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Posts Tagged ‘Sony’

Sony Kumamoto sensor factory earthquake: first public footage

14 Aug

Sony Kumamoto sensor factory: first public footage of the 2016 earthquake

On April 16, 2016, disaster struck in Kumamoto in the Kyushu region of Japan. A series of earthquakes, including an unprecedented 7.0 mainshock struck beneath Kumamoto City where Sony’s sensor factory resides. The factory itself was a mere 20 kilometers from the earthquake’s epicenter. A foreshock (warning) of magnitude 6.2 came approximately two days earlier, which gave the factory time to evacuate; however, the damage to the carefully built, precision controlled and automated factory with clean rooms was devastating. Not to mention the impact on the lives of those in the region…

During a recent trip to the repaired Kumamoto factory, DPReview was afforded an inside look at the facility and a chance to meet the very people that keep one of the world’s largest sources of imaging sensors operational. We watched a video that showed the extent of the damages and repair efforts. Combined with a better of understanding of how the facility operates, we were able to appreciate just how extensive the destruction and repair processes were. We’ll get to that in the following slides, but have a look above at the public’s first look of footage from the facility during the earthquake, and the massive repair efforts that followed.

Massive impact

Before we dive more into the impact on Sony’s sensor factory itself, we’d be remiss to not mention the impact on the region. The foreshock and mainshock together claimed more than 50 lives, injured 3,000 others, forced more than 44,000 people to evacuate from their homes and left over 180,000 people seeking shelter in the days after the earthquake. The entire city of Kumamoto was left without water, flights were grounded, as was rail service due to a derailed train. A thousand buildings had been seriously damaged either directly by the earthquake or due to the resulting fires and landslides, and an entire hospital had to be evacuated due to the building being knocked off its foundation.

More than 140 aftershocks were registered within just two days. The estimated economic costs due to the earthquake are estimated to be up to $ 7.5 billion USD. Although you can’t quite appreciate it in this image, the sensor factory is surrounded by mountainous hills resulting from a tectonic line housing many active faults. Earthquakes of some magnitude or another are common to the area. In the following days we’ll have more pictures of the area, as we traveled extensively within the Kyushu region.

Source of statistics: Wikipedia

‘The outside was visible from inside the clean-room’

Many sections of the 40,000 square meter facility were severely damaged. There were continued aftershocks for many days that made it difficult to even re-enter and start repairs. In fact, the region is used to After it was deemed safe to enter, the damage was assessed. It was extensive. Heavy duty H-beams for structural support buckled, causing walls and ceilings to collapse. Here is an image showing the ceiling of the clean room ripped open, exposing the sky above. ‘Now we were speechless’ said the camera crew filming the damage.

And those ceilings aren’t your typical roofs over your head: they house tracks that carry many of the parts from machine to machine in the automated processes of taking a silicon wafer and generating active sensors from them. Essentially, many parts of the sensor development process were disrupted.

Delicate, precision machinery: shattered

The extensive damage to the clean room meant that many of the machines automatically processing silicon wafers to generate sensors* were destroyed, including the many wafers each machine contained. Throughout the video you’ll see shattered silicon – at various stages of the silicon-to-sensor process – scattered everywhere. Ultimately many functional machines were salvaged, removed, and brought back after the clean room was reconstructed, but many were deemed too damaged to ever function again.


* Stay tuned for an in-depth look at the actual sensor manufacturing process, which we learned about during a recent trip to the factory.

All hands on deck

The sensor factory in Kumamoto produces most sensors Sony manufactures not just for their own cameras, but for other manufacturers as well, including those in the smartphone, security camera, webcam, automotive, medical and other imaging-related industries. The disruption of this facility had no small impact: consider that by July 2017, Sony has sold 7.2 billion sensors worldwide.

Therefore, it was imperative to restore operations to normal as soon as possible. And that’s why Sony factory members themselves, including executive ones, went to work right away restoring the factory. There are nearly 2700 employees at this factor, and it was all hands on deck.

A spirit of personal responsibility and dedication

Imagine an earthquake at your corporate office that ruined much of your workspace. Would you expect to return to clean up and help repair the damage yourself? That’s what the Kumamoto employees did. The spirit is really remarkable when you stop to consider that most of us here in the States would expect our companies to simply ‘deal with it’. Here is a factory employee vacuuming up thousands of fragments of broken silicon wafers.

Operations resumed ahead of schedule

The factories worked with such diligence and dedication that they restored operations ahead of schedule. They did this whilst putting in place precautions that would lower the lead time from 3.5 months to 2 months were this sort of disaster to happen in the future. These measures included stronger piping as well as the engineering of self-stop systems that halt precision processes when shake is detected. These systems respond in particular to P-waves, the first of two major elastic seismic waves to arrive at a seismograph during an earthquake.

A human story of courage, dedication and ultimate success

And so the story ends on a happy note. Here is an image of the team of employees that worked countless hours to restore the Kumamoto facility to normal operations. We can only imagine the dedication involved, and how heartening it was to work together to bring back to life such an important part of the company. It’s a story of not just company dedication and culture, but a human one of working together to achieve an honorable goal.

We were obviously touched watching the video and seeing the spirit of the employees. Were you? Let us know in the comments below.

Articles: Digital Photography Review (dpreview.com)

 
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Sony financial report tops estimates thanks to smartphone sensors and earthquake recovery

02 Aug

The fortunes of Sony’s camera division have taken a turn for the better with a rise in first quarter sales and operating income for the period to June 30th. The company states in its latest financial report that higher value still and video cameras have helped it to achieve 27.3% year-over-year growth; however, that figure is inflated in part because the business was suffering the crippling effects of the Kumamoto earthquake this time last year.

Insurance payments from the earthquake have also artificially boosted operating income in both the camera and sensor businesses, with a 15.7 billion yen increase to 23.2 billion (an increase of 209%) in the camera sector and more than 41% growth in income for the sensor business compared to last year, thanks to booming smartphone sensor sales.

In fact, according to Bloomberg, as many as half of the world’s phones currently house Sony sensors. When you multiply that by as many as three sensors per phone—dual cam on the back, one on the front—you begin to understand that 41% growth figure.

Forecasts for the fiscal year ending March 2018 have been revised upwards for the imaging business, with sales expected to hit 650 billion against this year’s 579 billion. Sales of semiconductors are also expected to grow from this year’s 773 billion to 860 billion yen.

For more information see the Sony financial report on the company website.

Extracts from report:

Imaging Products & Solutions (IP&S)

Sales increased 27.3% year-on-year (a 26% increase on a constant currency basis) to 155.6 billion yen. This significant increase in sales was mainly due to the absence of the impact from the 2016 Kumamoto Earthquakes in the same quarter of the previous fiscal year as well as an increase in unit sales and an improvement in product mix reflecting a shift to high value-added models, both in Still and Video Cameras.

Operating income increased 15.7 billion yen year-on-year to 23.2 billion yen.
This significant increase was mainly due to the impact of the above-mentioned significant increase in sales, partially offset by an increase in selling, general and administrative expenses. Operating income for the current quarter included the above-mentioned 2.6 billion yen in insurance recoveries related to the 2016 Kumamoto Earthquakes. During the current quarter, there was no material impact from foreign exchange rate fluctuations.

Semiconductors

Sales increased 41.4% year-on-year (a 38% increase on a constant currency basis) to 204.3 billion yen. This increase was primarily due to a significant increase in unit sales of image sensors for mobile products, as well as the absence of the impact of a decrease in image sensor production due to the 2016 Kumamoto Earthquakes in the same quarter of the previous fiscal year, partially offset by asignificant decrease in sales of camera modules, a business which was downsized.

Operating income of 55.4 billion yen was recorded, compared to an operating loss of 43.5 billion yen recorded in the same quarter of the previous fiscal year. This significant improvement in operating results was primarily due to the impact of the above-mentioned increase in sales, the above-mentioned 27.5 billion yen gain resulting from the sale of the entire equity interest in SEH, and 6.7 billion yen in insurance recoveries related to the 2016 Kumamoto Earthquakes, as well as the absence of the 20.3 billion yen impairment charge against long-lived assets for camera modules and the net charges of 13.6 billion yen for expenses resulting from the 2016 Kumamoto Earthquakes recorded in the same quarter of the previous fiscal year. During the current quarter, there was a 2.5 billion yen positive impact from foreign exchange rate fluctuations.

Articles: Digital Photography Review (dpreview.com)

 
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This video compares a $50 Sony camcorder with a $50,000 RED Epic Dragon

28 Jul

Ever wonder whether a more expensive camera is truly worth the cost? Sam and Niko of Corridor recently set out to compare footage from a $ 50 Sony HD camcorder and the RED Epic Dragon, a $ 50,000 6K cinema camera. As you’d expect, the differences are immediately apparent, cost aside, when the two cameras are put side-by-side: the RED camera’s lens alone is about the same size as the entire Sony camcorder.

The RED Epic Dragon has proven capable many times throughout its life, with perhaps one of the model’s most notable achievements being a trip into space where it was used by NASA astronauts to capture images from the International Space Station. The RED camera has also been used for several major Hollywood movies. The Sony HD camcorder used in the video, however, is a simple model with a low price point aimed at the average consumer.

At nearly 15 minutes in length, the comparison video above runs through several major aspects of both cameras’ footage, looking at things like noise level, exposure, low-light performance, post-processing results and more. As expected, the RED camera dominates in each category. More of the team’s videos can be found on the ‘Sam and Niko’ YouTube channel.

Via: iso1200

Articles: Digital Photography Review (dpreview.com)

 
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Sony full-frame CineAlta 4K motion picture camera teased ahead of launch

28 Jul

Sony has teased its video-focused customers with news of an upcoming announcement: it will soon take the wraps off a new CineAlta motion picture camera, one sporting a 36x24mm sensor. There’s still a bunch details forthcoming, but thus far Sony has revealed that the new CineAlta model will be capable of multiple aspect ratios and will be compatible with many existing CineAlta accessories.

Sony has only revealed a handful of details about the camera at this time (below), explaining that it is developing the model ‘through careful research and close collaboration with creative professionals.’ The company doesn’t state when the camera will be available, nor when the full announcement will be made.

Technology highlights and key benefits:

  • Full Frame 36x24mm sensor exclusively designed for this Digital Motion Picture Camera
  • Aspect ratio-agnostic – including Full Frame, Super35 4K 4-perf 4:3 Anamorphic and 4K spherical 3-perf 17:9
  • New image sensor enabling exceptional picture quality
  • Maintains the workflow established with Sony’s 16bit RAW/X-OCN and XAVC
  • Compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).

Via: DIYPhotography

Articles: Digital Photography Review (dpreview.com)

 
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Sony a7S II sends 4K video from the International Space Station to Earth

28 Jul

Last December a Japanese rocket brought cargo 249 miles above the Earth to the International Space Station. On that rocket was none other than a Sony Alpha a7S II, which was soon mounted on the outside of Japan’s KIBO module to take photos and videos of the mothership, so to speak.

Mounting a camera to a space station isn’t like putting a GoPro on your handlebars – the a7S II is enclosed in a specially designed aluminum housing with a radiator to keep it at a comfortable temperature in the vacuum of space. It’s mounted on a two-axis gimbal so, unlike prior cameras on the ISS, it’s not constantly looking straight down. The camera itself is basically the same as what you could buy off the shelf, and has an FE 28-135 F4 G OSS power zoom lens attached.

Head on over to Sony’s website to learn more about why the company’s high-sensitivity full-frame camera was chosen and how it all works. You can also find additional 4K videos to enjoy.

Articles: Digital Photography Review (dpreview.com)

 
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Sony 1000 fps sensor gives high-speed vision to industrial robots

23 Jul

Sony is the global market leader in the image sensor field, producing imager chips not only for cameras and smartphones but also for industrial applications. Now, one of the features that we first saw in a Sony smartphone camera has made its way into a newly announced sensor meant for use with robots in manufacturing.

The Sony 1/3.02″ IMX382 sensor allows industrial robots to detect and track objects at 1,000 frames per second, which could result in autonomous machines that can react to an object’s movements or other changes in their environment in real time.

The sensor not only captures images at high speed, it’s also capable of processing them and sending information to the machine it is attached—no computer or other additional processing unit is required. In the video below, you can see how the technology is used to identify different currencies at high speed, track several objects at the same time and visually inspect items without a need to slow-down a conveyor belt or production line.

The Sony IMX382 will be available to potential customers very soon, with sample shipping envisaged for October 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Silkypix adds support for Sony Alpha a9 and other cameras

22 Jul

The makers of the Silkypix Raw processing software have just released version 8.0.9.0 of the Developer Studio Pro 8 package, and the version 8.8.1.9 of the Developer Studio 8 variant. On the Pro version, the update gets you an improved partial correction tool and fixes the preview of of the shading center tool and partial correction tool on filter areas in the Windows version among other bug fixes.

Both version now support Raw files from the Casio EX-ZR3200, Casio EX-ZR3700, Olympus STYLUS TG-5 and Sony Alpha a9. The updated Silkypix can now be downloaded from the Silkypix website. 30 day trial versions are available as well.

Articles: Digital Photography Review (dpreview.com)

 
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Sony patents 400mm F2.8 lens for a curved medium format sensor

21 Jul

It’s a great day for innovative patent news. Earlier today, we told you about a Nikon patent for a lens that was designed to work with a full-frame curved sensor camera. But that might not be the most innovative curved sensor patent you’ll hear about today. That title goes to Sony, and their 400mm F2.8 lens designed for a curved medium format sensor.

Sony Alpha Rumors first spotted the Japanese patent, which describes a lens designed for a curved 645 size sensor—that’s bigger than the sensors found in the Fuji GFX-50s and Hasselblad X1D-50c. The lens is “single focus” and “can be used as an interchangeable lens” reads the translated patent. It goes on to say that, thanks to the curved sensor design “High MTF can be obtained.”

Here’s are a couple of diagrams, in case you’re curious and know a thing or two about optical design. The lens seems exceptionally simple in design, possibly thanks to the benefits of a curved sensor:

As with all patents, there’s plenty of reason to doubt this exact diagram will materialize into a real product; however, it does mean Sony is thinking about medium format and curved sensors, and that should have anybody interested in digital camera innovations very excited.

Like we said earlier today, it’s not so much “will” someone bring this tech to photographers, but “when” and “who will get there first?” May the most innovative company win.

Articles: Digital Photography Review (dpreview.com)

 
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The Laowa Magic Shift Converter brings easy lens-shifting to the Sony E-Mount

11 Jul

Venus Optics, the Chinese maker of the Laowa lens brand, has launched the Laowa Magic Shift Converter (MSC). The Magic Shift is designed to be used with Canon or Nikon mount lenses and Sony Full Frame E-mount cameras, and adds shift capabilities to your super-wide-angle lenses.

According to Laowa, the Magic Shift works specifically well with the company’s own Laowa 12mm f/2.8 Zero-D ultra-wide angle lens, which it converts into a 17mm f/4 Zero-D lens with a +/- 10mm shift capability.

Laowa says that, thanks to a patented internal optics system, there is no vignetting even at maximum shift and the impact on image quality is minimal as well. In addition, the MSC comes with a 360° rotation structure which allows photographers to shoot in both horizontal and portrait orientation.

Like conventional shift lenses, the Magic Shift Converter is aimed at architecture photographers, allowing them to compensate for converging parallels when shooting tall buildings or other structures with the lens angled upwards.

The Laowa Magic Shift Converter (MSC) Canon variant is currently available to pre-order on the Venus Optics website and at authorized resellers. Shipping is expected to start in late July/early Aug. The Nikon variant should be available two months later.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma updates MC-11 Sony adapter, adds support for 24-70mm Art lens and more

10 Jul

Sigma continues to add compatibility to its MC-11 adapter, allowing more Sigma SA and EOS mount Sigma lenses to be used on Sony E-mount cameras. And the latest round of updates adds compatibility with one of Sigma’s most anticipated and exciting Art lenses.

The MC-11 comes in two variations—the MC-11 SA-E for Sigma-mount lenses, and the MC-11 EF-E for Canon mount lenses. The new firmware makes the converters compatible with Sigma’s new 14mm f/1.8 HD HSM | Art and the long-awaited 24-70mm f/2.8 DG OS HSM | Art lenses. The MC-11 EF-E also becomes compatible with Sigma’s Cine Lens 14mm T2 FF and 135mm T2 FF in the Canon EF mount.

The company has also released new firmware for its 100-400mm f/5-6.3 FG OS HSM | Contemporary telephoto zoom lens. The update improves AF speed in all cases, but it also improves functionality when mounted via MC-11 SA-E adapter. According to Sigma, focusing features are enhanced in the adapter-mounted lens, and the optical stabilization system becomes operational more quickly.

All firmware can be downloaded for free from Sigma’s download page, or through the Sigma USB dock. To update the MC-11 mount converter, simply plug it in to your PC and run the SIGMA Optimization Pro app.

Articles: Digital Photography Review (dpreview.com)

 
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