RSS
 

Posts Tagged ‘stabilization’

Gudsen launches Moza Air 3-axis powered stabilization system

05 Apr

Chinese stabilization brand Gudsen has announced a new addition to its Moza range of powered gimbals that’s aimed at users of compact system cameras and small-to-medium sized DSLRs. The Moza Air can carry a maximum payload of 5.5lbs and offers powered 3-axis stabilization as well as remote control features. Gudsen claims it is ‘the smartest camera stabilization and control system for mirrorless cameras and DSLRs.’

The handheld device uses a single joystick on its handle for the photographer to control the direction the camera will face and the modes the gimbal operates in, while a smartphone app allows the same controls to be applied from a distance of 10m. The app also allows users to program motion-orientated time-lapse sequences with the head turning or tilting by increments to match the shooting settings of the camera. An optional thumb controller is also available that additionally provides start/stop functions for some camera models. Having an app and a thumb controller means that the system can be carried by one person while another controls the direction of the camera.

The gimbal is capable of 360-degree rotation in yaw, tilt and roll axes and with a dual-handle included users can opt to have the camera above or slung below the hand grip. The Moza Air is powered by three 2000mAh lithium batteries that run the system for up to four hours.

The Gudsen Moza Air costs $ 599. For more information and to read the full spec of the device visit the Gudsen website.

Manufacturer information

About MOZA Air

MOZA Air is a versatile and interactive camera stabilization system designed for mirrorless cameras and most DSRLs to capture smooth and cinematic videos. It is a 3-axis handheld gimbal stabilizer that gives the operator ability of controlling over the camera and gimbal via the handgrip or the MOZA wireless thumb controller. With a max payload of 2.5kg or 5.5 lbs, it can support Sony A7S, Panasonic GH5, Canon 5D Mark III and others. With high precision encoded motors and advanced motion control technology built into the MOZA Assistant App, it allows for shooting motion time-lapse with your iPhone.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Gudsen launches Moza Air 3-axis powered stabilization system

Posted in Uncategorized

 

Android 7.1.1 update for OnePlus 3T brings improved video stabilization

22 Mar
In our review of the OnePlus 3T we were in general quite impressed by the device’s camera performance and thought the 3T represented excellent value for money. However, video stabilization was a point of criticism as panning could lead to noticeably shaky footage. 
 
OnePlus claims to have fixed the issue with its OxygenOS 4.1.0 update which is based on Android 7.1.1. and says the performance of the electronic video stabilization is now on the same level as the Google Pixel. Looking at the sample clip we recorded after installing the update we’ll have to agree. Stabilization is noticeably improved and panning is now buttery smooth, allowing for very steady hand-held shooting.
 
 
Other new features and improvements of the update include the following:

  • Upgraded Android 7.1.1
  • Updated Google security patch to 1st March 2017
  • Added expanded screenshots
  • Improved picture taking of moving objects with blur reduction
  • Improved WiFi connectivity
  • Improved bluetooth connectivity
  • General bug fixes

The over-the-air (OTA) update will be incremental. So if you own a OnePlus 3T and haven’t received it yet, don’t despair, it should arrive on your device within the next few days. 

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Android 7.1.1 update for OnePlus 3T brings improved video stabilization

Posted in Uncategorized

 

Steadicam launches Kickstarter campaign for motorized smartphone stabilization rig

08 Jan

Camera stabilization system manufacturer Steadicam is hoping to introduce a new motorized rig for smartphone videographers called the Steadicam Volt. The new device is designed to accept a wide range of smartphones via an adjustable clamp and weights, and uses a battery-powered gyro that offers modes for shooting sport and for movie-making. The company says the rechargeable lithium-ion battery has a life of eight hours, and that the rig can still be used in manual mode when the battery is flat.

The Volt folds for storage, and offers Bluetooth and USB connectivity for updates and for working with the app that lets the device know which phone is in use. The company intends to fund the development of the Volt via a Kickstarter campaign and is seeking $ 100,000 to start production.

The Steadicam Volt has a projected retail price of $ 200, but early pledgers can reserve one for $ 119. If the campaign is successful the company says it will begin shipping in June.
For more information see the Steadicam website and the Steadicam Volt Kickstarter page.

Press Release

STEADICAM VOLT; 3- AXIS MOTORIZED SMARTPHONE CAMERA STABILIZER

Steadicam, a division of The Tiffen Company, will soon be releasing the Steadicam Volt, a 3-axis motorized smartphone camera stabilizer. As the first in its class to offer the user complete control of image framing and composition, the Volt serves as a versatile tool for content creation, easily operated by a wide range of users. With the Steadicam Volt, consumers will have the opportunity to capture outstanding Steadicam quality video right from their smartphone.

Product Benefits:
• Lightweight and folding design enable easy storage and transportation
• Accompanying iOS APP allows for precise balance and tuning
• Haptic control utilizes Simulated Inertia™ Dual operating modes for beginners and experienced users
• Uses long life rechargeable Lithium Ion batteries
• Accommodates phone sizes with or without case from 100 – 200g in weight and 58 to 80mm wide
• Bluetooth enabled
Engineered to provide the utmost precision and control, the Steadicam Volt will enable smartphone users to capture high quality video content with ease.
Additionally, the simulated feeling of inertia on the pan axis will improve the overall handing of the gimbal, giving users the stability they need to film with remarkable precision.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Steadicam launches Kickstarter campaign for motorized smartphone stabilization rig

Posted in Uncategorized

 

Sony a6500 adds 5-axis stabilization, touchscreen and processing power

07 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2453034851″,”galleryId”:”2453034851″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Sony has taken the wraps off of its 24MP a6500 mirrorless camera. The flagship APS-C camera gains five-axis image stabilization and touchscreen operation. A larger buffer and more processing power also help set it apart from the existing a6300. It will cost around $ 1400.

The a6500 is now the company’s top-end APS-C camera, sitting above the a6300. It makes use of the same copper-wired 24MP sensor with 425 on-sensor PDAF points but gains a faster (LSI) processor to allow high speed operation. Sony also promises improved processing at high ISO settings, thanks to this new LSI.

The camera gains 5-axis image stabilization which continues to work in both stills and video. The system is rated as offering 5 stops of stabilization, by CIPA standard testing.

When used in conjunction with stabilized ‘OSS’ lenses, the in-lens stabilization takes over correction of the axes that is can stabilize, though Sony makes no claims for this adding to the degree of stabilization offered.

It also gains a touchscreen for faster operation, particularly in terms of AF point positioning. The rear screen works as a touchpad if you’re holding the camera to your eye.

The buffer has been significantly increased, allowing the camera to shoot at 11 frames per second for around 300 JPEGs or 100 Raw+JPEG frames. Sony says this (presumably in combination with the additional processing power) also helps it offer a faster image review when you’ve been shooting large bursts.

It can shoot 4K video much like the a6300 but with the touchscreen allowing touch-to-pull-focus. The AF drive speed during video shooting can be controlled for smooth focus transitions. This autofocus ability is maintained across all the camera’s video modes, including 1080/120p capture.

Beyond that, the camera’s video capabilities are very similar to those of the a6300: UHD 4K  at up to 100Mbps from 6K readout, meaning roughly 1.54x oversampling in each dimension (2.4x overall). The camera can also capture Full HD (1080) at up to 120p which is now offered as part of a feature that allows the camera to offer anything from 1fps to 120fps capture, for playing back as anything from 60x high speed to 1/5th speed slow motion.

Sadly, Sony is making no promises of improved rolling shutter, compared with the a6300 (suggesting it’s a sensor read-out limitation, rather than one of processing).

Like the a6300, the a6500 has a mic input but no headphone socket.

The camera’s menu has also been updated, which the company says will make it easier to search and navigate. At present, it does not appear that the camera can shoot uncompressed Raw.

Battery life is rated at 350 shots per charge when using the rear screen and 310 shots per charge when using the EVF.

The a6500 will be available for $ 1400/€1700 in the end of November and December for the US and EU, respectively.


 Press release:

Sony Introduces New ?6500 Camera with Exceptional All-Around Performance

New Flagship APS-C Sensor Camera Combines World’s Fastest AF speed1and Highest Number of AF points2 with In-camera 5-axis optical image stabilization, Touchscreen AF Operation, 24.2 MP Exmor® CMOS sensor and more

NEW YORK, Oct. 6, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their new flagship APS-C sensor camera, the ?6500 (model ILCE-6500).

As the latest addition to Sony’s lineup of award winning mirrorless cameras, the new ?6500 shares the same unrivaled 4D FOCUS™ system as the ?6300 camera, which can lock focus on a subject in as little as 0.05 seconds, the world’s fastest1 AF acquisition time. Also shared with the ?6300, the new ?6500 features 425 phase detection AF points that are densely positioned over nearly the entire image area – the world’s highest2 number of AF points on any interchangeable lens camera. The new model can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking and up to 8 frames per second in a live-view shooting mode that makes it easy to track fast moving subjects, as it combines all of the benefits of an electronic viewfinder with the immediacy of an optical viewfinder.

The camera can shoot at these high speeds for up to 307 frames3 thanks to its expanded buffer, which, along with the fast response speeds described above, are all achieved with the support of a new front-end LSI chip that has been added to the camera. This new front-end LSI also serves to enhance both still and video image quality.

Additionally, the new ?6500 features Sony’s acclaimed in-camera 5-axis optical image stabilization, making it the first Sony APS-C sensor camera to offer all of the benefits of advanced in-body stabilization, which include a shutter speed advantage of approximately 5 steps4. It also offers touchscreen AF capabilities for focus point selection and adjustment.

“We are continuing to push the boundaries of modern innovation in digital imaging, in particular within the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “By equipping the ?6500 with 5-axis image stabilization and touchscreen AF, we’re offering photographers and videographers more control than ever before and a seemingly endless amount of creative possibilities. As our flagship APS-C camera, it far exceeds the performance threshold of any camera in its class, and many above its class as well.”

Unmatched AF Capability

Sony’s new ?6500 camera utilizes the same 4D FOCUS system as the ?6300 – a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. It also features 425 phase detection AF points and High-density Tracking AF Technology, which significantly improves subject detection and tracking performance.

New for the ?6500, thanks to faster internal processing capabilities enabled by the front-end LSI, the maximum buffer for high-speed continuous shooting is an impressive 307 frames3, greatly increasing the chances to catch that decisive moment.

The camera’s 425 phase detection AF points, focusing tracking and accuracy are also available when using non-native A-mount lenses5 with Sony’s LA-EA3 mount adaptor. Additionally, it includes silent shooting, Eye AF in AF-C mode, AF in focus magnifier modes, Expand Flexible Spot AF and more.

5-axis Image Stabilization Provides 5 Steps Shutter Speed Advantage

One of the most exciting developments in the new ?6500 is the implementation of 5-axis image stabilization for the first time in a Sony APS-C sensor camera. Additionally, through a total revision of the internal design of the camera, this newly developed stabilization system fits entirely within a body that is nearly the same size as the ?6300 model6. This innovative 5- axis system provides a shutter speed advantage of 5 steps4, ensuring the full resolving power of the sensor can be realized, even in challenging lighting.

The shake compensation provided by the system works with a variety of lenses, including E-mount lenses without OSS (Optical SteadyShot) stabilization and A-mount lenses7 when used with a compatible mount adapter. When an E-mount lens with OSS is mounted, pitch and yaw are compensated in the lens and horizontal, vertical and roll axes are compensated in the camera body, resulting in optimal 5-axis stabilization7.

Also, with a simple half press of the shutter button, the effect of the image stabilization can be monitored in the viewfinder or on the LCD screen, allowing framing and focus to be accurately checked and continually monitored. This is available even when a lens is attached that does not have built-in shake compensation.

New Touch Screen Focusing

The new ?6500 comes equipped with touch screen functionality, allowing users to lock focus on a subject simply by touching it on the screen. This is a powerful compliment to its advanced AF system and video shooting capabilities.

Additionally, in a first for Sony cameras, the ?6500 features touchpad functionality. When utilizing the viewfinder for framing and shooting, the LCD screen can be used as a touch pad. Simply drag a finger across the screen to shift the focus point from one area to another.

Powerful 24.2 MP8 Exmor CMOS Sensor, BIONZ X® Processor and New Front-End LSI

The new ?6500 features an APS-C sized 24.2 MP8 Exmor CMOS sensor that works together with a BIONZ X image processor and the newly developed front-end LSI to maximize processing power and achieve an impressive sensitivity range of ISO 100-512009.

The image sensor employs a thin wiring layer and large photodiode substrate that maximizes light collection efficiency, plus copper wiring in its structure for outstanding read-out speed. The BIONZ X image processor and newly developed front-end LSI ensure superior image and video quality with low noise even when using higher ISO settings, in particular those at high sensitivity values where other cameras typically struggle. The LSI is also responsible for the expanded buffer depth for continuous shooting.

Professional Video Capabilities

The new ?6500 becomes the latest Sony interchangeable lens camera to offer internal 4K movie recording, as it can shoot 4K (3840x2160p) video in the popular Super 35mm format on the full width of the image sensor. When shooting in this format, the camera uses full pixel readout without pixel binning to collect 6K of information – approximately 2.4x10 (20 MP equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality 4K footage with exceptional detail and depth.

Additionally, the ?6500 will focus exceptionally fast during movie shooting thanks to its Fast Hybrid AF system, offers touch focusing for professionally smooth focus shifts, while also offering adjustable AF transition speed and AF tracking sensitivity. The camera supports the XAVC S codec11 during video shooting, which records at a high bit rate of up to 100 Mbps during 4K recording and 50 Mbps during Full HD shooting, ensuring maximum detail and clarity in both video formats.

Other professional caliber video features include the ability to record Full HD at 120 fps at up to 100 Mbps, which allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD (24p) resolution with AF tracking.

New on the ?6500 is the incorporation of a ‘Slow and Quick’ (S&Q) mode that supports both slow motion and quick motion. In this mode, frame rates from 1 fps to 120 fps can be selected in 8 steps for up to 60x quick motion and 5x slow motion recording12. Footage shot in this mode can be previewed after shooting without the need for PC-based post processing.

The camera also offers S-Log gamma recording13 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space. Both options allow for greater creativity for processing video post-production.

Shooters also now have the ability to select, extract and save still images from movie footage directly on the camera. Approximately 8 MP images and 2 MP images can be pulled from 4K modes and Full HD modes, respectively.

Enhanced Operability and Reliability

The new ?6500 has a refined design, maintaining the mobility of the ?6000 series while adapting much of the usability of Sony’s acclaimed ?7 II series. The new model features the same high contrast, high-resolution 2.4 million dot XGA OLED Tru-Finder as the ?6300 that offers exceptional corner-to-corner visibility.

New hardware features on the ?6500 include a magnesium alloy body and a high-durability shutter with a tested life span of approximately 200,000 release cycles14. It also has several design features that are borrowed from the ?7 II series of full-frame cameras, which include a robust lens mount, a recessed grip to improve handling, a larger release button and ten total custom buttons including ‘C1’, ‘C2’ and ‘C3’. It also has an improved operation feel for its mode and control dials and rear face buttons, as well as a softer eyepiece cup for more comfortable usage.

On the software front, there is a new overall user interface, which allows for a much smoother process for searching and adjusting menu settings, as well two new metering modes – Highlight, where exposure metering is focused on the brightest area of the frame, and Entire Screen Avg, which maintains an average metering for the entire image.

The camera is Wi-Fi®, QR and NFC compatible and fully compatible with Sony’s PlayMemories Mobile™ applications15 available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™. The ?6500 also offers location data acquisition via a Bluetooth16 connection to a compatible mobile device and an updated menu structure to deliver a smoother navigational experience.

Pricing and Availability

The Sony ?6500 interchangeable lens camera will ship this November for about $ 1,400 US and $ 1,750 CA. It will be sold at a variety of Sony authorized dealers throughout North America.

There is also a new genuine leather body case (model LCS-EBG) that will ship in November and a new eyepiece cup (model FDA-EP17) that will be launched at a later date.

Notes:

  1. Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of October 2016, based on Sony research, measured using CIPA-compliant guidelines, and internal measurement method with an E PZ 16-50mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use.
  2. Among digital cameras as of October 2016, based on Sony research.
  3. With “Hi” continuous shooting mode and “Fine” image quality.
  4. Based on CIPA standard. Pitch/yaw shake only. With Sonnar T* FE 55mm F1.8 ZA lens mounted. Long exposure NR off.
  5. A-mount lenses with SSM or SAM only. Users can choose phase-detection AF or contrast-detection AF in AF System menu. “Phase-detection AF” is not available during movie shooting. AF-C in AF System menu is available only with “Contrast-detection AF” selected, but no motion tracking is performed during continuous shooting (Hi+, Hi, Mid).
  6. Excluding grip, frontal-view size and main body thickness are the same as for the ?6300
  7. All 5-axis stabilization is performed in-camera when SEL90M28G is mounted
  8. Approximate effective MP
  9. Standard ISO range: 100-25600 for stills and movies. Expandable up to ISO 51200 for stills only.
  10. In 24p recording. Approx. 1.6 times in 30p recording.
  11. SDHC/SDXC memory card of Class 10 or higher is required for movie recording in XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps recording.
  12. Sound cannot be recorded. SDHC/SDXC memory card of Class 10 or higher is required.
  13. S-Log2 and S-Log3 are premised on processing pictures.
  14. With the electronic front curtain shutter, under internal test conditions of Sony.
  15. Use the latest version of PlayMemories Mobile
  16. Can be connected via Bluetooth with smartphones featuring (as of the date of release)

Sony Alpha a6500 specifications

Price
MSRP $ 1400 (body only)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Bionz X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expandable to 51200)
Boosted ISO (maximum) 51200
White balance presets 8
Image stabilization Sensor-shift
Image stabilization notes 5-axis
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Sony E
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
Flash X sync speed 1/160 sec
Drive modes
  • Single
  • Continuous (Hi+/Hi/Mid/Lo)
  • Self-timer
  • Bracketing
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes (3 frames, H/L selectable)
Videography features
Format MPEG-4, AVCHD, XAVC S
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 50i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 6 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 25p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 25p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 25p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 25p / 6 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC + Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50
Battery Life (CIPA) 350
Weight (inc. batteries) 453 g (1.00 lb / 15.98 oz)
Dimensions 120 x 67 x 53 mm (4.72 x 2.64 x 2.09)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony a6500 adds 5-axis stabilization, touchscreen and processing power

Posted in Uncategorized

 

Google launches Pixel and Pixel XL smartphones with gyroscope-based video stabilization

05 Oct

Google has just launched its 2016 smartphones. The Nexus moniker has gone and the new models are Pixel-branded, just like the company’s top-end Chromebooks and tablet. The Pixel and Pixel XL are made by HTC, though only the Google logo appears on the device, and pretty much only differ in terms of screen size and resolution as well battery capacity. The smaller Pixel sports a 5″ 1080p AMOLED display and a 2,770mAh battery, while the XL variant comes with a 5.5″ QHD-screen and a 3,450mAh battery. 

In the camera department the specifications have not changed much from last year’s Nexus devices. A 1/2.3″ 12MP sensor with 1.55µm pixel size is paired with an F2.0 aperture. There is no optical image stabilization but Google has added a new gyroscope-based video stabilization system that reads gyro data 200 times a second for smoother panning and shake-free handheld recording. The camera can record 4K video, and in stills mode Google’s excellent HDR+ mode is on by default, using an image stacking approach to reduce noise and capture better detail. In addition Pixel owners can store unlimited full-size images in Google’s cloud service.

Check out the photography-specific features of the Google Pixel from the announcement.

Both phones come with Google’s brand new Android 7.0 Nougat operating system and are powered by Qualcomm’s latest top-end chipset Snapdragon 821. 4GB of RAM can be combined with either 32 or 128 GB of local storage and a fingerprint reader on the back provides extra security. The Pixel phones will be available in Quite Black, Very Silver, and Really Blue color options. Pricing starts at $ 649 for the standard Pixel. In the US the devices will be exclusive to carrier Verizon, with pre-orders starting today. 

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Google launches Pixel and Pixel XL smartphones with gyroscope-based video stabilization

Posted in Uncategorized

 

iPhone 7 Plus dual-cam only offers stabilization in wide-anlge lens, report says

12 Sep

According to a report by Ming-Chi Kuo of analyst firm KGI that was obtained by MacRumors, the iPhone 7 Plus dual-camera is equipped with optical image stabilization in the 28mm equiv. wide-angle lens, but not in its longer 56mm equiv. lens. In the report, KGI claims that optical image stabilization will likely make it into the tele lens with the next upgrade of the device in 2017 via a ‘voice coil motor’ upgrade:

“Note that for the dual-camera of iPhone 7 Plus, wide-angle CCM is equipped with optical image stabilization (OIS) VCM, while telephoto CCM only comes with general VCM. We believe the focus of the dual-camera upgrade will be equipping telephoto CCM with OIS CCM, so as to significantly enhance optical and digital zoom quality.”

In the same report KGI predicts that for the foreseeable future the dual-camera feature will remain exclusive to the larger iPhone Plus model which is expected to represent 30-40% of all iPhone sales. 

Apple limiting certain camera features to the larger model is not without precedent. In the iPhone 6 and 6s generations only the Plus devices were equipped with optical image stabilization. With the 7th generation this has now trickled down to the standard model and we would expect the same thing to happen with the dual-camera at some point in the future. 

During the launch presentation Apple did not mention a lack of OIS in the tele lens. In practical terms this would mean that, when shooting with the tele module,  the camera has to use higher ISO values in lower light to avoid camera shake. That said, we’ll have to wait for a review model to find what this means for image quality.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on iPhone 7 Plus dual-cam only offers stabilization in wide-anlge lens, report says

Posted in Uncategorized

 

DJI Osmo Mobile brings 3-axis gimbal stabilization to smartphones

03 Sep

DJI has introduced the Osmo Mobile, a variation of its previously launched Osmo that is, in this case, designed for smartphones. With Osmo Mobile, users can insert a smartphone into the mount and record smooth, stabilized footage with the handset thanks to the SmoothTrack technology and 3-axis gimbal stabilization. The stabilizer works with the DJI GO App for livestreaming videos, sharing content, and tracking moving objects via DJI’s ActiveTrack.

The Osmo Mobile’s 3-axis stabilization claims accuracy down to 0.03 degrees, while the SmoothTrack tech works to reduce small movements and shaking. Trigger control enables switching between the handset’s front and rear camera, as well as re-centering and locking the gimbal direction. Standard, Portrait, Flashlight, and Underslung operation modes are available.

The DJI GO App offers, in addition to ActiveTrack, functions including access to camera settings, Panorama, Long Exposure, Live Stream, and Motion Time Lapse. Other Osmo features include Bluetooth, a 3.5mm charging/upgrade port, and compatibility with Osmo accessories. DJI says Osmo Mobile ‘should’ support any smartphone between 2.31 and 3.34 inches wide; this includes the most recent high-end smartphones, including the Galaxy S7, iPhone 5/6/6s Plus, and the Huawei Mate 8.

The Osmo Mobile is available as of today for $ 299.

Via: PRNewswire

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DJI Osmo Mobile brings 3-axis gimbal stabilization to smartphones

Posted in Uncategorized

 

ZTE nubia 11 features optical image stabilization and plenty of storage

30 Jun

Chinese manufacturer ZTE has launched its latest flagship-level device, the nubia Z11. Looking at its specifications the new model has the potential to be a serious alternative for mobile photographers for several reasons. On paper, the camera module looks very similar to the one on the recently unveiled OnePlus 3 and comes with a 16MP Sony IMX298 1/2.8″ sensor that offers on-chip phase detection and a pixel size of 1.12 micron. The lens is protected by a sapphire glass element and  comes with a fast F2.0 aperture and an optical image stabilization system. The front camera captures 8MP images on a sensor with a 1.4 micron pixel size. The lens on the front module covers a wide angle view of 80 degrees and features a F2.4 aperture.

Photographers and frequent video shooters will also like the generous on-board memory. The Z11 comes in two versions, either with 4GB of RAM and 64GB of storage, or 6GB of RAM and 128GB of storage. On both models storage can be further expanded via a microSD-slot.

Photos can be viewed and edited on a 5.5-inch Full-HD display that is protected by Gorilla Glass 3, and inside the Android 6.0 OS is powered by Qualcomm’s current top-end chipset Snapdragon 820. A fingerprint reader increases security and the 3,000 mAh battery supports Qualcomm’s Quick Charge 3.0 standard. The high-end components are built into an elegant looking all-metal case with extremely thin display bezels. In China the nubia Z11 will be available from July 6 at approximately $ 375 for the model with 4GB RAM and $ 525 for the higher-end version. No information on availability in other markets is available yet.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on ZTE nubia 11 features optical image stabilization and plenty of storage

Posted in Uncategorized

 

Updated Tamron 18-200mm F3.5-6.3 lens gains stabilization, sheds weight

07 Aug

Tamron has updated its 18-200mm all-in-one lens. The 18-200mm F3.5-6.3 Di II VC introduces image stabilization and is the lightest lens in its high-zoom class. Designed for Canon, Nikon, and Sony APS-C camera bodies, it covers a 28-310mm equivalent range. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Updated Tamron 18-200mm F3.5-6.3 lens gains stabilization, sheds weight

Posted in Uncategorized

 

LG G2 review: First Android with optical image stabilization

15 Nov

lgg2.jpg

The G2 follows the Optimus G/G Pro as LG’s flagship smartphone, with plenty of tech spec to warrant a second look. From its huge 5.2-inch IPS LCD display to its 13MP CMOS sensor with optical image stabilization system, there’s a lot here for mobile photography fanatics. We tested out the smartphone’s camera capabilities as only Dpreview can: check out our in-depth 10-page review on connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
Comments Off on LG G2 review: First Android with optical image stabilization

Posted in Uncategorized