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Posts Tagged ‘Sony’

Along the coast: Sony FE 24-70 F2.8 GM real-world samples gallery updated

01 Apr

With Springtime finally kicking in to high gear on the West Coast, we took advantage of the change in weather and brought the Sony FE 24-70mm F2.8 GM lens along with us on a couple of trips. From razor-clamming in Long Beach, WA to pounding the streets (and stairs) of San Francisco, the 24-70 G Master continued to impress us in terms of sharpness, out-of-focus rendering and overall build quality. This class of lens is a staple in many professionals’ and advanced amateurs’ kits; to see if it’s worthy of earning a spot in yours, take a look through our updated samples gallery below.

Note: all additional images in the sample gallery feature both out-of-camera JPEGs and JPEGs processed from Raw. Both will have the original, uncompressed Raw file associated with them for download. 

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing, we do so in good faith, please don’t abuse it.

Articles: Digital Photography Review (dpreview.com)

 
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Lights… Camera… Stinging nettles? Our Sony a6300 video shooting experience

01 Apr

The Sony a6300 has some of the most comprehensive video specs of a mass-market camera, so it seemed like a perfect excuse to embark on a video project. DPReview writer Richard Butler is a self-professed beginner when it comes to video, so he set out to see what he could do with the little Sony as he tested the camera’s video features. Find out about the his exploration of videography in our updated Sony a6300 first impressions, or just watch the mini-documentary above he shot, produced and directed.

Articles: Digital Photography Review (dpreview.com)

 
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First sample images from 20MP Sony Cyber-shot RX10 III

31 Mar

DPReview is in San Francisco checking out the new Cyber-shot RX10 III. The RX10 III maintains the ergonomics and key specifications of its predecessor, but incorporates a massive 24-600mm equivalent F2.4-4 lens. We’ve been doing some shooting with the camera in a range of different situations, and we’ve created a (JPEG only, for now) gallery. 

Articles: Digital Photography Review (dpreview.com)

 
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Cyber-shooting: Sony Cyber-shot RX10 III video overview

30 Mar

Sony’s new superzoom may look a lot like its predecessor, but an updated 24-600mm lens makes the Cyber-shot RX10 III a much more versatile camera – in theory. We’ve been able to spend a bit of time getting to know the camera’s new features and putting its long zoom range to work. Take a look at what’s new to the RX10 series in our video overview.

Articles: Digital Photography Review (dpreview.com)

 
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Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

30 Mar

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

Sony’s already had a busy year, and it just got even busier with the announcement of an update to its RX10 series and two new FE lenses: the 50mm F1.8 and 70-300mm F4.5-5.6 OSS. We got to take a first look at them at a press event in San Francisco. 

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

The FE 70-300mm F4.5-5.6 is the first full-frame E-mount lens to reach 300mm. It offers SteadyShot stabilization, as evidenced by the OSS on/of switch seen here. 

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

The 70-300mm offers a minimum focus distance of 0.9m/2.9ft, a zoom locking mechanism and dust and moisture resistance. It’s fairly compact when used at the wide end…

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

…and extends quite a bit to reach that 300mm mark. For the extremely curious, we noted that the lens maintains its widest F4.5 aperture until the 85mm mark, when F5 becomes the widest option. This changes again at 157mm, at which point it stops down to F5.6.

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

Sony has posted MTF charts for the 70-300mm, and they show that this lens might be a cut above the typical telezoom. The 70-300 will go on sale in May for $ 1200.

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

And now, something a little different: the Sony FE 50mm F1.8. At $ 250 it’s going to be a much more wallet-friendly option than its 55mm F1.8 Zeiss-branded counterpart.

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

The 50mm features a 7-blade circular aperture and offers a 0.45m/1.45ft minimum focus distance. Sony emphasizes its compact and lightweight design and indeed, the lens weighs in at a svelte 186g/6.6oz.

Hands on: Sony FE 50mm F1.8 and 70-300mm F4.5-5.6

Here’s another view of that 7-blade aperture. The lens comprises six elements in five groups, including one aspherical element. Like the 70-300mm, it’s expected to ship in May. 

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Sony RX10 III

30 Mar

Hands-on with Sony Cyber-shot RX10 III

The Sony Cyber-shot RX10 III boasts a 24-600mm equivalent zoom lens, 14fps continuous stills shooting and 4K video capture. We’ve had the chance to get hands-on with Sony’s newest flagship compact camera today for a few hours, and we’ve put together some first impressions. Click through this slideshow for a closer look at the new Cyber-shot RX10 III.

Hands-on with Sony Cyber-shot RX10 III

Cosmetically and ergonomically, the RX10 III is a near twin of its predecessor the RX10 II. It feels the same, looks pretty much the same and the key controls are laid out in the same way. The grip has been slightly redesigned (our impression is that it’s slightly more comfortable when the lens is zoomed fully, but there’s not much in it) but if you’ve used an RX10 II, the RX10 III will feel immediately familiar.

At just over a kilo (~2.3 pounds) in weight the RX10 III is not not quite as heavy as it looks, and in use (like the RX10 II) it feels solid and well-made. 

Hands-on with Sony Cyber-shot RX10 III

The RX10 III isn’t a particularly ‘compact’ camera when it’s turned off, but once it’s turned on and the lens extends, it gets even larger. Here, the camera is shown with its lens zoomed out to 24mm…

Hands-on with Sony Cyber-shot RX10 III

…and here’s what the camera looks like when zoomed in all the way to 600mm. This is a big lens and it takes around 4 seconds to go from 24mm to 600mm. 

Hands-on with Sony Cyber-shot RX10 III

To help frame your shot with such a long zoom, Sony has provided a ‘Zoom Assist’ feature that lets you jump back to wider framing so that you can re-find your subject, before releasing the button to jump back to your chosen zoom level.

Hands-on with Sony Cyber-shot RX10 III

The RX10 III boasts a powerful video feature set, based around 4K capture which samples a 17MP chunk of the sensor then down-scales to 4K, . In theory, this should mean that video quality is pretty darned good, and we’ll be posting some samples as soon as we can. 

As we’d expect from a camera with such solid video credentials the RX10 III offers headphone and microphone sockets, as well as HDMI out and USB (2.0). This view also shows the articulating rear screen, folded out. As usual (sadly) for Sony, the screen is a magnet for finger prints and general crud, and isn’t touch-sensitive.

Hands-on with Sony Cyber-shot RX10 III

The RX10 III’s built-in flash is (as usual for cameras like this) pretty weedy, but its pop-up mechanism raises it unusually high above the lens axis, which should reduce the risk of red-eye in portraits, and minimize shadowing caused by the massive lens. 

Hands-on with Sony Cyber-shot RX10 III

The rear control layout of the RX10 III is exactly the same as the RX10 II. Twin control dials (one to the right of the movie button and one around the 4-way controller) allow control over exposure parameters, and a generous rubber thumb grip helps to get a firm hold on the camera. 

The RX10 III’s electronic viewfinder is very nice indeed, boasting 2.35 million dots (giving 1024 x 768 pixel resolution).

Hands-on with Sony Cyber-shot RX10 III

The RX10 III is rated for 420 shots from its supplied NP-FW50 lithium-ion battery, which is a modest increase from the 400 shot rating of the RX10 II (as per CIPA ratings in both cases). For maximum battery life, deactivate the built-in Wi-Fi and NFC when not in use.  

Hands-on with Sony Cyber-shot RX10 III

One of the things we liked about the RX10 and RX10 II is the physical aperture ring. The RX10 III also boasts two additional rings for focus and zoom – the latter function doubled by a conventional compact camera-style ‘W-T’ rocker around the shutter release. And note that the shutter button is threaded for a mechanical cable release – a nice touch, and a subtle indication of the RX10 III’s high-end positioning. 

Hands-on with Sony Cyber-shot RX10 III

We’ll be posting images and video samples from the RX10 III as soon as we can – keep an eye on our homepage!

Articles: Digital Photography Review (dpreview.com)

 
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Sony Cyber-shot DSC-RX10 III puts emphasis on lens reach and video capabilities

29 Mar

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Sony has unveiled the Cyber-shot DSC-RX10 III, surpassing the zoom range of its predecessor with a 24-600mm equiv. F2.4-4 lens. The camera uses the same 1″-type stacked CMOS sensor which produces 20MP stills as well as 4K/UHD video, and does not replace the RX10 II, which continues in Sony’s lineup.

The RX10 III’s sizable lens makes room for aperture, focus and zoom rings, as well as a focus hold button. The camera offers an XGA OLED EVF with 2.36 million dots, as well as a tilting LCD. The body is dust and moisture resistant. Sony claims that its SteadyShot stabilization system offers up to 4.5 stops of benefit.  

The Cyber-shot RX10 III’s lens features eight ED glass elements, including two ED aspherical and one Super ED glass elements. A SteadyShot stabilization system provides up to 4.5 stops of benefit, according to Sony.

An updated shutter provides a fast read-out ‘anti-distortion’ electronic shutter up to 1/32,000sec as well as a silent shooting mode. Wi-Fi and NFC have also come along for the ride.

Movie capabilities

Like the RX10 II, the RX10 III features a solid video specification; offering 4K video from 1.7X oversampled, full pixel readout (without binning). The camera alsio offers the video-centric Picture Profile modes that give fine-grained control over the camera’s tonal and color responses, and include the very flat S-Log2 and S-Log3 gamma curves. Like the RX10 II, the III includes both a mic input socket for using an external mic and a headphone jack for monitoring that recorded audio. 

It also offers the high frame rate ‘HFR’ videos modes that capture footage at up to 960 fps (albeit at reduced resolutions) and then play it back as 1080p/24.

The Sony Cyber-shot DSC-RX10 III will sell for around $ 1500, a $ 200 premium over the existing RX10 II.


Press Release:

Sony’s New Cyber-shot RX10 III Camera Brings Extended Zoom Capability to Acclaimed RX Line

SAN FRANCISCO, Mar. 29, 2016 – Sony – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer – has today announced an exciting new addition to its acclaimed Cyber-shot RX lineup, the high-zoom RX10 III camera.

Featuring a newly-developed 25x super-telephoto zoom lens with an extensive focal range of 24-600mm1, the new RX10 III camera is able to produce high-quality content at a variety of focal lengths and camera settings that would require three or more large, heavy and expensive lenses for an interchangeable lens camera user. It’s an outstanding choice for a shooting anything from landscapes to distant wildlife and everything in between.

The RX10 III high zoom camera is equipped with a 1.0 type stacked 20.1 MP Exmor RS™ CMOS sensor with DRAM chip and advanced signal processing, along with a powerful BIONZ X™ image processor. These components work together to ensure the highest possible image quality throughout the entire zoom range of the 24-600mm lens. Additionally, they are responsible for a variety of standout professional-caliber features including 40x super slow motion video capture at up to 960 fps, an ultra-fast Anti-Distortion Shutter with a maximum speed of 1/32000 second, high resolution 4K movie shooting and more.

“By pairing the convenience of an ultra-telephoto lens with our innovative stacked CMOS image sensor design, we’ve created a whole new image experience unlike anything else in market today,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “The new RX10 III offers a true ‘all in one’ package that will appeal to a wide range of amateur, hobbyist and professional photographers and videographers.”

New ZEISS® Vario-Sonnar T* 24-600mm F2.4 – F4 Lens

The impressive 24-600mm ZEISS® Vario-Sonnar T* lens on the Cyber-shot RX10 III camera features a large maximum aperture of F2.4 – F4.0, helping it achieve outstanding image quality throughout the entire zoom range, all the way up to ultra-telephoto. This differentiates it from many other high-zoom lenses that often struggle with light-gathering at longer focal lengths. The aperture unit itself has nine blades that are designed to create a near perfect circle in the F2.4 – F11 range, enabling shooters to create content with beautiful bokeh, where the subject stands out against a softly defocused background.

In total, the extended zoom lens features eight ED glass elements including one super ED glass element, five ED glass elements and two ED aspherical lenses, which all work together to minimize chromatic aberration and deliver high-contrast, ultra-sharp image quality. It also has ZEISS® T* Coating for minimizing flare and ghosting and delivering accurate, faithful color reproduction.

The new lens has built-in Optical SteadyShot™ image stabilization that helps to reduce camera shake and image blur, in particular when shooting at longer focal lengths. When active, the OSS is equivalent to shooting at a shutter speed approximately 4.5 stops3 faster than the current setting of the camera.

Additionally, with a minimum focusing distance of 72 cm (2.36 ft) and 0.49x maximum magnification at a fully extended 600mm, the new lens is capable of producing amazingly detailed tele-macro images.

High Quality Image Detail

The RX10 III features a back-illuminated 20.1 MP 1.0-type stacked CMOS sensor and BIONZ X image processing engine that allow the camera to achieves a wide sensitivity range of ISO 644 – ISO 12800 and produce images with exceptionally low noise, even at higher sensitivity settings.

Additionally, the rear of the sensor has a DRAM chip that allows it to read and process large volumes of data exceptionally fast, enabling the camera to shoot super slow motion video at up to 960 fps. The powerful DRAM chip also allows the RX10 III to shoot continuously at up to 14fps with minimal blackout.

With shutter speeds as fast as 1/32000 second, the electronic shutter on the RX10 III minimizes image distortion at faster shutter speeds. It also offers silent shooting at all settings and speeds, ensuring all content can be captured quietly without disrupting the subject, a powerful feature when combined with the wide-ranging zoom lens.

High Quality 4K Movie Recording

The new RX10III model becomes the latest and most versatile Cyber-shot RX camera to offer the advantages of 4K (QFHD 3840×2160) movie recording thanks to its far-reaching 24-600mm lens, which gives videographers the luxury of shooting high quality 4K video from extreme distances.

In 4K video mode, the RX10 III camera utilizes full pixel readout without pixel binning, capturing approximately 1.7x more information than is required for 4K movie output to enhance image detail and minimize moiré and jaggies. It achieves these high-quality results through use of the XAVC S codec, which records video at a high data rate of up to 100 Mbps during 4K recording and up to 50 Mbps during full HD recording5.

The new camera also has a variety of other professional caliber video features including Picture Profile, S-Log2/S-Gamut, Gamma Display Assist, Time Code and more, as well as input for external microphone and output for headphone monitoring.

Super Slow Motion Video Recording

The new RX10 III also possesses the ability to record super slow-motion video at up to 40x slower than the standard rate, allowing users to capture and replay fleeting moments of action with incredible detail, resolution and clarity.

In “HFR” (high frame rate) setting, it offers the option to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats6,7 with the option to use the movie record button as a ‘start trigger’ to begin recording once button is pressed or ‘end trigger’ to record footage up until the button is pressed.

High Speed Autofocus

The new RX10III camera is equipped with an impressive autofocus system with spatial object detection, allowing the camera to detect and predict motion of a subject before the shutter button is pressed, This helps the camera achieve an incredibly fast and efficient AF response when the shutter is halfway pressed, enabling it to lock on to a subject in as little as 0.09 seconds8. This is a yet another compelling technology, especially when paired with a versatile, highly capable 25x zoom lens with a range up to 600mm.

Ergonomics and Design

Aesthetically, the new RX10 III features a number of upgrades compared to existing RX10 models including triple lens rings for focus, zoom and aperture for direct, precise control. The hand grip shape has also been optimized for the new high-magnification, large-aperture lens to enhance stability when holding the camera at eye level. There is a new focus hold button on the lens barrel as well, allowing the focus to be easily locked on a subject while the shooter reframes the image.

The new model features a high-contrast XGA OLED Tru-Finder™ with approximately 2.35 million dots of resolution, ensuring true-to-life image preview and playback functionality. The camera is also dust and moisture resistant and both Wi-Fi® and NFC™ compatible, with the ability and can access Sony’s growing range of PlayMemories Camera Applications. Learn more at www.sony.net/pmca. A dedicated LCJ-RXJ soft carrying case will also be available for the new camera.

Pricing and Availability

The new Sony Cyber-shot RX10 III extended zoom camera will be available this May for about $ 1,500 US and $ 2,000 CA, respectively. The new cameras and all compatible accessories will be sold at a variety of Sony authorized dealers throughout North America. 

Notes to Editors:

1. 35mm equivalent focal length
2. Approx. effective megapixels
3. CIPA standard, pitch/yaw directions, at 600mm (35mm equivalent,Telephoto)
4. Both ISO 64 and ISO 80 are expandable ISO range
5. A class 10 or higher SDXC/SDHC memory card is required for movie recording in XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps recording
6. Sound cannot be recorded when shooting slow motion. An SDXC memory card of Class 10 or higher is required.
7. In NTSC
8. CIPA standard, internal measurement, at 24mm (35mm equivalent, Wide), EV8.2, Program Auto, AF area: Centre, with NTSC mode

Sony Cyber-shot RX10 III specifications

Price
MSRP $ 1499
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy, composite
Sensor
Max resolution 5472 x 3648
Other resolutions 4864 x 3648, 5472 x 3080, 3648 x 3648, 3648 x 2736, 3648 x 2592, 3648 x 2056, 2544 x 2544, 2736 x 1824, 2592 x 1944, 2720 x 1528, 1920 x 1920, 640 x 480
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size 1″ (13.2 x 8.8 mm)
Sensor size notes Stacked CMOS sensor
Sensor type BSI-CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 125 – 12800 (expands to 64-25600)
Boosted ISO (minimum) 64
Boosted ISO (maximum) 25600
White balance presets 9
Custom white balance Yes
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Extra fine, standard, fine
File format
  • JPEG (DCF 2.0, EXIF 2.3)
  • Raw (Sony ARW 2.3)
Optics & Focus
Focal length (equiv.) 24–600 mm
Optical zoom 25×
Maximum aperture F2.4 – F4.0
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 3 cm (1.18)
Macro focus range 3 cm (1.18)
Number of focus points 25
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,228,800
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/2000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Auto
  • Program auto
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Portrait
  • Sports Action
  • Macro
  • Landscape
  • Sunset
  • Night Scene
  • Handheld Twilight
  • Night Portrait
  • Anti Motion Blur
Built-in flash Yes
Flash range 10.80 m (at Auto ISO)
External flash Yes (Multi-interface shoe)
Flash modes Auto, fill-flash, slow sync, rear sync, off
Drive modes
  • Single-shot
  • Continuous
  • Speed priority continuous
  • Self-timer
  • AE/WB/DRO Bracketing (single, continuous)
Continuous drive 14.0 fps
Self-timer Yes (2 or 10 sec, continuous)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p)
Format MPEG-4, AVCHD, XAVC S
Videography notes High speed modes at 240, 480, 960 fps
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI with 4K still and uncompressed HDMI output)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50 lithium-ion battery and charger
Battery Life (CIPA) 420
Weight (inc. batteries) 1051 g (2.32 lb / 37.07 oz)
Dimensions 133 x 94 x 127 mm (5.24 x 3.7 x 5)
Other features
Orientation sensor Yes
Timelapse recording No
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces 50mm F1.8 and 70-300mm F4.5-5.6 full-frame lenses

29 Mar

Sony today announced a pair of FE-mount full-frame lenses for its Alpha and NEX mirrorless cameras. The first is an FE 50mm F1.8 prime lens, giving photographers a considerably less expensive option compared to the Zeiss 55mm F1.8 currently on the market. This compact and lightweight lens is priced at $ 249 and will ship in May.

The other lens is the 70-300mm F4.5-5.6 G OSS, which is the longest FE-mount tele-zoom available. It features four aspherical and two ED elements, optical image stabilization, and a Nano AR coating to reduce flare and ghosting. The lens offers a minimum focus distance of 0.9m/3ft, and uses a linear actuator for smooth and silent autofocus. The 70-300 will also be available in May at a price of $ 1199.


Press release:

Sony Bolsters Full-Frame FE Lens Lineup with New 70-300mm High-Resolution Zoom and 50mm F1.8 Prime Lenses

New FE 70-300mm F4.5-5.6 G OSS Telephoto Zoom and 50mm F1.8 Prime Lens Extend Sony ? Shooting Possibilities

SAN FRANCISCO, Mar. 29, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced two new full-frame lenses for their E-mount camera system, the FE 70-300mm F4.5-5.6 G OSS telephoto zoom and 50mm F1.8 prime lens. 

The new FE 70-300mm F4.5-F5.6 G OSS zoom lens represents the first Sony ? E-mount lens to reach a 300mm focal length, featuring high resolution and excellent overall optical performance throughout the entirety of its range.  The new 50mm F1.8 prime lens is extremely compact, lightweight and affordably priced, making it an ideal choice for those looking to explore the benefits of a large aperture prime lens at a reasonable cost. 

            “We’re continuing to build out our FE lens lineup, offering more variety than ever for today’s imaging enthusiasts,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics.  “Representing two of the most requested focal lengths by our customers, the new 70-300mm zoom and 50 F1.8mm prime become ideal choices for those looking to expand and enhance their Sony ? kits.

New FE 70-300mm F4.5 – 5.6 G OSS Telephoto Zoom Lens

Sony’s longest reaching E-mount lens to date, the new FE 70-300mm F4.5 – 5.6 G OSS telephoto zoom lens (model SEL70300G) features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to effectively suppress spherical aberration, distortion, and chromatic aberration.  This ensures beautiful high-resolution results for both still and video shooting.

The new telephoto zoom lens also features class-leading close-up performance, with a minimum focusing distance of less than 3 feet (0.9m) and a maximum magnification of 0.31x, making it an ideal choice for tele-macro photography.  This outstanding close-up performance also factors into the lens’ excellent corner-to-corner sharpness.

The versatile zoom lens includes built-in Optical SteadyShot image stabilization that helps to reduce camera shake, making it easier to capture clear images when shooting handheld.  Additionally, the new SEL70300G model has a linear actuator that allows it to achieve fast, smooth and quiet autofocus and is also dust and moisture resistant1 to ensure reliable operation in harsh outdoor conditions.

New FE 50mm F1.8 Prime Lens

Weighing in at less than 7 oz (192 g), the new lightweight FE 50mm F1.8 “normal” prime lens (model SEL50F18F) delivers an outstanding blend of performance, compactness and value, making it a perfect choice for hobbyist photographers and videographers looking to experience the benefits of a wide aperture prime lens at an attainable cost.

The lens features a new optical design with an aspherical element that effectively compensates for all forms of aberration, resulting in beautiful, crisp imagery.   Additionally, it has a circular aperture with a maximum of F1.8, producing beautiful ‘bokeh’ in images that allows the subject to stand out against a smoothly defocused background.  For extended durability, the new prime lens is built with a solid metal mount.

Pricing and Availability

The new FE 70-300mm F4.5 – 5.6 G OSS telephoto zoom lens will be available in May for about $ 1,200 US and $ 1,700 CA, respectively. 

The new FE 50mm F1.8 prime lens will also be available in May for about $ 250 US and $ 350 CA, respectively. 

Both of the new FE interchangeable lenses will be sold at a variety of Sony authorized dealers throughout North America.   

A variety of exclusive stories and exciting new content shot with the new lenses and other Sony ? products can be found atwww.alphauniverse.com , Sony’s new community site built to educate, inspire and showcase all fans and customers of the Sony ? brand. 

Content is also available for viewing at the sony.com product pages for the FE 70-300mm F4.5 – 5.6 G OSS telephoto zoom lens and the FE 50mm F1.8 prime lens.

Articles: Digital Photography Review (dpreview.com)

 
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Sony may split off its imaging products business

29 Mar

Sony is considering splitting off its imaging products business, according to a new statement from the company. Sony detailed planned management and organizational structure changes last week, saying its previously announced semiconductor business split will take place next month, placing its image sensors, among other things, under a wholly owned subsidiary.

Sony has been undergoing fairly extensive business restructuring over the past couple of years, having split off its TV business in summer 2014 and its Video & Sound business in October of last year. The semiconductor business split out next month will be its third business group to be separated into an autonomous subsidiary. Whether Sony will proceed to split out its Imaging Products and Solutions Sector is yet to be seen.

Splitting off these segments into subsidiaries will help Sony Corporation focus on strategy across the entire company, placing some operations under the governance of each new Sony Group that until recently were handled by headquarters. The transition of these services to Sony Group companies will start on April 1.


Press release:

Sony Corporation announces changes to organizational and management structure

Tokyo, Japan – Sony Corporation (“Sony” or the Company”) has been engaged in the sequential splitting out of business units across the Sony Group, in order to reinforce the competitiveness of each business, and ensure clearly attributable accountability and responsibility.

In addition to Game & Network Services, Mobile Communications, Pictures, Music and certain other Sony Group businesses that were already operating autonomously as subsidiaries, in July 2014 Sony split out its TV business, followed by its Video & Sound business in October 2015. The Company also plans to split out and establish its semiconductor business as a wholly owned subsidiary in April 2016. Sony is also exploring the split out of its Imaging Products and Solutions Sector.

Concurrently, Sony has also been proceeding to realign the platform functions that support each of its business units in order to enhance the effectiveness and efficiency of these operations.

As previously announced, operations that until now have resided within Sony Corporation, including the Consumer AV Sales Platform, the Manufacturing, Logistics, Procurement, Quality and Environmental Platform for Sony’s electronics business, as well as certain cloud-based platforms and service-related businesses, will each be transferred to the related Sony Group companies. This transition is scheduled to be made sequentially from April 1 2016.

Once the splitting out of these functions has been completed, Sony Corporation will focus on the following Group headquarters functions:

Headquarters: Responsibility for the Sony Group’s overall strategy and governance, and oversight of their execution

  • R&D: Leadership of Sony’s differentiation and creativity through technological innovation
  • New Business: Incubation of new businesses in areas beyond Sony’s current business domains
  • Brand Design: To enhance Sony’s brand value and implement horizontal Group-wide initiatives
  • Professional Services: To support the operations of the Sony Group following the completion of the splitting out process

In conjunction with this structural realignment, certain changes will also be made to Sony’s executive assignments and system effective April 1, 2016, in order to further clarify lines of responsibility and assignments within each business and the headquarters organization. 

The Company will newly appoint four executives, currently in charge of four of the Sony Group’s business segments, as “Corporate Executive Officers” of Sony Corporation. They, together with the six existing Corporate Executive Officers, will assume ultimate responsibility for the Sony Group’s management within the scope assigned to them by the Company’s Board of Directors. Sony will also re-classify its other executives. The executives responsible for executing their assigned business operations under the oversight of the relevant Corporate Executive Officers will be named “Business Executives” of Sony Corporation, while the executives responsible for the headquarters functions assigned to them under the oversight of relevant Corporate Executive Officers will be named “Corporate Executives” of Sony Corporation.

Via: Sony Global

Articles: Digital Photography Review (dpreview.com)

 
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Sony a6300 gallery updated with Raw conversions

18 Mar

With access to Adobe Camera Raw support for the Sony a6300’s .ARW files, we re-visited our real-world sample-gallery and have added a number of Raw conversions to the existing out-of-camera JPEG files. You can check out our conversions in the updated gallery, or you can download the Raw files and see what you can do with them yourself – you just need to download the latest ACR update.

Articles: Digital Photography Review (dpreview.com)

 
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