) Use light to tell a story

“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas

I think photographs are at their strongest when they enhance the inherent qualities of the subject you are photographing when they add another layer of story to the photo.

What story do you want to tell?

I photograph a lot of cities at dawn; it’s my main subject at the moment. Dawn, though, becomes very repetitive to photograph. It’s often so pretty, but just how many epic sunrises can you photograph? So one of my favorite things to do is to juxtapose that beautiful, ethereal light of dawn with the broken, used or decaying elements of our cities.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Ancient vista, Istanbul at dawn.

I think it says so much. The hopeful light of dawn, with the heavy feeling you get from the urban scene, and feeling of human impact.

I also love to photograph dawn when the street lights are still on. That mix of the best light nature produces, with that hard functional light we humans create for our cities, is a very interesting thing to play with. The light is telling you more about what it’s like to be exactly where you are – it’s helping to tell the story of your subject.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

Last light on gravestones, Stroud, England.

In the photo above I was in this graveyard on a winter’s afternoon. I noticed that the sun was starting to set and realized that if I waited, the sun would fall perfectly between the trees, lighting up the gravestones. This stream of light through the trees only lasted a minute or two, but it shows that when you really pay attention to light you can start to anticipate what it’s going to do, and how it will affect your photos. Without that stream of beautiful light the scene would have been really boring.

6) Chasing light is an adventure

“Photography is a love affair with life.” – Burk Uzzle

Photography is such an amazing creative pursuit. I love how it connects me so much more to the world around me. Learning to pay attention to light and how to capture it is one of the best ways to elevate your photography. Becoming intimate and familiar with light will help you become really present with the beauty and wildness of this amazing world.

How to See and Photograph Light - 6 Tips to Help you Take Better Photos

I would encourage you to photograph light – just for the sake of it. It’s a wonderful, thrilling adventure to always be chasing the light.

I’d love to know if you how you go about capturing light and use it in your photos. Please comment below, I love hearing your ideas.

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Tips from the Sports Photography Pros to Help You Get the Money Shots

07 Dec

The pros know that sports photography is a fast paced and intense profession. You have to be quick. Really quick! Catching the moment is one-third intuition, a third skill, and the rest is pure luck. Accept it now! Sometimes the most amazing shot you capture will just be pure luck.

sports photography action

Capture the emotion and the intensity of the players. These shots sell.

There are things you can do to increase the odds of success. If you’re like me and you want to earn part of your income from sports photography then there are some tips and tricks you need to learn. Sports photography is a lot more than just pointing the camera at an athlete and holding down the shutter button.

Camera grip is key

The sheer speed of sports photography requires a specialized grip. You have to be able to zoom in and out quickly as well as switch from landscape to portrait (horizontal to vertical) orientation. If you are strong enough to handhold your lens then this technique is for you.

sports photography black and white

For a magazine a shot in black and white can create a lot of drama.

Loosen up the tripod collar on the lens so it slides easily. Hold the lens by placing the base of the collar in the palm of your hand and grip the zoom ring with your fingers. As you rotate your camera from portrait to landscape your camera will automatically change focal lengths. It’s quick and convenient and it’s also pretty easy to maneuver. You can then adjust the orientation of your camera back to portrait or landscape by releasing your grip on the zoom ring. It takes practice to perfect this method but once you’ve got it the process becomes very quick.

The same basic premise can be used if you shoot with a monopod. Instead of using your hand as the base for monopod ring you’re going to handhold the zoom ring and turn from portrait to landscape in the same way.

sports photography

In this case, the image is about the struggle and expressions on the kid’s faces. The scene tells a story about struggle.

Money shots

I quickly learned that certain types of shot sell while other shots are nice but they don’t sell. The images that generally fall into one of the following three categories:

sports photography action hockey

At tournaments, these types of shots sell to parents.

1) The Celebration

Images of athletes celebrating are so popular because they show the height of emotion and sacrifice. The recent shot of the World Series winning Chicago Cubs is a fantastic example.

While this isn't an epic celebration parents love this type of shot.

While this isn’t an epic celebration parents love this type of shot.

2) The profile shot

In this instance, you capture an image of an athlete in action. The shot shows the shape of their body as they compete and there is little to distract from the perfection of their form.

sports photography girl running

The water droplets are my favorite part of this shot even though most people won’t notice them.

3) The unusual occurrence shot

These are the unique moments in sports that only happen once. You won’t catch these types of shots very often but when you do it’s a fantastic adrenaline rush.

sports photography expressions

In this case, the facial expression and position of the girl’s arms and the ball make for a unique shot.

I’m not saying that other shots won’t sell but the likely hood is far less. Sometimes the image falls into a category of its own. If you try to capture the majority of your images from these three categories then you are well on your way to earning an income from sports photography.

Don’t give up

Sports photography is an incredibly tough world to try and break into. You have to work so hard to get noticed. It’s also incredibly challenging and very physical. Be prepared for the ride of your life. You will have to push your camera and your body to their limits to keep up with these talented and very physical athletes.

So use every trick or tip you can find to rise above the rest and take those memorable shots. Leave any of your tips below and also share your favorite images.

Capturing goalies is a real challenge. Usually, there's a lot of traffic in front of them.

Capturing goalies is a real challenge. Usually, there’s a lot of traffic in front of them.

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Tips to Help You Find the Right Photography Studio Space to Rent

06 Dec

Are you looking to up your portrait, fashion, or product game but are running out of space in your home? Maybe you are on the cusp of having a steady stream of clients but small droughts here and there have you worried about signing a lease for more space. Or perhaps you are curious about what you could do with some professional equipment and a dedicated space? Renting photography studio space is often a perfect solution for any of these situations and more.

Ravenshoe Group

By Ravenshoe Group

Casual studio renting sounds ideal; no need to own extra gear, no monthly rent, no lighting/heating/insurance costs. But it can have some drawbacks if you’re not careful. Here are some tips to help you find the right photography studio space to rent.

What do you need in a photography studio?

Some studios have all the gear you would ever need; C-Stands, professional strobes and modifiers, and a gaggle of backdrops. Others will give you a heated space and an outlet, that’s all.

The right photo studio equipment can make magical images

Image by Erik Söderström/Flickr

Your first step before renting a space is to figure out just what you need. Having a list of items you require will help you in the next phase (searching for your studio) as you file through website after website.

For those totally new to studio shooting, I’d suggest finding a class to help you become familiar with handling the expensive gear in a studio space. I know I was intimidated the first time I was given an Alien Bee light and told to set it up.

If you are only showing up with a camera, you’ll need to make sure the studio has it all. But if you like your strobes (yes, you can use a typical camera flash, with or without modifiers, in a studio) maybe you only need a dry space with a variety of backdrops.

Resources for your search

Google Maps works as a starting point but shouldn’t be your only stop. I use search terms like “Photo Studio”, but you have to be careful how you use the word “studio” otherwise you’ll start getting all kids of apartment listings.

Getting setup for a photo studio shoot

Image by Heisenberg Media/Flickr

I’ve found Yelp to be useful for all the normal Yelpy reasons, but also because the photos help me get a sense of the space.

Facebook groups are another excellent place to find space but make sure you do a little research first. Chances are someone has already asked your question, so search the results in your area. These groups are often run by local photography clubs, so a search for the likes of “Nashville Photography Club” will point you in the right direction. I find that photography club members are usually quite helpful finding most any photo resource when I am visiting a new location as well. They can also be a good source if you are looking for a mentor or assistant to help in the studio.

Knowing what you’re getting

Read the studio’s website very carefully if when in doubt, ask. Keep your emails that describe what you’re getting and what’s not included. Know when you can show up and if they will let you tour the space before your reservation date.

Lots of space can be an advantage when renting photo studio space

Image by jm3/Flickr

This is just a business transaction; don’t be afraid to ask for what you need. If you want a fog machine, ask if one is included. Will a changing room be available? Will remote triggers for any flashes be included or should you bring your own? If you like a specific modifier for the lights, make sure they can provide it.

These all seem like simple things but they will trip you up if you make an assumption that turns out not to be true. If the space has plenty of daylight but no good draperies to cover the windows, you should know this before you show up with clients.

Be prepared

Know which gear is available when renting a photo studio

Image by a kindly stranger/Flickr

Assume nothing. While the list of items may be complete and you received guarantees in email, be prepared to have vital items with you or a backup plan in place. What if the backdrop color you want got damaged just before your session by another patron? What if you really need music for your shoot (such as playback for a music video) and their system breaks?

Have backups and backup plans. Carry extras of your own gear, as much is as practical, in case you are the cause of a breakage. Such as a lens cracks or your own wireless transmitter freaks out. You’ve spent time and money on the shoot; make sure it is not scrubbed because of something that can be backed up.

Depending on the level and importance of the shoot, you may want to rent backup gear if there isn’t a shop close to your rental studio. Studio space can range from $ 30-$ 150 per hour or more, and if you are bringing in hair and makeup professionals or maybe a model or two the costs add up. It’s worth the slight extra cost to make sure that money isn’t wasted because you ran out of batteries or gaffers tape or can’t find your 50mm lens.

Conclusion

 

Renting studio space to expand your skills and resources is a great option as your photography grows. Getting in with a local group, via Facebook or an internet search, is a great way to find space and people who might be good mentors. Make sure you know what you are getting yourself into and what is and is not, included with the rental.

Most of all, have fun shooting!

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Shooting in the Cold – Tips for Winter Photography

06 Dec

Just because it’s cold doesn’t mean you should stop doing any photography. Winter photography can be magical, here are some tips for shooting in the cold to help you.

The weather

It’s easy to go out and shoot when the weather is nice and the weather God’s smile down with big fair sky grins. Summer, Spring, and especially Autumn are popular times for photography because there’s no shortage of photo opportunities – comfortable photo opportunities at that.

Winter Photography 2

Seasons change, though, but that doesn’t mean that you have to be discouraged, or worse, stop shooting just because winter comes around and the weather outside turns cold.

Winter Photography 5

That’s not to say that making photographs in winter doesn’t come with its own set of problems – well, not really problems. Let’s just say that making photos in the colder months is more challenging than it is when at warmer times of the year.

Winter Photography 4

There are still quite a few reasons to venture out into the cold with your camera. Here are a few tips that will help you stay productive (and safe) during those frosty months between Fall and Spring.

Winter Photography 7

Protect yourself

All the know-how and skill in the world won’t do you much good if you’re too cold and miserable to actually make photographs. Always be aware that you and your well-being, above all else, is the most important thing to protect while shooting in frigid temperatures, doing winter photography.

Winter Photography 6

Keep a well updated on current and future weather conditions and dress accordingly. Wearing layers of clothing will help you adjust your body temperature based on your level of activity while shooting, to prevent sweating which can lead to hypothermia. Protect your face, hands, and feet.

Winter Cold Weather Protection

This includes wearing warm gloves that allow good finger movement so you don’t have to constantly remove them before using your camera. Also, a face wrap or scarf goes a long way to shield your face from the wind but also to protect your camera from freezing condensation of your breath. More on that oh so wonderful phenomena a little later.

Protect your batteries

Yes, we all know most of our cameras are electric and that means batteries. Batteries are essentially little chemical reactors that produce electricity. High or low temperatures affect batteries to varying degrees (temperature humor). Cold batteries discharge themselves faster than do warm ones. So basically, the cold temperatures faced when shooting winter photography can drain your batteries.

Winter Batteries

Take this into account and bring an extra battery or two when you venture out for some chilly winter shooting. If you can, carry your extra batteries in your pocket or closer to your body to keep them warmer and working more efficiently. There have been times when I was working in single digit temperatures when I put my battery in the camera only immediately before composing in order to maximize my shooting time.

Don’t breathe

Well, breathe of course, just not on your camera, or lens for that matter. Your breath contains a relatively high amount of moisture and heat. When the temperature outside drops, the very air you exhale can spell disaster for your winter photography. If you breathe directly onto your camera or lens condensation forms. Just like blowing your breath on a mirror. When it gets cold (below freezing), that condensation WILL FREEZE. This means that lens elements can glaze over with your own brand of self-made ice and viewfinders become unusable.

Winter Frozen Camera 2

To combat this frosting effect, remember to never carry your lenses close to your body and never blow your breath on them. For that matter don’t hold them in your hand for extended amounts of time because this too will warm them up which can lead to condensation. When composing your images, it’s a good idea to hold your breath.

Winter Frozen Camera 1

It only takes a few moments and will prevent a buildup of frost and ice on your camera.

Understand your tripod

I remember one late afternoon of shooting, a few winters back on a secluded stretch of a mountain stream. I was standing in the water with my tripod, making exposures until the light was gone and then packed everything up to drive back to the hotel. The temperatures were hovering somewhere in the lower twenties F (-4 to -6c). I carried my gear inside but left the folded tripod in the car.

The next morning found me beating on my now frozen tripod with a boot in order to break it free of the ice caused by leaving a wet tripod in a car overnight.

Winter Photography 1

I learned my lesson that day and there are a few things you can do to prevent my mistake from happening to you.

Winter Frozen Tripod

If your tripod gets wet, do what you can to remove as much water as possible. This will reduce the ice buildup. If you find yourself unable to store your tripod in a warmer place after shooting, leave the legs fully extended and be sure not to lock the legs. By leaving the legs unlocked you will have a much easier time making the tripod usable if it does freeze.

Leaving the legs fully extended may be cumbersome but it will keep water from being introduced further into legs. The key factor to remember when using your tripod in winter is that water and moisture are your enemies. Anything you can do to reduce the moisture will help ensure your tripod functions more easily when things get really cold.

Summary

Cold weather shooting and winter photography can be an extremely rewarding experience. Winter time transforms landscapes and locations into dream-like scenes different from any other time of year.

Winter Photography 3

Be sure you understand how to cope with the winter temperatures so you can protect yourself and your gear. Here’s a quick recap of the things you can do to make your sure your winter shooting is a great experience.

  1. Dress yourself according to the conditions. If you feel you’re not adequately prepared don’t risk it.
  2. Bring extra batteries and keep them warm. Carry your batteries close to you in order to extend their life.
  3. Don’t breathe on your gear. The condensation from your warm breath will freeze on your camera and lens. Hold your breath when composing.
  4. Be mindful of your tripod. If it gets wet the water may freeze making it difficult to use. Keep it as dry as possible.

Please share any other winter photography preparedness tips in the comments below. Of course, share your winter images as well!

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