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Posts Tagged ‘speaks’

Canadian non-profit PPOC speaks out against ‘porch portraits’ during pandemic

17 Apr

The growing trend of ‘porch portraits’ has drawn criticism from a number of people, prompting an official advisory against the activity published by the non-profit Professional Photographers of Canada (PPOC). The organization recommends that any type of front porch-based photography be avoided at this time in order to help curb the spread of the novel coronavirus.

‘Porch portraits’ is the term used for a new type of photography session involving people, often families, posing on their home’s front porch. The photos commemorate the ongoing quarantines and this unique time in history, but have prompted criticism from some people, including many photographers, who have called the activity risky and unnecessary.

Under present social distancing efforts, the public is encouraged (or, in some places, required) to stay home except when necessary, with the only acceptable exceptions including work in cases where in can’t be performed at home, as well as trips for essential items like prescriptions and groceries. In some cases, the public is also encouraged to go out for exercise, but to maintain a distance from other people.

Traditional photography sessions aren’t something that can be performed under these restrictions, but a number of photographers have started conducting ‘porch portrait’ sessions, which, in the spirit of the activity, involves the photographer maintaining a distance from the subjects and remaining outdoors. That intention doesn’t always pan out in real life, however, and the PPOC notes that mistakes happen.

In its newly published advisory, the PPOC says:

‘We have been contacted by several photographers upset to see this happening in their area when they are abiding by the suggested public health measures and are staying home. We have also heard from photographers who don’t understand why they should not do these kinds of photography sessions, if they are being safe about it, are doing it for charity, and are following their region’s suggested public health restrictions.’

The PPOC’s official position against ‘porch portraits’ is based on concerns that, in addition to ultimately being unnecessary and nonessential, photographers may also make mistakes that put themselves and their communities at risk of contracting and spreading the virus.

PPOC Chair Louise Vessey explained:

‘I understand that photographers are suddenly cut off from most ‘in real life’ social contact and thus their clients; but this type of photography is not a necessary interaction, nor is it an essential service. Although most do it with the very best of intentions, it still leaves room open for mistakes that could potentially cost lives. Some photographers may knock on the door or ring the doorbell, pass someone in the street, a child could run over to hug them, or their built in photographer instinct to go over and fix hair, pose the client and assist could easily kick in. These potential actions risk passing on, or catching COVID-19.’

The PPOC ultimately states that photography is not an essential business or service and that it ‘strongly recommends’ that photographers do not conduct porch portrait sessions at this time. Vessey states:

‘These stories will still be there once the dust settles and we are on the other side of this Pandemic crisis. We can photograph and tell their stories when the time is right. This is serious! Any risk is not a risk worth taking no matter how small you believe it is.’

Some photographers have turned to other unique types of photo sessions that help maintain distance from other people. Ohio-based photographer Nick Fancher, for example, has started shooting ‘Remotrait’ sessions, which involves using FaceTime to capture unique portraits of clients projected on to different backgrounds in order to compensate for poor connection quality.

Articles: Digital Photography Review (dpreview.com)

 
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Interview: Celebrity photographer Jeremy Cowart speaks to us about The Purpose Hotel

20 Jul

Imagine staying at a hotel where everything in the rooms – and the nightly rate of the room itself – benefited someone in need. That’s the idea that lodged in commercial and editorial photographer Jeremy Cowart’s imagination, and which has since evolved into ‘The Purpose Hotel’.

With a Kickstarter campaign launching this week, Cowart hopes to open the first Purpose Hotel in Nashville within three years. So why would a successful photographer switch from taking pictures of some of the world’s biggest celebrities, to get into the hotel business?

We spoke to Jeremy recently about his work, and his plans for The Purpose Hotel.


What is the Purpose Hotel?

It’s going to be a hotel where everything in the building is connected to a cause, or a non-profit. So everything you’re interacting with is helping someone, somewhere in the world. Our tagline is ‘Change the World in Your Sleep’.

The Purpose Hotel will be a for-profit hotel, so in that regard it’s a normal hotel business, we just have a very serious cause at the core of our mission, and that cause is to help as many organizations as possible.

There are a million hotels out there, and obviously some are trying to think more along the lines of giving something back, but I’m not aware of any hotel that’s doing it at the level that we’re aiming for.

What inspired you to create the concept of the Purpose Hotel?

I was on a photo shoot four years ago, and I was staying at the Standard, a hotel in LA. And the room number was designed like a name tag – it said something like ‘Hello, my name is Room 121’. And for whatever reason that inspired me, and I took it a different direction, and wondered what if that room number was a story that you felt connected to? And what if that story was a child’s face, and what if by staying in that room you were sponsoring that child?

So it started with that simple idea, and then as I was looking around that hotel room I started thinking, well, I know there are non-profits that make soaps, and shampoo… what if the TV showed inspiring documentaries from filmmakers all around the world… what if the Internet fee went to fight human trafficking… what if room service was connected to Food for the Hungry?

I just had this lightbulb moment – what if everything was helping something? And it grew from there. 

Instead of going out and buying soaps and shampoo from whoever, or artwork just to fill the hotel, we’re going to go and source those from companies that are already supporting non-profits.

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Is photography core to the concept of the Purpose Hotel?

In a way, yes. It’ll obviously still be a hotel, but as a photographer and an artist I want there to be an amazing display of both, in the hotel. I can’t wait to personally curate those galleries because I have so many friends and peers in the industry whose work I really want on the walls of the hotel.

My dream is for the whole hotel to be a living, breathing art gallery, where we sell the artists’ work, and that money goes to them. I want to help artists make a living through the hotel, and I hope that we can also give a percentage of sales to organizations that do art therapy. So that kids around the world can process their past, their history, through art therapy. I got to do that in Uganda and it was amazing.

At this point, would you say you’ve made a transition of sorts, from making a living purely from photography, to more of a philanthropic way of life?

Sure, it could be called philanthropy, it could be called being an entrepreneur. But at the end of the day I think of myself as an idea chaser. When we have those whispers of ideas, a lot of people don’t pursue them because they think they’re impossible or they think they can’t, but I love the challenge of chasing those ideas no matter how big they are.

I’m passionate about the intersection where creativity and helping people meet. If I can help the community and do it in a really interesting, creative way, I’m passionate about that.

Was there a single experience, or trip that lead you to be more interested in philanthropy?

It was a sort of building, escalating thing. From my first trip to Africa in 2005, followed up by many more trips, doing projects overseas. I’m the founder of Help Portrait, which is a non-profit where we have photographers all over the world giving portraits to people in need. So yeah – I’ve found so much fulfillment from all of those projects. 

Do you see yourself potentially making a living out of projects like this, or will you always be a commercial photographer as well?

Good question, and I’m not sure about the answer. I’ll always be a visual artist first. I think that will continue to morph into different forms – I’ll always have a camera in my hands, I’ll always shoot, but I hope that there are humanitarian projects and personal projects in my future.

What has your photographic career taught you?

Every photographer wants to build a name for themselves, and wants to be famous and all that. But I’ve learned that it’s a lot less fulfilling than you think it is. It’s not that great, it’s not going to change your life. I like to say that greatness should be used to serve a greater purpose. So how do you use greatness to do something even bigger than yourself? That’s a lesson I’ve learned, and I’m continuing to do things that are bigger than me, and which aren’t about me.

Articles: Digital Photography Review (dpreview.com)

 
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Robert Capa speaks for himself: ‘The camera was far above my head’

02 Nov

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‘If your pictures aren’t good enough, you aren’t close enough’, said famed photographer Robert Capa. He was certainly close enough to take his iconic ‘Falling Solider’ photograph during the Spanish Civil War. In a recently discovered radio interview from the 1940s, Capa explains how he took the photo that many have since alleged was staged. Learn more

News: Digital Photography Review (dpreview.com)

 
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Former Chicago Sun-Times Visual Editor speaks out at CNN.com

07 Jun

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Following the widely-reported layoffs at the Chicago Sun-Times a former Visual Editor at the paper, Robb Montgomery, has written a thoughtful piece for CNN.com about what the decision to move to a freelance work force means for the paper, and the industry as a whole. The same article also includes a video interview with Pulitzer price-winning photographer John H. White, who was among those laid off at the Sun-Times last week. Click through for extracts and a link to the full article at CNN.com.

News: Digital Photography Review (dpreview.com)

 
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Leica exec speaks to Forbes.com about digital medium-format strategy

10 May

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Stephan Schulz, the Head of Professional Photo at Leica Camera AG has given an interview to Forbes.com in which he explains the opportunities – and challenges – of moving into the professional digital medium-format marketplace. Traditionally identified with 35mm (film and latterly ‘full frame’ digital), Leica announced the creation of the S2 back in 2009, and followed it with the 37MP late last year. Click through for some extracts, and a link to the full interview at Forbes.com.

News: Digital Photography Review (dpreview.com)

 
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Sarah Moon: A Master Speaks

29 Jan

Sarah Moon on Photography

“How can one live without hope and longing?”
-Sarah Moon

Sara Moon and her work have always been a big inspiration for me. Her work is soulful, it’s work that obviously comes from a very deep and emotional person because it provokes the viewer in a deep and meaningful way. Her work is pure. I’m sure she has never had her work in photoshop, ever. I love that about it. It’s grainy, soft focused, blurry at times and utterly flawless. I recently found this video and 5 seconds in, I was hooked. To hear one of the great masters of fashion photography speak her mind about the art and the craft is a gift. And so I listened and learned. I replayed one section over a few times. It was so beautiful, the way she described her process of shooting fashion. It reminded me of my own process, my own desire to capture a moment, an instant where everything makes sense to me and the line between reality and delusion is blurred. I believe magic resides on that line, and magic is what I as a photographer, try to create. I want to seduce my viewers and please my audience with visual pleasure. The section I am speaking of is where she talks about how she has the model in front of her but she’s not “seeing” the shot. So she waits. The model becomes discouraged. She take a few photographs to appease the model but still, nothing. She begins to panic, telling herself she doesn’t want to be a photographer anymore ( I can’t tell you how many times I say this to myself and others. You’d be surprised, probably). But then something changes! Maybe, she says, I’m at the right place at the right time. Or maybe it’s because she starts to believe in it. But for a split second she sees a sparkle of beauty passing by and then everything goes so quickly within that stillness and she’s carried away….at last she likes what she is seeing and she can’t stop finding it and then losing it. All day long she keeps on, because it once existed.


And that is absolutely the process for me of taking photographs. Chasing something I see that lasted a second. A moment of grace. A moment of beauty. Sometimes it can never be recaptured.Sometimes it’s gone, disappeared, never to return. But I’ll tell you what….. I’m going to die trying.


Some of Sarah’s work:


Fashion Photography Blog

 
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Sarah Moon: A Master Speaks

10 Jun

“How can one live without hope and longing?”
-Sarah Moon

Sara Moon and her work have always been a big inspiration for me. Her work is soulful, it’s work that obviously comes from a very deep and emotional person because it provokes the viewer in a deep and meaningful way. Her work is pure. I’m sure she has never had her work in photoshop, ever. I love that about it. It’s grainy, soft focused, blurry at times and utterly flawless. I recently found this video and 5 seconds in, I was hooked. To hear one of the great masters of fashion photography speak her mind about the art and the craft is a gift. And so I listened and learned. I replayed one section over a few times. It was so beautiful, the way she described her process of shooting fashion. It reminded me of my own process, my own desire to capture a moment, an instant where everything makes sense to me and the line between reality and delusion is blurred. I believe magic resides on that line, and magic is what I as a photographer, try to create. I want to seduce my viewers and please my audience with visual pleasure. The section I am speaking of is where she talks about how she has the model in front of her but she’s not “seeing” the shot. So she waits. The model becomes discouraged. She take a few photographs to appease the model but still, nothing. She begins to panic, telling herself she doesn’t want to be a photographer anymore ( I can’t tell you how many times I say this to myself and others. You’d be surprised, probably). But then something changes! Maybe, she says, I’m at the right place at the right time. Or maybe it’s because she starts to believe in it. But for a split second she sees a sparkle of beauty passing by and then everything goes so quickly within that stillness and she’s carried away….at last she likes what she is seeing and she can’t stop finding it and then losing it. All day long she keeps on, because it once existed.

And that is absolutely the process for me of taking photographs. Chasing something I see that lasted a second. A moment of grace. A moment of beauty. Sometimes it can never be recaptured.Sometimes it’s gone, disappeared, never to return. But I’ll tell you what….. I’m going to die trying.

Some of Sarah’s work:


Fashion Photography Blog – A Resource for Fashion Photographers, Created by One.

 
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Posted in Uncategorized

 

Sarah Moon: A Master Speaks

10 Jun

“How can one live without hope and longing?”
-Sarah Moon

Sara Moon and her work have always been a big inspiration for me. Her work is soulful, it’s work that obviously comes from a very deep and emotional person because it provokes the viewer in a deep and meaningful way. Her work is pure. I’m sure she has never had her work in photoshop, ever. I love that about it. It’s grainy, soft focused, blurry at times and utterly flawless. I recently found this video and 5 seconds in, I was hooked. To hear one of the great masters of fashion photography speak her mind about the art and the craft is a gift. And so I listened and learned. I replayed one section over a few times. It was so beautiful, the way she described her process of shooting fashion. It reminded me of my own process, my own desire to capture a moment, an instant where everything makes sense to me and the line between reality and delusion is blurred. I believe magic resides on that line, and magic is what I as a photographer, try to create. I want to seduce my viewers and please my audience with visual pleasure. The section I am speaking of is where she talks about how she has the model in front of her but she’s not “seeing” the shot. So she waits. The model becomes discouraged. She take a few photographs to appease the model but still, nothing. She begins to panic, telling herself she doesn’t want to be a photographer anymore ( I can’t tell you how many times I say this to myself and others. You’d be surprised, probably). But then something changes! Maybe, she says, I’m at the right place at the right time. Or maybe it’s because she starts to believe in it. But for a split second she sees a sparkle of beauty passing by and then everything goes so quickly within that stillness and she’s carried away….at last she likes what she is seeing and she can’t stop finding it and then losing it. All day long she keeps on, because it once existed.

And that is absolutely the process for me of taking photographs. Chasing something I see that lasted a second. A moment of grace. A moment of beauty. Sometimes it can never be recaptured.Sometimes it’s gone, disappeared, never to return. But I’ll tell you what….. I’m going to die trying.

Some of Sarah’s work:


Fashion Photography Blog – A Resource for Fashion Photographers, Created by One.

 
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Dan Chung speaks to Canon’s Chuck Westfall about 4K Cinema EOS cameras

21 Apr

Chung.jpg

DSLRnewsshooter’s Dan Chung has been speaking to Canon USA Technical Advisor Chuck Westfall for more details about the company’s 4K Cinema EOS offerings. Both the 500C and 1D C are skewed towards cinema and high-end television production, rather than documentary and news work, Westfall says, but hints that ‘peaking’ and ‘zebra’ focusing aids could be added to the 1D C if the market demands it.

News: Digital Photography Review (dpreview.com)

 
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