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Posts Tagged ‘Tamron’s’

Tamron’s 70-180mm F2.8 lens should ship in mid-May for $1,199

07 Apr

Last October, Tamron revealed it was working on a compact 70–180mm F2.8 telephoto lens for full-frame Sony E-mount camera systems. Now, we officially have availability and pricing information for the 70–180mm F2.8 Di III VXD.

As promised, the lens is small despite its focal length range, measuring in at 149mm (5.9″) long and 81mm (3.2″) diameter, with a weight of 810g (28.6oz). The lens is constructed of 19 elements in 14 groups, including one molded aspherical element, one hybrid aspherical lens, one ‘eXtra Low Dispersion’ (XLD) element, five Low Dispersion (LD) elements and fluorine coatings. The lens is ‘moisture-resistant,’ but Tamron doesn’t elaborate on what exactly it can endure.

An illustration of the optical construction of the lens.

Autofocus is driven by Tamron’s ‘Voice-coil eXtreme-torque Drive’ (VXD) linear focus motor. At 70mm, the minimum focusing distance is just 27cm (10.6″) in manual focus and the aperture diaphragm features a nine-blade design. As with other lenses in Tamron’s lineup, the 70–180mm F2.8 features a 68mm front filter thread.

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The 70–180mm F2.8 Di III VXD lens will be available in the U.S. on May 14, 2020 for $ 1,199. However, Tamron notes that due to the ongoing coronavirus pandemic the release date could be bumped back.

Tamron Announces the Launch of Lightest and Most Compact Large Aperture Telephoto Zoom Lens in Its Class for Sony Full-Frame Mirrorless Cameras

Third model in Tamron’s series of fast F/2.8 zoom lenses for Sony full-frame mirrorless cameras delivers quiet, fast focus and superb performance

April 6, 2020, Commack, NY – Tamron announces the launch date of the 70-180mm F/2.8 Di III VXD (Model A056), a large aperture telephoto zoom lens for Sony E-mount full-frame mirrorless cameras that is the lightest and most compact in its class. The lens will be available in the U.S. on May 14th at $ 1199. However, due to the spread of COVID-19, the release date or the product supply schedule could be delayed.

The 70-180mm F/2.8 features a compact and lightweight design with a 67mm filter diameter, the same as Tamron’s highly esteemed 17-28mm F/2.8 (Model A046) and the 28-75mm F/2.8 (Model A036). The optical construction includes several special lens elements that contribute to the lens’s overall superb imaging performance. Its very short 33.5” MOD (Minimum Object Distance) expands overall versatility. The lens utilizes Tamron’s newly developed VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that produces an autofocus drive that’s quieter and quicker than ever before. Additionally, a floating system is used to achieve excellent optical performance at all shooting distances. By simultaneously operating two VXD units via electronic control, the system produces clear and sharp images of all objects near and far. Other features that support a great shooting experience include Moisture-Resistant Construction for added weather protection and Fluorine Coating for easy maintenance. In addition, the 70-180mm F/2.8 is fully compatible with various camera-specific features including Fast Hybrid AF and Eye AF. Developed under the concept of “making large aperture zoom lenses user-friendly,” the 70-180mm F/2.8 provides users with complete portrait-to-telephoto lens range coverage. This new model joins the 17-28mm F/2.8 Di III RXD and the 28-75mm F/2.8 Di III RXD to complete Tamron’s fast zoom lens trinity for full-frame mirrorless cameras.

PRODUCT HIGHLIGHTS

1. Compact size maximizes the mobility advantages of mirrorless cameras

A true marvel of portability and utility, the 70-180mm F/2.8 incorporates an innovative zoom mechanism and 180mm telephoto power. It was possible to maintain extreme light weight and compactness even while attaining a fast F/2.8 aperture across the entire zoom range by leveraging camera-based image stabilization. It is small: filter diameter 67mm, maximum diameter 81mm, length 5.9” at the 70mm setting, and also light weight: 28.6 oz. The super-compact size helps make handheld shooting a breeze. As part of our constant, ongoing effort to achieve both high image quality and supreme compactness, Tamron went to great lengths to create this product in answer to demands of the new generation of digital cameras.

2. Newly developed VXD linear motor focus mechanism delivers high-speed and high precision autofocus performance

Tamron developed its first-ever linear motor AF drive focus mechanism, VXD (Voice-coil eXtreme-torque Drive), especially for the 70-180mm F/2.8. While operating faster than ever before, the drive also maintains positional accuracy down to 0.005mm (0.0002”), less than one tenth the width of a human hair! This provides unprecedented fast and precise AF performance. A floating system that uses two high-speed, high-precision VXD units with advanced electronic control is also used. This innovative design produces clear and beautiful images of all objects from near to far and at the same time helps reduce size and weight. In addition, its exceptional quietness enables low noise shooting in silent settings. Active athletes and moving vehicles are among the subjects commonly photographed with telephoto zoom lenses. The enhanced, highly responsive focus features of the 70-180mm F/2.8 enable following a subject’s movements to provide users with a whisper-quiet, high-precision shooting experience, not just for still images but also video.

3. Superior design for uncompromised image quality

The 70-180mm F/2.8 has an optical construction of 19 elements in 14 groups. It includes a total of six XLD (eXtra Low Dispersion) and LD (Low Dispersion) lens elements combined, and three GM (Glass Molded Aspherical) and hybrid aspherical lens elements combined. Special lens elements are generously and optimally arranged to correct chromatic aberration and maintain very high-resolution performance from edge-to-edge. This model also features BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating, which minimizes ghosting and flare and produces stunning, clear images with brilliant, sharp subject detail. Furthermore, excellent high image quality across the entire zoom range is enhanced by camera-based distortion and shading correction. Additionally, the bokeh effect obtained using the fast F/2.8 aperture delivers beautifully smooth and soft transition from the subject to the background. The images created with this lens are emblematic of Tamron’s pursuit to combine supreme compactness with superb image quality.

4. 67mm filter diameter for system convenience

The 70-180mm F/2.8 features the same 67mm filter diameter as Tamron’s other lenses for full-frame mirrorless cameras including the 17-28mm F/2.8 (Model A046), a fast ultra-wideangle zoom, and the 28-75mm F/2.8 (Model A036), a fast standard zoom, as well as the close-focusing prime lens series (20mm, 24mm and 35mm). This uniformity significantly reduces cost and trouble when working with PL, ND and other filters. Even the front lens caps are the same size, eliminating the hassle of sorting caps when switching lenses. These features combine to produce a highly convenient and mobile system that adds more fun to photography.

5. Close focusing to a mere 33.5 inches

The new 70-180mm F/2.8 lens has a MOD of 33.5” throughout the entire zoom range. This is astonishingly close for a large aperture telephoto zoom lens. The short MOD paves the way for impressive telephoto shooting at a maximum magnification ratio of 1:4.6 at the 180mm telephoto end. Moreover, a floating component equipped with two VXD linear focus mechanisms maintains high image quality while effectively controlling aberrations so that the 70-180mm F/2.8 ensures great image quality even at close-up. To effectively suppress optical aberrations, this lens features a floating mechanism that ensures great image quality at distances as short as 33.5”.

Note: At the 70mm setting only, it is possible to shoot closer than the specified MOD of 33.5” (as close as 10.6”) when manual focus (MF) is set on the camera. However, results may be less than optimal since image quality decreases in peripheral areas. For more details, please visit this website: https://www.tamron.jp/en/support/guide/closeup.html

6. Moisture-Resistant Construction, Fluorine Coating, and Zoom Lock switch

Seals are located at the lens mount area and other critical locations to deter infiltration of moisture and/or rain drops and afford Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions. Also, the front surface of the lens element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, moisture or oily fingerprints, allowing for much easier maintenance. Additionally, the conventional Zoom Lock switch prevents unwanted barrel extension during transportation.

7. Compatible with main camera-specific features and functions

Tamron’s new 70-180mm F/2.8 is compatible with many of the advanced features that are specific to certain mirrorless cameras. This includes the following:

– Fast Hybrid AF

– Eye AF

– Direct Manual Focus (DMF)

– In-camera lens correction (shading, chromatic aberration, distortion)

– Camera-based lens unit firmware updates

* Features vary by camera. Please consult your camera’s instruction manual for details. (As of January, 2020.)

8. Tamron’s ‘Dream Team’ of large aperture zooms for full-size mirrorless cameras

Tamron’s 17-28mm F/2.8 Di III RXD (Model A046) ultra-wideangle zoom and the 28-75mm F/2.8 Di III RXD (Model A036) standard zoom lens earn high marks for user-friendliness and high image quality among large aperture zoom lenses for both E-Mount and FE-Mount Sony mirrorless cameras. Now, the 70-180mm F/2.8 Di III VXD (Model A056) telephoto zoom lens joins the lineup to complete the Dream Team Trinity of high-speed zoom lenses for full-size mirrorless cameras. A key advantage of this series is their portability. The three models altogether weigh surprisingly little, just 62.8 oz. Featuring light weight, compact size, a fast F/2.8 aperture and superb image quality, Tamron’s Dream Team is easy to carry, easy to deploy and easy to enjoy.

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on: Tamron’s new 24mm and 35mm Di III OSD M1:2 are featherweight options for Sony shooters

30 Oct

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

Tamron just announced a trio of featherweight full-frame lenses for Sony E-mount, each of which weighs less than eight ounces and offers a 1:2 macro capability. The new Di III OSD M1:2 range of F2.8 primes are highly portable options for Sony shooters, which sacrifice lens brightness for impressive compactness and light weight.

We’re still waiting to see results from these new lenses, but we had the chance to check them out in person at last week’s Photo Plus Expo in New York.

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

The 20mm F2.8 Di III OSD M1:2 will be coming in the new year, and a working sample wasn’t available to use at the show but it’s physically and cosmetically extremely similar to the 24mm, shown here. The 24mm F2.8 Di OSD M1:2 weighs in at 7.6 oz (215g) and measures 2.5in in length. That’s compared to 7.8 oz for the 20mm, and in fact all three of these new lenses are essentially the same size, not including their hoods.

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

All three of the new primes feature ‘front element focusing’ which basically means that when the lenses rack from their nearest to furthest points, the front element moves within the lens, and the size of the lens does not change.

The ‘OSD’ (Optimized Motor Smart Drive) focus motors provide silent automatic focus, although on the a7III which we used, there is some noticeable ‘wobble’ as the lens finds its mark. This could be a pre-production issue (and it could be related to the horrible tradeshow light) but we’ll reserve judgement until we receive final shipping samples.

This photo shows off the shallow petal-style hood of the 24mm F2.8, and the 67mm filter thread, which is common to all three lenses.

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

If you didn’t get the message yet, these are tiny lenses, and so light that when mounted onto an a7R II, they feel like they’re hardly even there. Some photographers will always lust after brighter, more ‘professional’ options but for everyday shooting, assuming the image quality holds up, we anticipate these primes being very appealing to casual Sony a7-series shooters.

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

The 35mm F2.8 Di III OSD M1:2 looks almost identical to the 24mm, and in fact shares a similar optical design, of nine elements in eight groups (compared to ten elements in nine groups, for the 20mm and 24mm). These contain LD (Low Dispersion) and GM (glass-molded aspherical) lens elements and BBAR (Broad-Band Anti-Reflection) Coating, to reduce flare and ghosting.

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

The 35mm doesn’t need such a wide hood, and ships with a rather attractive ‘snoot’ style hood which serves to protect the front element not only from stray light, but also from accidental scratches and scuffs.

Hands-on with Tamron’s 24 / 35mm Di III OSD M1:2

The hood is removable, at which point the 35mm F2.8 is near-impossible to distinguish from the 20mm and 24mm. The fact that all three lenses weigh almost the same, measure almost the same in length, and use the same 67mm filter thread could lead to confusion when groping around in a dark camera bag, but we suspect that their combined weight of less than 1.5 lb (about 680g) will more than make up for the inconvenience, for a lot of photographers.

All three of Tamron’s new Di III OSD M1:2 lenses will ship for $ 349, with the 24mm and 35mm (featured in this article) shipping next month, and the 20mm coming in early 2020.

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2019: Hands-on with Tamron’s trio of full-frame lenses

02 Mar

Introduction

Tamron has its three newly-announced full frame lenses on show at CP+ in Yokohama. It’s a slight odd setup, though. You can look at the lenses in a glass cabinet or you can handle rather more rudimentary samples, with no marking on their switches and their names stick on with labelling tape. Thankfully we were able to convince Tamron to let us photograph the more complete versions.

Tamron SP 35mm F1.4 Di USD

The SP 35mm F1.4 Di USD [Model F045] is the company’s latest fast prime for Canon and Nikon DSLRs. It’s designed for full frame and arrives as a higher-end alternative to its stabilized 35mm F1.8 VC. It uses a conventional ring-type USD (ultrasonic drive) focus motor.

Tamron SP 35mm F1.4 Di USD

The SP 35mm F1.4 is fairly long lens but isn’t excessively wide. The company promises you get the image quality to justify the size. Tamron suggests it’s suitable for ‘nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots,’ which is a pretty wide range.

Among the best 35s

Despite its fairly modest proportions (by modern standards, at least), Tamron seems bullish about the SP 35mm’s performance, saying it should by the best of its type. We were certainly impressed by how smooth and solid everything felt, when we handled it. Not a bad way to mark the 40th anniversary of the SP series.

Tamron 35-150mm F2.8-4 Di VC OSD

The Tamron 35-150mm F2.8-4 Di VC OSD [Model A043] is an interesting and somewhat unfamiliar concept: a full-frame lens extending from slightly wide-angle to moderate telepoto focal lengths, while retaining a semi-fast maximum aperture. Tamron describes it as a ‘Portrait Zoom.’

35-150mm F2.8-4: a ‘portrait zoom’

It’s about half the size of a 70-200mm F2.8, and still shorter even when extended, which should make it easy both to carry and to handle. Interestingly, the company says all its functions will remain available when adapted to a mirrorless camera. The sample we saw is fairly early, so we haven’t been able to get a sense for the speed or sound of the ‘Optimized Silent Drive’ micromotor.

35-150mm F2.8-4: handy for APS-C?

Although Tamron doesn’t mention its use on APS-C cameras, we reckon the 52.5-225mm equivalent range it would offer on a Nikon APS-C DSLR, long with the F4.2-6 equiv maximum aperture could be fairly interesting for a range of shooting situations. It wouldn’t offer especially shallow depth-of-field, but might make a temptingly portable midway point between a variable-aperture 55-200mm and the significantly higher cost of a 70-200mm lens, depending on how Tamron prices it.

Tamron 17-28mm F2.8 Di III RXD

The final lens we got to see what Tamron’s wide-angle F2.8 zoom for Sony’s E-mount cameras. The 17-28mm F2.8 Di III RXD is a full-frame zoom that makes a lot of sense alongside the relatively small 28-75mm F/2.8 Di III RXD that’s one of our favorite lenses for FE-mount Sonys.

Tamron 17-28mm F2.8 – a compact wide-angle

The Model A046 is based around the same ‘Rapid eXtra-silent stepping Drive’ focus motor used in the 28-75mm, so should be both quick and quiet. The lens itself is a touch shorter than its normal zoom counterpart but otherwise resembles it pretty closely. The biggest difference is that, unlike the 28-75mm, the 17-28mm F2.8 doesn’t extend when you zoom.

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2018: Hands-on with Tamron’s 2nd-gen 15-30mm F2.8 lens

27 Sep

Open wide: Tamron’s 15-30mm F2.8 G2

Tamron has updated their SP 15-30mm F2.8 Di VC USD full-frame lens and we got a chance to check out version 2 as this year’s Photokina. It handles essentially the same as its predecessor but there are some cosmetic changes. The design now matches that of the SP 24-70mm F2.8 and SP 70-200 F2.8 – specifically the grey bit by the base is new and the switches on the side have been redesigned.

Aside from cosmetic changes, a list of improvements under the hood make the 15-30mm F2.8 version 2 all the more appealing, including: dual processors for faster AF and better stabilization, fresh coatings to reduce flare and a new aspherical element.

It is available in both Canon EF and Nikon F mounts – the Nikon mount just began shipping, Canon mount ships October 12th. The list price is $ 1299.

Open wide: Tamron’s 15-30mm F2.8 G2

Like version 1, the front element is large and bulbous and the front of the glass moves forward in the housing as you zoom in – it is shown here zoomed to 30mm. There’s no way to put a threaded filter on it but the Canon version has a rear filter holder that can accept gels. The Nikon does not due to the F mount’s flange distance.

Version 2 also features a new Anti-reflection eXpand coating that Tamron developed in house to ensure flaring is as well-controlled toward the edges as it is in the center. The lens has two additional coatings to combat flare and ghosting. It also features an updated fluorine coating on the front element that is ‘abrasion resistant.’ This should make it easy to wipe away dust, water or grime and provide some level of scratch resistance. Speaking of water, the whole thing is weather resistant.

Open wide: Tamron’s 15-30mm F2.8 G2

Vibration control has been improved thanks to the inclusion of a second processor – now one processor is dedicated to AF and one to VC. Tamron says the new VC-dedicated processor should result in up to 4.5 stops of stabilization.

In addition to a dedicated AF processor, the lens has an updated AF algorithm. All of this should result in faster AF speeds. And because focus is driven by an ultrasonic silent drive motor, AF noise shouldn’t be an issue for video shooters. Then again, if you are old-fashioned, a manual override switch has you covered.

Open wide: Tamron’s 15-30mm F2.8 G2

A rubber gasket along the mount ensures no water gets inside your DSLR. And as mentioned, the lens design is moisture-resistant with internal seals located in critical areas where water or dust might get in.

Also the 15-30mm can make use Tamron’s TAP-in console for AF fine-tuning, VC control adjustments and firmware updates. The console will set you back about $ 60.

Open wide: Tamron’s 15-30mm F2.8 G2

In terms of handling, version 2 is nearly identical in size and weight to version 1. At 1100 g, it is not light-weight. Nor is it small, but that’s the price of ice when it comes to a stabilized constant-aperture wide-angle full-frame zoom.

Overall we’re excited to get the Tamron 15-30mm F2.8 version 2 on a body and start shooting. We were big fans of version 1 and it will be nice to see how all these improvements affect overall image quality and the shooting experience. Stay tuned for a sample gallery!

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2016: Hands-on with Tamron’s SP 150-600mm F5-6.3 Di VC USD G2

22 Sep

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

Tamron’s new SP 150-600mm F5-6.3 Di VC USD G2 might look like little more than a refined version the previous 150-600mm, but the new version is actually a substantial redesign. 

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

The ‘G2’ in the name stands for second generation, reflecting several improvements to the design, including the now-standard SP level of build quality, and revamped Vibration Correction (VC) offering up to 4.5 stops of compensation. Optical construction comprises 21 elements in 13 groups, including three LD (Low Dispersion) lens elements.

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

Tamron’s ‘SP’ (Special Performance) designation is given only to the company’s highest-performing lenses, and the SP 150-600mm is the first zoom in Tamron’s new SP lineup. It is compatible with Tamron’s ‘TAP-in’ Console, which allows the lens to be customized to user preferences.

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

The 150-600mm has three VC settings, and one additional custom option (enabled via the Tap-In Console) activates Vibration Correction in video mode. This view also shows the rubber seal around the lens-mount, which keeps dust and moisture from getting into the camera. 

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

At full extension, the SP 150-600mm is a hefty lens, but the relatively small maximum aperture range keeps the deign relatively compact considering the telephoto reach. On an APS-C format camera, the effective focal length range increases to about 233-930mm equivalent. 

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

In addition to the main zoom lock, which prevents the zoom from extending beyond 150mm, a ‘Flex Zoom Lock’ mechanism has been added to keep the lens barrel fixed at any focal length of your choosing. 

Hands-on with Tamron SP 150-600mm F5-6.3 Di VC USD G2

The SP 150-600mm F5-6.3 Di VC USD G2 was launched alongside two new teleconverters. The 1.4X and 2X converters are moisture and dust-resistant, and turn the 150-600mm into a 210-840mm or 300-1200mm equivalent zoom on full-frame, respectively. 

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2016: Hands-on with Tamron’s new SP prime lenses

26 Feb

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

Tamron is showing off two brand new lenses at CP+ this year – the SP 85mm F1.8 Di VC USD (shown here) and SP 90mm F2.8 Di VC USD 1:1 Macro. The ‘SP’ in the model names stands for ‘Super Performance’ – a designation that Tamron reserves for its high-end optics. We headed to the Tamron booth today and got our hands on the new lenses, and Tamron’s upcoming TAP-in Console.

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

First up is the SP 85mm F1.8 Di VC USD, which slots right alongside the previously-announced 35mm and 45mm F1.8 primes that Tamron released last year. Like those lenses it is relatively compact, but feels extremely solid and has a nice weight to it, balancing well on a Canon EOS 5D Mark III (provided by Tamron to get a feel for the how the lens handles). 

It’s worth noting the Nikon version of this lens uses an electromagnetic aperture control, rather than the traditional aperture lever.

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

The 85mm features LD (low dispersion) and XLD (extra low dispersion) elements to reduce flare and ghosting and a fluorine coating on the front element to keep moisture and fingerprints at bay. Nine aperture blades ensure circular out-of-focus highlights. MTF (theoretical) curves suggest outstanding resolution and contrast. The VC system offers up to 3.5 stops of shake reduction (tested to CIPA standards) and its ring-type ultrasonic motor provides fast and near-silent autofocus when we tested this pre-production sample.

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

It’s hard to see in this photo, but the lens mount of the new 85mm and 90mm SP primes is protected by a rubber gasket, to protect against dust and moisture incursion into the lens throat. Expected to be available in April in Canon and Nikon mount versions, a Sony A-mount version will follow later. Pricing is still TBC. 

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

Next up is the SP 90mm F2.8 Di VC USD 1:1 Macro, which offers true macro 1:1 reproduction at a focusing distance of 13.9cm/5.5in. A 9-blade aperture ensures circular out-of-focus highlights. Tamron has been making a 90mm macro lens of some or other kind for a very very long time, and all of them have been extremely well-regarded. Our first impressions of the new 90mm are that in terms of handling, this might be the best yet. 

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

Like the other recently-announced SP primes, build quality is very high, and just in terms of aesthetics, the new 90mm looks great. It seems that Tamron has been looking over its shoulder at Sigma’s ‘Art’ range and this is no bad thing. Like those lenses, all of Tamron’s new SP primes look more expensive than they are. The 90mm macro will be available next month for a very reasonable $ 649.

Again, we’ve only handled a pre-production sample but just from first impressions we’re excited to get it into our studio as soon as possible. 

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

Tamron’s new ‘TAP-in Console’ is also distinctly Sigma-esque. (An early engineering sample is shown here). Available for Nikon and Canon-mount versions of the SP 85mm F1.8, SP 90mm F2.8 Macro, SP 45mm F1.8, SP 35mm F1.8 lenses (the older 35mm and 45mm primes will need updating at a Tamron service center) the TAP-in Console will allow users to calibrate their lenses for precise AF, at either end of a zoom and at three different subject distance ranges (near, mid, far), as well as adjust VC performance parameters. 

CP+ 2016: Hands-on with Tamron’s new SP prime lenses

Projected to be available next month, Tamron has not yet announced pricing information for the TAP-in console but after seeing coming to appreciate the value of Sigma’s dock, we’re very pleased to see this kind of solution being introduced by another manufacturer. Canon and Nikon take note…

Articles: Digital Photography Review (dpreview.com)

 
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