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Posts Tagged ‘Sony’s’

DPReview TV: Hands-on with Sony’s new super-telephoto lenses

11 Jun
Chris and Jordan, along with Senior Editor Barney Britton, traveled to New York for a hands-on look at Sony’s newest super-telephoto lenses: the FE 200-600 F5.6-6.3 G OSS and the FE 600mm F4 GM OSS. Find out what they think so far, and vote to tell us who shot the best sample images.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Don’t forget to view the sample galleries and vote in the poll! (Below)

  • Introduction
  • Shooting soccer (football)
  • Halftime switch
  • 600mm F4 design and build
  • 200-600 F5.6-6.3 design and build
  • Sharpness
  • Teleconverter support
  • Video capability
  • The contest
  • Who are these lenses for?
  • Wrap-up

Have your say

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Who shot the best sample photos?
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Sony 200-600mm F5.6-6.3 G FE OSS sample gallery

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Sony 600mm F4 GM FE OSS sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Sony’s US-only ‘Step up to Sony’ sales event is offering up to $1K off cameras, kits and lenses

03 Jun

Sony is currently running its ‘Step Up To Sony’ sales event, a summer sales event for U.S. customers that’s heavily discounting some of Sony’s most popular cameras, lenses and kits. The ‘Step Up To Sony’ event runs through Jun 22, 2019. We’ve rounded up some of the best deals from the sales event and have listed them below.

Cameras and kits

Sony a7R III (Adorama, B&H): $ 2,598 ($ 600 instant rebate)

Sony a9 (Adorama, B&H): $ 3,498 ($ 1000 instant rebate)

Sony a7R II (Adorama, B&H): $ 1,498 ($ 500 instant rebate)

Sony A7 II (Adorama, B&H): Body only for $ 898 ($ 500 instant rebate), kit for $ 1000 ($ 600 instant rebate)

Sony RX100 V (B&H): $ 898 ($ 100 instant rebate)

Sony RX10 IV (Adorama, B&H): $ 1,598.00 ($ 100 instant rebate)

Lenses

Sony FE 12-24mm F4 G (Adorama, B&H): $ 1,598 ($ 100 instant rebate)

Sony FE 70-200mm F4 G OSS (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Planar T* FE 50mm F1.4 ZA (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Distagon T FE 35mm F1.4 ZA (Adorama, B&H): $ 1,498 ($ 100 instant rebate)

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s financial report shows 2% YOY growth for its ‘Imaging Products and Solutions’ division

18 May

Editor’s note: Keep in mind that each company groups different products under their respective ‘Imaging’ category, so there may be slight differences in what products and services are offered in the financial details. However, the categories are broadly similar and comparable, and we’ve done our best to account for those differences using available information.’


If you were to look at the most recent financials of Canon, Nikon and a few other camera manufacturers, it would seem the camera industry as a whole is facing a crisis. But not everyone in the imaging market is struggling, as Sony’s latest financials show.

Sony has published its latest annual financial report and inside a number of interesting details have emerged. Sony’s 2018 fiscal year (2018FY), which ended March 31, 2019, saw increased sales of 14.6 billion yen for its Imaging Products and Solutions division for a total of 670.5 billion yen. This amounts to a two percent year-over-year (YOY) growth, accounting for loss due to currency conversion.

A small snapshot from Sony’s financial report showing the sales numbers (in millions of yen). On the left are the numbers are through March 31, 2018, while numbers bolded in the center are the numbers through March 31, 2019. The numbers on the right are the difference between the two years.

While two percent might not seem impressive, Nikon’s imaging division reported a 17.9 percent decrease while Canon reported an annual decrease of 11.3 percent YOY.

Sony specifically mentions in its report (starting on page 26) that ‘[the] increase was mainly due to an improvement in the product mix reflecting a shift to high value-added models such as mirrorless single-lens cameras and the interchangeable lens lineup, partially offset by a decrease in compact digital camera unit sales reflecting a contraction of the market.’ Sony also says reductions in operating costs helped to reduce to YOY numbers.

In a year when it seems nearly every other company manufacturing cameras is showing decreasing profits YOY, it seems Sony managed to find a way to keep profits growing throughout 2018.


Update (May 17, 2019): The last paragraph in this article has been removed and rephrased to account for the discrepancies in the fiscal years between companies.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s a9 gets AI-powered AF modes and a redesigned menu in firmware version 5.0

25 Mar

Sony has released a major firmware update for its a9 mirrorless camera that adds new AI-driven autofocus modes, enhances image quality and changes a number of menu settings for improved usability.

The standout feature of firmware version 5.0 is Sony’s Real-time Tracking mode, which uses an artificial intelligence-based object recognition algorithm to detect and keep track of subjects. The Real-time Tracking mode also works alongside Real-time Eye AF, an updated version of its popular eye-tracking autofocus mode that also relies on artificial intelligence to keep the subject’s eyes in focus. Real-time Eye AF also works with a half-press of the shutter now and will continue to track even if a subject’s eyes are temporarily closed or obscured while shooting.

Fast Hybrid AF for video has also been added to the a9. According to Sony, Fast Hybrid AF provides ‘smoother, more accurate focus during video shooting, even if/when objects move in front of the subject.’

On the image quality front, Sony says firmware version 5.0 ‘offers notably improved image processing, which maximizes the capabilities of the full-frame sensor.’ Specifically, Sony says the camera features a better auto white balance mode and more accurately captures subtle changes in light making better tonal gradations.

Moving onto the software side of things, Sony has rearranged the menu settings and added a number of features it says customers have been asking for in regards to workflow and usability. Specifically, Sony has added a new My Dial menu, a revised custom key menu and improved touchpad capability. Also added is a new tagging feature and improved dual-card functionality. Below are a few menu screenshots provided by Sony that highlight the changes and new features:

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Keep in mind that when updating the firmware on your a9 camera all settings are initialized returning everything to factory settings and the update cannot be reversed. Sony suggests writing down frequently-used settings for adding and altering after the update has been installed. Sony also warns for this particular update that you might want to get used to the updated menu configuration before heading out to your next shoot as much of the structure has changed.

To download firmware version 5.0 for the Sony a9, head over to Sony’s website to download the macOS and Windows versions.

Press release:

Sony a9 Gains Powerful New Autofocus Capabilities and More Through Software Version 5.0 Update

Sony’s industry-leading a9 camera has received a significant software update that brings AI-driven autofocus capabilities to its award-winning autofocus (AF) system, improves image quality, and introduces a range of customer-requested workflow improvements.

Autofocus Advances

Firmware version 5.0 for the Sony a9 adds Sony’s newly-developed, AI-driven Real-time Tracking mode for precise and robust subject tracking. Real-time Tracking uses Sony’s latest AF algorithm—which includes Artificial Intelligence-based object recognition—to detect and follow subjects with unprecedented accuracy.

Real-time Tracking AF works in conjunction with Real-time Eye AF, also added with Firmware version 5.0. The latest iteration of Sony’s best-in-class Eye AF technology, Real-time Eye AF also uses AI-based object recognition, resulting in an unprecedented level of speed and performance for locking on and holding focus on a subject’s eyes. Additionally, with Real-time Eye AF, users can now activate eye detection via a half-press of the shutter release, and can enjoy focus tracking accuracy even if a subject’s eyes are temporarily obscured during shooting.

Also added with firmware 5.0 is Fast Hybrid AF for video, which now provides smoother, more accurate focus during video shooting, even if/when objects move in front of the subject.

Image Quality

Firmware version 5.0 offers notably improved image processing, which maximizes the capabilities of the full-frame sensor. The camera now more accurately reproduces subtle changes in light for smoother, more natural tonal gradations and improved auto white balance results.

Improved Usability And Workflow

With Firmware version 5.0, the Sony a9 adds several customer-requested features:

  • New My Dial menu
  • Revised Custom Key menu
  • Improved touchpad capability,
  • Enhanced dual-card functionality
  • Enhanced tagging

Imaging Edge

Sony is also announcing the release of Imaging Edge™ mobile applications, plus updates to the ‘Remote,’ ‘Viewer’ and ‘Edit’ desktop applications that brings exciting new features to all Sony imaging customers.

For professional photographers, Sony is also releasing a new mobile application ‘Transfer & Tagging add-on’ that supports instant delivery workflow by allowing users to transfer content to their mobile devices via the camera’s FTP background transfer functionality. It also enables voice input for text captioning to streamline overall workflow between photographers and other team members.

Articles: Digital Photography Review (dpreview.com)

 
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The Xperia 1 is Sony’s first triple-cam phone and comes with a 21:9 display

26 Feb

Sony has unveiled the Xperia 1 at the Mobile World Congress in Barcelona and the new flagship is the Japanese manufacturer’s first device to offer a triple-camera setup. The rear camera comes with three 12MP modules. The primary camera uses a 1/2.6” image sensor and fast F1.6 lens with OIS and Dual-Pixel autofocus. There are also a tele-module with 1/3.4″ sensor, F2.4 aperture and 52mm equivalent focal length, and a 16mm ultra-wide with 1/3.4″ sensor and F2.4 aperture.

Eye autofocus, which tracks the eyes of a human subject in the frame, has been ported from Sony’s stand-alone cameras and the 1 is also capable of recording Raw image files.

In video mode the camera records 4K HDR footage in a 21:9 cinema aspect ratio. The new Cinema Pro App, which is based on technologies from Sony’s pro video division, allows manual control over some video parameters, such as color depth, aperture and focus. 24 fps recording for a more cinema-like look is on board as well.

In line with the new video mode the 6.5-inch CinemaWide display comes with a 21:9 aspect ration and offers a 3,840 x 1,644 pixel resolution as well as HDR support. Stereo speakers are coupled with Dolby Atmos sound.

The Android OS is powered by Qualcomm’s new Snapdragon 855 chipset and 6GB of RAM. Either 64 or 128GB of built-in storage are expandable by up to 512GB via microSD card. The 3,330mAh battery and all other components are built into a IP68 waterproof body with Gorilla Glass 6 at front and back. No pricing information has been revealed yet.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s ‘Real-time tracking’ is a big leap forward for autofocus

14 Feb

One of the biggest frustrations when taking pictures is discovering that your photos are out of focus. Over the past few years, camera autofocus systems from every manufacturer have become much more sophisticated, but they’ve also become more complex. If you want to utilize them to their full potential, you’re often required to change settings for different scenarios.

The autofocus system introduced in Sony’s a6400 as well as in the a9 via a firmware update aims to change that, making autofocus simple for everyone from casual users to pro photographers. And while all manufacturers are aiming to make autofocus more intelligent and easier to use, our first impressions are that in practice, Sony’s new ‘real-time tracking’ AF system really does take away the complexity and removes much of the headache of autofocus so that you can focus on the action, the moment, and your composition. Spoiler: if you’d just like to jump to our real-world demonstration video below that shows just how versatile this system can be, click here.

When I initiated focus on this skater, he was far away and tiny in the frame, so the a9 used general subject tracking to lock on to him at first. It then tracked him fully through his run, switching automatically to Face Detect as he approached. This seamless tracking, combined with a 20fps burst, allowed me to focus on my composition and get the lighting just right, without having to constrain myself by keeping an AF point over his face. For fast-paced erratic motion, good subject tracking can make or break your shot.

So what is ‘Real-time tracking’? Simply now called ‘Tracking’, it’s Sony’s new subject tracking mode. Subject tracking allows you to indicate to your camera what your subject is, which you then trust it to track. Simply place your AF point over the subject, half-press the shutter to focus, and the camera will keep track of it no matter where it moves to in the frame – by automatically shifting the AF points as necessary. The best implementation we’d seen until recently was Nikon’s 3D Tracking on its DSLRs. Sony’s new system takes some giant leaps forward, replacing the ‘Lock-on AF’ mode that was often unreliable, sometimes jumping to unrelated subjects far away or tracking an entire human body and missing focus on the face and eyes. The new system is rock-solid, meaning you can just trust it to track and focus your subject while you concentrate on composing your photos.

You can trust it to track and focus your subject while you concentrate on composing your photos

What makes the new system better? Real-time tracking now uses additional information to track your subject – so much information, in fact, that it feels as if the autofocus system really understands who or what your subject is, making it arguably the ‘stickiest’ system we’ve seen to date.

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Subject tracking isn’t just for action. I used it even in this shot. Good subject tracking, like Sony’s ‘Real-time tracking’, keeps track of your subject for you, freeing you up to try many different poses and framings quickly. Most of these 20 shots were captured in under 19 seconds, without ever letting off the AF-ON button. The camera never lost our model, not even when her face went behind highly-reflective glass. The seamless transitioning between Eye AF and general subject tracking helps the AF system act in such a robust manner. Not having to think about focus allows one to work faster, get more poses and compositions, so you can get to the shot you’re happy with faster. Click here or on any thumbnail above to launch a gallery to scroll through all 20 images.

Pattern recognition is now used to identify your subject, while color, brightness, and distance information are now used more intelligently for tracking so that, for example, the camera won’t jump from a near subject to a very far one. What’s most clever though is the use of machine-learning trained face and eye detection to help the camera truly understand a human subject.

What do we mean when we say ‘machine-learning’? More and more camera – and smartphone – manufacturers are using machine learning to improve everything from image quality to autofocus. Here, Sony has essentially trained a model to detect human subjects, faces, and eyes by feeding it hundreds, thousands, perhaps millions of images of humans. These images of faces and eyes of different people, kids, adults, even animals, in different positions have been previously tagged (presumably with human input) to identify the eyes and faces – this allows Sony’s AF system to ‘learn’ and build up a model for detecting human and animal eyes in a very robust manner.

Machine learning… allows Sony’s AF system to detect human and animal eyes in a very robust manner

This model is then used in real-time by the camera’s AF system to detect eyes and understand your subject in the camera’s new ‘real-time tracking’ mode. While companies like Olympus and Panasonic are using similar machine-learning approaches to detect bodies, trains, motorcyclists and more, Sony’s system is the most versatile in our initial testing.

Real-time tracking’s ability to seamlessly transition from Eye AF to general subject tracking means that even when there was an eye to track up until this perfect candid moment, your subject will still remain in focus when the eye disappears – so you don’t miss short-lived moments such as this one. Note: this image is illustrative and was not shot using Sony’s ‘Tracking’ mode.

What does all of this mean for the photographer? Most importantly, it means you have an autofocus system that works reliably in almost any situation. Reframe your composition to place your AF point over your subject, half-press the shutter, and real-time tracking will collect pattern, color, brightness, distance, face and eye information about your subject so comprehensively it can use all that to keep track of your subject in real-time. This means you can focus on the composition and the moment. There is no longer a need to focus (pun intended) on keeping your AF point over your subject, which for years has constrained composition and made it difficult to maintain focus on erratic subjects.

There is no need to focus on keeping your AF point over your subject, which for years has constrained composition and made it difficult to focus on erratic subjects

The best part of this system is that it just works, seamlessly transitioning between Eye AF and Face Detect and ‘general’ subject tracking. If you’re tracking a human, the camera will always prioritize the eye. If it can’t find the eye, it’ll prioritize its face. Even if your subject turns away so that you can’t see their face, or is momentarily occluded, real-time tracking will continue to track your subject, instantly switching back to the face or eye when they’re once again visible. This means your subject is almost always already focused, ready for you to snap the exact moment you wish to capture.

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The tracking mode lets you specify a subject and it’ll prioritize their eye, switching to face detection if it loses the eye and treating them as a generic subject to track if they, for instance, turn their head away from the camera. Click on the images and follow the entire sequence to see how the camera focuses on my subject no matter where she walks to in the frame.

One of the best things about this behavior is how it handles scenes with multiple people, a common occurrence at weddings, events, or even in your household. Although Eye AF was incredibly sticky and tracked the eyes of the subject you initiated AF upon, sometimes it would wander to another subject, particularly if it looked away from the camera long enough (as toddlers often do). Real-time tracking will simply transition from Eye AF to general subject tracking if the subject looks away, meaning as soon as they look back, the camera’s ready to focus on the eye and take the shot with minimal lag or fuss. The camera won’t jump to another person simply because your subject looked away; instead, it’ll stick to it as long as you tell it to, by keeping the shutter button half-depressed.

Performance-wise it’s the stickiest tracking we’ve ever seen…

And performance-wise it’s the stickiest tracking we’ve ever seen, doggedly tracking your subject even if it looks different to the camera as it moves or you change your position and composition. Have a look at our real world testing with an erratic toddler, with multiple people in the scene, below. This is HDMI output from an a6400 with 24mm F1.4 GM lens, and you can see focus is actually achieved and maintained throughout most of the video by the filled-in green circle at bottom left of frame.

Real-time tracking isn’t only useful for human subjects. Rather, it simply prioritizes whatever subject you place under the autofocus point, be it people or pets, food, a distant mountain, or a nearby flower. It’s that versatile.

In a nutshell, this means that you rarely have to worry about changing autofocus modes on your camera, no matter what sort of photography you’re doing. What’s really exciting is that we’ll surely see this system implemented, and evolved, in future cameras. And while nearly all manufacturers are working toward this sort of simple subject tracking, and incorporating some elements of machine learning, our initial testing suggests Sony’s new system means you don’t have to think about how it works; you can just trust it to stick to your subject better than any system we’ve tested to date.


Addendum: do I need a dedicated Eye AF button anymore?

There’s actually not much need to assign a custom button to Eye AF anymore, since real-time tracking already uses Eye AF on your intended subject. In fact, using real-time tracking is more reliable, since if your subject looks away, it won’t jump to another face in the scene as Eye AF tends to do. If you’ve ever tried to photograph a kids’ birthday party or a wedding, you know how frustrating it can be when Eye AF jumps off to someone other than your intended subject just because he or she looked away for long enough. Real-time tracking ensures the camera stays locked on your subject for as long as your shutter button remains half-depressed, so your subject is already in focus when he or she looks back at the camera or makes that perfect expression. This allows you to nail that decisive, candid moment.

Articles: Digital Photography Review (dpreview.com)

 
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Guide: How to get the most out of Sony’s autofocus technologies

03 Dec

Getting the most out of Sony’s autofocus technologies

After years of development, Sony’s mirrorless interchangeable lens cameras offer among the most advanced autofocus technologies on the market, allowing photographers to create pictures that simply wouldn’t be possible with other systems.

Sony was among the first manufacturers to add phase-detection autofocus pixels onto a camera’s main imaging sensor, which allows for ultra-precise focus. A wide spread of AF points and intelligent scene recognition algorithms are standard in Sony’s market-leading a6000-series, a7-series and a9 cameras, allowing for powerful and accurate subject tracking. While these technologies are obviously useful for shooting fast-paced sports and action, features like face detection, Eye-AF and Direct Manual Focus (DMF) can also be employed for portraiture, landscape photography and video work.

In this article, we’ll be outlining some key use-cases and recommending how to set up your Sony camera’s autofocus system to get the best results.

Sports and action

Because, unlike a DSLR, there’s no mirror in the way, the millions of pixels-worth of data from the image sensors in mirrorless cameras can be used to feed the cameras’ autofocus and metering systems in real time. This allows for sophisticated object recognition and tracking. Autofocus data is also taken from the main imaging sensor itself, which means that AF is inherently more accurate than conventional DSLR systems.

The flagship sports-oriented Sony a9 for example features 693 phase detection autofocus points offering 93% coverage across the image area (illustrated above). Having so many AF points – and such a wide spread – makes it possible for the camera to accurately track action right out to the edges of the frame – something that isn’t always possible with other full-frame cameras. Here are our recommended settings for shooting sports and action:

Recommended AF settings for sports and action:

  • Focus Mode: AF-C
  • Focus Area: Lock-on AF: Flexible Spot M

How to use: Frame your composition so the AF point is over your subject, then half-depress the shutter to start tracking it. At this point you can recompose the scene however you want, and your subject will continue to be tracked. To switch subjects, simply release the shutter, reframe to place the AF point over your new subject, and half-depress the shutter again.

Notes / Tips: This AF setup is also useful for more general photography: if you identify your subject by placing the AF point over it and engaging AF, the camera will keep track of it for you, making sure it’s perfectly focused when you take your shot.

For some types of fast-action photography, like birds-in-flight, air shows, or any situation where your subject is the nearest object in the scene or well isolated against distant objects, you can often trust the camera to automatically identify the subject and focus on it. This avoids the need for you to reframe and place the AF point over your subject before initiating AF, saving you time and helping you capture the moment faster. To try this way of working, switch the camera’s Focus Area to ‘Wide’, or use ‘Recall Custom Hold’* to assign a custom button to this focus mode so you can instantly activate it in fast-paced situations.


*Only available on A9, a7R III and a7III Alpha cameras.

Portraits

For the serious portrait photographer, Eye AF is fantastic, letting you focus more on posing and expression and leaving the camera to do the rest. With Eye AF enabled, a Sony camera will continue to track your subject’s eye, even when firing away at fast frame rates, which makes it a great option for catching just the right expression.

Sony’s Eye AF system is very ‘sticky’ in that once it’s been set to track a subject it rarely jumps off to someone else in the scene, even if your subject moves or momentarily turns away from the camera. And because of the wide AF area coverage, Eye AF will track your subject right out to the edges of the frame – this is useful for off-center compositions or erratic subjects like kids.

Recommended AF settings for portraits:

  • Focus Mode: AF-C
  • Focus Area: Flexible Spot M (or L)
  • Button Assignment: Assign Eye AF to AF-ON

How to use: If you have multiple people in the frame and are using any AF area other than ‘Wide,’ you can place that AF area over one of your subjects, and when you initiate Eye AF, it will track that person’s eye. To switch subjects, release the Eye AF button, place your AF area over the other person, and re-initiate. If you simply want to focus on a person yourself, just place your AF point over the desired portion of your subject, and half-press the shutter to focus.

Notes / Tips: If you only have a single person in the scene, or you’re happy to let the camera choose a face to focus on on its own (usually the nearest), switch Focus Area to ‘Wide’, then just press the Eye AF button.


Note that while we recommend assigning Eye AF to AF-ON for ease of use, you may wish to assign it to the AEL button if you prefer to use the AF-ON button for back-button focus.

Travel and general photography

As well as offering powerful autofocus features designed for portraiture and capturing fast-moving sports and action, Sony cameras are incredibly versatile when it comes to day-to-day photography. For general everyday and travel photography with Sony’s mirrorless cameras , we recommend the following autofocus settings:

Recommended AF settings for general photography:

  • Focus Mode: AF-S
  • Focus Area: Wide (Face Priority in AF: On)

How to use: For general photography, we recommend you simply let the camera choose what to focus on. It will focus on faces in the scene, and prioritize nearer subjects over further ones.

Notes / Tips: If you wish to take control, just assign a button – like a central press of the AF joystick – to ‘Recall Custom Hold’* and set its options to activate AF-S Focus Mode and Center Focus Area, with AF activation. That will allow you to quickly revert to the tried-and-true ‘focus and recompose’ method if necessary.


*Only available on A9, a7R III and a7III Alpha cameras.

Landscape photography

Traditionally, landscape photography has been the domain of manual focus, but even with static subjects, autofocus can be a huge time-saver. Here’s how we recommend you set your Sony camera’s AF for shooting landscapes.

Recommended AF settings for landscape photography:

  • Focus Mode: DMF
  • Focus Area: Flexible Spot: M (or L)
  • Button Assignment: Assign a custom button to focus magnifier

How to use: Compose your scene, then place the AF point over a portion of the scene you want focused. Use the focus magnifier to zoom into that region, then half-press the shutter to focus. While the shutter button remains half-pressed, you can turn the focus ring on the lens to fine-tune focus, then take your shot.

Notes / Tips: Using this technique, autofocus quickly gets you close to where you need to be, then it can be fine-tuned to achieve the correct balance of foreground and background sharpness for expansive scenes.

Video

Advanced HD and, more recently, 4K video features have been included in Sony’s E-mount mirrorless cameras from the very beginning, and Sony’s E-mount lenses are optimized for movie autofocus requirements as well as stills photography. Traditionally, a lot of filmmakers would rely on manual focus when shooting video, but Sony’s mirrorless cameras’ hybrid on-sensor autofocus systems function just as well (and in exactly the same way) when shooting stills and video, making AF useful and practical for videography.

Here are our recommended settings for video:

Recommended AF settings for video:

  • Focus Mode: AF-C
  • Focus Area: Wide (Face Priority in AF: On)
  • Center Lock-on AF: On

How to use: On their own, Sony cameras are capable of intelligently focusing in video, prioritizing faces and nearer objects, and smoothly racking focus when switching between subjects to focus on. If you turn ‘Center Lock-on AF’ on in the menus, you can choose which subject the camera should track (even if it moves around the frame) by simply tapping on it on the LCD. If your camera has a touch-sensitive screen, to switch to a different subject, you can just tap on it.

Notes / Tips: You can even customize how quickly the camera refocuses on your subject. In the menu, ‘AF Track Sensitivity’ tells the camera how responsive it should be subject movement, with the ‘Responsive’ setting best used for constantly and rapidly moving subjects. ‘AF Drive Speed’ controls how quickly the camera drives the lens focus element: ‘Slow’ yields the smoothest results, but ‘Fast’ is great for rapidly moving subjects and run-and-gun videography.

Note: Remember to turn Center Lock-on AF ‘Off’ before returning to stills shooting, or set up a separate Memory Bank for video shooting so its settings don’t interfere with your stills settings.


This is sponsored content, presented by Sony. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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Xperia XZ3 likely to come with Sony’s new 48MP Quad-Bayer sensor

27 Jul

Only a few days ago Sony announced its latest smartphone sensor, a 1/2″ stacked 48MP beast with Quad-Bayer design for improved low light performance at 12MP output size. And if rumors turn out to be true, we won’t have to wait long before the chip is available in a production smartphone.

Renders of the upcoming Sony Xperia XZ3 flagship smartphone that are floating around the internet show the new device with just one rear camera, as distinct from the dual-camera setup used by the Xperia XZ2 Premium.

This one-camera design has been confirmed by a benchmark listing, showing only one rear camera sensor with a 47MP output size. As those benchmark listings are created using pre-production models some of the specifications could still change before the launch but it’s highly likely we are looking at Sony’s new IMX586 sensor here.

We’ll know more on August 30 when the Xperia XZ3 will be officially launched at IFA and we’re looking forward to evaluating camera performance when the device is available for testing.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s 400mm F2.8 G-Master will arrive in September for $12,000

27 Jun

Sony’s previously announced 400mm F2.8 GM OSS received a full introduction today. The pro-grade lens will ship in September for $ 12,000, and aims to deliver superior autofocus and handling. The lens is a (relatively speaking) light 2.7kg / 6.4lb, and Sony claims it’s well-balanced for monopod or even handheld shooting. The company also says that its FE 400mm takes advantage of two new linear motors with 5x faster tracking performance on the a9 compared to the 300mm F.8 G2.

Unlike the 500mm F4 for A-mount, which was front heavy, most of the glass in the new 400mm F2.8 GM is in the center and rear of the lens.

Optical stabilization is offered in three different modes, the third of which is designed to make framing easier when following moving subjects. The lens is made of magnesium alloy for durability, and a drop-in filter slot accepts 40.5mm filters – including a new circular polarizing filter that will go on sale in December.

Firmware version 3.0 for the a9 is also announced, mainly adding support for the 400mm as well as the ability to record camera serial numbers to EXIF data.

For more on the 400mm F2.8 GM, read our first impressions and take a look through our Major League Soccer match sample gallery below.

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Press release

Sony Introduces the Long-Awaited 400mm F2.8 G Master™ Prime Lens

New Large Aperture Super-Telephoto Prime Lens is World’s lightest in its class, with outstanding AF performance, innovative optical design and exceptional image quality

SAN DIEGO, Jun. 27, 2018 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced the highly anticipated FE 400mm F2.8 GM OSS large aperture super-telephoto prime lens (model SEL400F28GM).

The product of extensive research and testing, Sony’s new FE 400mm F2.8 GM OSS lens is the first large aperture super-telephoto prime to join the E-mount lineup. This exciting new lens produces brilliant image quality with extraordinary focusing speed and precision, while also boasting the lightest weight in its class and an extremely balanced design. It’s the ideal choice for professional sports, wildlife and nature photographers, and a perfect complement to Sony’s extensive lineup of high-speed E-mount bodies including ?9, ?7R III and more.

“We’re extremely excited and proud to officially introduce the new 400mm F2.8 G Master prime lens,” said Neal Manowitz, Vice President of digital imaging at Sony Electronics. “The latest in our flagship series of G Master Lenses, this new lens offers exceptional image quality and an innovative lightweight design that will give professionals a level of flexibility with a 400mm lens unlike anything they’ve ever experienced. Combined with the unmatched shooting speeds and autofocus capabilities of our full-frame E-mount cameras, it will allow them to capture and create in ways that were never before possible.”

World’s Lightest 400mm F2.8 Prime with Ideal Balance for Monopod or Handheld Shooting

Weighing it at only slightly more than 6 lbs., the new FE 400mm F2.8 GM OSS lens provides a level of portability and handheld maneuverability that has never before been achieved in a lens of its class. The remarkably light weight of this lens is achieved through an innovative optical design that includes three fluorite elements, with a reduced number of elements deployed at the front of the barrel, as well as the liberal usage of durable magnesium alloy components.

Repeated field tests and evaluation by professional photographers across the world have led to a lens design that is not front-heavy, reducing moment of inertia that resists rotation by up to 50% as compared to the SAL500F40G , ensuring quicker, more precise panning when shooting handheld or on a monopod.

Fast, Precise Autofocus

To best take advantage of the rapidly evolving shooting and focusing speeds of Sony’s latest cameras, the FE 400mm F2.8 GM OSS lens features two newly developed high-speed XD (extreme dynamic) Linear Motors that drive the lens’s focus group, achieving up to a 5x improvement in moving-subject tracking performance. These motors are supported by specially developed motion algorithms to minimize lag and instability, and control noise levels, resulting in exceptionally quick, accurate and quiet autofocus performance. This allows the lens to capture dynamic, fast moving athletes or wildlife with ease.

G Master Image Quality and Bokeh

A member of Sony’s flagship G Master series lenses, this new large aperture super-telephoto prime lens features an incredible level of image quality and detail, with outstanding contrast and resolution maintained all the way to the corners of the image. The unique optical design includes three fluorite elements that help to minimize chromatic aberration and suppress any amount of color bleeding. The lens has also been coated with Sony’s original Nano AR coating to suppress any unwanted reflections, glare, or ghosting.

In addition to the impressive resolution, the lens features an 11-blade circular aperture mechanism that allows it to produce extremely natural and beautiful background defocus or ‘bokeh’.

The new FE 400mm F2.8 GM OSS is compatible with Sony’s 1.4x and 2.0x E-mount tele-converters, producing outstanding imaging performance at extended focal lengths while maintaining fast, precise AF performance.

Durability, Reliability and Control

To withstand the harsh conditions of sporting events and wildlife photography, Sony’s new FE 400mm F2.8 GM OSS is built with a durable magnesium alloy and a strong, lightweight carbon fiber hood. The lens is also dust and moisture resistant , and its front element is coated with fluorine to resist dirt and fingerprints.

There is also an ample number of hard controls on the lens, including customizable focus-hold buttons in four different locations on the lens barrel, which can be programmed for control of features such as Eye AF functionality, if desired. There is also a ‘Full-Time DMF’ switch to immediately engage manual focus at any point, and a focus ring that features Linear Response MF for fine, responsive manual focus. Additionally, the new lens includes built-in optical stabilization for dynamic action and three different ‘Mode’ settings, including a brand new Mode 3 setting with an advanced algorithm that ensures easier framing when following moving subjects. It also features a function ring with selectable ‘Preset’ and ‘Function ’ settings, which is a first for any Sony lens.

The FE 400mm F2.8 GM OSS includes a drop-in filter slot that accepts ø 40.5mm ND and other filter types, as well as the optional VF-DCPL1 Drop-in Circular Polarizing Filter. The VF-DCPL1 filter can be rotated to achieve the desired polarization while installed in the lens.

?9 System Software Update to Support FE 400mm F2.8 GM OSS

The latest system software update (Version 3.00) for ?9 (ILCE-9) provides support for the new FE 400mm F2.8 GM OSS (SEL400F28GM) lens to optimize optical image stabilization performance, and enables continuous shooting with auto focus tracking, even when aperture is greater than F11.

The update also provides added option to input the camera serial number to the Exif data, a feature that has been strongly requested by professional sports photographers and photojournalists. Additionally, several other updates to the ?9 camera have been implemented with the new firmware, including improved auto focus speed in low light conditions, enhanced continuous AF performance when tracking a moving subject, and reduced release time lag when shooting with flash.

Pricing and Availability

The new FE 400mm F2.8 GM OSS large aperture super-telephoto prime lens (model SEL400F28GM) will ship in September for about $ 12,000 US and $ 16,250 CA. The optional Drop-in Circular Polarizing Filter (model VF-DCPL1) will ship in December for about $ 400 US and $ 550 CA.

Sony FE 400mm F2.8 GM OSS specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 400 mm
Image stabilization Yes
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Aperture ring No
Number of diaphragm blades 11
Optics
Elements 17
Groups 23
Special elements / coatings 1 fluorite and 3 ED elements, Nano AR and fluorine coatings
Focus
Minimum focus 2.70 m (106.3)
Maximum magnification 0.16×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter Yes
Physical
Weight 2895 g (6.38 lb)
Diameter 158 mm (6.22)
Length 359 mm (14.13)
Materials Magnesium alloy
Sealing Yes
Colour White
Filter thread 40.5 mm
Filter notes Drop-in filters
Hood supplied Yes
Hood product code ALC-SH155
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s updated 3D Creator app can use your smartphone’s front camera to scan your face

21 Apr

Sony’s 3D Creator app with its 3D-face-scanning function was first introduced with the Xperia XZ1 and XZ1 Compact last year. Now the Japanese manufacturer is rolling out the update to version 2 of the app.

The most important upgrade of the new version is the ability to create 3D models of your face with your smartphone’s front camera. This means, unlike with the previous version, you don’t need the help of another person to create a 3D-model of your face and head. Of course, the option to use the main camera and get someone else to do the job is still available.

The updated app also lets you share the results straight to Facebook or order a 3D-printed copy of your model. And version 2.0 also comes with “post-scan cloud processing,” which allows you to render 3D models with 4K resolution textures for better detail and realism.

3D Creator 2.0 is compatible with the Xperia XZ1, XZ1 Compact, and XZ Premium. If you’re lucky enough to own one of these devices, you can download the newest version of the app from the Play Store now. If you are an iPhone X user, check out the Bellus 3D app for similar face scanning capabilities.

Articles: Digital Photography Review (dpreview.com)

 
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