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Posts Tagged ‘Support’

Fujifilm Camera Remote app for iOS gets new UI, additional camera support and more

01 Apr

Fujifilm has released version 4.0 of its Fujifilm Camera Remote iOS app and announced the Android version will be available May 2019.

The update, which was originally announced back in February, features a new interface as well as a number of new features that makes it easier to control settings and capture images remotely with wireless-equipped Fujifilm cameras.

Fujifilm has changed the interface of the app to better use the additional screen real estate of newer iOS devices and has changed the icons and buttons throughout the app to create a more streamlined look. The pairing process is now easier with the updated app and Fujifilm has added an ‘Album’ function that makes it easy to browse through photos and videos that have been imported from the camera. Overall stability of the app and wireless connection has been improved with this update and additional camera support has been added as well.

Fujifilm lists the following features in the app’s description:

  1. Transferring images and movies to a Smartphone
  2. Browsing the Camera from a Smartphone
  3. Downloading Location Data from a Smartphone
  4. Shooting Images by Remote Control(*)
  5. Easily transfer pictures from the cameras that offers Bluetooth capability.
  6. Synchronizing “date and time” and/or “location information” with the cameras that offers Bluetooth capability
  7. Firmware update via a Smartphone to the cameras that offers Bluetooth capability.
  8. Bluetooth wireless remote control camera shutter release is now supported for cameras that offers Bluetooth capability.
    *How to change the setting depends on your camera.

Fujifilm’s X-T30, GFX 50R, X-T3, XF10, X-H1 and X-E3 cameras support all of the above features while the FinePix XP140 supports all but number seven. The X-T100, X-A5 and FinePix XP130 support features one through six and the GFX 50S, X-T20, X100F, X-A10, X-A3, X-T2, X-Pro2, X-E2S, X70, X-T10, X-T1, X30, X100T, X-E2, FinePix XP120, FinePix XP90, FinePix XP80, FinePix S9900W and FinePix S9950W support features one through four. Wrapping up, the X-E2, XQ2, XQ1, X-A2, X-A1, X-M1 and FinePix Z1100EXR support features one through three while the FinePix Z1000EXR only supports the transfer of images and movies.

Fujifilm Camera Remote version 4.0 works with iPhone, iPad and iPod Touch devices running iOS 10 or later. Geotagging functionality only works with iOS devices equipped with LTE connectivity.

You can download the app for free in the iOS App Store. For more information on the app and update, head over to Fujifilm’s documentation page.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Mechanic 6 launches with 64-bit support, selectable ingestion and more

26 Mar

As promised earlier this month, Camera Bits has released Photo Mechanic 6, a major update to the company’s image ingestion software. A free trial is available to download for new users on Windows and macOS, while ‘qualified’ existing customers can upgrade for $ 89 USD. A new software license is priced at $ 139 USD. For users who purchased Photo Mechanic 5 in 2018 will receive a license key for Photo Mechanic 6 for free.

Photo Mechanic 6 brings a large number of big and small improvements, including the previously announced 64-bit support, the ability to ingest images from selection, better image caching, full-screen support for Preview and Contact Sheet windows, and reverse geocoding.

As part of the initial release, Photo Mechanic 6 brings new elements including a new render cache and image gallery exporter. In addition to new features, version 6 also adds improvements to existing tools, including crop, slideshow, and the Find and Replace panel, plus new support for Blu-ray disc burning and much more.

The software enables photographers to rapidly ingest images, organize, and manage them at faster speeds than catalogue-based competitors. Users have the ability to cull, tag, view, organize and export their images from a single application. This is the first major update to Photo Mechanic since the release of version 5 in 2012.

Mac users must be running at least Mac OS X 10.10 or higher to use Photo Mechanic 6; Windows users must be running a 64-bit version of either Windows 7, 8, or 10.

In addition to the release of Photo Mechanic 6, Camera Bits has also announced Photo Mechanic Plus, a premium upgrade version of Photo Mechanic that will include the much-anticipated Catalog feature. A limited beta of Photo Mechanic Plus will be launched on April 22nd to Photo Mechanic 6 owners at no extra cost and will be launched alongside a dedicated forum where beta testers can share feedback.

In Camera Bits’ own words, the upcoming Catalog feature ‘is an image database for managing large numbers of image files across multiple locations.’ After the beta period is over Photo Mechanic Plus will be offered as a paid upgrade over Photo Mechanic 6 at a price that’s yet to be announced.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Mechanic 6 will launch March 25 with faster speeds, new UI and 64-bit support

19 Mar

Photo ingesting software Photo Mechanic is about to receive a major update in the form of Photo Mechanic 6. This update follows the last major update, version 5, released way back in 2012.

According to Camera Bits, the company behind the software, Photo Mechanic 6 will be faster, offer 64-bit compatibility, have an ‘intuitive and compact’ user interface and support for selecting specific images to ingest.

Photo Mechanic is billed as a faster alternative to catalogue-based software like Lightroom, enabling photographers to quickly ingest, tag, cull, view, oragnize, and export images. Among the product’s features is support for ingesting images while shooting with a tethered camera, copying files from more than one card simultaneously, using saved GPS tracking logs to geotag photos and more.

Photo Mechanic 6 will be released on March 25. Existing customers who are eligible for an update will be able to purchase the new version for $ 89 USD; a new product license will cost $ 139 USD.

Articles: Digital Photography Review (dpreview.com)

 
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DxO adds support for EOS R, Nikon Z6 and numerous new lenses in PhotoLab 2.2

07 Mar

The latest version of DxO’s raw conversion software PhotoLab 2.2 brings compatibility for Canon’s EOS R mirrorless camera as well as the Nikon Z6, the EOS M50 and the DJI Mavic 2 Zoom drone. The update also introduces corrections for a collection of lenses including models from the Canon R and Nikon Z systems, and three lenses for the Hasselblad X1D.

The company says the inclusion of the new lenses and cameras means almost 3500 new modules have been added to the package in this update, taking the total to 46,248. Nikon Z system users will now be able to access corrections for the Nikkor Z fixed focal length lenses (the Nikon Z7 was added in the last update) and Canon EOS R users will get to work on their raw files as well as to correct the RF 50mm F1.2 and the RF 24-105mm F4L. Sony users will get the benefit of corrections for five third-party lenses and Micro Four Thirds photographers will finally be able to work with images from the Panasonic Leica DG Vario 50-200mm F2.8-4.0 ASPH.

The update is free for users already running v2.0 of PhotoLab while new comers will need to pay £99/€125 for the Essential edition and £159/€199 for the Elite. For more information see the DxO website.

Press release:

DxO PhotoLab 2.2: Support added for the Nikon Z 6 and the Canon EOS R

PARIS — March 6, 2019 — DxO PhotoLab, DxO’s advanced photo editing software, continues to evolve with its new update to version 2.2. After introducing and improving DxO PhotoLibrary, an image and data management system that lets users search for, select, sort, and display images, DxO PhotoLab 2.2 adds support for four new devices: the Nikon Z 6, the Canon EOS R and EOS M50, and the DJI Mavic 2 Zoom drone.

More Than 46,000 Camera/Lens Combinations Available
DxO PhotoLab 2.2 adds no fewer than 3,472 new optical modules to its library, bringing the total number of available combinations to 46,248—among them the recent NIKKOR Z 35mm f/1.8 S and NIKKOR Z 50mm f/1.8 S, as well as the CANON RF 24-105mm F4L and the CANON RF 50mm F1.2. The software also includes modules from the Hasselblad X1D’s range of autofocus lenses specifically designed for high resolution: the Hasselblad XCD 21mm F4, the Hasselblad XCD 30mm F3.5, and the Hasselblad XCD 90mm F3.2. Further, the new version supports the Mavic 2 Zoom, a DJI consumer drone with 24-48mm F2.8-3.8 lenses. Finally, version 2.2 completes its offer for Canon, Nikon, Panasonic, Pentax and Sony with the following modules:

  • Panasonic Leica DG Vario 50-200mm F2.8-4.0 ASPH
  • Pentax-D FA* 50mm F1.4 SDM AW
  • Samyang AF 35mm F2.8 for Sony FE
  • Sigma 105mm F1.4 DG HSM Art for Nikon F
  • Sigma 56mm F1.4 DC DN C for Sony E
  • Tamron SP 35mm F1.8 Di USD (F012) for Sony Alpha
  • Tamron SP 45mm F1.8 Di USD (F013) for Sony Alpha
  • Zeiss Milvus 25mm F1.4 ZE for Canon EF
  • Zeiss Milvus 25mm F1.4 ZF.2 for Nikon F
  • Zeiss Distagon T* 35mm F2 for Nikon F
  • Zeiss Loxia 25mm F2.4 for Sony FE

These optical modules are designed in DxO’s laboratories according to a proprietary scientific characterization process. They contain all the information about the specificities of thousands of camera/lens combinations. Further, they allow DxO solutions—DxO PhotoLab, DxO FilmPack, and DxO ViewPoint— to automatically correct such optical defects such as distortion, chromatic aberrations, and vignetting with a high level of quality. In addition, DxO PhotoLab is the only software that corrects the lack of sharpness in lenses without otherwise degrading the image. Thanks to its unique know-how, DxO now offers the best optical corrections on the market.

Go to https://www.dxo.com/dxo-photolab/supported-cameras/ to see the list of equipment that DxO PhotoLab 2.2 supports.

Price & Availability:
The ESSENTIAL and ELITE editions of DxO PhotoLab 2.2 (PC and Mac) are immediately available for downloading from DxO website (shop.dxo.com) at the following prices:

GBP:
DxO PhotoLab 2.2 ESSENTIAL Edition: £99
DxO PhotoLab 2.2 ELITE Edition: £159

This update is free of charge for owners of DxO PhotoLab 2. The DxO PhotoLab 2 license does not require a subscription and allows you to install the software on two workstations (DxO PhotoLab 2 ESSENTIAL Edition) or on three workstations (DxO PhotoLab 2 ELITE Edition). Photographers with a version of DxO OpticsPro or of DxO PhotoLab 1 can purchase an update to DxO PhotoLab 2 by logging into their customer account at www.dxo.com. A fully-functional trial version of DxO PhotoLab 2, valid for one month, is available on the DxO website: https://www.dxo.com/dxo-photolab/download/.

Articles: Digital Photography Review (dpreview.com)

 
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MASV 3.0 data transfer service update brings mobile support, new UI and billing tweak

27 Feb

MASV, a cloud data transfer service targeted at media professionals, has been rebuilt from scratch, the company has announced. Its new MASV 3.0 product uses Amazon Web Services as its new cloud provider and now features 160, rather than 10, servers around the world. MASV rebuilt it uploader code and promises average upload speeds faster than Dropbox, Google Drive, and WeTransfer.

In addition to improving its speed and number of servers, MASV 3.0 features a new user interface utilizing Google’s Material Design framework while retaining the features from product version 2.0. MASV 3.0 also adds mobile support for uploading, downloading, and managing content.

The service has retained its pay-as-you-go billing model, though the service now charges based on how much data is downloaded instead of how much is uploaded. Users can upload data for free and will be charged $ 0.25 per gigabyte downloaded by the recipient. MASV also provides its users with ‘portals,’ enabling recipients to pay for the cost of a file they download from someone else.

Users can sign up for MASV 3.0 now. Charges only apply when a recipient downloads content shared by the user.

Articles: Digital Photography Review (dpreview.com)

 
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HMD Global unveils Nokia 9 PureView with penta-camera setup, Lightroom CC support

26 Feb

HMD Global has unveiled the much-anticipated Nokia 9 PureView smartphone at the Mobile World Congress in Barcelona and the new device surely looks as if it had the potential to revolutionize mobile photography.

The main camera on the back features a total of five Zeiss-branded lenses which all come with an equivalent focal length of 28mm, an F1.8 aperture and a 12MP image sensors. Three of the latter are monochrome, two are RGB sensors. A sixth module captures additional depth information of the scene.

So, despite the number of lenses, the Nokia does not offer any ultra-wide-angle or tele capabilities. Instead the Snapdragon 845 chipset and a dedicated image processing chip combine image data captured simultaneously by all five 12MP camera to process single color or monochrome images with better detail and dynamic range than would be possible with conventional methods. In certain situations the camera adds frame stacking into the mix to record even more image information of a scene. Nokia claims the 9 PureView can record dynamic range of up to 12.4 stops which would put it on par with some DSLRs.

Thanks to the number of lenses and the additional time-of-flight depth camera the Nokia is also capable of creating much more detailed depth-maps than most other current high-end phones (1200 layers of depth data vs 10). This should allow for much better and more realistic results when using background blurring portrait and other simulated bokeh modes. The depth information is stored within the image file, allowing for post-capture bokeh editing in Google Photos.

Other interesting image features include a tripod detection. The device can detect when it is mounted on a tripod or supported in some other way and uses longer shutter speeds of up to ten seconds in low light. In addition Raw files include image data captured by all five cameras and Nokia worked with Adobe to include Raw support for the 9 PureView in the mobile version of Adobe Lightroom.

In video mode the phone can record 4K footage at 30 frames per second and the front-facing camera features an F1.8 lens and 20MP Tetracell sensor which uses pixel-binning in low light to output 5MP images with low noise. A dual-tone LED flash is on board as well.

The Nokia 9 PureView will come with 6GB of RAM and 128GB expandable storage at a quite affordable price point of $ 699. The bad news is that Nokia says the device will have a limited production run and become unavailable once stock is depleted. No word on how many units will be produced, though.

The Nokia 9 PureView isn’t for those who were hoping for super-wide-angles, long tele-zooms and seamless zooming on a smartphone. However, the multi-camera setup could be a step into the future of smartphone image quality. We’ll have to wait and see until we get a production device into our hands.

Articles: Digital Photography Review (dpreview.com)

 
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Open source image editing program digiKam now has video support, new export tools and more

22 Feb

digiKam is an open-source photo management application that runs on Linux, Windows, and MacOS platforms and comes with tools for importing, managing, editing, and sharing photos and raw files.

Now version 6.0.0 of digiKam has been released after a 2-year development phase and comes with a heap of new features and improvements.

The biggest news is that the software can now also handle video files, offering many of the importing, sharing and editing functions that are also available for still image. Videos can also be played back without the need for an external player.

In addition import/export web-service tools are now available across all modules in digiKam – LightTable, Image editor and Showfoto. The same is true for other tools, such as metadata and geolocation editors, allowing for a more seamless user experience.

There are also new tools to export your images directly to Pinterest as well as the Microsoft OneDrive and Box cloud storage services, and the Raw engine has been updated to process images from a long list of new cameras and smartphone.

In addition to the new features the digiKam team says it has been able to clean the applications code in order to simplify application compilation, packaging and maintenance for the future.

For a full list of new features and supported cameras, download links and more detail about the work that has gone into the update, head over to the digiKam website.

Articles: Digital Photography Review (dpreview.com)

 
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Glyph launches new Atom NVMe SSD and Thunderbolt 3 dock with dual 4K display support

12 Feb

Glyph Production Technology has introduced its new Thunderbolt 3 Dock and Atom NVMe SSD products, enabling graphics professionals to expand the number of ports and storage available on their MacBook Pro or any other computer with Thunderbolt 3 support.

The new Glyph Thunderbolt 3 dock connects to a laptop via its USB-C Thunderbolt 3 port, enabling the user to both charge their device and transmit data using a single cable. The dock features an SD UHS-II card slot, a pair of USB 3.0 ports, as well as one USB-C 3.1 Gen2 port.

The model also offers separate audio jacks for microphone out and audio out, Gigabit Ethernet connectivity, and support for either one 5K display at 60Hz or two 4K displays at 60Hz. Users can also upgrade an NVMe SSD drive in a dedicated slot; the dock supports read and write speeds up to 1500MB/s.

Joining the dock is Glyph’s new Atom Pro NVMe SSD, a drive offered in capacities up to 2TB with read speeds up to 2800MB/s and write speeds up to 2400MB/s. According to Glyph, its new SSD is designed to handle demanding workflows, including projects involving 4K/8K video and VR. The drive’s case is MIL-Standard 810F rated to withstand exposure to sand, dust, shock, and vibration.

Glyph offers its products through a number of online retailers, including Filmtools, B&H Photo, and Adorama. The Thunderbolt 3 dock is available with 500GB – 2TB capacities starting at $ 299.95 USD, and the NVMe SSD is available in 1TB-2TB capacities starting at $ 499.95 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos Ninja V, Inferno recorders will support 4K 10-bit 422 HDR with Panasonic’s Lumix S1

07 Feb

Atomos has announced its Ninja V and Inferno monitor/recorders will support 4k (3840×2160) 10-bit 422 HDR from the Panasonic Lumix S1 when it starts shipping.

Atomos says recording via HDMI to a Ninja V or Inferno will allow direct recording to Apple ProRes or Avid DNx codecs at up to 4K30 in the HLG HDR format. Using metadata transferred over the HDMI cable, the Atomos recorders can correctly display the HLG signal which provides an instant and accurate HDR image for monitoring purposes.

In Atomos own words, ‘The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.‘

Atomos also addresses Panasonic’s upcoming support for 10-bit 422 HDMI output in V-Log gamma in a future paid firmware update saying the Atomos recorders will be able to record this format and that it’s working hand-in-hand with Panasonic to ensure full support and additional features will be supported when the firmware is launched.

The Atomos Ninja V and Inferno are available from authorized retailers for $ 695 and $ 1,295, respectively.

Press release:

Atomos Ninja V offers 4K 10-bit 422 HDR recording with the Panasonic Lumix S1

February 4th, 2019: Atomos is delighted to announce that as soon as it ships, the new Panasonic LUMIX S1 full-frame mirrorless camera will immediately be able to record 4k (3840×2160) 10-bit 422 HDR footage to the Atomos Ninja V and Inferno monitor/recorders. Recording over HDMI to one of these Atomos recorders will allow recording direct to Apple ProRes or Avid DNx codecs at up to 4kp30 in the HLG HDR format. HDR metadata passed over HDMI from the Panasonic LUMIX S1 to the Ninja V or Inferno allows the HLG signal to be correctly displayed, giving the users an instant and accurate HDR image they can expose and trust. The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Panasonic will also add 10-bit 422 HDMI output in V-Log gamma via a paid firmware update to the camera in the future. This version of the gamma curve will be the full V-Log, rather than the V-Log L variant found on the GH5 and GH5S. Atomos will record this and are working with Panasonic to fully support the additional options that the upcoming firmware will bring.

The Panasonic LUMIX S1 is the latest in a growing number of large sensor mirrorless cameras to support 4k 10-bit 422 recording via HDMI. The increased image quality brings greater flexibility in post-production for better HDR or SDR images. Stepping up to 10-bit offers greater accuracy with billions of color combinations. This is massively beneficial when utilising computer processing for finishing. Typically, users will see smoother color gradients, eliminating the commonly seen banding in areas with gradual tone change such as blue skies. Recording to an Atomos recorder perfectly preserves this information in the ultimate way possible, combining Panasonic and Atomos technology.

The Panasonic LUMIX S1 has an ergonomic body design that is perfectly partnered with the 5″ Atomos Ninja V HDR monitor/recorder. The Ninja V weighs 360g and sits perfectly on top of the camera. When the two are used together they balance well in the hand, forming an easy to operate camera setup that rivals some traditional cinema cameras.

High bright 1000nit or 1500nit monitoring

Seeing the built-in screen of all mirrorless cameras is difficult in bright conditions. The Ninja V screen has 1000nit of brightness when in SDR mode, allowing it to be used effectively, even when outside. The Ninja Inferno and Shogun Inferno each offer an incredible 1500nit brightness and are well suited to productions where a larger 7” screen is required.

Why external recording makes sense

External recording via HDMI from mirrorless cameras is perfect for users wanting to get the best possible image quality from cameras like the Panasonic LUMIX S1. Until this year users needed to invest in a high-end cinema camera costing ten of thousands of dollars to get a larger than Super35 sized sensor that offered 4K 10-bit 422 recording. Now, with the advent of cameras like the LUMIX S1 combined with the Ninja V, users can have access to just that but at amazing price points – in this case less than $ 2500 US MSRP for the LUMIX S1 body and $ 695 MSRP for the Ninja V.

In addition, by moving recording to an external Atomos recorder like the Ninja V, mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of harder to edit H.264 or H.265. When recording video with the Panasonic LUMIX S1 and Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives or Atomos Master Caddy II drives. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis at a highly affordable cost per GB.

The Atomos Ninja V, Ninja Inferno and Shogun Inferno are available now from all Atomos approved resellers. To see a full range of AtomX accessories visit: https://www.atomos.com/accessories

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix PRO Services support program is now accepting applications

05 Feb

Panasonic has launched registration for its new Lumix PRO Services, a support program for professional photographers and other imaging customers. The company is offering its service in four tiers, each with different prices, requirements and benefits. Panasonic is now offering Lumix PRO Services to customers in the United States, United Kingdom, Japan, Spain, France, and Germany.

For customers in the US, the highest-end ‘Platinum’ tier is offered to professionals who own at least two of the following camera bodies: G85, G9, GH4, GH5, and GH5s. As well, the customer must own at least four of the following qualifying Lumix lenses:

  • 12-35mm f/2.8
  • 12-35mm f/2.8 II
  • 14-42mm f/3.5-56 Power Zoom
  • 35-100mm f/2.8
  • 35-100mm f/2.8 II
  • 45-175mm f/3.5-5.6 Power Zoom
  • Leica 100-400mm f/4-6.3 – Vario-Elmar
  • Leica 12-60mm f/2.8-4 Vario-Elmarit
  • Leica 12mm f/1.4 Summilux
  • Leica 15mm f/1.7 Summilux
  • Leica 200mm f/2.8 Elmarit
  • Leica 25mm f/1.4 Summilux
  • Leica 42.5mm f/1.2 Nocticron
  • Leica 45mm F/2.8 Macro-Elmar
  • Leica 50-200mm f/2.8-4 Vario-Elmarit
  • Leica 8-18mm f/2.8-4 Vario-Elmarit

Multiple benefits are offered to US-based Lumix PRO Services ‘Platinum’ customers, including two business day turnaround, next-day free shipping, a 20% discount on out-of-warranty repairs, loaner gear for repairs that require more than two business days, a “premium welcome kit,” and an exclusive hotline.

Later in 2019, Panasonic also plans to add evaluation loaners for new products and discounts with (currently unnamed) partners. The membership is priced at $ 199 USD per year and is now accepting applications from eligible customers.

The program varies based on region. Lumix PRO Services ‘Platinum’ customers in the UK, for example, must have a minimum of three camera bodies and five lenses to register their gear. This version of the ‘Platinum’ membership is priced at ?179. Platinum customers in Spain, France and Germany are charged €199.

According to Panasonic, its Lumix PRO Services have been available in Japan since April 2017 and will arrive in Ireland and Austria in Spring 2019. Other unspecified countries will be supported later this year.

Articles: Digital Photography Review (dpreview.com)

 
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