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Posts Tagged ‘Smartphone’

Samsung launches 1/3.4″ 20MP sensor for use in smartphone front cameras and tele modules

23 Jan

Smartphone camera technology is moving faster than ever and in recent times we have seen two new developments on a variety of mid-range and high-end devices. More and more rear cameras come with secondary modules with longer focal lengths, usually a 2 or 3x zoom factor when compared to the primary shooter. At the front the latest trend are “hole punch” cameras that are pretty much hidden underneath the display and only peek through a tiny hole.

Both these trends require small sensors to enable designers and engineers to maintain the slim form factors of current premium devices. Samsung has today launched its new ISOCELL Slim 3T2 20MP 1/3.4″ sensor which comes with a 0.8?m pixel pitch and is Samsung’s smallest 20MP sensor, making it ideal for such applications.

‘The ISOCELL Slim 3T2 is our smallest and most versatile 20Mp image sensor that helps mobile device manufacturers bring differentiated consumer value not only in camera performance but also in features including hardware design,” said Jinhyun Kwon, vice president of System LSI sensor marketing at Samsung Electronics. “As the demand for advanced imaging capabilities in mobile devices continue to grow, we will keep pushing the limits in image sensor technologies for richer user experiences.’

In addition to tiny dimensions the new sensor offers, when used in front facing cameras, Samsung’s Tetracell technology, which merges four pixels to work as one for brighter exposures and less noise in low light conditions. Samsung claims Tetracell increases the color filter array’s light sensitivity to that of a 1.6?m-pixel image sensor at 5MP resolution.

For applications in rear cameras, for example in a tele-module, the sensor uses an RGB color filter array instead of Tetracell. Samsung says the sensor’s small dimensions reduce the height of the tele-camera module by around seven percent when compared to the company’s current 1/3-inch 20MP imagers. Compared to the existing 13MP sensor with the same module height, the 3T2 offers, thanks to the higher pixel count, better performance when digital zoom is thrown into the mix.

The Samsung ISOCELL Slim 3T2 is expected to be in mass production in the first quarter of this year.

Articles: Digital Photography Review (dpreview.com)

 
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Moment Smartphone Lens Review for Photography and Videography

16 Jan

The post Moment Smartphone Lens Review for Photography and Videography appeared first on Digital Photography School. It was authored by Suzi Pratt.

It’s no secret that smartphone cameras are getting increasingly better with every new release. But did you know that you can enhance your smartphone photography even further with lenses? There are several smartphone lens manufacturers out there, but one of the most popular and premium choices out there comes from Moment. This Seattle-based company offers four lenses that can take your smartphone photography to the next level. I’ve long been curious about these lenses and was delighted to finally have a chance to try them out.

best moment lens for smartphone review

Specs

Currently, Moment has four smartphone lenses on hand: the Superfish (fisheye), Wide, Macro, and Tele Portrait. Each lens ranges in price from US$ 89.99 to US$ 99.99. The lenses are attached via a custom Moment smartphone Photo Case, so you’ll need one of them too. Presently, there are Photo Cases for Google Pixel, Samsung Galaxy, and iPhone. Each case varies in design and price depending on your smartphone brand, but they’re in the US$ 30 or less range. This test and all resulting images were done with a Samsung Galaxy S8.

Build quality

Physically, each lens varies in presentation, which helps tell them apart at a quick glance. All lenses are made of metal and glass and have some nice heft to them. They also come with rubber lens caps that protect the front element. While there are no end caps to protect the back elements, at least they are small and relatively easy to keep clean and protected if using the included velvet lens drawstring bags.

best moment lens for smartphone review

Attaching the lens to your Smartphone

Lenses attach to your phone via the bayonet-style mount on Moment’s custom phone cases. You simply match up the lens mount to the phone case and twist the lens to lock it into place. It’s relatively easy to do with no added tools required. However, the lens mount is so small that it can take some trial and error to get it mounted. Once locked in place, these lenses are solidly attached to your phone case and it would take significant force for them to accidentally fall off.

Wide lens

Moment’s wide lens is equivalent to 18mm, which is significantly wider than my Samsung Galaxy S8’s 26mm (35mm equivalent) focal length. It’s a rather large lens with a curved, fisheye-like lens. However, there are zero fisheye effects in the resulting images. In fact, there’s no distortion, vignetting, or blurring around the edges.

best moment lens for smartphone review

Superfish lens

This 170-degree Superfish lens offers the widest field of view out of all Moment lenses. It’s rather compact with a flat front-facing lens. However, the resulting image generally takes on a fisheye appearance.

Macro lens

Moment’s macro lens is arguably the best-designed lens of the bunch. It’s also the flattest and most compact lens. Offering 10x magnification, the Moment macro lens comes with a plastic diffuser hood. This hood is very important for helping you determine how close the lens needs to be to a subject (hint: it’s VERY close), but the hood can also be removed. Design-wise, I love how detailed this lens is, particularly on the front element of the lens.

best moment lens for smartphone review

Telephoto lens

While I didn’t get to test the Moment telephoto lens, here’s a brief overview. This 60mm equivalent lens offers roughly double the focal length of most smartphones. Best of all, this lens gives you a telephoto effect without having to use your smartphone camera’s digital zoom, which often degrades the quality of your images.

If you can only buy one lens…

These lenses aren’t cheap, so it makes sense to invest in one or two initially, and then build up your collection from there. Personally, I found the Macro lens to be the most fun. It offers a unique perspective on just about anything and can be great entertainment for all ages. I’d pick the Superfish lens as my next favorite as it also offers a fun and different way to capture your surroundings.

Moment lens accessories

Straight out of the box, each Moment lens comes with a velvet drawstring bag. It’s a thin lens case that is better than having no protection at all, but it doesn’t offer the best padding. As a result, I highly recommend investing in the Moment Lens Pouch. This pocket-sized zippered pouch is nicely padded and has enough room to store two Moment lenses. If you need a bigger carrying case, the Moment Travel Case is a larger version of the Lens Pouch with room for 4 Moment lenses and extra accessories.

best moment lens for smartphone review

Bottom line

If you’re on the hunt for premium lenses to extend the capability of your smartphone camera, Moment offers the very best. Not only do their lenses look and feel professional, but the resulting images are noticeably sharper. Sure, there are much cheaper smartphone lenses out there, but they often compromise on physical quality. You won’t find any compromises if you go with Moment. The only catch is that you have to use one of the high-end smartphones that Moment makes a phone case for.

Moment lens sample photo gallery

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Moment Lens Superfish Lens

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Moment Lens Superfish Lens

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Moment Lens Wide Angle Lens

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Moment Lens Wide Angle Lens

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Camera phone – before the next Macro lens shot.

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Moment Lens Macro Lens – Seashell

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Moment Lens Macro Lens – Coffee Beans

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Moment Lens Macro Lens – Back of my hand.

Video

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The post Moment Smartphone Lens Review for Photography and Videography appeared first on Digital Photography School. It was authored by Suzi Pratt.


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OPPO to announce 10x lossless smartphone zoom camera

15 Jan

At MWC 2017 Chinese smartphone maker OPPO showed a prototype device at its booth that featured a dual-camera setup with 5x optical zoom in a normally-sized smartphone body. The zoom lens design had been developed in cooperation with CorePhotonics and used a 90-degree angular prism to direct the light to a vertically positioned stabilized camera sensor.

The prototype never made it into a production series but now it seems OPPO is going to skip the 5x zoom entirely and make a direct jump to a device with a 10x zoom lens that is based on the same principles. The company is currently sending out media invites for the presentation of a 10x lossless zoom solution in Beijing, China, on January 16.

OPPO/CorePhotonics 5x optical zoom design

According to Chinese sources it is not clear if OPPO will present a production device or yet another prototype. In any case it looks like we’ll see zoom factors on smartphone cameras grow rapidly in the near future.

Articles: Digital Photography Review (dpreview.com)

 
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Moza Mini-S 3-axis gimbal smartphone stabilizer revealed with advanced shooting modes

11 Jan

During CES 2019, Moza revealed Mini-S, a new compact, highly portable handheld 3-axis gimbal stabilizer designed for smartphones measuring 55mm to 88mm wide. The stabilizer can be extended up to 17.2in / 43.6cm and folded into a compact 5.12 x 2.68 x 7.68in / 13 x 6.8 x 19.5cm form-factor when not in use.

Though designed exclusively for smartphones, the Moza Mini-S packs several advanced features, including numerous physical controls, support for vertical and horizontal orientations, multiple follow modes, and object tracking.

The stabilizer’s base, which has a 10-degree tilt for ergonomic reasons, includes a 1/4-20″ port and a removable miniature tripod. Physical controls include a joystick, dedicated playback and Inception Mode buttons, focus control, one-button zoom, and a recording button. The internal 2200mAh battery provides 8 hours of use per charge.

The Mini-S stabilizer’s shooting modes include support for tracking objects, time-lapse, a Vertigo Mode zooming effect, and an Inception Mode that imitates the world rotation seen in the movie Inception. When paired with the Moza Genie mobile app, the phone displays a mixture of controls and camera settings for enhanced usability.

Pricing and availability haven’t been revealed yet, though News Shooter reports that Moza expects to start shipping in March.

Articles: Digital Photography Review (dpreview.com)

 
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Redmi 7 smartphone offers Sony 48MP Quad-Bayer sensor at budget price point

10 Jan

We’ve seen Sony’s IMX586 1/2-inch 48MP sensor appear in several higher-end devices in recent months but the Redmi 7 is now the first budget device to offer the chip. The sensor isn’t really meant for outputting medium-format image resolution image files. Instead a quad-Bayer filter array allows for high-quality 12MP images with low noise levels and real-time HDR processing. The main chip is accompanied by a 5MP depth sensor for bokeh and similar effects.

Redmi, which used to be the budget line within the Xiaomi smartphone portfolio, has now been promoted to a proper sub-brand, similar to what Honor is to Xiaomi competitor Huawei. The 7 is the first device launched under this new sub-brand and does not only offer impressively looking main camera specs for the money.

You also get a 13 MP front camera, 6.3-inch Full-HD+ LCD display, Snapdragon 660 chipset a massive 4,000 mAh battery with quick charge support and a microSD slot.

In terms of RAM and storage you can choose between 3/32 GB, 4/64 GB, and 6/64 GB combinations. and there is a microSD slot as well.

The cheapest option will set you back $ 150 (CNY999) and even the largest memory version is only $ 210 (CNY1,399). Pre-orders have already started in China and shipments are scheduled for January 15. We’d expect the Redmi 7 to make the jump into the US and other regions in the nearer future. We’ll have to wait for the first samples but it looks like the Redmi 7 should be high up the list of those who want good smartphone image quality at budget pricing in 2019.

Articles: Digital Photography Review (dpreview.com)

 
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RED gives us a glimpse at its Lithium 3D camera for the Hydrogen One smartphone

05 Jan

Paying the asking price of $ 1295 for RED’s Hydrogen One is difficult to justify for most consumer-level smartphone users. However, on its Facebook page the company has now given us a glimpse at why it could be a very sensible investment for commercial filmmakers and other imaging professionals.

On the social network RED has posted a picture of its upcoming Lithium 3D-camera for which the Hydrogen One is acting as a display and controller. The image caption simply says “Big things in the works for next for next year: Lithium”

It was previously revealed that the new camera will be built by Lucid, the makers of the LucidCam 360-degree VR camera, and that it will let users view 3D content in real time without the need for glasses or a headset. This should simplify things when using the camera on a movie set or similar occasions.

Speaking to Engadget, RED collaborator Phil Holland said “Lithium is designed to create very high quality H4V images. It’s a lightweight stereo rig featuring two digital cinema sensors. [It] features zoom lenses and is one of the most compact and flexible ways to shoot high quality stereoscopic motion pictures ever.”

By the looks of things shooting 3D with the Lithium will be less complex than with alternative systems, requiring less equipment and offering easier control through the phone plus the ability to see the 3D footage directly on the display in real time. This could make the combination of RED Hydrogen One and Lithium camera the weapon of choice for anyone requiring professional-level 3D recording. More information about the new camera should become available later this year.

Articles: Digital Photography Review (dpreview.com)

 
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Smartphone Food Photography For Social Media

11 Dec

The post Smartphone Food Photography For Social Media appeared first on Digital Photography School. It was authored by Darina Kopcok.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Search Instagram for #foodphotography today and you’ll find almost 30 million posts.

Blogs and social media have turned what was once a weird little niche in photography into a worldwide phenomenon. From Baltimore to Beijing, there is no doubt that people love to take pictures of food.

However, as appetizing as your filet mignon may look to your eye, it may not to the camera. Throw in some bad restaurant lighting and a wide angle smartphone lens into the mix, and the potential for ugly food photography is high.

Here are my top five tips for great smartphone food photography for social media that will make your Instagram and other social channel images stand out.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Use Natural Lighting Whenever Possible

When it comes to food photography lighting is everything. The knowledge of how to use light is what separates the amateurs from the pros.

Although flat lighting has been a trend in food photography lately, food looks best when the light is natural and directional.

The reason a lot of food images taken in restaurants looks so bad is the fluorescent lighting, which is hard and unflattering. It is also often tinged with a green or yellow color cast.

When shooting food indoors on your smartphone, try to get beside a window.

Natural window light is what every professional photographer tries to mimic with complicated and expensive flash systems.

It is very flattering for food.

Just be sure that the sun is not too bright, as it can also cast harsh shadows that are unflattering to your dish.

When shooting food with a smartphone, notice where the light is coming from. It should be from the side or the back of your plate or set-up.

While front light is beautiful in portraiture, it will make food look flat and also can cast unwanted shadows.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Choose the Right Angle

Does your plate ever look like it’s sliding off the table whenever you shoot with your smartphone?

This is because the camera has a wide angle lens, so certain angles make your food look distorted.

To achieve the best results, shoot your scene at 90-degrees or straight-on. A 3/4 angle rarely works.

An overhead angle gives a graphic pop to an image because it flattens depth. You can also get a lot more into the frame than you would if you were shooting at 45-degrees.

It’s a perfect angle for tablescapes, but also more minimalistic compositions.

90-degrees is not a good angle for tall foods, like burgers or stacks of pancakes. You want to see those layers, so shoot these kinds of subjects straight-on.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Take a Minimalist Approach

Tablescapes are fun and look appealing, but they are oftentimes difficult to do.

It can take a lot of moving the various elements around to make a pleasing composition and by the time you get it right, the food will no longer look appetizing.

A minimalist approach usually works best, especially if you’re a beginner. After all, the focus should be on the food!

Look at it this way: if your food is nicely plated and styled, then you’re already more than halfway there!

All you need is an additional prop or two, like a utensil or a piece of linen tucked under the plate.

How you approach your propping will really depend on the food. In the image of the poke bowls below, the food is already bright, colorful, and full of texture. Adding more than a set of chopsticks would have distracted the viewer’s attention from the dish.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

Heed the Rules of Good Composition

One problem you often see in food pictures on Instagram is that they look messy. Sometimes the food looks messy but also the environment in which the food is captured in.

The background is cluttered, or there are too many props that are distracting and don’t add anything to the shot.

Some of this can be solved with tighter shots and by taking some unnecessary elements away.

But you should also be aware of some of the basic principles of composition.

Try to have some negative space in the image. That is a clean area where the eye can rest for a brief moment as it moves through the image.

Resist the urge to fill every part of your image.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

If every area of your surface is covered with ingredients or a prop, it confuses the viewer and gives a claustrophobic feeling. Negative space provides a bit of breathing room and helps us focus on the main subject.

You should also be familiar with the rule-of-thirds. This is a compositional guideline that divides an image into nine equal parts, using two horizontal lines and two vertical lines, like a tic-tac-toe board.

Rule of Thirds

The important elements in your scene should fall along these lines, or at the points where they intersect.

Smartphones already have a grid like this as an overlay when you turn on your camera. Use it to help you place your focal point. That is the area where you want to create emphasis and draw the viewer’s eye.

A focal point can be created with color, an area of contrast, or isolation. A garnish can serve as a focal point.

Tell a Story

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

I have stated that a minimalist approach is often best, however, be mindful that adding a narrative quality to your images can also be very powerful.

Everyone loves a good story. Give your viewer an idea of a wider story taking place beyond the confines of the frame.

For example, you can do this by partially cropping out some of the elements in an overhead table shot, or show someone’s hand serving food or holding a cup of steaming coffee.

This human touch has become wildly popular in food photography, and this lifestyle element has spilled over from Instagram into the world of commercial food photography because it creates a sense of atmosphere and relatability.

Smartphone Food Photography For Social Media-Darina Kopcok-DPS

In Conclusion

Hopefully, this article has given you some tips to improve your smartphone food photography for social media.

Whichever approach you choose, be conscious of consistency and developing your style.

If you look at the most successful accounts on Instagram and other social media, you will find that they have a specific look in terms of color treatment or palette.

Take a good look at your images for the consistencies in your style and work on developing them. This may mean you take a lot of bright and airy images, or maybe you do mostly close-ups of your food.

The more you hone your style, the tighter your feed will look and draw an audience that loves what you do.

I’d love to see some of your smartphone food photography, so please share in the comments below.

 

 

The post Smartphone Food Photography For Social Media appeared first on Digital Photography School. It was authored by Darina Kopcok.


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Xiaomi co-founder teases 48MP smartphone camera

07 Dec

Earlier this year Chinese smartphone maker Xiaomi announced it had established an in-house camera division. Now it seems the initiative is bearing its first fruits.

Xiaomi co-founder and President Lin Bin has teased a smartphone with 48MP camera module on the Chinese social media platform Weibo. The image he posted shows a close-up of a rear camera with a ’48MP camera’ label next to the lens. Bin says he has used the phone for a few weeks and that it will be released in January.

That’s not an awful lot of information, but it means the upcoming Xiaomi phone will feature the highest pixel count ever on a mobile image sensor. Nokia’s 808 PureView juggernaut came with a 41MP sensor and the much more recent Huawei Mate 20 Pro features a 40MP quad Bayer arrangement.

Like the Nokia 808 PureView and Huawei Mate 20 Pro, the unreleased Xiaomi phone is likely to use its pixel count for high-quality digital zooming, pixel-binning for lower noise, and other computational trickery, rather than outputting enormous image files.

The sensor in question could be the Sony IMX586 quad-Bayer model which was announced in July. At 1/2″ it’s large for a mobile sensor, but due to the high pixel-count, individual pixels still only measure 0.8µm. Samsung’s Bright GM1 is another option with very similar specifications.

It’ll be interesting to see if the new Xiaomi will solely rely on the power of the 48MP sensor or add additional sensors, for example for tele, super-wide-angle or black-and-white shooting into the mix. We’ll know more in January.

Articles: Digital Photography Review (dpreview.com)

 
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LG patent describes smartphone camera with 16 sensors and lenses

26 Nov

With a total of five, LG’s current flagship smartphone V40 ThinQ already offers more camera modules than most of its competitors. However, it appears the current dual and triple-camera setups are only the beginning of a multi-camera arms race in the mobile industry.

According to a recent patent filing discovered by Dutch technology publication LetsGoDigital, the Korean manufacturer could be working on a smartphone with 16 sensors and lenses in the main camera array. The individual modules are arranged in a 4 x 4 matrix and designed to record the same scene from slightly offset angles, enabling the capture of 3D video or interesting image manipulation effects.

In an example it is shown how it would be possible to rotate the head of a portrait subject (or a teddy bear in the illustration below) to the angle you like best after capture.

Another example shows how the multi-cam technology could be combined with artificial intelligence features. Users could select a subject by drawing around it. The system then searches for other photos of the same person and then offers other, potentially more flattering, “heads” to replace the original with. This could be a useful function when one person in a group shot has their eyes closed, for example.

The patent also describes how the main camera array could be used to take selfies using a simple mirror, a concept that users of older flip-phones or compact cameras might still be familiar with.

As usual there is no way of knowing if or when the technology will make it into a final product but it’s great to see manufacturers are working on new ways of making the cameras in our pockets even more powerful. For more detail, you can have a look at the patent documents on the USPTO website.

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Zhiyun-Tech adds zoom, smartphone control on its new Crane 3 Lab gimbal

19 Nov

Gimbal manufacturer Zhiyun-Tech has introduced zoom control as well as focus control for its new flagship model, the Crane 3 Lab. The new model, which is now ready to ship this month, will allow also feature a transmission system that will send full HD footage from the camera to a smartphone or tablet for more convenient monitoring of the footage as it is recorded.

The company has redesigned the grip of the gimbal with a second handle that extends from the rear of the device that makes working in the underslung position, and the process of getting there from the ‘normal’ upright position, much smoother. The second handle has an updated control panel for accessing menus as well as for controlling the gimbal and some of the features of the camera in use. The panel has an improved LED screen and the grip more buttons and physical control points so users don’t need to access the menu so often.

A bracket has been added to the main stem of the gimbal that is designed to hold a smartphone that can be used to help control the gimbal. With the camera connected via HDMI to the new built-in transmission box an HD preview of the footage being recorded by the camera is sent directly to a wirelessly connected smartphone.

Using the Zhiyun app on either Android or iOS devices the picture can be monitored and the gimbal itself can be controlled. The phone can be used as a motion control sensor so the gimbal will mirror the movements of the phone, or simple on-screen icons can drive gimbal rolls, tilts and turns. The focus and zoom of the lens attached to the camera can also be controlled via the app or by using a pair of wheels on the body of the gimbal.

Below is a demonstration of the Crane 3 Lab in action, captured and shared by Cinema5D:

Zhiyun says that it has made the arms of the gimbal a bit longer to allow it to accommodate large cameras, and the maximum weight it can shoulder has risen to 4.5kg/9.9lbs (minimum weight is 500g/1lb). New motors have double the torque of those in the Crane 2, and perform with half the noise and will much improved speed of response. The 2600mAh battery runs for 7.5hours and charges in 4, and has been repositioned from inside the main grip.

The Zhiyun Crane 3 Lab is due out later this month, and will cost $ 899. For more information see the Zhiyun-Tech website

Press release

Zhiyun Announces 2018’s Best DSLR Camera Stabilizer, CRANE 3 LAB

4.5kg payload, wireless image transmission, remote control, and synchronous zoom/focus

Shenzhen, China, November 14th, 2018, Zhiyun, the world’s leading gimbal manufacturer, is pleased to announce the all-new CRANE 3 LAB gimbal for professional DSLR and cinema-grade cameras. The CRANE 3 LAB is the most anticipated stabilizer of 2018 and revolutionizes the way stabilizers will be designed as it features a unique L-shaped design. Defining new features that make the CRANE 3 LAB stand out in the gimbal market are its wireless image transmission system and ViaTouch Control System to allow anyone to shoot the best footage with the CRANE 3 LAB, whether working alone or as a team.

The CRANE 3 LAB sports a protruded control stick which provides stability and comfort. It creates a natural and ergonomic way to hold your stabilizer in a traditional vertical manner, or underslung for low-angle shots. The handheld tripod at the base is used as an extra grip and can easily be removed for high-activity shots with the least amount of interference.

In underslung mode, the CRANE 3 LAB is perfectly balanced for one-handed use, a testament to its build quality and high-quality materials. Despite its low weight and light feel, the CRANE 3 LAB supports camera setups up to 4.5 kg / 10 lbs.

CRANE 3 LAB – The perfectly controllable stabilizer
The CRANE 3 LAB features an advanced control stick with a bright OLED display that shows vital information about the camera and the CRANE 3 LAB itself, such as shutter speed, ISO setting, aperture, as well as battery and connection status. It also features the most common settings buttons, a quick-select control dial, and gimbal joystick, all within a finger’s reach, making switching settings on-the-go a breeze. The hands-on control method works no matter at what angle the CRANE 3 LAB is used. Popular features from other Zhiyun products are also introduced, such as an easy Pan-Follow/Lock switch and the popular PhoneGo mode, which turns the motors into overdrive to film high-performance sports and action scenes.

Advanced wireless operation
As a part of Zhiyun’s premium LAB features, the CRANE 3 LAB is equipped with a wireless image transmission system that allows smartphones and tablets to function as a Full HD monitor, reducing the need for an external monitor. Beyond use as just an external monitor, the ViaTouch Control System allows for remote operation of the CRANE 3 LAB through any Android or iOS device running the ZY Play app. Controlling the CRANE 3 LAB can be done through a touch-interface or through motion-control. This allows for perfect framing of shots, even when the operator is not near the gimbal. Using ViaTouch allows for advanced features like follow focusing and object-tracking through a connected device, to allow a new level of footage to be shot with the CRANE 3 LAB.

Synchronous Zoom/Focus
The CRANE 3 LAB supports synchronous zoom and focus on almost all cameras with the TransMount Servo Zoom/Follow Controller Max & TransMount Servo Zoom/Follow Controller Lite. With the zoom trigger and the focus wheel, filmmakers have instant control of the zoom and focus which gives an instantaneous response of the actions performed by the filmmaker. This is a huge benefit over last-generation products that can only realize either one of zoom or focus function at a time. The TransMount Servo Controllers are available separately or through the Creator & Master Package.

CRANE 3 LAB bundles with TransMount accessories
The Creator and Master Package of the CRANE 3 LAB come with all the TransMount accessories to level-up your shooting experience. Included in the Creator Package are the TransMount phone holder with crown gear, servo focus & zoom combo kits, telescopic monopod (1.2m/4ft) with locking buckle, camera belt, quick release base plate, and quick setup kit, which adds quick-release options for the monopod or tripod. The Master Package adds a protective and durable gimbal backpack to the package.

Rethinking the DSLR camera stabilizer
The CRANE 3 LAB was developed based on the feedback of many users of Zhiyun CRANE products. For easier setup and maximum portability, each axis/motor has a locking-tab in bright red sturdy aluminum, to lock each axis in place for balance or during transportation. Additionally, each axis is longer and together with the stronger, aviation-grade engines, allowing it to operate with almost all best-selling DSLR cameras and lenses on the market. Power is provided by universally available 18650 batteries that can be easily swapped or charged through a USB port, for up to a promised 7,5 hours of runtime.

Pricing and availability
The CRANE 3 LAB will be available for preorder at major photo retailers including B&H for $ 899:

Articles: Digital Photography Review (dpreview.com)

 
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