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Posts Tagged ‘Tamron’

Review of the Tamron 85mm F1.8 Di VC USD Lens

15 Aug

There has been, and likely always will be, a lingering debate among professional photographers and amateur photo enthusiasts, about whether or not a third party lens can be every bit as good as the native glass produced by your camera’s manufacturer.

There is often a margin of compromise between cost and quality. Over the last five years or so, that margin has become increasingly slim. It’s become so small in fact, that we find ourselves living in an incredible time when these third party lenses are equalling the performance of high end lenses, in terms of optical performance and build quality.

Lens 7

To date, very few lenses I have evaluated have exemplified this coming of age of lens manufacturing, more so than the Tamron 85mm F1.8 Di VC USD. It is intended to be used with full-frame dSLR’s, as well as APS-C bodies (it becomes 136mm equivalent). This lens embodies what could be called a levelling of the playing field, in terms of cost versus performance. Recently, Tamron announced their intentions to re-energize, and improve their lens offerings with increased image quality, and more reliable build. During this review I was amazed at just how much punch Tamron has been able to deliver with their 85mm f/1.8.

First Impressions

After breaking open the box I found the lens, along with hood, to be very well cradled in its packaging.

Lens 1

Lens 3

Lens 5

At first feel, the Tamron 85mm f/1.8 seemed hefty, with a solid weight. Not overly heavy at 24.7 ounces (700 g), but certainly not light either. You will definitely know this lens is on your camera. The look of the lens is clean and classic.

The lens body itself is nicely finished in matte black, while Tamron has added some silver-toned accents; most notably of which is the new metallic ring at the base of the body around the mount. The focus ring is pleasantly rubberized, and feels very comfortable to the touch. There is also a voucher for a free download of SilkyPix, Tamron’s post processing software, included with the lens purchase.

Build Quality

As I said, the most noticeable physical aspect of this lens is its weight. Which isn’t a bad thing, and it strikes a balance when compared to other similar lenses: the Canon EF 85mm f/1.8 and the Canon EF 85mm f/1.2 L which come in weighing 14.99 oz (425 g) and 36.16 oz (1.025 kg) respectively. Keep in mind that neither of those two lenses sports image stabilization(more on this feature later). Overall, the Tamron just feels serviceably solid. The focus ring is firm and extremely smooth when turning. All the markings and accents are very well executed and the focus indicator window is nicely done.

Lens 2

Lens 4

Here are the Tamron 85mm F1.8 mounted to a Canon 7D Mk1 alongside another excellent prime, the Canon EF 50mm F1.4 (below) for a size comparison.

85 and 50

The VR( image stabilization) and AF/MF switches are well placed for easy operation, and they switch on/off firmly. The included barrel-type lens hood looks great without screaming “Hey! Look at me!” and locks on securely with ease.

Here’s the official specification sheet from Tamron

Spec Sheet

One thing which I’ve always found so pleasing about Tamron, albeit a small detail, is their attention to their lens cap ergonomics. I know, I know – it’s just a lens cap. But it’s a very important element of any lens that is intended to be used extensively. I mention it due to the fact that Tamron lens caps have a very deeply recessed front pinch.

Cap

Very much of my work centers around adventure and outdoor photography, where the elements aren’t always cooperative. Being able to take the lens cap on and off without fear of dropping (even with gloved hands) is a huge advantage in those kinds of situations. Small detail? Yes. An important detail? Very much so. It’s a feature that my fellow landscapers and outdoor photographers will greatly appreciate.

Now, back to your regularly scheduled review.

If you look closely at the lens you might notice a small black rubber gasket at the area of the lens mount.

Seal 1

Seal 2

This is part of the advanced steps Tamron has made to improve the resistance of their lenses to the elements. Though not as readily visible as the seal on the lens mount, the entire lens design has incorporated increased weather sealing on the areas between the focus ring and lens barrel. This means better long term service and protection from the grit and grime, often found when making photographs in the outdoors, where dust and moisture make themselves an unwelcome nuisance.

Image Quality

The 85mm F1.8 is intended to be a medium telephoto lens, that offers decent compression for portrait work, as well as true to life color rendition. In all these things, Tamron has excelled. I was excited to see that the lens performed very well, and was very sharp through the complete f/1.8 to f/16 aperture range. The corners were a little soft at f/1.8 but became crisp at f/4 and beyond. Overall sharpness was best observed from f/4 to f.8, with f/5.6 seeming to be the sweet spot of this review model.

Admittedly, I was very impressed with the sharpness, but the color performance is a point where this lens truly shines. Colors come through well saturated, with only moderate chromatic aberrations at wide apertures (past f/2.2 becomes very good) and contrast is wonderfully bold.

This is a series of uncropped images, showing the performance across common apertures from f1.8 through f/16.

F1 8

F2 8

F4

F5 6

F8

F11

F16

Now, have a look at that same set after being cropped to approximately 1:1.

F1 8 Zoom

F2 8 Zoom

F4 Zoom

F5 6 Zoom

F8 Zoom

F11 Zoom

F16 Zoom

The nine curved aperture blades produce a creamy bokeh, which portrait shooters will love. I especially loved the bokeh produced at the largest aperture of f/1.8. In some situations it even hinted at a faint swirling effect, reminiscent of the selectively loved/hated Helios 44-2.

In any case, you will no doubt be pleased with the background blur of your images. Taken alongside the great color and contrast, the 85mm f/1.8 will consistently produce quality images with good sharpness, in a wide range of situations.

Here are some additional sample images made with the Tamron 85mm F1.8.

Hand

Leaf

Coffee

Clouds

Lime

Swing

Autofocus and Image Stabilization Performance

This is the part of the review that I could not wait to write about in regard to the 85mm F1.8. The autofocus of this lens is fast, accurate, and quiet. The ultrasonic motor drive produced very little vibration during autofocusing, which was great. I’m a big time fan of having the final say with my focusing. Tamron has included a full-time manual override capability, which definitely allows greater control for pinpoint adjustments when needed, without having to switch the AF/MF switch to manual.

The autofocus tracked very accurately when shooting moving subjects as well. Overall, the AF performance of the lens is top notch.

The image stabilizer on this lens is an absolute marvel. In most cases, vibration reduction technology is useful, but for me, it’s never been a make or break selling point when I shop for lenses. With the 85mm – I must say that I am thoroughly impressed. The image stabilization performance of the lens is one of, if not the best, I have ever encountered. Tamron states that the 85mm F1.8 was the first 85mm fast-prime to include the technology (as of January 2016). The VR (vibration reduction) makes shooting at what might be considered impractically slow shutter speeds in sub-optimal light, very possible. This is great for street photographers, and really anyone who finds themselves needing to keep their ISO in check, who also frequently encounters low light conditions.

VR Off

This is an image shot handheld at 1/10 second with VR turned off.

VR On

Here we see the almost magical impact of the image stabilizer once the VR is switched on.

Generally, I base the majority of my exposures around the Reciprocal Rule (1/focal length) so at 85mm I wouldn’t normally go slower than 1/80th of a second, or 1/60th on a good day. The fact that I was able to pull off this measure of sharpness at 1/10th of second, means that the image could have been made with an even slower shutter speed, while still maintaining acceptable clarity. This means a lower ISO can be used in situations when it would previously not have been possible. Tamron has hit the VR out of the park with the 85mm F1.8.

Final Verdict

What you’ll like:

  • Outstanding sharpness through entire aperture range.
  • Great color and contrast performance.
  • Build quality is great.
  • Improved weather sealing helps control moisture and dirt problems< ./li>
  • The VR performance is outstanding. Image stabilization level: Jedi.

What you might not like:

Well, it’s difficult to list anything here. An extremely scrutinous shooter might mention the weight and moderate chromatic aberrations at f/1.8 as drawbacks, but both fall very safely in the range of what would be considered acceptable for most uses.

Closing Thoughts

It’s difficult for a lens to leave a reviewer without having any real negatives. Still, the Tamron 85mm F1.8 appears to have done just that. There were no issues encountered that would warrant inclusion. The fact is that the optically quality is superb, and the build is very solid.

Taking into consideration the fast autofocus, and the incredible image stabilization, it truly is a tough lens to beat at this price (around $ 749 USD). Add in the beefed up weather protection, and you are left with a beast of a mid-range telephoto lens, which will excel at portraiture and street photography, while holding its own during adverse shooting conditions in the outdoors.

4.5 out of 5 Stars

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The post Review of the Tamron 85mm F1.8 Di VC USD Lens by Adam Welch appeared first on Digital Photography School.


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Announcing the Winners of the Tamron Sunshine Photo Contest

20 Jun

The winners of the Tamron Sunshine Photo Contest for a Tamron 28-300mm Di VC PZD lens, a Tamron SP 90mm F/2.8 Di VC USD lens, and a Tamron SP 70-300mm Di VC USD lens are:

A huge thank you to everyone who entered our recent contest to win one of the following lens: a 28-300mm Di VC PZD lens, an SP 90mm F/2.8 Di VC USD lens or an SP 70-300mm Di VC USD lens from our friends at Tamron. This was a sunshine themed competition, and many of you shared your beautiful images, so we encourage everyone to go back and scroll the comments section to view these wonderful photos.

Yet again, the response was absolutely AMAZING with over 285 entries! But now, on to the winners. Drumroll please, and the winners are:

First Prize – a Tamron 28-300mm Di VC PZD: the winner is Graham P.
Grand Prize 28300VCPZD

Tamron 28-300mm Di VC PZD (model A010)- $ 849 value (For canon, Nikon or Sony cameras.)

Graham’s winning comment and image:

It would be fantastic to win the Tamron 28 – 300 lens the need for a lighter kit as I am getting older is a must, this lens would not leave the camera and has all the versatility to capture everything from near to far in great detail and of course no more sensor dust from not switching lenses all the time. The image I have entered lookers great with the sun playing across the landscape.

Graham P original

Second Prize – Tamron SP 90mm F/2.8 Di VC USD: the winner is Annee.

Second Prize SP 90mm

Tamron SP 90mm F/2.8 Di VC USD (model F017-new) – $ 649 value (For canon, Nikon or Sony* cameras. *Sony mount model without VC)

Annee’s winning comment and image:

Wow! The new Tamron SP 90mm is a dream lens! I love bringing out details in wide landscapes but want to explore nature’s beauty at a more intimate level. I like to shoot into the sun and bright backgrounds but chromatic aberration and lens flare are problematic with my current lens. The optical construction of the new Tamron SP 90mm will be a major step forward for my art. I also love shooting from low angles where tripods are impossible. The enhanced VC functionality will help me achieve a steadier shot and the moisture-proof / dust-resistant qualities will be a blessing when I get a little too close to the ground! I’m always amazed at how little breeze is needed to move flowers and delicate objects out-of-focus. The increased focusing speed of the new Tamron SP 90mm combined with its large aperture will help me capture shots at the perfect moment.

I could go on but, in short, this lens looks amazing! I know it will help me to hone my craft AND increase my passion for photography. I can’t wait to start playing with one!

Annee original

Third Prize – Tamron SP 70-300mm Di VC USD: the winner is Ron S.

Third Prize70300VC

Tamron SP 70-300mm Di VC USD (model A005) – $ 449 value (For canon, Nikon or Sony cameras.)

Ron’s winning comment and image:

I shot this sunrise from a life guards chair on Delray Beach in Florida. I was there well before sunrise, hoping to catch the sun breaking the horizon over the ocean, but the clouds were there too, blocking the sun. Finally, the clouds broke a bit, allowing the sun to come thru and the Rays to pinball off them, a more dramatic shot for sure than the one I had planned.

I would use the telephoto zoom lens to give me more flexibility and reach with my travel photography and real close ups on the basketball court – I have season tickets for both the men’s and women’s at a local college and love sharing my amateur shots with the coach, players and college community via Instagram and Facebook.

The macro lens would make my wife very happy – she’s an avid gardener but my photos don’t do her magnificent flowers justice. A first class macro lens would certainly help!

I love that these lenses will fit my Sony NEX -6 e-mount, and, when the budget allows, A6000!
Fingers crossed….

Ron S original

We were all thrilled with the entries: you tugged at our heartstrings, made us laugh, made us smile, but most importantly, you made us keep wanting to do more of what we are doing; providing you quality information and guidance to become a better photographer. We were so pleased to see that you came from every part of the world, young adults to grandparents, and everyone in between. Thank you all for your entries!

Roadtrip ebook cover

Now, for those of you that didn’t win, Tamron has invited ALL dPS readers download their 2015-2016 eBook Series! You can find those HERE!

The winners will be emailed with details of how to collect their prizes. Please make sure to look for our email. Thank you again for all the wonderful submissions and to Tamron for sponsoring this competition.

Tamron Rebates

For all of you residing in the USA, when you do purchase your next Tamron Lens, make sure to take advantage of the rebates* up to $ 130 through June 30, 2016. Find additional information HERE!

*Current rebate offers end June 30, 2016. US RESIDENTS ONLY.

Tamron logo

About Tamron

Disclaimer: Tamron is a paid partner of dPS.

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The post Announcing the Winners of the Tamron Sunshine Photo Contest by Darlene Hildebrandt appeared first on Digital Photography School.


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Fast and steady: Tamron 85mm F1.8 Di VC USD real-world samples

19 May

The Tamron 85mm F1.8 claims the title of the world’s first fast-aperture 85mm lens with stabilization. The focal length will certainly appeal to portrait photographers, and the combination of Tamron’s vibration compensation with an F1.8 aperture might just give it an edge in low light situations. We’ve been shooting with it over the past couple of weeks, both on full-frame and crop sensor bodies, to get an idea of its performance.

Articles: Digital Photography Review (dpreview.com)

 
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Win One of Three Lenses from Tamron – Enter the Sunshine Photography Contest

09 May

Win one of THREE lenses from Tamron! Enter the “Sunshine” photography contest today.

Win one of the following:

  • A Tamron 28-300mm Di VC PZD lens
  • A Tamron SP 90mm F/2.8 Di VC USD lens
  • A Tamron SP 70-300mm Di VC USD lens

Over the last few years here at dPS, we’ve run very some very popular competitions with our partners, to give away to lucky dPS readers some of their great photographic products. We are lucky enough to be able to do it again.

For this contest, Tamron is giving away three lenses!

These three unique prizes are designed to help every level of photographer create better pictures. Tamron is the world’s most awarded photographic lens line. Each will be won by a different dPS reader. Here’s what you could win:

Our First Prize Winner will receive:

A Tamron 28-300mm Di VC PZD (model A010) – $ 849 value, for canon, Nikon or Sony cameras.

Tamron 28 300mm

The Second Place Winner will receive:

A Tamron SP 90mm F/2.8 Di VC USD Macro Lens (model F017-new) – $ 649 value, for canon, Nikon or Sony (without VC) cameras.

Second Prize SP 90mm

The Third Place Winner will receive:

A Tamron SP 70-300mm Di VC USD Zoom Lens (model A005) – $ 449 value, for canon, Nikon or Sony cameras.

 

Tamron-70-300

Learn a little more about Tamron here: Tamron USA

How to win

To win this competition you’ll need to:

  • Visit the above lens information pages and learn more about the lens and its core use.
  • Post your sunshine photo, along with a few words on how you feel one of the above Tamron lenses would help your photography. It’s as easy as that!
  • Do this in the next 21 days and after June 1st, 2016, the team at dPS will choose the best three photos and we will announce the winners in the following days.
  • The deadline to enter is May 30th at 11:59pm PST (UTC-7). Photos and comments left after the deadline will not be considered.

Bee Image

By best – we’re looking for people who have an understanding of photography, the role of lenses, and how they will best suit your needs. So you’ll need to check out the product pages to put yourself in the best position to win.

There’s no need to write essay length comments to win – but we’re looking to hear what you like about the lens, and how it would help your development as a photographer. Don’t forget to include your favorite sunshine themed photo. We encourage you to have fun and be creative.

This competition is open to everyone, no matter where you live – but there is only one entry per person. To enter – simply leave your photo and comment below.

Tamron logo

Disclaimer: Tamron is a paid partner of dPS

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My Favourite Travel Lens – The Tamron 28-300mm

20 Apr

Last year I was given an incredible opportunity to travel to the US for three and half weeks just to take photos. My trip was sponsored by an amazing woman, which spurred me to try and get other sponsors for my photography. When you are travelling you can’t take everything with you, so being able to get a lens that could handle a lot of the scenes that I wanted to shoot was very handy. To be able to go from a wide angle view, then zoom right in, was going to be a great lens for travelling, I hoped.

LeanneCole-tamronlens-28-300mm

Tamron 28-300mm Lens – image courtesy of Tamron for both Canon and Nikon mounts.

I had read about the Tamron 28-300mm lens, and how it was a good for travelling. I decided to contact Tamron Australia to see if they would loan me the 28-300mm for my trip, and they did. It is a full frame lens and if you have a cropped sensor then you need to remember that you won’t be able to get 28mm (more like 42mm), and that it will be far longer than 300mm (similar to 450mm).

LeanneCole-tamronlens-goldengatebridge-65mm

Golden Gate Bridge with US Flag, taken through a car window. Focal length 65mm

Physical Size

The first thing I noticed when I opened the box was the size. For a lens with such a big zoom length, it’s quite small. It isn’t a heavy lens either. Straight away it seemed like the perfect lens to carry, that wouldn’t contribute to breaking my back.

It fits nicely into any camera bag, due to its compact size. The bag I used on my trip was quite small, and it was easy to pack. The light weight meant I didn’t have to worry about making my bag heavier. Imagine how your back would feel if you had to carry a bunch of other lenses to cover that range!

LeanneCole-tamronlens-bodieghosttown-122mm

Some of the old building at the ghost town in Bodie, CA, focal length 122mm.

Versatility

When travelling you can’t always get close to places to get the best angles, and having a lens that allows you to take photos when you are close, or far away, is an advantage. You can take an image of a building and get most of it in, then zoom in to get some details of it as well.

The following images of the Flatiron Building in NYC, show how you can take a photo of the whole building, and then a close up of some detail using the 28-300mm lens.

LeanneCole-tamronlens-flatiron-28mm

The Flatiron Building in New York, focal length 28mm.

LeanneCole-tamronlens-flatiron-300mm

Detail of the Flatiron Building, focal length 300mm.

There is also the advantage of not having to constantly change your lens. If it is busy, or crowded, you won’t have to stop, get out another lens and change it. This compact lens is great for most situations.

LeanneCole-tamronlens-beemountain-300mm

A bee on a flower, taken at 300mm.

Compromises

With any lens that has this kind of focal length range, you are going to have to compromise somewhere.

Sharpness

When you take photos at 300mm, the images are not as sharp as they are at 150mm. This is a common problem with most lenses, and more so with ones that have longer lengths such as the Tamron 28-300mm.

Slower Lens

A lens is judged by the size of the largest aperture. A fast lens has a large aperture of f/2.8 or, as is the case with some of the prime lenses, maybe f/1.4. The largest aperture means that when there is lower light you can get a faster shutter speed, which makes it a faster lens.

This Tamron 28-300mm lens has an aperture range of f/3.5 – 6.3, which translates to being able to have the faster aperture of f3.5 at 28mm, but when you zoom out to 300mm the fastest (widest) one you can get is only f/6.3. Most of the time it isn’t a problem, and only becomes one when the light is low, or when shooting indoors. The compromise is, when those conditions arise you have to put up your ISO, which introduces noise into your images, or, in old terms, grain.

Vignetting when zoomed out

One of the things I found, was that there was some vignetting when the lens was zoomed all the way out to 300mm. I was a bit annoyed initially, but when I was given an opportunity to try out the Nikon 28-300mm I noticed it did the same. It is just one of the disadvantages working with lenses such as these.

LeanneCole-tamronlens-NewYork-300mm

A view of New York Skyline from Staten Island ferry. Focal length 300mm,

The Other Factors

Weight

The lens weighs just over half a kilogram or 19oz. Compare it with the Nikon lens which is 800 grams or 28.2oz. As stated previously, it is quite a light lens, and an easy one to carry around and store.

LeanneCole-tamronlens-yosemite-28mm

One of the many mountains at Yosemite, focal length 28mm.

Price

The lens is around US$ 850, which makes it a good price for the versatility that you get. It makes it an affordable lens, and a very good option for a beginner who wants to find one lens that will suit almost any situation or occasion.

In conclusion

This was a perfect lens for travelling. I found it so versatile, and to tell the truth, while I took a couple of other lenses, this one was on my camera 80% of the time. I didn’t want to take it off. It was very sad when the lens had to be returned to Tamron, I know when I can get the money together, it will be the next lens in my kit.

LeanneCole-tamronlens-santacruz-135mm

Seal at Santa Cruz Boardwalk. Focal length 135mm.

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Tamron SP 90mm F2.8 DI Macro VC USD real-world sample gallery

19 Apr

Tamron’s venerable 90mm F2.8 Macro is re-born. This iteration, announced in February of this year, offers stabilization, 1:1 magnification and focusing as close as 13.9cm/5.5in. And as far as full-frame primes go, it’s on the less-expensive side at $ 650. Spring is definitely springing in Seattle, and an abundance of tulips (we’re really not kidding, there are tons of them) provided a great starting point for our real-world Tamron 90mm F2.8 sample gallery. 

Articles: Digital Photography Review (dpreview.com)

 
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New arrival: Tamron SP 85mm F1.8 launches later this week

23 Mar

Tamron has announced pricing and availability for its recently released SP 85mm F1.8 Di VC USD. According to the company, the lens will launch this Thursday, March 24 in Canon and Nikon mounts for $ 749. Tamron also plans to launch a Sony mount lens later this year, but has not provided a launch date at this time.

The 85mm F1.8 lens features an Ultrasonic Silent Drive and full-time manual focus override, and produces, among other things, a ‘balanced bokeh’ for emphasizing a photo’s foreground subject. The SP 85mm model uses both low dispersion and ultra low dispersion glass elements to produce sharp and clear high-fidelity color photos with minimal color fringing, while eBAND and BBAR lens coating technologies reduce ghosting and lens flares to what Tamron says is ‘imperceptible levels.’

Other features include a moisture-resistant body, a water and oil-repellant fluorine coating on the front element and support for the Tamron TAP-in Console. Notably, the Nikon mount version features the electromagnetic diaphragm system that has been a Canon mount standard feature.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron Contest Winners Announced

15 Jan

The Winners of the Tamron 16-300mm Di II VC PZD Macro All-In-One Zoom Lens and Tamron 18-200MM F/3.5-6.3 Di II VC All-In-One Zoom Lens are…

A HUGE Thank You to everyone who entered our recent contest to win a 16-300mm Di II VC PZD Macro Lens from our friends at Tamron. Again, this was not actually a photography competition, but so many of you shared your beautiful photographs, we encourage you all to go back and scroll the comments section for some wonderful photos, and links to reader pages and sites.

Yet again, the response was absolutely AMAZING with over 430 entries! But now…onto the winners! Drum roll please, and the winners are:

Grand Prize16300VCPZD Tamron 16 300mm

Tamron 16-300mm Di II VC PZD Macro:

The grand prize winner is: Donna Read

 

Tamron 16-300mm Di II VC PZD Macro – Value $ 629, for canon, Nikon or Sony small-sensor cameras.

Runner-up Prize18200 B018 Tamron 18 200mm

Tamron 18-200mm Di II VC:

The runner-up prize goes to: Morgan Ocker

 

Tamron 18-200mm Di II VC – Value $ 249, for canon, Nikon or Sony small-sensor cameras.

We were all thrilled with the entries, you tugged at our heartstrings, made us laugh, made us smile, but most importantly, you made us keep wanting to do more of what we are doing; providing you quality information and guidance to become a better photographer. We were so pleased to see that you came from every part of the world, young adults to grandparents, and everyone in between. Thank you all for your entries!

Here are the posts from the winners of the Tamron 16-300mm Di II VC PCD Macro and 18-200MM F/3.5-6.3 Di II from our December, 2015 Contest:

Donna’s entry (many of you felt she deserved to win):

Last year I was homeless and living in my truck with my 3 cats. This year I’m living with my best friend and her son in the most beautiful place I could ever want. But I have to live on a very small pension of only $ 275 a month (I had to take it at 60 years old instead of waiting for 65) so what I had to do between then and now was the worst thing a photographer can imagine; I had to sell gear. I sold my main camera and a good bag, a 35mm 1.8 and then when my 17 year old cat was diagnosed with cancer, I sold 18-200mm as well so I could have him put down. I’ve been getting jobs finally but I’m having to shoot them with my old backup camera and an 18-55mm kit lens or my really nice 35-70mm 2.8. A longer lens would be a godsend for what I shoot! I mainly shoot non-traditional sports like kite surfing, skateboarding, rodeo and motocross etc. and I’m good at it.

I’m in a good place now and am ready to get back in full swing and one of these lenses would be a huge help getting fully back on my feet. I’m 61 years old and, in the big picture view, I’m running out of time to accomplish all that I want to. 10-20 years isn’t the ‘long time’ it seems when you’re young!

I hope you could consider me for one of these lenses. Thank you for taking the time to read my story.

Morgan’s entry:

I’m an amateur photographer in Texas and I am a 20 year old college student who has a burning passion for photography. I absolutely love this blog and have read most of the entries. It’s my go to when I have a question about my camera or photoshop or if I just needs a tip for something I’m wanting to shoot. I only have 2 basic lenses and I have really really wanted to get a new one but I just don’t have the money because I’m a college student with bills.

I raise money and go on a medical mission trip to Zambia, Africa every year. The people that live in Zambia that we help don’t have mirrors so when I walk around with my camera, women and children often want me to take their pictures so they can see their beautiful faces. For many, that’s the first time they’ve ever seen their face. I would really really enjoy this new lens so I could capture some more beautiful moments of the people hold my heart, in the place I love almost, if not equally, to Texas, my second home.

Special offer for dPS readers

Tamron Road Trip Image

Now, for those of you that didn’t win, Tamron has invited ALL dPS readers download their 2015-2016 eBook Series! You can find those HERE!

The winners will be emailed with details of how to collect their prizes. Please make sure to look for our email. Thanks you again for all the wonderful submissions and to Tamron for sponsoring this competition.

Tamron Rebates

For all of you residing in the USA, when you do purchase your next Tamron Lens, make sure to take advantage of the rebates* up to $ 150 off through February 29, 2016. Find additional information HERE!

*Current rebate offers end January 29, 2016. US RESIDENTS ONLY.

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About Tamron

Disclaimer: Tamron is a paid partner of dPS.

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The post Tamron Contest Winners Announced by Darlene Hildebrandt appeared first on Digital Photography School.


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Contest: Win one of Two Tamron Lenses

17 Dec

Win a Tamron 16-300mm Di II VC PZD Macro All-In-One Zoom Lens OR a Tamron 18-200MM F/3.5-6.3 Di II VC All-In-One Zoom Lens!

16300VCPZD-Tamron-16-300mm.jpg 16300VCPZD-Tamron-16-300mm.jpg

Over the last few years here at dPS, we’ve run very some very popular competitions with our partners to give away to lucky dPS readers some of their great photographic products.

We are lucky enough to be able to do it again this week. For this competition, Tamron is giving away TWO lenses.

Win one of two Tamron lenses

These two unique prizes are designed to help every level of photographer create BETTER pictures. Tamron is the world’s most awarded photographic lens line. Each prize will be won by a different dPS reader. Here’s what you could win:

16300VCPZD Tamron 16 300mm

Tamron 16-300mm Di II VC PZD Macro

Grand Prize

Our Grand Prize Winner will receive a 16-300mm Macro All-In-One Zoom Lens.

Tamron 16-300mm Di II VC PZD Macro – Value $ 629. For Canon, Nikon or Sony small-sensor cameras.

Tamron 16-300mm Di II VC PZD Macro

Runner Up Prize

18200 B018 Tamron 18 200mm

Tamron 18-200mm Di II VC

The Runner Up will receive an 18-200mm Di II VC All-In-One Zoom Lens.

Tamron 18-200mm Di II VC – Value $ 249. For Canon, Nikon or Sony small-sensor cameras.

Tamron 18-200mm Di II VC

Learn a little more about Tamron here: Tamron.com

How to win:

To win this competition you’ll need to:

  • Visit the above lens information pages and learn more about the lens and its core use.
  • Leave a comment below and tell us why you’d like to win and HOW you would you utilize the lens. Please note: there is a limit of ONE entry per person.
  • Deadline to enter is January 7th, 2016 11:59 p.m. PST (UTC-8). Comments left after deadline will not be considered. Do this in the next 21 days, and on January 14, 2016, the team at dPS will choose the best two answers and we will announce the winners in the following days.

By “best” – we’re looking for you to show an understanding of the lenses and how they will best suit your needs. So you’ll need to check out the product pages to put yourself in the best position to win. There’s no need to write essay length comments to win – but we’re looking to hear what you like about the lens and how it would help your development as a photographer.

This contest is open to everyone, no matter where you live – but there is only one entry per person. To enter – simply leave your comment below.

Canon Beach ken hubbard resized

Photo by Ken Hubbad

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About Tamron

Disclaimer: Tamron is a paid partner of dPS.

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An oldie but a goodie – why the Tamron 28-200mm lens is my favorite

29 Oct

photo taken with the tamron 28-200mm lens

Probably the easiest question that I’m asked is, what is my favorite lens? Despite owning a sizeable collection of lenses for my Pentax K-7, the very first lens I ever bought, a Tamron 28-200mm was, and still is, my favorite lens.

I’m basically a street photographer, but I dabble in landscapes and animals from time to time. When traveling, and shooting on the streets, I carry one camera mounted with one lens, and seldom anything else. I remove the lens cap at the beginning of the day, and put it back on at night when I’ve finished shooting. To me, continually putting a lens cap on and taking it off takes too much time, if I want to be able to react to situations and shoot quickly. As for my lens, because I hold my camera in my right hand for eight or more hours a day, I need a robust lens that is up to anything that I can throw at it. The 28-200mm has seldom let me down.

lemur shot with a 28-200 tamron lens

Why it doesn’t matter that this lens is not stabilized

I’m not sure exactly when I bought this lens, but Tamron discontinued it in around 2001 – so let’s say it is probably a good 12-15 years old. At this age, it of course, predates the concept of affordable image stabilized cameras. (Cue plug for Pentax!). One benefit of shooting with Pentax cameras is that Pentax put image stabilization in the camera, and not the lenses. So this extends the longevity of older lenses – instead of trading up all your lenses – all you need to do is to change the camera body.

This lens has been mounted to a Pentax K-1000 film camera, a Pentax *ist DS, the Pentax K-10D and, more recently, the Pentax K-7. Counting images in my Lightroom catalog shows that this lens has captured over 66,000 images of the 84,000 (78.6%) in my current catalog.

From a (relatively) wide angle to telephoto in a single lens

What I like about this lens is its range. At 28mm it will shoot fairly wide, so I can capture an entire scene with it. At 200mm I can get in nice, and close and it’s still easy enough to handhold, even at small apertures where the shutter speed is quite slow. I also own a 300mm zoom lens and I find that it works great where there is plenty of light, but as soon as I start using small apertures, or shooting in poor light, the extra focal length on the lens really doesn’t get used, or I get soft images because I just can’t hold the camera steady enough. Basically, carrying a 300mm zoom on my camera, means I am carrying extra weight in the lens that I simply don’t and can’t use.

Sydney city shot with a tamron 28-200 lens

Why weight and size are important

The Tamron 28-200mm is lightweight at 12.5oz (354g), small for a zoom lens, and is only three inches tall. This makes it a little more discrete than some other lenses for street photography. Although since I am tall and have bright red hair, discretion isn’t something I value particularly highly.

I balance the weight of the lens with a battery grip, which carries a spare battery and a second set of controls. This grip helps me to hold the camera sideways to shot in portrait mode comfortably. It also balances the weight of the lens so the camera actually stands upright on a table, and despite the extra weight of the grip, it’s actually easier to carry for long periods of time.

The 28-200mm can be locked down for travelling, and when unlocked, it requires only a small rotation to go from 28mm all the way to 200mm. When it’s in its fully zoomed position it holds the zoom firmly, freeing me to use both hands to steady the camera. The aperture range for the lens starts at 3.8-5.6 (depending on how far you are zoomed) so there’s plenty of opportunity to capture images with a shallow depth of field, even at full zoom of 200mm.

young girl captured with a 28-200 tamron lens

Alternative lenses

If there are times when I look beyond the 28-200mm for another lens it’s generally one that matches a specific circumstance, such as shooting in very low light. In those situations my 50mm f/1.4 is a good second choice lens. I also love my 17 mm fisheye for those occasional times when the scene can benefit from more creative composition.

However, the 28-200mm is my everyday lens. It is permanently affixed to my camera, and has been for 10 years or more. It’s a great all-round lens, and it’s also a sound and robust lens for use in situations that are not always particularly camera friendly. I’ve shot it in all sorts of weather including freezing cold, rain, and snow. The camera and lens have been jammed in backpacks and hand carried on buses, trams, trains and boats, both large and small. It’s been used in dusty conditions in central Australia, and has weathered the humidity of the tropics. It’s also been licked by a curious giraffe, and more than one lemur has mistaken it for a toy.

orangutan captured with a tamron 28-200 lens

Why this lens works for me

This lens lets me do the two things I love – travel and shoot. I prefer to walk rather than drive, and I generally travel alone because, let’s face it, photographers make really bad travel companions. So, if I am in a foreign city, on foot by myself, I don’t want to be carrying a camera bag full of kit. I want to be comfortable, and that means not carrying a lot of bulky stuff. I want to be able to walk five or ten miles one day, and get up and do the same thing the next day, and feel good about what I am doing. This lens lets me do just that and, in my book, that’s a real plus.

london and big ben captured with a 28-200 tamron lens

Familiarity breeds speed and comfort

While I like to play with new lenses as much as the next photographer, there’s something to be said for a lens that you’ve used for so long. It’s easy to underestimate the relationship between a photographer and a lens they know so well. Because I’ve used this lens so consistently, for so long, when I pick it up I know instinctively the zoom I’ll need for the scene in front of me. It has become an extension of my body, and my familiarity with it allows me to shoot faster, with confidence, and that helps me to get the shot that I want. If I lost this particular lens I’d not only be very sad, but I’d also be out shopping for its replacement the very next day.

red tailed black cockatoos captured with a tamron 28-200 lens

Could I buy a better lens? Yes! Of course. I could easily buy a really good lens, with better optics, which would shoot faster and sharper. But when it comes to weighing the comparative value of a round the world plane ticket and a really good (for this read expensive) lens – I’ll take the ticket and opt for the cheaper lens.

So, if you don’t have a large budget for lenses, and you want a good sound all-purpose lens, then spending a couple hundred dollars on a lens with a range like this one, to me, is a really smart investment.

Tech Specs:

  • Tamron AF 28-200mm F3.8-5.6 XR Aspherical IF
  • Minimum focus distance: 19″/49cm
  • Weight: 12.5oz/354g
  • Length: 3″/76mm
  • Maximum aperture: 3.8 – 5.6
  • Minimum aperture: 22
  • Current Replacement Cost: around $ 199
Rome - laundry - captured with a 28-200 tamron lens

Rome – laundry – captured with a 28-200 tamron lens

kelpies, Falkirk Scotland shot with a Tamron 28-200 lens

Kelpies, Falkirk Scotland shot with a Tamron 28-200 lens

Queen Vic Building Sydney reflection - shot with a Tamron 28-200

Queen Vic Building Sydney reflection – shot with a Tamron 28-200

Notre Dame Paris shot with a Tamron 28-200 lens

Notre Dame Paris shot with a Tamron 28-200 lens

Rome reflection shot with a Tamron 28-200 lens

Rome reflection shot with a Tamron 28-200 lens

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